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4 More 'Doctor Who' Stories Ripped From the History Books

We barely scratched the surface of historical Doctor Who in our previous post. Today, we'll look at a few of the historical adventures transmitted in the 1960s.

1. The Aztec Empire

In History: The Aztecs were a group of Mesoamericans who dominated much of what is now Mexico when the Spanish Conquistadors arrived in the 16th century. Although the Conquistadors emphasized the brutality of their customs (particularly human sacrifice) in order to justify their conquest, they weren't mere butchers and had a complex society, advanced architecture, and a rich mythological structure. But the human sacrifice thing was very real. Unlike most ancient cultures, they didn't perform sacrifice to appease their gods; they felt the gods could not be controlled, but that sacrifice at the appropriate times would nourish the right gods at the right times to achieve particular effects, such as bringing the rain. The empire reached its zenith in 1519 -- shortly before Cortes arrived and ended it all.

On Doctor Who: The four-part serial "The Aztecs" aired in season one. The TARDIS materializes in the tomb of a legendary high priest named Yetaxa. Intrigued by the grave goods, Barbara puts on a bracelet -- and is promptly mistaken for a reincarnation of Yetaxa when some of the locals catch her in the tomb. She is immediately lavished with praise and honor, which she enjoys up until she discovers that the priests are planning a sacrifice to restore the rains. In accordance with Aztec custom, a Perfect Sacrifice has been groomed and will be killed in front of her. Although the young man in question is content with his fate, and even considers it a high honor, Barbara is horrified and resolves to use her new position to ban human sacrifice, believing that ending the practice might enable the Aztecs to survive the arrival of the Spaniards. The Doctor tries to warn her that she cannot be successful, but she has to try anyway.

2. The Emperor Nero

In History: Lucius Domitius Ahenobarbus was born December 15, 37 AD. Though related to the Emperor, he was not considered a major contender for the throne until Claudius adopted him and made him his heir. At this time, he changed his name to Nero Claudius Caesar Drusus Germanicus, and in 54 AD, he became the Emperor Nero. He quickly worked to consolidate his power, using poison and other means to eliminate rivals, ultimately including even his mother. He was a very busy emperor, but of mixed popularity; on one hand, he was responsible for considerable tax reform, but he scandalized conservative Romans by bringing in Greek-inspired theater and even performing the lyre himself, which the more tradition-minded felt was an invitation to immorality.

But the event for which he is best known occurred on July 18, 64: the Great Fire of Rome. Though the cause of the fire is unknown, many ancient historians blamed Nero, saying that he had the city burned to clear the way for massive public works projects. This may not be true, since Nero contributed enormous personal time and money and even the use of his palaces to care for the survivors. As rumor started to paint Nero the villain, he used the ever-popular strategy of blaming an unpopular minority -- he blamed it on Christians, having them tortured and burned publicly to appease the public. His reign continued another four years, and then, facing a revolt, he committed suicide. His death ended the Julio-Claudian dynasty.

On Doctor Who: "The Romans" aired in January of 1965. The TARDIS delivers the Doctor, Barbara, Ian, and new companion Vicki to ancient Rome, 64 AD. It gets stuck at the bottom of a cliff, so the travelers move into an empty villa for the duration. Barbara and Ian are captured by slave traders, while the Doctor and Vicki find themselves mistaken for an accomplished lyre player and his companion. The Doctor accepts the mistaken identity, and is brought to the court of Emperor Nero. The serial favors the incompetent, vain, and arrogant depiction of Nero, and while the Doctor tries to deflect Nero's requests for a concert, Barbara and Ian have their own adventures in slavery, with Ian going the full "Ben Hur" route, from galley slave to gladiator. Nero eventually works out that the Doctor can't play the lyre to save his life, and becomes furious. He's about to order the Doctor thrown to the lions when the Doctor's glasses accidentally set a map of the city on fire. This gives Nero the inspiration to have the city burned deliberately so that he can rebuild it to his liking. Our heroes still have to escape their various perils, which they do with the help of a friendly Roman who turns out to be an early Christian, leaving one to wonder how things will go for him after our heroes have departed.

(Skip ahead about 30 seconds, where "The Romans" starts.)

3. The Third Crusade

In History: Lasting just three years, from 1189 to 1192, the Third Crusade attempted to retake the Holy Land from Saladin, who had conquered them in 1187 as part of an effort to reduce Christian influence in the region. In western Europe, King Henry II of England and King Philip II of France made a pact to end their long war and join together against Saladin, and obtained the full support of the Holy Roman Emperor, Frederick Barbarossa (and then his successor, Leopold V). Henry II died before he could go far, but Richard I "the Lionheart" enthusiastically took up the task. A combined English, French, and German/Austrian force drove the Saracens out of Acre, and both Philip II and the Emperor returned to Europe.

Richard I wasn't done, though. He took additional cities, remaining undefeated during his stay in the Holy Land. The Crusade was not fully successful, and Richard I signed a treaty with Saladin in 1192, leaving Jerusalem under Muslim control but allowing pilgrims and merchants access to the city while a Christian presence remained in Cyprus and Syria. Richard returned home in October of 1192.

On Doctor Who: Transmitted in 1965, this four-part serial is set in the middle of the Third Crusade. The TARDIS materializes in the middle of an ambush, and our heroes are thrown promptly into the thick of things. Barbara is captured by Saracens along with a friend of King Richard, and the First Doctor, Vicki, and Ian head for King Richard's court. Saladin's brother, Saphadin, believes Barbara and the Englishman to be King Richard and his sister Joanna, and is about to kill them when he realizes they aren't as valuable as he thought -- and then Saladin emerges and saves them, asking Barbara to become his Scheherazade. Meanwhile, King Richard is persuaded by our heroes to lend some assistance in retrieving Barbara and his friend, and grants Ian a knighthood, telling him to offer his sister's hand in marriage in exchange for the two hostages -- because that's what Saphadin had really been after all along. The real Joanna refuses this plan, and Ian has to go rescue Barbara the old fashioned way. By this time, some of the English nobles have begun to suspect the Doctor as a spy for Saladin; he, Ian, Barbara, and Vicki manage to return to the TARDIS and flee at the last moment.

This serial was destroyed during the archive purge, but episodes 1 and 3 have since been recovered, as has the complete soundtrack. A version of it, with linking narration by William Russell ("Ian") to explain the missing episodes, was released on VHS and DVD.

4. The Battle of Culloden

In History: In 1745, the Jacobites rebelled, seeking to overthrow the House of Hanover and restore the House of Stuart to the British throne. This uprising sought to place James III back on the thrones of England and Scotland, and was led primarily by Charles Edward Stuart (Bonnie Prince Charlie) with heavy support from Highland clans in Scotland, and also the backing of the French king, who probably preferred a Catholic on the English throne and the ending of hostilities between England and France. The process began well, but soon faltered, and in under a year was a disaster. The Jacobites staged their final land battle at Culloden Moor, a valiantly fought effort on bad ground where thousands died. The government troops pursued the Jacobites vigorously, hunting them down and committing many acts which today would be considered war crimes in their ardor. Charles managed to flee, wandering the Highlands for a while before escaping to France, and the English government began a brutal crackdown to retaliate, attempting to wipe Gaelic culture and the clan system off the map and prevent a recurrence. He spent most of the rest of his life in France and Rome (apart from a brief visit to London), in exile.

On Doctor Who: Transmitted between December of 1966 and January of 1967, "The Highlanders" was the last "pure historical" serial until the 1980s; that is, a story set entirely in period with no alien monsters or similarly fantastical problems to contend with. The TARDIS arrives near the field of Culloden, and the Second Doctor, Ben, and Polly are promptly taken prisoner by a group of escaping Jacobites belonging to the clan McLaren: a laird, his two adult children, and a piper named Jamie McCrimmon. Government troops catch up with them, kill one of the Jacobites, and take the rest prisoner, while the two girls manage to escape. The Doctor, Ben, and the Jacobites narrowly escape hanging, and wind up dragged off to Inverness in an illegal transportation scheme being worked for profit by one of the government men, the Royal Commissioner of Prisons, who intends to ship them off to the colonies to be sold into servitude. The Doctor escapes, reunites with Polly, and aids in a mutiny that enables the captured Highlanders to take a ship to head for France. Jamie McCrimmon stays behind to help our heroes find their way back, and ends up joining them in the TARDIS.

This is another one of the destroyed serials, but in this case, only the audio has been recovered, and released on CD with narration by Frazer Hines ("Jamie McCrimmon"). There have been a number of efforts to create reconstructions based on the audio and telesnaps recorded at the time.

Tune in next week for more!

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Aidan Monaghan/AMC
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History
What AMC's The Terror Got Right (And Wrong) About the Franklin Expedition
Aidan Monaghan/AMC
Aidan Monaghan/AMC

WARNING: This post contains spoilers for The Terror. If you haven't finished the show, don't read further!

We know the outcome of Captain Crozier's battle with Tuunbaq in the AMC series The Terror, and that he chose (as some rumors have suggested) to live with the Inuit rather than return to London when he has the chance. Now, it's time for a post-mortem (sorry) of the show's historical highlights. While Dan Simmons, author of the book on which the show is based, created Lady Silence and her supernatural evil spirit—Tuunbaq definitely wasn't stalking the men of the Erebus and Terror back in 1847—much of the show is faithful to the actual events of the Franklin expedition, one of the most enduring mysteries in polar exploration. Here's a rundown of what The Terror got right, and where the show slipped up.

RIGHT: THE TERROR’S ARCTIC ATMOSPHERE

A scene from AMC's The Terror with Sir John Franklin and James Fitzjames
Capt. James Fitzjames (Tobias Menzies), left, and Sir John Franklin (Ciaran Hinds) survey the ice.
Aidan Monaghan/AMC

Right off the bat, The Terror envelops viewers in an icy world that increasingly mirrors the crews’ isolation and desperation. In the first tragic scene, a sailor falls overboard into a sea of accurately rendered pancake ice. In another scene, Captain Francis Crozier sees a sun dog—a solar phenomenon caused by sunlight refracting through clouds of ice crystals, often witnessed by polar explorers. The officers' uniforms and caps are also recreated with authentic details. As the hopelessness of their predicament dawns on the officers and men, summer’s 24-hour daylight vanishes, replaced by the 24-hour darkness of winter. The imprisoned ships tilt with the pressure of the pack ice.

There were a few hiccups noticed by sharp-eyed viewers in the Remembering the Franklin Expedition Facebook group, however. Caulker's mate Cornelius Hickey has a fondness for cigarettes, but most sailors probably smoked pipes at the time, and definitely not inside the ship. (Good thing they had that fire hole bored into the ice!) And assistant surgeon Harry Goodsir’s technique with the Daguerrotype camera in the blind would have produced a terrible photo. His 20th-century stopwatch wouldn’t have helped.

WRONG: FRANKLIN’S BACK-UP PLAN

A scene from AMC's The Terror with Sir John Franklin and Capt. Francis Crozier
Captain Francis Crozier (Jared Harris), right, tries to convince Sir John that they're going to need rescuing pretty soon.
Aidan Monaghan/AMC

In a flashback in Episode 3, Sir John Franklin’s good friend Sir John Ross asks the soon-to-depart commander if the Admiralty had any plans for his rescue. When Franklin says one won’t be needed—since the HMS Erebus and HMS Terror are the best-provisioned ships ever sent to the Arctic—Ross warns him that he’s being naïve. In real life, this conversation was much different, and it didn’t take place at the Admiralty.

Franklin and Ross knew firsthand how a well-provisioned expedition can become a fight for survival. (In Episode 6, Captain James Fitzjames hears the story of Ross’s disastrous Victory expedition from the Erebus's ice master Thomas Blanky, who was really there in 1829-1833.) Ross instead offered to rescue Franklin himself, and captained (at age 72!) a privately funded schooner in search of his lost friend in 1850. And because Ross and the Admiralty had had a major falling out decades before, Ross wouldn’t have been chatting with Franklin at the Admiralty's HQ in Episode 3, and he definitely wouldn’t have been there to hear Lady Jane Franklin’s plea for a search party in Episode 4.

Sir John Ross was the uncle of Sir James Clark Ross, whom we see in the first scene of Episode 1 and its replay, from a different point of view, at the end of Episode 10. In real life, Sir James was one of Crozier's closest friends.

WRONG (MAYBE): KILLER CANS

In a foreboding sign of things to come, Franklin removes a tiny blob of lead from his mouth while eating dinner with Fitzjames in the first episode. By Episode 4, the ships’ cooks are complaining that much of the canned meat is spoiled, and able seaman John Morfin shows up in Goodsir’s infirmary with a blackish line along his gums, an ominous sign of lead poisoning. To test that hypothesis, Goodsir feeds the monkey Jacko some of the canned meat, and then reveals his theory to the surgeon Stephen Stanley: The meat is contaminated with lead and the men have been eating it for more than two years.

The storyline is built upon a famous theory that is now in doubt. In the mid-1980s, forensic anthropologists found high levels of lead in Franklin crewmembers' remains. They suggested the source was poorly sealed food cans, and that lead poisoning led to the men’s deaths. But recent research has pointed to the Erebus’s and Terror’s unique water systems [PDF], which used lead pipes, as the primary source of contamination. And, a 2015 study compared lead content among seven crewmembers’ remains and found wide variation, suggesting some men may not have been debilitated.

RIGHT: SERIOUS SCURVY

A scene from AMC's The Terror with Goodsir and Young
Dr. Goodsir (Paul Ready) tries to save David Young (Alfie Kingsnorth).
Aidan Monaghan/AMC

David Young, the first fatality of The Terror, doesn’t show any signs of scurvy in Goodsir’s autopsy. But by the summer of 1848, the remaining crew camped on King William Island hasn’t eaten fresh meat in three years, and the Navy-issued lemon juice rations have either run out or lost potency. Signs of severe Vitamin C deficiency appear: Fitzjames’s old bullet wounds, which he boasted about at the officers' table in the first episode, begin to open up, and a rough-looking Lieutenant George Henry Hodgson loses a tooth as he chews the leather from his boot (a nod to Franklin’s awful 1819-1822 Arctic expedition) in Episode 9. The scenes match what most, though not all, historians and researchers now believe: that a grim combination of scurvy, starvation, exposure, and underlying illnesses spelled the end for Franklin’s men.

(VERY LIKELY) WRONG: FRANKLIN’S CAUSE OF DEATH

A scene from AMC's The Terror with Sir John Franklin and Tunnbaq
Tuunbaq takes a deadly swipe at Sir John.
Aidan Monaghan/AMC

The terrifying scene in Episode 3 in which Tuunbaq mauls Franklin to death and shoves him down the fire hole is most likely not the way it actually happened. Historically speaking, just after the men abandon ship in April 1848, Crozier and Fitzjames updated the note left in the cairn the previous spring. They reported that “Sir John Franklin died on 11th June 1847”—just 19 days after Lieutenant Graham Gore and mate Charles Des Voeux had left the same paper behind on May 24, 1847 and reported the crews “all well.” Unfortunately, it’s the only record ever found about the expedition’s progress, and no one knows for sure how Franklin died or what happened to his body. Inuit oral histories collected by Franklin scholar Louie Kamookak suggest Franklin was buried under a flat stone somewhere on King William Island, but to date, no trace has been found.

RIGHT: THAT CRAZY CARNIVAL

The wild masquerade party in the middle of the bleak and frozen Arctic, which Fitzjames orders as a morale-booster for the men in Episode 6, may seem like a total anachronism. In real life, it was a time-honored tradition. (We don't know for sure if the Erebus and Terror had a carnival because no logbooks from the expedition have been found, but it's likely that they did.) In 1819-1820, Sir Edward Parry led the first polar expedition to purposefully overwinter in the Arctic. He worried about how the men would fare psychologically during the months of darkness and teeth-cracking cold, so he brought along trunks of theatrical costumes and launched the Royal Arctic Theatre, a fortnightly diversion for the officers and men to perform silly plays and musicals. It kept the men busy writing shows, practicing their parts, and building sets, which Parry thought was the key to staying sane. The scheme was such a success that subsequent expeditions kept the tradition going. But unlike in The Terror, the frivolities didn’t end in fiery conflagrations and mass casualties. 

(POSSIBLY) WRONG: HICKEY’S MURDEROUS MUTINY

A scene from AMC's The Terror with Cornelius Hickey
Mr. Hickey (Adam Nagaitis) cooks up a mutiny.
Aidan Monaghan/AMC

In Episode 7, Hickey plans a mutiny and convinces enough of the desperate men to follow him, splitting the remaining officers and men into two groups and, in Episode 9, taking Crozier captive. Hickey also kidnaps Goodsir because, as the expedition’s sole remaining surgeon, he is the only one who knows how to wield a bone saw. We don’t know, though, if there was an actual mutiny among the Franklin survivors. The remains of some of Franklin's men were found in different locations, but that doesn’t necessarily indicate a breakdown of order. Smaller groups may have split off from the main group because they simply couldn’t march any farther or had decided to return to the ships. Despite the harsh conditions of service in the Royal Navy, mutinies were quite rare.

RIGHT: CANNIBALISM

Hickey’s followers, starving and desperate, dine on morsels of steward William Gibson in one of Episode 9’s most wrenching scenes with historical precedent. Hudson’s Bay Company trader John Rae discovered the truth about the Franklin expedition from interviews with Inuit in 1854, including testimony that the men resorted to cannibalism to survive. In his infamous letter to the Admiralty, he wrote, “from the mutilated state of many of the bodies, and the contents of the kettles, it is evident that our wretched countrymen had been driven to the last dread alternative as a means of sustaining life.” Victorian England refused to believe it—but Inuit testimony and forensic research [PDF] supported Rae’s account, finally revealing the expedition’s fate.

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(c) Field Museum, CSZ5974c, photographer Carl Akeley, used with permission.
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Animals
The Time Carl Akeley Killed a Leopard With His Bare Hands
(c) Field Museum, CSZ5974c, photographer Carl Akeley, used with permission.
(c) Field Museum, CSZ5974c, photographer Carl Akeley, used with permission.

Carl Akeley had plenty of close encounters with animals in his long career as a naturalist and taxidermist. There was the time a bull elephant had charged him on Mount Kenya, nearly crushing him; the time he was unarmed and charged by three rhinos who missed him, he said later, only because the animals had such poor vision; and the time the tumbling body of a silverback gorilla he'd just shot almost knocked him off a cliff. This dangerous tradition began on his very first trip to Africa, where, on an otherwise routine hunting trip, the naturalist became the prey.

It was 1896. Following stints at Ward’s Natural Science Establishment and the Milwaukee Public Museum, Akeley, 32, had just been appointed chief taxidermist for Chicago’s Field Museum of Natural History, and he was tasked with gathering new specimens to bolster the 3-year-old museum's fledgling collections. After more than four months of travel and numerous delays, the expedition had reached the plains of Ogaden, a region of Ethiopia, where Akeley hunted for specimens for days without success.

Then, one morning, Akeley managed to shoot a hyena shortly after he left camp. Unfortunately, “one look at his dead carcass was enough to satisfy me that he was not as desirable as I had thought, for his skin was badly diseased,” he later wrote in his autobiography, In Brightest Africa. He shot a warthog, a fine specimen, but what he really wanted was an ostrich—so he left the carcass behind, climbed a termite hill to look for the birds, then took off after a pair he saw in the tall grass.

But the ostriches eluded him at every turn, so he returned to camp and grabbed the necessary tools to cut off the head of his warthog. However, when he and a “pony boy” got to the spot where he’d left the carcass, all that remained was a bloodstain. “A crash in the bushes at one side led me in a hurry in that direction and a little later I saw my pig's head in the mouth of a hyena travelling up the slope of a ridge out of range,” Akeley wrote. “That meant that my warthog specimen was lost, and, having got no ostriches, I felt it was a pretty poor day.”

As the sun began to set, Akeley and the boy turned back to camp. “As we came near to the place where I had shot the diseased hyena in the morning, it occurred to me that perhaps there might be another hyena about the carcass, and feeling a bit ‘sore’ at the tribe for stealing my warthog, I thought I might pay off the score by getting a good specimen of a hyena for the collections,” he wrote. But that carcass was gone, too, with a drag trail in the sand leading into the bush.

Akeley heard a sound, and, irritated, “did a very foolish thing,” firing into the bush without seeing what he was shooting at. He knew, almost immediately, that he'd made a mistake: The answering snarl told him that what he’d fired at was not a hyena at all, but a leopard.

The taxidermist began thinking of all the things he knew about the big cats. A leopard, he wrote,

“... has all the qualities that gave rise to the ‘nine lives’ legend: To kill him you have got to kill him clear to the tip of his tail. Added to that, a leopard, unlike a lion, is vindictive. A wounded leopard will fight to a finish practically every time, no matter how many chances it has to escape. Once aroused, its determination is fixed on fight, and if a leopard ever gets hold, it claws and bites until its victim is in shreds. All this was in my mind, and I began looking about for the best way out of it, for I had no desire to try conclusions with a possibly wounded leopard when it was so late in the day that I could not see the sights of my rifle.”

Akeley beat a hasty retreat. He’d return the next morning, he figured, when he could see better; if he’d wounded the leopard, he could find it again then. But the leopard had other ideas. It pursued him, and Akeley fired again, even though he couldn’t see enough to aim. “I could see where the bullets struck as the sand spurted up beyond the leopard. The first two shots went above her, but the third scored. The leopard stopped and I thought she was killed.”

The leopard had not been killed. Instead, she charged—and Akeley’s magazine was empty. He reloaded the rifle, but as he spun to face the leopard, she leapt on him, knocking it out of his hands. The 80-pound cat landed on him. “Her intention was to sink her teeth into my throat and with this grip and her forepaws hang to me while with her hind claws she dug out my stomach, for this pleasant practice is the way of leopards,” Akeley wrote. “However, happily for me, she missed her aim.” The wounded cat had landed to one side; instead of Akeley’s throat in her mouth, she had his upper right arm, which had the fortuitous effect of keeping her hind legs off his stomach.

It was good luck, but the fight of Akeley’s life had just begun.

Using his left hand, he attempted to loosen the leopard’s hold. “I couldn't do it except little by little,” he wrote. “When I got grip enough on her throat to loosen her hold just a little she would catch my arm again an inch or two lower down. In this way I drew the full length of the arm through her mouth inch by inch.”

He felt no pain, he wrote, “only of the sound of the crushing of tense muscles and the choking, snarling grunts of the beast.” When his arm was nearly free, Akeley fell on the leopard. His right hand was still in her mouth, but his left hand was still on her throat. His knees were on her chest and his elbows in her armpits, “spreading her front legs apart so that the frantic clawing did nothing more than tear my shirt.”

It was a scramble. The leopard tried to twist around and gain the advantage, but couldn’t get purchase on the sand. “For the first time,” Akeley wrote, “I began to think and hope I had a chance to win this curious fight.”

He called for the boy, hoping he’d bring a knife, but received no response. So he held on to the animal and “continued to shove the hand down her throat so hard she could not close her mouth and with the other I gripped her throat in a stranglehold.” He bore down with his full weight on her chest, and felt a rib crack. He did it again—another crack. “I felt her relax, a sort of letting go, although she was still struggling. At the same time I felt myself weakening similarly, and then it became a question as to which would give up first.”

Slowly, her struggle ceased. Akeley had won. He lay there for a long time, keeping the leopard in his death grip. “After what seemed an interminable passage of time I let go and tried to stand, calling to the pony boy that it was finished.” The leopard, he later told Popular Science Monthly, had then shown signs of life; Akeley used the boy’s knife to make sure it was really, truly dead.

Akeley’s arm was shredded, and he was weak—so weak that he couldn’t carry the leopard back to camp. “And then a thought struck me that made me waste no time,” he told Popular Science. “That leopard has been eating the horrible diseased hyena I had killed. Any leopard bite is liable to give one blood poison, but this particular leopard’s mouth must have been exceptionally foul.”

He and the boy must have been quite the sight when they finally made it back to camp. His companions had heard the shots, and figured Akeley had either faced off with a lion or the natives; whatever the scenario, they figured Akeley would prevail or be defeated before they could get to him, so they kept on eating dinner. But when Akeley appeared, with “my clothes ... all ripped, my arm ... chewed into an unpleasant sight, [with] blood and dirt all over me,” he wrote in In Brightest Africa, “my appearance was quite sufficient to arrest attention.”

He demanded all the antiseptics the camp had to offer. After he'd been washed with cold water, “the antiseptic was pumped into every one of the innumerable tooth wounds until my arm was so full of the liquid that an injection in one drove it out of another,” he wrote. “During the process I nearly regretted that the leopard had not won.”

When that was done, Akeley was taken to his tent, and the dead leopard was brought in and laid out next to his cot. Her right hind leg was wounded—which, he surmised, had come from his first shot into the brush, and was what had thrown off her pounce—and she had a flesh wound in the back of her neck where his last shot had hit her, “from the shock of which she had instantly recovered.”

Not long after his close encounter with the leopard, the African expedition was cut short when its leader contracted malaria, and Akeley returned to Chicago. The whole experience, he wrote to a friend later, transported him back to a particular moment at the 1893 World’s Columbian Exposition, which he’d visited after creating taxidermy mounts for the event. “As I struggled to wrest my arm from the mouth of the leopard I recalled vividly a bronze at the World’s Columbian Exposition in Chicago, depicting the struggle between a man and bear, the man’s arm in the mouth of the bear,” he wrote. “I had stood in front of this bronze one afternoon with a doctor friend and we discussed the probable sensations of a man in this predicament, wondering whether or not the man would be sensible to the pain of the chewing and the rending of his flesh by the bear. I was thinking as the leopard tore at me that now I knew exactly what the sensations were, but that unfortunately I would not live to tell my doctor friend.”

In the moment, though, there had been no pain, “just the joy of a good fight,” Akeley wrote, “and I did live to tell my [doctor] friend all about it.”

Additional source: Kingdom Under Glass: A Tale of Obsession, Adventure, and One Man's Quest to Preserve the World's Great Animals

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