5 Crazy Ways People Amused Themselves Before Television

Before people had hundreds of channels, if they wanted to watch surgery or gawk at celebrity babies, they had to actually leave the house. Here are some of the ways people entertained themselves in the pre-TV era.

1. Attending Public Dissections

Thanks to advances in science and the relaxing of church and government laws, the dissection of human corpses came back into vogue in the 1300s. At first these dissections were performed in small rooms or houses for the benefit of a handful for medical students. Then, almost overnight, a bored and apparently pretty morbid public started clamoring to attend them as well.

Specially designed “anatomy theatres” were purpose-built in many of the major European cities; most could seat well over 1,000 people. Tickets were sold to the public and the prices often varied based on how “interesting” that particular corpse was.

The most expensive tickets sold in Hanover were 24 Groschen to see a woman who died while pregnant. The audiences were so excited about what they were watching that as early as 1502 a surgeon recommended having guards present at each dissection to “restrain the public as it enters.”

While most etchings from the period show only men at the viewings, women attended as well. In 1748, the crowds to see cadavers dissected at the theatre in Dresden, Germany were so large that they started having “ladies only” viewings, during which the women were invited to touch the corpses.

In many countries, these viewings only happened three or four times a year due to a lack of available bodies. In Bologna, Italy, dissections became fancy events, with women wearing their best clothes to the viewing, and balls or festivals followed in the evening.

Then in England in 1751, Parliament passed the Murder Act, allowing for all executed criminals to be publicly dissected. The increase in the number of public dissections did not diminish their popularity, and thousands of people continued to attend them each year until they were finally outlawed in the 1800s.

2. Watching People Inflate Balloons

Starting as early as the preparations for the first-ever hot air balloon flight in 1783, watching balloon ascents was incredibly popular, drawing some of the biggest crowds ever seen in Europe. Even the filling of the first balloon, which took numerous days, drew such huge crowds that they were in danger of interfering with the process, and the balloon had to be secretly moved the day before the flight. Benjamin Franklin, then the American Ambassador to the court of Louis XVI, was among the thousands of people who witnessed the first unmanned flight in Paris on August 27th. When the balloon came down in a village a few miles away, the locals were so terrified that they attacked it with pitchforks and rocks, destroying it.

The Montgolfier brothers sent the first living creatures (a goat, a duck, and a rooster) up in a balloon at Versailles in front of an enormous crowd that included the King and Marie Antoinette. The first ascents with humans drew upwards of 400,000 people, or “practically all the inhabitants of Paris,” with many of them paying large sums to be in special “VIP sections” close to the balloon.

The first hot air balloon flight in England was orchestrated by a man named Vincenzo Lunardi and drew a crowd of 200,000 people, including the Prince of Wales. One woman in the crowd was so astonished at the sight of the balloon that she supposedly died of fright and Lunardi was tried for her murder; he was eventually acquitted. George Washington was part of the crowd that viewed the first ballooning attempt in America in 1793.

Despite the overwhelming public interest in ballooning, it, like everything always will, had some detractors. Among their biggest fears were that women’s “honor and virtue would be in continual peril if access could be got by balloons at all hours to [their bedroom windows.]”

3. Riding Escalators

Image credit: Brooklyn Museum

The first escalators completely blew people’s minds. Nothing remotely similar had ever been seen before. Jesse W. Reno patented his idea for an “Endless Conveyor or Elevator” (later called the "inclined elevator") in 1892, and by 1896 the first working example had been installed…as a ride at the popular Coney Island amusement park.

It differed from modern elevators in that you sat on slats rather than stood on stairs, but the general principle was the same. The belt moved the riders up about two stories at a 25 degree incline. It was only displayed at the park for two weeks, but in that short time an astonishing 75,000 people rode it.

The same prototype was moved to the Brooklyn Bridge for a month-long trial period. It remained popular there, and in 1900 was shipped to Europe and displayed at the Paris Exposition Universelle, where it won first prize. Shortly thereafter, the Otis Company bought Reno’s patent and started producing escalators for businesses.

The novelty and excitement of riding an escalator was such that in 1897, the first department store in New York City to install one, Frederick Loeser, actually included it in its advertisements, promising customers that they could reach the second floor in a mere 26 seconds!

But while these escalators were very popular, they all had something in common: They only went up. It took the public and businesses almost three decades to accept that the far more frightening down escalators were safe to use.

4. Taking Pictures of Themselves

While there were different versions of photo booths starting in the late 1800s, they didn’t produce great pictures. The beginning of the modern photo booth is usually traced to one man, a Russian immigrant named Anatolo Josepho. He trained as a photographer in Europe and after a spell in Hollywood learning the mechanics of cameras, he moved to New York City. There he managed to borrow the astonishing sum of $11,000 to make his first photo booth. It produced clear pictures and could run completely on its own. He opened a studio on Broadway in 1925, put the photo booth inside, and sat back to watch the money roll in.

For 25 cents, customers were led to the box by a “white-gloved attendant,” who would then direct them to “look to the right, look to the left, look at the camera.” Then after about ten minutes, the booth spit out eight photos and the customers went away happy. They probably told all their friends to check it out — and check it out they did. Soon, the line to the studio was stretching around the block, and up to 7,500 people a day used the machine. According to the April 1927 issue of TIME, more than 280,000 people visited the photo booth in the first six months alone, including the Governor of New York and at least one Senator.

Within a year, Josepho was astonishingly wealthy and dating a famous silent film actress. Then a consortium of investors offered to buy his patent for $1 million. He accepted the deal, and immediately put half of that money into a trust for various charities. He invested the other half in several inventions.

Imitation photo booth studios popped up around the US and Europe, and even the Great Depression didn’t diminish people’s desire to look at pictures of themselves. One shop owner in NYC was so busy he managed to keep his entire extended family employed for the entire Depression.

5. Staring at Quintuplets

At the time of the Dionne Quintuplets' birth in 1934, in Ontario, Canada, no one even knew conceiving five babies at once was possible. Not only was it possible, but babies Yvonne, Annette, Cecile, Emilie, and Marie thrived despite being delivered two months premature. Their existence was so astonishing that newspapers paid huge sums for photos of them. A year later their father signed a lucrative contract to display the girls at the 1935 Chicago World’s Fair.

The Canadian government stepped in, claiming that their parents were obviously not fit to raise the quints if they were willing to exploit them like that. The Canadian parliament quickly passed a bill making the girls wards of the state. The quints were placed in a hospital/nursery directly across the street from their parents, where the Canadian and Ontario government proceeded to exploit the girls themselves, to an astonishing degree.

© Bettmann/CORBIS

In less than a decade, 3 million people, sometimes upwards of 3,000 a day, passed through “Quintland,” as the compound the girls were held in became known. This was at a time when the entire population of Canada was only around 11 million. Visitors viewed the quints playing, eating, and sleeping through special one-way windows. The quints were by far the most popular tourist attraction in Canada, drawing more visitors than Niagara Falls. It is estimated that the girls’ popularity directly contributed half a billion dollars to the Ontario economy in just nine years. Celebrities flocked to see them as well, including Amelia Earhart, Clark Gable, James Stewart, Bette Davis, James Cagney, Mae West, and the future Queen Elizabeth II.

And in case any particularly sharp readers are saying to themselves, “Surely televisions have been commercially available since the late 1920s,” don’t worry. Canada didn’t start broadcasts until 1952, nine years after Quintland closed. By that time, the girls had been returned to their family.

nextArticle.image_alt|e
Getty Images
arrow
entertainment
35 Movies Roger Ebert Really Hated
Getty Images
Getty Images

When Roger Ebert hated a film, he didn't mince words. On what would have been the Pulitzer Prize-winning writer's 76th birthday, here are some movies he absolutely loathed (including a couple of surprises) and his dry assessments of their value.

1. ARMAGEDDON (1998) // 1 STAR

“The movie is an assault on the eyes, the ears, the brain, common sense and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. ... Armageddon reportedly used the services of nine writers. Why did it need any? The dialogue is either shouted one-liners or romantic drivel. ‘It’s gonna blow!’ is used so many times, I wonder if every single writer used it once, and then sat back from his word processor with a contented smile on his face, another day’s work done.”

2. THE BROWN BUNNY (2003) // 0 STARS

"I had a colonoscopy once, and they let me watch it on TV. It was more entertaining than The Brown Bunny."

When the movie’s director responded by mocking Ebert’s weight, Ebert said, “It is true that I am fat, but one day I will be thin, and he will still be the director of The Brown Bunny."

3. JASON X (2001) // HALF STAR

"'This sucks on so many levels.' Dialogue from Jason X; rare for a movie to so frankly describe itself. Jason X sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought."

4. MAD DOG TIME (1996) // 0 STARS

"Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line  ... Mad Dog Time should be cut into free ukulele picks for the poor."

5. THE USUAL SUSPECTS (1995) // 1.5 STARS

"Once again, my comprehension began to slip, and finally I wrote down: 'To the degree that I do understand, I don't care.' It was, however, somewhat reassuring at the end of the movie to discover that I had, after all, understood everything I was intended to understand. It was just that there was less to understand than the movie at first suggests."

6. DEUCE BIGALOW: EUROPEAN GIGOLO (2005) // ZERO STARS

"[The title character] makes a living prostituting himself. How much he charges I'm not sure, but the price is worth it if it keeps him off the streets and out of another movie. Deuce Bigalow is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes ... Speaking in my official capacity as a Pulitzer Prize winner, Mr. Schneider, your movie sucks."

7. MR. MAGOO (1997) // HALF STAR

“Magoo drives a red Studebaker convertible in Mr. Magoo, a fact I report because I love Studebakers and his was the only thing I liked in the film. Mr. Magoo is transcendently bad. It soars above ordinary badness as the eagle outreaches the fly.”

8. SPICE WORLD (1997) // HALF STAR

"Spice World is obviously intended as a ripoff of A Hard Day's Night which gave The Beatles to the movies ... the huge difference, of course, is that the Beatles were talented—while, let's face it, the Spice Girls could be duplicated by any five women under the age of 30 standing in line at Dunkin' Donuts."

9. GOOD LUCK CHUCK (2007) // 1 STAR

"There is a word for this movie, and that word is: Ick."

10. FREDDY GOT FINGERED (2001)// 0 STARS

"This movie doesn't scrape the bottom of the barrel. This movie isn't the bottom of the barrel. This movie isn't below the bottom of the barrel. This movie doesn't deserve to be mentioned in the same sentence with barrels."

11. CORKY ROMANO (2001) // HALF STAR

Corky Romano is like a dead zone of comedy. The concept is exhausted, the ideas are tired, the physical gags are routine, the story is labored, the actors look like they can barely contain their doubts about the project.”

12. CHARLIE'S ANGELS (2000) // HALF STAR

Charlie’s Angels is like the trailer for a video game movie, lacking only the video game, and the movie.”

13. MANNEQUIN (1987) // HALF STAR

“A lot of bad movies are fairly throbbing with life. Mannequin is dead. The wake lasts 1 1/2 hours, and then we can leave the theater. Halfway through, I was ready for someone to lead us in reciting the rosary.”

14. EXIT TO EDEN (1994) // HALF STAR

“I’m sorry, but I just don’t get Rosie O’Donnell. I’ve seen her in three or four movies now, and she generally had the same effect on me as fingernails on a blackboard. She’s harsh and abrupt and staccato and doesn’t seem to be having any fun. She looks mean. ...  What were your first thoughts the first time Rosie turned up in the leather dominatrix uniform? Did you maybe have slight misgivings that you were presiding over one of the more misguided film projects of recent years?”

15. HOCUS POCUS (1993) // 1 STAR

“Of the film’s many problems, the greatest may be that all three witches are thoroughly unpleasant. They don’t have personalities; they have behavior patterns and decibel levels. A good movie inspires the audience to subconsciously ask, ‘Give me more!’ The witches in this one inspired my silent cry, ‘Get me out of here!’”

(What can we say? Ebert was occasionally wrong.)

16. TOMMY BOY (1995) // 1 STAR

“No one is funny in Tommy Boy. There are no memorable lines. None of the characters is interesting, except for the enigmatic figure played by Rob Lowe, who seems to have wandered over from Hamlet. Judging by the evidence on the screen, the movie got a green light before a usable screenplay had been prepared, with everybody reassuring themselves that since they were such funny people, inspiration would overcome them.”

17. THE VILLAGE (2004) // 1 STAR

“Eventually the secret of Those, etc., is revealed. It’s a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It’s so witless, in fact, that when we do discover the secret, we want to rewind the film so we don’t know the secret anymore. And then keep on rewinding, and rewinding, until we’re back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.”

18. THE LOVE GURU (2008) // 1 STAR

“Myers has some funny moments, but this film could have been written on toilet walls by callow adolescents. Every reference to a human sex organ or process of defecation is not automatically funny simply because it is naughty, but Myers seems to labor under that delusion. He acts as if he’s getting away with something, but in fact all he’s getting away with is selling tickets to a dreary experience.”

19. SHE'S OUT OF CONTROL (1989) // 0 STARS

“What planet did the makers of this film come from? What assumptions do they have about the purpose and quality of life? I ask because She’s Out of Control is simultaneously so bizarre and so banal that it’s a first: the first movie fabricated entirely from sitcom cliches and plastic lifestyles, without reference to any known plane of reality.”

20. SUMMER SCHOOL (1987) // HALF STAR

“You see it, you leave the theater, and then it evaporates, leaving just a slight residue, something like a vaguely unpleasant taste in the memory.”

21. CLIFFORD (1994) // HALF STAR

“It’s not bad in any usual way. It’s bad in a new way all its own. There is something extraterrestrial about it, as if it’s based on the sense of humor of an alien race with a completely different relationship to the physical universe. The movie is so odd, it’s most worth seeing just because we’ll never see anything like it again. I hope.”

22. NORTH (1994) // 0 STARS

"I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it."

Alan Zweibel wrote this film, and he got a chance to confront Ebert about the review. In a bathroom.

23. 200 CIGARETTES (1999)// HALF STAR

"Maybe another 200 cigarettes would have helped; coughing would be better than some of this dialogue."

24. DEATH TO SMOOCHY (2002) // HALF STAR

"In all the annals of the movies, few films have been this odd, inexplicable and unpleasant."

25. SAVING SILVERMAN (2001) // HALF STAR

"Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve."

He included a critique of Neil Diamond, who makes a guest appearance in the movie: "As for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer (1980), and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one."

26. THE JAZZ SINGER (1980) // 1 STAR

From rogerebert.com:

"Diamond's whole presence in this movie is offensively narcissistic. His songs are melodramatic, interchangeable, self-aggrandizing groans and anguished shouts, backed protectively by expensive and cloying instrumentation. His dramatic presence also looks over-protected, as if nobody was willing to risk offending him by asking him to seem involved, caring and engaged.

"Diamond plays the whole movie looking at people's third shirt buttons, as if he can't be bothered to meet their eyes and relate with them. It's strange about the Diamond performance: It's not just that he can't act. It's that he sends out creepy vibes. He seems self-absorbed, closed off, grandiose, out of touch with his immediate surroundings."

27. ACE VENTURA: PET DETECTIVE (1994) // 1 STAR

"Most of the people look as if they would rather be in other movies. The movie basically has one joke, which is Ace Ventura's weird nerdy strangeness. If you laugh at this joke, chances are you laugh at Jerry Lewis, too, and I can sympathize with you even if I can't understand you. I found the movie a long, unfunny slog through an impenetrable plot. Kids might like it. Real little kids."

28. STOP! OR MY MOM WILL SHOOT (1992) // HALF STAR

"Stop! Or My Mom Will Shoot! is one of those movies so dimwitted, so utterly lacking in even the smallest morsel of redeeming value, that you stare at the screen in stunned disbelief. It is moronic beyond comprehension, an exercise in desperation during which even Sylvester Stallone, a repository of self-confidence, seems to be disheartened."

29. THE DUKES OF HAZZARD (2005) // 1 STAR

"Of course you don't have to be smart to get into The Dukes of Hazzard. But people like Willie Nelson and Burt Reynolds should have been smart enough to stay out of it. Here is a lame-brained, outdated wheeze about a couple of good ol' boys who roar around the back roads of the South in the General Lee, their beloved 1969 Dodge Charger. As it happens, I also drove a 1969 Dodge Charger. You could have told them apart because mine did not have a Confederate flag painted on the roof."

30. GODZILLA (1998) // 1.5 STARS

"Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie."

31. THE BUCKET LIST (2007) // 1 STAR

"The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens."

32. DIRTY LOVE (2005) // 0 STAR

"I would like to say more, but—no, I wouldn't. I would not like to say more. I would like to say less. On the basis of Dirty Love, I am not certain that anyone involved has ever seen a movie, or knows what one is."

33. BATTLEFIELD EARTH (2000) // HALF STAR

"This movie is awful in so many different ways. Even the opening titles are cheesy. Sci-fi epics usually begin with a stab at impressive titles, but this one just displays green letters on the screen in a type font that came with my Macintosh. Then the movie's subtitle unscrolls from left to right in the kind of 'effect' you see in home movies."

34. THE FLINTSTONES IN VIVA ROCK VEGAS (2000) // HALF STAR

"This is an ideal first movie for infants, who can enjoy the bright colors on the screen and wave their tiny hands to the music."

35. PINK FLAMINGOS (1972) // 0 STARS

"John Waters' Pink Flamingos has been restored for its 25th anniversary revival, and with any luck at all that means I won't have to see it again for another 25 years. If I haven't retired by then, I will. ... Note: I am not giving a star rating to Pink Flamingos because stars simply seem not to apply. It should be considered not as a film but as a fact, or perhaps as an object."

Reviews via RogerEbert.com.

nextArticle.image_alt|e
iStock
arrow
Animals
14 Bold Facts About Bald Eagles
iStock
iStock

Bald eagles are powerful symbols of America—but there’s a whole lot more to these quirky birds.

1. YOUNG BALD EAGLES AREN'T BALD.

A young bald eagle with a brown head on a beach.
iStock

So obviously adult bald eagles aren't really bald, either—their heads have bright white plumage that contrasts with their dark body feathers, giving them a "bald" look. But young bald eagles have mostly brown heads. In fact, for the first four or five years of their lives, they move through a complicated series of different plumage patterns; in their second year, for instance, they have white bellies.

2. BALD EAGLES SOUND SO SILLY THAT HOLLYWOOD DUBS OVER THEIR VOICES.

A red-tailed hawk.
A red-tailed hawk's screech is usually dubbed over the bald eagle's weaker scream.
iStock

It's a scene you’ve probably seen countless times in movies and on TV: an eagle flies overhead and emits a rough, piercing scream. It's a classic symbol of wilderness and adventure. The only problem? Bald eagles don't make that sound.

Instead, they emit a sort of high-pitched giggle or a weak scream. These noises are so unimpressive that Hollywood sound editors often dub over bald eagle calls with far more impressive sounds: the piercing, earthy screams of a smaller bird, the red-tailed hawk. If you were a fan of The Colbert Report, you might remember the show's iconic CGI eagle from the opener—it, too, is making that red-tailed hawk cry. Listen for yourself and decide who sounds more impressive.

3. THEY EAT TRASH AND STOLEN FOOD.

Two bald eagles guard their prey against two magpies on a snowy field.
iStock

Picture a majestic bald eagle swooping low over a lake and catching a fish in its powerful claws. Yes, bald eagles eat a lot of fish—but they don't always catch it themselves. They've perfected the art of stealing fish from other birds such as ospreys, chasing them down until they drop their prey.

Bald eagles will also snack on gulls, ducks, rabbits, crabs, amphibians, and more. They'll scavenge in dumpsters, feed on waste from fish processing plants, and even gorge on carrion (dead, decaying animals).

4. BALD EAGLES USUALLY MATE FOR LIFE.

Two bald eagles perched on a tree.
iStock

Trash and carrion aside, they're pretty romantic animals. Bald eagles tend to pair up for life, and they share parenting duties: the male and the female take turns incubating the eggs, and they both feed their young.

5. … AND THEY LIVE PRETTY LONG LIVES.

Two bald eagles sitting on a rock.
iStock

Those romantic partnerships are even more impressive because bald eagles can survive for decades. In 2015, a wild eagle in Henrietta, New York, died at the record age of 38. Considering that these birds pair up at 4 or 5 years of age, that's a lot of Valentine's Days.

6. THEY HOLD THE RECORD FOR THE LARGEST BIRD'S NEST.

Two bald eagles in their large nest.
iStock

Bald eagles build enormous nests high in the treetops. The male and female work on the nest together, and this quality time helps them cement their lifelong bond. Their cozy nurseries consist of a framework of sticks lined with softer stuff such as grass and feathers. If the nest serves them well during the breeding season, they'll keep using it year after year. And, like all homeowners, they can't resist the thought of renovating and adding to their abode. Every year, they'll spruce it up with a whopping foot or two of new material.

On average, bald eagle nests are 2-4 feet deep and 4-5 feet wide. But one pair of eagles near St. Petersburg, Florida, earned the Guinness World Record for largest bird’s nest: 20 feet deep and 9.5 feet wide. The nest weighed over two tons.

7. FEMALES ARE LARGER THAN MALES.

Two bald eagles in their large nest.
iStock

In many animal species, males are (on average) larger than females. Male gorillas, for example, dwarf their female counterparts. But for most birds of prey, it's the opposite. Male bald eagles weight about 25 percent less than females.

Scientists aren't sure why there's such a size difference. One reason might be the way they divide up their nesting duties. Females take the lead in arranging the nesting material, so being bigger might help them take charge. Also, they spend longer incubating the eggs than males, so their size could intimidate would-be egg thieves.

If you're trying to tell male and female eagles apart, this size difference may help you—especially since both sexes have the same plumage patterns.

8. TO IDENTIFY THEM, LOOK AT THE WINGS.

A bald eagle flies across the water.
iStock

People often get excited about a big soaring bird and yell "It's an eagle!” just before it swoops closer and … oops, it's a vulture. Here's a handy identification tip. Bald eagles usually soar with their wings almost flat. On the other hand, the turkey vulture—another dark, soaring bird—holds its wings up in a shallow V shape called a dihedral. A lot of large hawks also soar with slightly raised wings.

9. THEY'RE COMEBACK KIDS.

Baby eagle chicks in a nest.
iStock

Before European settlers arrived, bald eagles were abundant across the U.S. But with settlement came habitat destruction, and the settlers viewed the eagles as competition for game and as a threat to livestock. So many eagles were killed that in 1940 Congress passed an act to protect the birds.

Unfortunately, another threat rose up at about that time. Starting after World War II, farmers and public health officials used an insecticide called DDT. The chemical worked well to eradicate mosquitos and agricultural pests—but as it traveled up the food chain, it began to heavily affect birds of prey. DDT made eagle eggshells too thin and caused the eggs to break. A 1963 survey found just 471 bald eagle pairs in the lower 48 states.

DDT was banned in the early 1970s, and conservationists began to breed bald eagles in captivity and reintroduce them in places across America. Luckily, this species made a spectacular recovery. Now the lower 48 states boast over 9700 nesting pairs.

10. THEY'RE UNIQUELY NORTH AMERICAN.

An African fish eagle flies over the water.
The African fish eagle is a relative of the North American bald eagle.
iStock

You've probably heard of America's other eagle: the golden eagle. This bird lives throughout much of the northern hemisphere. But the bald eagle is only found in North America. It lives across much of Canada and the U.S., as well as northern parts of Mexico.

Though it may be North American, the bald eagle has seven close relatives that are found throughout the world. They all belong to the genus Haliaeetus, which comes—pretty unimaginatively—from the Latin words for "sea" and "eagle." One relative, the African fish eagle, is a powerful symbol in its own right. It represents several countries; for example, it's the national symbol of Zambia, and graces the South Sudanese, Malawian, and Namibian coats of arms.

11. THEY'RE AERIAL DAREDEVILS.

A bald eagle carries a fish off in its talons.
iStock

It seems too weird to be true: While flying, bald eagles sometimes grab each other's feet and spin while plummeting to the Earth. Scientists aren't sure why they do this—perhaps it's a courtship ritual or a territorial battle. Usually, the pair will separate before hitting the ground (as seen in this remarkable set of photographs). But sometimes they hold tight and don't let go. These two male bald eagles locked talons and hit the ground with their feet still connected. One subsequently escaped and the other was treated for talon wounds.

12. THEIR EYES ARE AMAZING.

Close-up of a bald eagle's face.
iStock

What if you could close your eyes and still see? Besides the usual pair of eyelids, bald eagles have a see-through eyelid called a nictitating membrane. They can close this membrane to protect their eyes while their main eyelids remain open. The membrane also helps moisten and clean their eyes.

Eagles also have sharper vision than people, and their field of vision is wider. Plus, they can see ultraviolet light. Both of those things mean the expression "eagle eye" is spot-on.

13. THEY MIGRATE … SORT OF.

A bald eagle sits in a snowy tree.
iStock

If you're a bald eagle that nests in northern Canada, you'll probably head south for the winter to avoid the punishing cold. Many eagles fly south for the winter and return north for the summer—as do plenty of other bird species (and retired Canadians). But not all bald eagles migrate. Some of them, including individuals in New England and Canada's Maritime provinces, stick around all year. Whether or not a bird migrates depends on how old it is and how much food is available.

14. THEY CAN SWIM … SORT OF.

A bald eagle
iStock

There are several videos online—like the one above—that show a bald eagle swimming in the sea, rowing itself to shore with its huge wings. Eagles have hollow bones and fluffy down, so they can float pretty well. But why swim instead of soar? Sometimes, an eagle will swoop down and grab an especially weighty fish, then paddle it to shore to eat.

Note that the announcer in the video above says that the eagle's talons are "locked" on a fish that's too heavy to carry. In fact, those lockable talons are an urban legend.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios