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Shemp: The Forgotten Stooge

Samuel "Shemp" Horwitz was born on March 17, 1895. He was the third in the line of five consecutive brothers born to Sol and Jennie Horwitz. The name "Shemp" was derived from a mispronunciation (as so many family nicknames seem to be). Sam's mother would call for him in her heavy Lithuanian accent, saying "Sam! Sam!", but the "Sam" came out sounding like "Shemp." Thus, Sam forever became "Shemp."

Shemp the Menace

Shemp was a mischievous kid. He loved to play hooky, although he did graduate from public school—just barely, but he managed to get past each grade without failing.

As an early hobby, young Shemp loved to clog up toilets, stuffing anything and everything down them to get the desired "clogged-up" effect, much to his parents' (and probably brothers') consternation.

Once, at a family picnic, Shemp took a bowl of tomatoes and threw them at a man. The man dragged Shemp, kicking and screaming, back to Jennie Horwitz, who proceeded to beat the angry man with her umbrella.

Entering Show Business

As Shemp grew up, he started fooling around in a vaudeville act with his younger brother, Moe. The original act in which Moe and Shemp appeared was a blackface act (which were very common at the time).

In 1919, Shemp and Moe appeared in a very rare movie short called "Spring Fever," appearing with Honus Wagner, a popular baseball player with the Pittsburgh Pirates. (Sadly, like so many of the silent films, "Spring Fever"—the holy grail for Three Stooges fans—has been lost to time.)

Shemp and Moe eventually broke up their original act, and Moe went on to form a crazy, slapstick act with a man named Ted Healy. It was during this period that Shemp studied to become a plumber. He didn't really seem to have the "show biz bug" like his younger brother Moe and appears to have just been drifting a bit at this stage.

One day, Shemp went to the theater to watch Moe's act. Moe spotted Shemp in the audience and invited him on stage. Shemp came up eating a pear, and Moe proceeded to smash the pear on his face. The bit got a huge laugh. Shemp was quickly recruited, joining Moe and Ted in the crude slapstick act.

In 1925, the trio recruited a frizzly haired violinist named Larry Fine to join them. "Ted Healy and his Stooges" (one of several names they used) became very popular on stage, even appearing in two popular Broadway shows. But Healy was a cruel man and a very bad drunk. He underpaid the Stooges and often played mean jokes and pranks on them.

Shemp & His Many Phobias

In telling the story of Shemp Howard, the single most important facet of his personality cannot possibly be omitted: According to Shemp's wife, Gertrude "Babe" Howard, whom Shemp married in 1925, Shemp was "just a big old 'fraidy cat." Everyone has a particular fear or phobia (many of us have more than just one); Shemp was "afraid of his own shadow," according to his friends, with a whole litany of fears:

  • He lived in constant fear of cars, never driving or getting a driver's license. According to Moe, this fear was rooted in an auto accident Shemp experienced when he was a youth. (In his films, when Shemp had to fake driving a car, he was towed by prop men in a simulated car but was still scared, nervously holding the steering wheel until the scene mercifully ended.)
  • Shemp also refused to fly in airplanes, travelling only by train.
  • He was terrified of strange dogs and would carry a big stick with him, just in case a strange dog approached him.
  • He refused to swim or go in any body of water larger than a bathtub. Shemp always carried a pair of rubber overshoes in his pocket, lest he be caught in the rain.
  • It also became fairly common that, before Shemp appeared live on stage, he would throw up to relieve himself.
  • And Shemp was a chronic bed-wetter. He had actually served in World War I, but his stint was truncated due to his bed-wetting.
  • Ted Healy noticed Shemp's chronic fears and delighted in torturing him and scaring him; this cruelty caused Shemp to leave the Stooges and go out on his own.

    The boys did, however, make one strange film together with Healy in 1930 called Soup to Nuts. The film still exists and is a "must see" for Three Stooges fans.

    Going Solo

    On his own, Shemp quickly found work in many Hollywood shorts and feature films. He appeared in several "Joe Palooka" shorts as "Knobby Walsh," Joe's boxing manager. He appeared with the old silent comic Roscoe "Fatty" Arbuckle in some shorts as well. (Poor Roscoe had been disgraced in a cooked-up sexual "scandal" in the '20s; these shorts were his final film appearances before his passing in 1933.) Shemp also appeared in Jimmy Stewart's very first film appearance, in a comedy short in 1934.

    He was also in many feature films, including a nice bit in a John Wayne film called Pittsburgh in 1942. Shemp appeared with the great W.C. Fields in the comedy classic The Bank Dick in 1940 and made four films with the popular comedy team of Abbott and Costello. (Supposedly, Lou Costello was jealous of Shemp's natural funniness and would make sure all of Shemp's best stuff ended up on the cutting room floor. This broke Shemp's heart.) Shemp even appeared with Lon Chaney Jr. in a short; they tried to be a bargain basement comedy team in the style of Abott and Costello. He also briefly teamed with Billy Gilbert and Maxie Rosenbloom as a (fourth-rate) Three Stooges-type bumbling comedy team.

    For a while, Shemp was actually billed as "The Ugliest Man in Hollywood." "I'm hideous," he told reporters. One has to wonder if such a cruel publicity campaign had any effect on Shemp in real life, or if he just took it in stride?

    Shemp vs. Curly

    When Shemp had left the Stooges, Moe and Larry took kid brother Curly into the act as Shemp's replacement. Curly was the perfect fit. But by the mid-1940s, Curly's health was deteriorating, and Shemp was often called in as Curly's replacement when the Three Stooges had live performances. In 1946, Curly suffered a massive stroke, and Shemp agreed to come back permanently, replacing his kid brother as "The Third Stooge" again. (Initially, there was resistance from studio bosses, who thought Shemp "looked too much like Moe.")

    Shemp joined the team and went on to make 73 shorts with the Stooges. While he was an indisputably fine comic, he never quite escaped the shadow of his kid brother Curly's comedic genius. Both Curly and Shemp were great ad-libbers, and many of their best bits were captured when they were able to just ad-lib and improvise shtick while the cameras were rolling. But Shemp never had Curly's "certain something;" critic Leonard Maltin seemed to sum it up when he said that Shemp never had Curly's "other-worldliness." Unlike Curly, though, who could never remember his lines, Shemp was a total pro and knew his lines thoroughly.

    Replacing Curly was sort of like following Elvis or the Beatles on stage—no matter how good you were, you could never quite "fill the bill." Plus, Shemp never had Curly's energy and childlike exuberance. Curly played a sweet, innocent half-man, half-adult, whereas Shemp was much less defined—sort of a flip wise guy. And the slapstick that was, of course, the crux of the Three Stooges, while perfect for Curly's crazy character, didn't quite mesh as well with Shemp's more "normal" character and personality. Age was also a factor: While Curly was in his prime for his Stooge years, his 30s through early 40s, Shemp didn't rejoin the slapstick act until he was already in his 50s. He didn't really try to "imitate" his brother; he pretty much just played it as Shemp, himself, and not as a Curly impersonator. The inevitable comparison between Curly and Shemp is like the proverbial "apples and oranges" but, unfortunately for Shemp, Curly was a "golden apple."

    Get a Shemp

    Shemp, although constantly in fear of things, loved going to boxing matches. Perhaps this pastime was a catharsis for the fear-plagued man. (Shemp himself had actually done some boxing during the war, which undoubtedly contributed to his craggly, pock-marked, weather-beaten face.) On November 22, 1955, Shemp attended a fight. In the car on the way home, he lit up a cigar and was telling a joke when he suddenly fell over on his companion and passed away peacefully.

    But the Shemp Howard story doesn't end there—the story has one more strange chapter.

    Columbia Studios still needed four new Three Stooges shorts after Shemp died, so they hired a replacement named Joe Palma to "be Shemp." Joe became Shemp's "double," or stand-in, faking scenes by not facing the camera, just standing with his back to the camera and running off or bumbling. Old footage from previous Stooge films was intermixed with the Joe Palma footage, and thus the last four Three Stooges films with "Shemp" were made.

    To this day, to "get a Shemp" or "a fake Shemp" or "a Shemp" is Hollywood nomenclature for "get a double" or "use a stand-in." Director Sam Raimi (Spiderman), a big Three Stooges fan, always credits stand-ins or doubles in his films as "Fake Shemps."


    Eddie Deezen has appeared in over 30 motion pictures, including Grease, WarGames, 1941, and The Polar Express. He's also been featured in several TV shows, including Magnum PI, The Facts of Life, and The Gong Show. And he's done thousands of voice-overs for radio and cartoons, such as Dexter's Laboratory and Family Guy.

    Read all Eddie's mental_floss stories.

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    14 Fascinating Facts About Saturday Night Fever
    Paramount Pictures
    Paramount Pictures

    We can tell by the way you use your walk that you're a fan of Saturday Night Fever, the 1977 blockbuster that made John Travolta a mega-star and brought disco into the mainstream. (Whether that's a good thing or a bad thing is a matter of opinion.) To enhance your appreciation of what was the highest-grossing dance movie of all time until Darren Aronofsky’s Black Swan (2010) and Steven Soderbergh’s Magic Mike (2012) beat it, here's a groovy list of facts to celebrate the film's 40th birthday. Put on your boogie shoes and read! 

    1. THERE WAS A PG-RATED VERSION OF IT, TOO.

    Saturday Night Fever was an instant hit when it was released in December 1977, quickly becoming one of the highest-grossing movies of the year. What's especially impressive is that it did this despite being rated R and thus (theoretically) inaccessible to teenagers, the very audience that a disco movie would (theoretically) appeal to. And so in March 1979, the film was re-released in a PG version, with all the profanity, sex, and violence either deleted or downplayed. This version took in another $8.9 million (about $30 million at 2016 ticket prices), bringing the film's U.S. total to $94.2 million. Both versions were released on VHS and laserdisc, though the R-rated cut didn't become widely available on home video until the DVD upgrade. 

    2. IT WAS BASED ON A MAGAZINE ARTICLE THAT TURNED OUT TO BE SEMI-FICTIONAL.

    "Tribal Rites of the New Saturday Night," a detailed look at the new generation of urban teenagers by British journalist Nik Cohn, was published in New York Magazine in June 1976. The central figure in the article was Vincent, "the very best dancer in Bay Ridge," whose name was changed to Tony Manero for the movie. But years later, Cohn confessed: "[Vincent] is completely made-up, a total fabrication." The styles and attitudes Cohn had described were real, but not the main character. Cohn said he'd only recently arrived in Brooklyn, didn't know the scene well, and based Vincent on a Mod he'd known in London in the '60s.

    3. THE BEE GEES HAD NOTHING TO DO WITH IT.

    Most of the film had already been shot when music producer-turned-movie producer Robert Stigwood commissioned the Bee Gees to write songs for it. The brothers, only modestly successful at that point and hard at work on their next album, didn't know what the movie was about but cranked out a few tunes in a weekend. They also repurposed several songs they'd been working on, including "Stayin' Alive," a demo version of which was prepared in time to be used in filming the opening "strut" sequence. (You'll notice Travolta struts in sync with the music.) So if the movie's signature songs didn't come until later, what were the cast members listening to when they shot the dance scenes? According to Travolta, it was Boz Scaggs and Stevie Wonder. 

    4. THE SOUNDTRACK ALBUM BROKE ALL KINDS OF RECORDS.

    With 15 million copies sold in the U.S. alone, Saturday Night Fever was the top-selling soundtrack album of all time before being supplanted by The Bodyguard some 15 years later. It's also the only disco record (so far) to win the Grammy for Album of the Year, and one of only three soundtracks (besides The Bodyguard and O Brother, Where Art Thou?) to win that category. It was the number one album on the Billboard charts for the entire first half of 1978, and stayed on the charts until March 1980, long after the supposed death of disco.

    5. THE MOVIE EXTENDED DISCO'S LIFESPAN BY A FEW YEARS.

    Disco had been popular enough in the mid-1970s to land multiple disco tunes on the Billboard charts, but by the end of 1977, when Saturday Night Fever came out, the backlash had started and the trend was on its way out. But thanks to the movie (and its soundtrack), not only did disco not die out, it achieved more widespread, mainstream, middle-America success than it ever had before.

    6. IT HAS SOME ROCKY CONNECTIONS.


    Paramount Pictures

    First connection: It was supposed to be directed by John G. Avildsen, whose previous film was Rocky. Ultimately, that didn’t work out and Avildsen was replaced with John Badham a few weeks before shooting began. Second connection: Tony has a Rocky poster on his bedroom wall. Third connection: Saturday Night Fever’s 1983 sequel, Staying Alive, was directed by ... Sylvester Stallone.

    7. TRAVOLTA WAS ALREADY SO FAMOUS THAT MAKING THE MOVIE WAS A HASSLE.

    Saturday Night Fever made Travolta a movie star, but he was already a teen heartthrob because of the popular sitcom Welcome Back, Kotter, where he played a delinquent teenager with the hilarious and timeless catchphrase "Up your nose with a rubber hose." Still, nobody was prepared for how Travolta's fame would affect the movie, which was to be shot on the streets of Brooklyn. As soon as the neighborhood found out Travolta was there, the sidewalks were swarmed by thousands of onlookers, many of them squealing teenage girls. (Badham said there were also a lot of teenage boys holding signs expressing their hatred for Travolta for being more desirable than themselves.)

    Co-star Donna Pescow said, "The fans—oh, my God, they were all over him. It was scary to watch." Badham said, "By noon of the first day, we had to shut down and go home." Since it was nearly impossible to keep the crowds away (or quiet), Badham and the crew resorted to filming in the middle of the night or at the crack of dawn. 

    8. THE WHITE CASTLE EMPLOYEES WEREN'T ACTING WHEN THEY LOOKED SHOCKED. 


    Paramount Pictures

    In the brief scene where Tony, his boys, and Stephanie are loudly eating at White Castle, those were the real burger-flippers, not actors. Badham told them to just go about their business. He also told his actors to cut loose and surprise the White Castlers in whatever way they saw fit. The shot that's in the movie appears to be a reaction to Joey standing on the table and barking, but Badham said it was actually in response to something else: "Double J (actor Paul Pape) pulling his pants down and mooning the entire staff of the White Castle."

    9. THE FEMALE LEAD GOT THE PART THANKS TO A SERENDIPITOUS CAB RIDE.

    Casting the role of Tony's dance partner, Stephanie, proved difficult. Hundreds of women auditioned, but nobody seemed right. Meanwhile, 32-year-old Karen Lynn Gorney was looking for her big break into show business. As fate would have it, she shared a cab with a stranger who turned out to be producer Robert Stigwood's nephew. He mentioned that his uncle was working on a movie, and Gorney replied, "Oh, am I in it?"— her standard joke whenever she heard about a film being made. The nephew wound up submitting Gorney as a candidate, and the rest is history. 

    10. TRAVOLTA’S GIRLFRIEND DIED DURING FILMING.

    John Travolta stars in Saturday Night Fever (1977)
    Paramount Pictures

    Travolta met Diana Hyland on the set of the TV movie The Boy in the Plastic Bubble, in which she played his mother. (She was 18 years older than him.) They had been dating for six months when Hyland succumbed to breast cancer at the age of 41, after filming just four episodes of her new gig on Eight Is Enough. Travolta was able to leave Saturday Night Fever and fly to L.A. in time to be with her before she died, then had to return to work. 

    11. THE COMPOSER HAD TO SCRAMBLE TO REPLACE A NIXED SONG.

    For Tony and Stephanie's rehearsal scene about 30 minutes into the movie, Badham had used the song "Lowdown" by Boz Scaggs, going so far as to shoot the scene, including the dialogue, with the song actually playing in the background. (That's usually a no-no, for exactly the reasons you're about to read about.) According to Badham, no sooner had they wrapped the scene than Scaggs' people reached out to say they couldn't use the song after all, as Scaggs was thinking of pursuing a disco project of his own. Badham now had to have the actors re-dub the dialogue (since the version he'd recorded was tainted by "Lowdown"); what's more, he had to find a new song that would fit the choreography and tempo of the dancing. Composer David Shire rose to the occasion, writing a piece of instrumental music that met the specifications, and that’s what we hear in the movie. 

    12. THEY MADE UP A DANCE BECAUSE THE CHOREOGRAPHER DIDN'T SHOW UP.

    In another rehearsal scene 55 minutes into the movie, Tony and Stephanie do the "tango hustle," which looks like a combination of both of those dances. This was something Travolta and Gorney invented as a matter of necessity: the film's choreographer didn't realize he was supposed to be on the set that day, and the actors didn't have any steps prepared. The tango hustle, alas, never quite caught on.  

    13. TONY’S ICONIC WHITE SUIT WAS SUPPOSED TO BE BLACK.

    Travolta and Badham both assumed Tony's disco outfit would be black, as men's suits tended to be at the time. Costume designer Patrizia Von Brandenstein convinced them it should be white, partly to symbolize the character's journey to enlightenment but also for practical reasons: a dark suit doesn't photograph very well in a dark discotheque. 

    14. TONY’S SUIT WAS LATER SOLD FOR $2000—THEN FOR $145,500.

    Von Brandenstein took Travolta to a cheap men's clothing store in Brooklyn (swamped by teenage fans, of course) and bought the suit off the rack—three identical suits, actually, so they wouldn't have to stop filming when one became soaked with Travolta's sweat. Two of the suits disappeared after the movie was finished; the remaining one, inscribed by Travolta, was bought at a charity auction in 1979 by film critic Gene Siskel, who cited Saturday Night Fever as one of his favorite movies. He paid about $2000 for it. In 1995, he sold it for $145,500 to an anonymous bidder through Christie's auction house.

    In 2012, after a lengthy search, curators at London's Victoria and Albert Museum found the owner (who still preferred to remain anonymous) and persuaded him to lend it for an exhibit of Hollywood costumes. It is now presumably back in that man's care, whoever he may be. (P.S. Badham says on the 2002 DVD commentary that the suit is on display at the Smithsonian, a tidbit repeated by NPR in 2006 and Vanity Fair in 2007. But they must be mistaken. The suit’s sale in 1995 and rediscovery for the 2012 museum exhibit are verified facts; the suit isn't in the Smithsonian's online catalogue; and finally, a 2007 Washington Post story about the Smithsonian lists the suit as one of the items the museum director wanted to get.)

    Additional sources:
    John Badham DVD commentary
    DVD featurettes

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    35 Fabulous Facts About Frank Sinatra
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    Keystone/Getty Images

    You know that Frank Sinatra was as talented a singer as he was an actor. That he had a collection of nicknames, from The Voice to Ol’ Blue Eyes. And that he liked to do things “My Way.” In honor of what would have been the legendary crooner’s 102nd birthday, here are 35 things you might not have known about Frank Sinatra.

    1. HIS BIRTH WAS A TRAUMATIC ONE.

    Born on December 12, 1915, in an apartment in Hoboken, New Jersey, Francis Albert Sinatra was blue and not breathing when he was yanked out of his mother with forceps. Thought to be dead, the infant was laid on the kitchen counter while the doctor attended to his mother. His grandmother picked up the newborn, stuck him under some cold water, and little Frank wailed out his first song.

    2. THOSE FORCEPS CAUSED SOME DAMAGE.

    Those forceps left their mark on the left side of Sinatra's face, in the shape of a scar that ran from the corner of his mouth to his jaw line and a cauliflower ear. As a teenager, he was nicknamed “Scarface.” He also suffered a bad case of adolescent acne, which left his cheeks pitted. Self-conscious about his looks as an adult, Sinatra often applied makeup to hide the scars. Even with that, he hated to be photographed on his left side. The physical insecurities didn't end there: Sinatra also wore elevator shoes to boost his five-foot-seven stature.

    3. HE WAS A BIG BABY.


    By Family photo. - Sinatra.com, Public Domain, Wikimedia Commons

    The future crooner weighed a whopping 13.5 pounds.

    4. HE CARRIED HIS OWN P.A. SYSTEM.

    When Sinatra was just starting out as a singer, he came prepared: he carried his own P.A. system to the dives in which he typically performed.

    5. HIS BAD BOY IMAGE WAS REAL.

    Sinatra's bad boy image began with his infamous 1938 mug shot. The charge? The most Frank reason possible: “seduction.” The charge was reduced to “adultery,” then later dropped.

    6. HE WAS ONE OF AMERICA’S FIRST TEEN IDOLS.


    Hulton Archive/Getty Images

    In the 1940s, Frank—or Frankie, as he was then known—became one of America's first teen idols. “The sound that greeted me was absolutely deafening,” Sinatra later recalled of a series of shows he performed in 1942 at New York City’s Paramount Theater. “I was scared stiff. I couldn't move a muscle.”

    7. SOME OF THOSE SCREAMING FANS WERE PAID TO BE SCREAMING FANS.

    Not to take anything away from his amazing voice and his ability to excite the female throngs, but the bobbysoxer craze Sinatra incited (so called because the coed fans wore Catholic school-style bobby socks, rolled down to their ankles) had a little help. George Evans, Sinatra’s publicist, auditioned girls for how loud they could scream, then paid them five bucks and placed them strategically in the audience to help whip up excitement.

    8. A SHORT FILM GOT HIM TAGGED AS A COMMUNIST SYMPATHIZER.

    In 1945, Sinatra made a short film, The House I Live In, that spoke out against anti-Semitism and racial intolerance. Ironically, a decade later, its liberal slant got him tagged as a Communist sympathizer during the McCarthy trials. (Sinatra never testified.)

    9. THE FBI HAD A FILE ON HIM.


    Hulton Archive/Getty Images

    Sinatra’s FBI file had been started by J. Edgar Hoover after a radio listener wrote to the Bureau, saying, "The other day I turned on a Frank Sinatra program and I thought how easy it would be for certain-minded manufacturers to create another Hitler here in America through the influence of mass hysteria." Sinatra had also been investigated by the FBI for reportedly paying doctors $40,000 to declare him unfit to serve in the armed services.

    10. HE HELPED INTRODUCE THE CONCEPT ALBUM AND BOX SET.

    In 1946, Sinatra's debut release, The Voice of Frank Sinatra, helped introduce both the concept album and the box set. At a time when long-playing records were still novel, Sinatra issued a set of 78 rpm records with eight songs, all with a theme of lost love. It sold for a hefty $2.50 (the equivalent of about $30 today). But the price didn't prevent it from topping the charts for seven weeks. Two years later, it became one of the first-ever pop music vinyl 10" LPs.

    11. HE ATTEMPTED SUICIDE SEVERAL TIMES.

    Sinatra's star fell hard in the early 1950s. He was so low that he even attempted suicide. Walking through Times Square, he saw mobs of girls waiting to get into a concert by new singing sensation Eddie Fisher. Feeling washed up, Sinatra went back to his apartment, put his head on the stove, and turned on the gas. Luckily, his manager found him in time, lying on the floor, sobbing. Sinatra made three other suicide attempts, all of them in the throes of his volatile relationship with actress Ava Gardner.

    12. THE RAT PACK DIDN’T CALL THEMSELVES THAT.


    Hulton Archive/Getty Images

    With his pals Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford, Sinatra led the Vegas clique known as the Rat Pack. The name was coined by actress Lauren Bacall years earlier, to describe a Hollywood drinking circle that included her then-husband Humphrey Bogart and Sinatra. The guys in the Rat Pack actually referred to themselves by a different name—The Summit—playing on a 1960 summit meeting in Paris between top world leaders.

    13. HE REUNITED JERRY LEWIS AND DEAN MARTIN.

    In 1976, Sinatra appeared on Jerry Lewis’ annual Muscular Dystrophy Association telethon and surprised the host when he brought out Dean Martin, Lewis’s former comedy partner, from whom he’d been estranged for 20 years.

    14. IN HOLLYWOOD, HE WAS KNOWN AS “ONE-TAKE CHARLIE.”

    Sinatra’s preference for approaching film roles in a spontaneous, rather than over-rehearsed, way earned him the nickname of “One-Take Charlie” in Hollywood.

    15. HE THREATENED TO HAVE WOODY ALLEN’S LEGS BROKEN.

    Sinatra was married to Mia Farrow from 1966 to 1968, and the two remained close friends. In Farrow’s autobiography, What Falls Away, she shared that when Sinatra learned of Woody Allen’s affair with Soon-Yi Previn, he offered to have the filmmaker’s legs broken.

    16. A MAGAZINE CLAIMED THAT HE GOT HIS STAMINA FROM WHEATIES.


    Hulton Archive/Getty Images

    In 1956, Confidential magazine disclosed how Sinatra managed to satisfy so many Hollywood starlets—Wheaties! The article stated, "Where other Casanovas wilt under the pressure of a torrid romance, Frankie boy just pours himself a big bowl of crispy, crackly Wheaties and comes back rarin' to go.” General Mills kept quiet as the tabloids talked up Wheaties' power to fuel Sinatra's exploits, and it wasn't long before teenage boys were stampeding the cereal aisles.

    17. HE HAD TWO HITS CALLED “NEW YORK, NEW YORK.”

    Sinatra actually had two hits called "New York, New York." The first was in 1949, from the film On the Town, and was written by Leonard Bernstein, Adolph Green, and Betty Comden. Thirty years later, Sinatra cut "(Theme From) New York, New York," by John Kander and Fred Ebb. Originally from Martin Scorsese's 1977 bomb New York, New York, Sinatra turned it into his signature song and onstage closer. He also angered the lyricist, Ebb, by customizing the words (Sinatra had done this to a few songwriters, most famously Cole Porter), adding the climactic phrase "A-number-one." In 1993, Sinatra recorded the song again, this time as a duet with Tony Bennett.

    18. HE HATED BEING CALLED “CHAIRMAN OF THE BOARD.”

    It’s a nickname he acquired while president at Reprise Records. According to his fourth (and final) wife, Barbara, Sinatra hated it. 

    19. HE WASN’T A FAN OF “MY WAY” OR “STRANGERS IN THE NIGHT.”

    Barbara also maintains “My Way,” one of Frank’s most loved songs, did absolutely nothing for him. But that was a kind assessment compared to “Strangers in the Night,” which Frank called “a piece of sh*t” and “the worst f**king song I’ve ever heard.”

    20. “MY WAY” HAS BEEN COVERED BY MORE THAN 60 PEOPLE.

    Sinatra may not have loved it, but “My Way” has been covered by more than 60 artists, including Elvis Presley, Aretha Franklin, and Sid Vicious. It has also been recorded in various languages.

    21. SEVERAL PEOPLE HAVE DIED AFTER PERFORMING “MY WAY.”

    Since 2000, at least half a dozen people have been murdered after (or while) performing the Sinatra classic. Dubbed the “‘My Way’ Killings,” the strange phenomenon has gotten so bad that some bar owners have removed it from the selection list entirely.

    22. HE INADVERTENTLY HELPED NAME SCOOBY-DOO.

    At least according to former CBS exec Fred Silverman, who found inspiration in Frank’s signature “Scoo-Be-Do-Be-Do.”

    23. HE DIRECTED THE FIRST JAPANESE/AMERICAN CO-PRODUCTION.


    Hulton Archive/Getty Images

    In 1965, Sinatra stepped behind the camera to make his directorial debut with None But the Brave, which was produced with Toho Studios. It was the first Japanese/American co-production filmed in the United States.

    24. HE HAS A SPECIAL PLACE IN NEW YORK YANKEES HISTORY.

    “New York, New York” has closed out every one of the Yankees’ home games since 1980.

    25. HE HAD HIS OWN PASTA SAUCES.

    The year 1990 was a post-Paul Newman, pre-Marky Ramone time in celebrity spaghetti sauce, and leave it to Frank to fill the zesty void. But despite being inspired by his mother’s very own recipe, the sauce flopped. Thankfully, you can now find Mama Sinatra’s recipe online.

    26. HE GOT FIRST DIBS ON PLAYING JOHN MCCLANE IN DIE HARD.

    Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. Because Sinatra had starred in the big-screen adaptation of The Detective, he had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

    27. SINATRA DIDN’T LIKE MARLON BRANDO, AND BRANDO DIDN’T LIKE SINATRA.


    MGM

    Sinatra was always known as one of Hollywood’s most likeable stars, but Marlon Brando apparently didn’t agree. The two didn’t hit it off when they starred in 1955’s Guys and Dolls. Sinatra, who allegedly wanted Brando’s role in the film, referred to his co-star as “Mr. Mumbles,” while Brando nicknamed Sinatra “Mr. Baldy.”

    28. HE BRIEFLY RETIRED.

    In 1971. Thankfully for you “Send in the Clowns” fans, his self-imposed exile from the entertainment industry lasted less than two years, before he returned for good with his comeback “Ol’ Blue Eyes is Back.”

    29. THERE'S AN ASTEROID NAMED AFTER HIM.

    The rock, called 7934 Sinatra, was discovered on September 26, 1989 by E. W. Elst at the European Southern Observatory. 

    30. HE SANG ONE HALF OF THE ONLY FATHER-DAUGHTER TUNE TO EVER TOP THE CHARTS.


    By CBS Television, Public Domain, Wikimedia Commons

    Sinatra has a unique distinction in Billboard history: He’s the “father” half of the only father-daughter duet to ever hit number one—thanks to “Something Stupid,” which he sang with Nancy. 

    31. HE WAS AN HONORARY TRIBAL CHIEF.

    Specifically, the “Order of the Leopard,” the highest honor in Bophuthatswana, a quasi-nation state in apartheid-era South Africa. The honor was a show of gratitude from president Lucas Mangope for Sinatra’s performances at the maligned—and later boycotted—Sun City casino.

    32.  THE BEATLES’S “SOMETHING” WAS ONE OF SINATRA’S FAVORITE SONGS.

    Frank may not have loved (okay, he hated) rock and roll, but he was a big fan of the George Harrison-penned “Something.” The song became a sample in Sinatra’s live set toward the end of his career.

    33. THE LAST SONG FRANK EVER PERFORMED LIVE IS “THE BEST IS YET TO COME.”

    On February 25, 1995, Sinatra sang the song for a group of 1200 people on the last night of a golf tournament named for him. The words "The Best is Yet to Come" are also on his tombstone.

    34. HE WAS A TOOTSIE ROLL FAN.

    According to dead-celebrity expert Alan Petrucelli, Ol’ Blue Eyes was buried with some Tootsie Rolls, along with a few other choice effects, including cigarettes, a lighter, and a bottle of Jack Daniels.

    35. A PROVISION IN HIS WILL HELPED TO ENSURE IT WOULDN’T BE CONTESTED.

    In order to ensure that his passing wouldn’t lead to any legal battles, Sinatra’s will included a “no-contest” clause, which essentially says that anyone who contested it would be disinherited completely.

    This article originally ran in 2015.

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