CLOSE
Original image
NBC

11 Ill-Conceived TV Spinoffs That Almost Happened

Original image
NBC

Not too long ago entertainment gossip rags were abuzz discussing the pros and cons of a Dwight Schrute spinoff series (that didn't end up happening). But Dwight is far from the first popular character who almost got his own show. Here are 11 other spinoff ideas that barely made it past the drawing board.

1. W*A*L*T*E*R (M*A*S*H)

This M*A*S*H spinoff had as complicated a broadcast history as plot backstory. Gary Burghoff, who’d played the loveable Cpl. Radar O’Reilly at the 4077, provided a bit of background for his upcoming solo series during a special guest appearance on an episode of yet another ill-fated spinoff, AfterM*A*S*H. There we learned that Radar’s (oops – he made it clear in the pilot that his name was “Walter”) farm had failed and he’d shipped his mom off to live with an aunt. He’d married a woman named Sandy who left him for another man during their honeymoon. He now lived in St. Louis with his cousin and was a rookie cop on the local police force. The first episode showed hapless, naïve Walter exhibiting typical Radar-like behavior, such as getting embarrassed when breaking up a fight at a strip club, and buying a soda for a kid he falsely accused of committing a crime. The pilot episode of W*A*L*T*E*R aired just once (on July 17th, 1984; the series was not picked up), and only in the Eastern and Central time zones thanks to CBS affiliates cutting to live coverage of the 1984 Democratic National Convention at 9:00pm.

2. Facts of Life: Next Generation

The proposed Facts of Life spinoff had several working titles but never made it past the two-part Facts of Life finale entitled “The Beginning of the Beginning.” It was to be a vehicle for Lisa Whelchel, whose snooty Blair Warner character would buy the financially troubled Eastland School and become its new headmistress.

3. The Art of Being Nick (Family Ties)

Scott Valentine was introduced as Nick Moore, Mallory’s love interest on Family Ties, during the series’ fourth season. Nick was a retro-hippie “environmental” artist who made sculptures out of garbage and whose grungy appearance and lack of scholastic ambition was a sore point with Steven, Elyse and Alex. Audience reaction to Nick was so positive that not one but three different pilots for a spinoff series were filmed in 1986. The one that made it to the air in 1987 was The Art of Being Nick and co-starred a pre-Seinfeld Julia Louis-Dreyfus. Even though the ratings were encouraging, NBC honcho Brandon Tartikoff nixed the series, preferring to keep the Nick character as a semi-regular on Family Ties.

4. Karen (Will and Grace)

This proposed Will and Grace spinoff didn’t get as far as the pilot stage, but it was all mapped out on paper. Megan Mullally would star as Karen Walker in her mansion and most of the comedy would be the interaction between her and her servants (one of which was slated to be a butler played by Martin Short). NBC got cold feet, though, after the lackluster ratings for Joey and gave Mullally a talk show instead of a sitcom.

5. After the Honeymoon (My Three Sons)

During the 11th season of My Three Sons there was an attempt to spin off eldest son, Robbie (played by Don Grady), his wife Katie (Tina Cole) and their triplet boys onto their own series. In the pilot episode, Robbie was laid off from work and moved his family to San Francisco to accept a new job. After the Honeymoon wasn’t picked up, and Grady didn't return to My Three Sons for the 12th and final season. Tina Cole did return to the bosom of the Douglas family, and her husband’s absence was explained by having him transferred to Peru to oversee a construction job.

6. Another Man’s Shoes (One Day at a Time)

The original premise of One Day at a Time – a divorcée struggling to raise two daughters as a single mom – was all but forgotten by Season Nine. Ann Romano had remarried and moved to London and both her daughters had grown up and gotten married. Who was left to spin off into their own series? Schneider, the building superintendent, of course. In the pilot, Schneider finds out that his brother has passed away and he flies to Florida to care for his now-orphaned niece and nephew (a young Corey Feldman). The children live in an apartment over an arcade that was frequented by an assortment of wacky regulars, and it just so happened the arcade owner was looking to hire a handyman. All the elements were in place for Dwayne Schneider to start life anew in Daytona Beach, but, alas, the series was not picked up.

7. Jackee (227)

Relations between Marla Gibbs and Jackie Harry were rather tense by the fourth season of 227, mainly because Jackee’s character, Sandra, had become the breakout star of the series. Harry filmed a pilot which aired in 1989 in which Sandra moved to New York to accept a job at a film studio. When it turned out that the studio in question made adult films, she instead took a job at a spa. The pilot had a plum slot right after The Cosby Show and finished fifth in the ratings, but NBC still declined to pick it up.

8. Horshack (Welcome Back, Kotter)

Ooh! Ooh! Guess which Sweathog almost graduated from Mr. Kotter’s class to his own series? The episode of Welcome Back Kotter entitled “There Goes Number 5” was the pilot for an Arnold Horshack series in which the geeky student becomes a surrogate father to his younger siblings after his mother’s fifth husband dies. ABC ultimately decided to green light the Barney Miller spinoff Fish instead.

9. Goober and the Trucker’s Paradise (The Andy Griffith Show)

A proposed spinoff of The Andy Griffith Show featured Gomer’s cousin Goober moving from Mayberry to Atlanta with his sister, Pearl, to open a truck stop café. The network passed on it, so Goob stayed on at Wally’s Filling Station all the way through Mayberry RFD.

10. Mona (Who's the Boss?)

A two-part episode of Who’s The Boss? was a pilot for a proposed series starring Katherine Helmond. Mona goes to visit her never-before-mentioned brother Cornelius at a hotel he’s recently purchased. Even though the place turned out to be a decrepit money pit, Mona decided to stay on and co-manage it with him. That is, until ABC gave it the thumbs-down, whereupon she returned to living over Angela’s garage.

11. Kick It with the Fly Girls (In Living Color)

In early 1991 it was announced that the dance troupe from Fox’s In Living Color would host their own hour-long show. Kick It with the Fly Girls was to be emceed by Shawn Wayans and would feature “top performing rap and hip-hop artists and new acts.” The proposed series only got as far as holding auditions for dancers in New York and Los Angeles.

* * *
Think the networks pulled the plug too early? Would you have watched any of these? Which current supporting characters should get their own show?

Original image
Getty
arrow
Lists
13 Fantastic Museums You Can Visit for Free on Saturday
Original image
Getty

On Saturday, September 23, museums and cultural institutions across the United States will open their doors to the public for free, as part of Smithsonian magazine’s annual Museum Day Live! event. Hundreds of museums are set to participate, ranging from world-famous institutions in major cities to tiny, local museums in small towns. While the full list of museums can be viewed, and tickets can be reserved, on the Smithsonian website, we’ve collected a small selection of the fantastic museums you can visit for free this Saturday.

1. NEWSEUM // WASHINGTON, D.C.

The Newseum in Washington, D.C. is an entire museum dedicated to the First Amendment. Celebrating freedom of religion, speech, press, assembly and petition, the museum features exhibits on civil rights, the Berlin Wall, and the history of news media in America. Their latest special exhibitions take a look back at the event of September 11, 2001 and go inside the FBI's crime-fighting tactics.

2. INTREPID SEA, AIR & SPACE MUSEUM // NEW YORK CITY, NEW YORK

iStock

New York's Intrepid Sea, Air & Space Museum doesn’t just showcase America’s military and maritime history—it is a piece of that history. The museum itself is one of the Essex-class aircraft carriers built by the United States Navy during World War II. Visitors can explore its massive deck and interior, and view historic airplanes, a real World War II submarine, and a range of interactive exhibits. Normally, a ticket will set you back a whopping $33 (or $19 for New York City residents), but on Saturday, general admission is free with a Museum Day Live! ticket.

3. AUTRY MUSEUM OF THE AMERICAN WEST // LOS ANGELES, CALIFORNIA

Perfect for art lovers, history buffs, and cinephiles alike, the Autry Museum of the American West (named for legendary singing cowboy Gene Autry) offers up an eclectic mix of art, historical artifacts from the real American West, and Western film memorabilia and props.

4. MUSEUM OF ARTS AND SCIENCES // DAYTONA BEACH, FLORIDA

A massive art, science, and history museum located on a 90-acre nature preserve, the Museum of Arts and Sciences features the largest collection of Florida art anywhere in the world, as well as the largest collection of Coca-Cola memorabilia in all of Florida. Its diverse exhibits are alternately awe-inspiring, informative, and quirky, ranging from an exploration of 2000 years of sculpture art to an exhibition of 19th and 20th century advertising posters.

5. INTERNATIONAL MUSEUM OF THE HORSE AT THE KENTUCKY HORSE PARK // LEXINGTON, KENTUCKY

The International Museum of the Horse explores the history of—you guessed it!—the horse. That might sound like a narrow scope, but the museum doesn’t just display horse racing artifacts or teach you about modern horse breeds. Instead, it endeavors to tackle the 50-million-year evolution of the horse and its relationship with humans from ancient times to modern times.

6. THE PEGGY NOTEBAERT NATURE MUSEUM // CHICAGO, ILLINOIS

Pete LaMotte, Flickr // CC BY-NC-ND 2.0

The 160-year-old Peggy Notebaert Nature Museum is pulling out all the stops for this year’s Museum Day Live! In addition to their vast exhibits of animal specimens and cultural artifacts, the museum will be hosting a live animal feeding and a butterfly release throughout the day.

7. OGDEN MUSEUM OF SOUTHERN ART // NEW ORLEANS, LOUISIANA

The Ogden Museum of Southern Art aims to teach visitors about the rich culture and diverse visual arts of the American South. Right now, visitors can view a collection of William Eggleston's photographs and check out the museum's 10th annual invitational exhibition of ceramic teacups and teapots.

8. BALTIMORE MUSEUM OF INDUSTRY // BALTIMORE, MARYLAND

Marcin Wichary, Flickr // CC BY 2.0

Located in a 19th century oyster cannery on the Baltimore waterfront, the Baltimore Museum of Industry tells the story of American manufacturing from garment making to video game design. Visitors this weekend can meet video game designers and create custom games at the museum’s interactive “Video Game Wizards” exhibit.

9. SYLVAN HEIGHTS BIRD PARK // SCOTLAND NECK, NORTH CAROLINA

You can meet 2000 birds from around the world this weekend at the 18-acre Sylvan Heights Bird Park. Visitors to the massive garden can walk through aviaries displaying birds from every continent except Antarctica, including ducks, geese, swans, and exotic birds from all over the world.

10. DELTA BLUES MUSEUM // CLARKSDALE, MISSISSIPPI

Visit Mississippi, Flickr // CC BY-ND 2.0

Visitors to the Delta Blues Museum can learn about the unique American musical art form in “the land where blues began,” with audiovisual exhibits centered on blues and rock legend Don Nix, as well as Paramount Records illustrator Anthony Mostrom.

11. NATIONAL MUSEUM OF NUCLEAR SCIENCE & HISTORY // ALBUQUERQUE, NEW MEXICO

America’s only congressionally chartered museum dedicated to the story of the Atomic Age, the National Museum of Nuclear Science & History features exhibits on everything from nuclear medicine to representations of atomic power in pop culture. Adult visitors to the museum will delight in its impressively nuanced take on nuclear technology, while kids will love the museum’s outdoor airplane exhibit and hands-on science activities at Little Albert’s Lab.

12. MUSEUM OF THE MOUNTAIN MAN // PINEDALE, WYOMING

sporst, Flickr // CC BY 2.0

Dedicated to the mountain men who explored and settled Wyoming in the 19th century, the Museum of the Mountain Man brings American folklore and legends to life. The museum features exhibits on the Rocky Mountain fur trade and tells the story of American folk legend and famed mountain man Hugh Glass (the man Leonardo DiCaprio won an Oscar playing in 2015's The Revenant).

13. BESH BA GOWAH ARCHAEOLOGICAL PARK AND MUSEUM // GLOBE, ARIZONA

Arizona’s Besh Ba Gowah Archaeological Park and Museum lets visitors connect with history firsthand. The museum is home to the ruins and artifacts of the Salado Indians who inhabited Arizona from the 13th century through the 15th century, and even lets visitors wander through an 800-year-old Salado pueblo.

Original image
Gramercy Pictures
arrow
entertainment
20 Facts About Your Favorite Coen Brothers Movies
Original image
Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

20th Century Fox Home Entertainment

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. John Turturro, not his directors, read Odets’s 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS' WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating, “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Ethan Coen, Frances McDormand and Joel Coen at the Oscars
Ethan Coen, Frances McDormand, and Joel Coen celebrate their Oscar wins in 1997.
KIM KULISH/AFP/Getty Images

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

Billy Bob Thornton in the Coen brothers' 'The Man Who Wasn't There' (2001)
© 2001 - USA Films

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that features a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

A still from the Coen Brothers' 'The Ladykillers.'
Melinda Sue Gordon, SMPSP - © 2004 - Touchstone Pictures. All rights reserved.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination).

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

A photo of Oscar Isaac in the Coen brothers' 'Inside Llewyn Davis' (2013).
© 2013 - CBS Films

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. “The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, ‘Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that.”

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen brothers are plenty fond of The Dude; after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios