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Today's Google Doodle: Diego Rivera

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Today would have been Diego Rivera's 125th birthday, and Google is celebrating his big 1-2-5 with a Doodle. If you need a good Diego Rivera anecdote for the watercooler, here's a piece Elizabeth Lunday wrote for us about "Man at a Crossroads."

During the Great Depression, Mexican artist Diego Rivera was on a roll. In 1931, he painted a massive mural for San Francisco’s Pacific Stock Exchange. And by 1933, he’d completed two more enormous murals of Ford’s assembly line for the Detroit Institute of Arts. But there was a disconnect in Rivera’s work. Although the artist was a vocal and committed communist, his art was decidedly capitalist. After a few friends pointed out the hypocrisy, Rivera decided to put his paintbrush where his mouth was.

Opportunity knocked in 1932, when the Rockefeller family hired Rivera to create one of his signature paintings in the lobby of the new RCA Building in Rockefeller Center. Their suggested theme for the work was “Man at the Crossroads Looking with Hope and High Vision to the Choosing of a New and Better Future”—an allusion to the crossroads between industry and technology. Rivera’s final product depicted a crossroads, but hardly in the way the Rockefellers had intended. Instead, the sprawling 63-foot masterpiece illustrated two alternate futures: a communist heaven and a capitalist hell.

Rivera might have gotten away with his political statement if it hadn’t been for one detail—he painted his personal hero, Vladimir Lenin, into the piece. When building managers realized Rivera was filling their lobby with Red propaganda, they ordered him to cease and desist. To preserve the art, the Rockefellers asked Rivera to morph Lenin’s portrait into an unrecognizable worker. But when the artist refused (Rivera offered instead to balance the picture with a portrait of Lincoln), he was paid his full fee, then barred from the site. The mural was immediately covered, and months later, workers were ordered to destroy the piece altogether.

It wasn’t long before the artist got his revenge. Later that year, Rivera re-created the piece for the Palacio de Bellas Artes in Mexico City. Only this time, he added a portrait to the capitalist side; it was of Nelson Rockefeller, holding a martini glass, under a swarm of syphilitic bacteria.

This article was excerpted from "4 Public Works of Art Gone Terribly Wrong," which originally appeared in mental_floss magazine. If you ever see a Doodle that you'd like to read a story about, email me!

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Animals
25 Benefits of Adopting a Rescue Dog
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According to the ASPCA, 3.3 million dogs enter shelters each year in the United States. Although that number has gone down since 2011 (from 3.9 million) there are still millions of dogs waiting in shelters for a forever home. October is Adopt a Shelter Dog Month; here are 25 benefits of adopting a shelter dog.

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fun
How Urban Legends Like 'The Licked Hand' Are Born
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If you compare the scary stories you heard as a kid with those of your friends—even those who grew up across the country from you—you’ll probably hear some familiar tales. Maybe you tried to summon Bloody Mary by chanting her name in front of the mirror three times in a dark bathroom. Maybe you learned never to wonder what’s under a woman’s neck ribbon. Maybe you heard the one about the girl who feels her dog lick her hand in the middle of the night, only to wake up to find him hanging dead from the shower nozzle, the words “humans can lick too” written on the wall in the dog’s blood.

These ubiquitous, spooky folk tales exist everywhere, and a lot of them take surprisingly similar forms. How does a single story like the one often called “Humans Can Lick Too” or "The Licked Hand" make its way into every slumber party in America? Thrillist recently investigated the question with a few experts, finding that most of these stories have very deep roots.

In the case of The Licked Hand, its origins go back more than a century. In the 1990s, Snopes found that a similar motif dates back to an Englishman’s diary entry from 1871. In it, the diary keeper, Dearman Birchall, retold a story he heard at a party of a man whose wife woke him up in the middle of the night, urging him to go investigate what sounded like burglars in their home. He told his wife that it was only the dog, reaching out his hand. He felt the dog lick his hand … but in the morning, all his valuables were gone: He had clearly been robbed.

A similar theme shows up in the short story “The Diary of Mr. Poynter,” published in 1919 by M.R. James. In it, a character dozes off in an armchair, and thinks that he is petting his dog. It turns out, it’s some kind of hairy human figure that he flees from. The story seems to have evolved from there into its presently popular form, picking up steam in the 1960s. As with any folk tale, its exact form changes depending on the teller: sometimes the main character is an old lady, other times it’s a young girl.

You’ll probably hear these stories in the context of happening to a “friend of a friend,” making you more likely to believe the tale. It practically happened to someone you know! Kind of! The setting, too, is probably somewhere nearby. It might be in your neighborhood, or down by the local railroad tracks.

Thrillist spoke to Dr. Joseph Stubbersfield, a researcher in the UK who studies urban legends, who says the kind of stories that spread widely contain both social information and emotional resonance. Meaning they contain a message—you never know who’s lurking in your house—and are evocative.

If something is super scary or gross, you want to share it. Stories tend to warn against something: A study of English-language urban legends circulating online found that most warned listeners about the hazards of life (poisonous plants, dangerous animals, dangerous humans) rather than any kind of opportunities. We like to warn each other of the dangers that could be lurking around every corner, which makes sense considering our proven propensity to focus on and learn from negative information. And yes, that means telling each other to watch out for who’s licking our hands in the middle of the night.

Just something to keep in mind as you eagerly await Jezebel’s annual scary story contest.

[h/t Thrillist]

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