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11 Free Documentaries Available on YouTube

YouTube isn't just for copyright infringement -- here are 11 documentary films legally available on YouTube in their entirety. They're funded with ads, and are shown in roughly DVD (480p) quality. Be aware that some films move in and out of the free category, so if you're reading this in 2012 or beyond, some films may no longer be available. Check YouTube's Documentaries page and click "Free" for a list of current offerings.

1. Buena Vista Social Club

Wim Wenders follows Ry Cooder in Cuba, in the now-famous documentary that spawned a soundtrack everybody bought in 1997. Here's a snippet from the description:

The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears.

Watch it on YouTube (embedding is disabled). Here's the trailer:

2. The Eyes of Tammy Faye

With narration by RuPaul, this documentary follows Tammy Faye Bakker, who is well-known for her remarkable eyelash extensions and her televangelism with husband Jim Bakker. From the film's description:

Riding a tide of religious fundamentalism, the Bakkers reached their gaudy heights with the PTL Network and the spinoff Christian theme park Heritage USA. Then the roof caved in. Jim was forced to pay hush money to future Playboy centerfold model Jessica Hahn and then was submitted to rival Jerry Falwell's hostile take-over of the network. Soon Jim was in jail for fraud, and Tammy was at Betty Ford for addiction to prescription drugs. This film was screened at the 2000 Sundance Film Festival.

Watch it on YouTube (embedding is disabled). Here's the trailer:

3. OT: Our Town

Compton high school students put on a production of Thornton Wilder's Our Town, with remarkable results. From the film's description:

When it became obvious that the financially strapped school (which had recently canceled its football program) couldn't provide a budget for sets or costumes, the students did what money-conscious high-school theater departments have been doing for decades -- they staged Thornton Wilder's Our Town, a drama commonly performed without the use of sets or large props. But what would Wilder's allegorical story of life in a small turn-of-the-century Midwestern hamlet mean to kids in Compton? And would the inexperienced students and faculty be able to bring it off? OT: Our Town is a documentary which looks at Dominguez High's brave experiment and the people who struggled to make it happen.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

4. Koyaanisqatsi

Godfrey Reggio, Ron Fricke, and Philip Glass collaborated to make a stunning film that defies description. The film has no narration, almost no language (except brief titles at the beginning and end, plus credits), and no plot. And it's literally my favorite film of all time -- it changed the way I look at film, and every time I watch it I'm devastated. The only sad thing about this film being available on YouTube is that it's interrupted with ads -- perhaps the most ridiculous thing you could imagine for this kind of work. Oh well, it's free. From the film's description:

An art-house circuit sensation, this feature-length documentary is visually arresting and possesses a clear, pro-environmental political agenda. Without a story, dialogue, or characters, Koyaanisqatsi (1983) (the film's title is a Hopi word roughly translated into English as "life out of balance") is composed of nature imagery, manipulated in slow motion, double exposure or time lapse, juxtaposed with footage of humans' devastating environmental impact on the planet.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

5. Down from the Mountain

Remember O Brother, Where Art Thou? This is a documentary and concert film featuring the music from the film. Allison Krauss, Gillian Welch, Emmylou Harris, Ralph Stanley, and many more make this a concert film worth watching. From the film's description:

For their film O Brother, Where Art Thou?, set in the American South during the 1930s, filmmakers Joel and Ethan Coen collaborated with musician, songwriter, and producer T-Bone Burnett to compile a score that reflected the rich variety of musical influences of the rural South during the Depression. Burnett brought together a veritable who's who of American roots music for the project, and while the film was a moderate success, the soundtrack album to O Brother, Where Art Thou? was a surprise hit, topping the country charts for several weeks and helping to open the ears of a new audience to the beauty and rough-hewn poetry of bluegrass, traditional country, rural blues, and gospel music. Shortly before the film's release, Burnett assembled many of the artists who appeared on the O Brother, Where Art Thou? soundtrack for a special concert at Nashville's Ryman Auditorium (the original home of the Grand Ole Opry) to benefit the Country Music Hall of Fame and Museum; the evening was filmed, and Down From the Mountain documents this very special night of music that celebrates America's musical past as it points to the future.

Watch it on YouTube (embedding is disabled). I couldn't find a reliable trailer, so you'll have to settle for this clip from O Brother (the real singers here are Dan Tyminski, Harley Allen, and Pat Enright):

6. Man with a Movie Camera

This 1929 Russian silent film is sometimes seen as a precursor to Koyaanisqatsi, because it has no plot, actors, and so on -- it's purely visual, and it uses stylistic techniques (like fast edits and slow motion) that have become part of modern filmmaking. From the film's description:

Soviet director Dziga Vertov's experimental film grew out of his belief, shared by his editor, Elizaveta Svilova (who was also his wife), and his cinematographer, Mikhail Kaufman (also his brother), that the true goal of cinema should be to present life as it is lived. To that end, the filmmakers offer a day-in-the-life portrait of a city from dawn until dusk, though they actually shot their footage in several cities, including Moscow, Kiev, and Odessa. After an opening statement, there are no words in the film (neither voice-over nor titles), just dazzling imagery, kinetically edited - as a celebration of the modern city with a marked emphasis on its buildings and machinery.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

7. The Times of Harvey Milk

This 1983 documentary, we see the history of "The Mayor of Castro Street." If you've seen the biopic Milk, you'll recognize lots of this material. It's a rare film that has a
100% fresh rotating on Rotten Tomatoes.

On November 27, 1978, Dan White, a former city supervisor who was desperate to regain his post, entered City Hall with a gun and murdered both San Francisco's mayor, George Moscone, and Milk. At the trial, White's lawyer skillfully turned the jury's attention away from his client's public anti-gay statements to focus on White's spotless record and his extremely agitated mental state on the day of the murders. White was convicted of voluntary manslaughter and sentenced to a relatively brief jail term, sparking a demonstration and riot by gay supporters of the murdered men. The film considers Milk's accomplishments and his exceptional popularity; this is not an objective look at a man, but a celebration of a martyr. Winner of an Academy award for Best Documentary Feature, The Times of Harvey Milk was released while White was serving his sentence; he was paroled in 1984 and committed suicide the next year.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

8. The Atomic Cafe

Combining footage of Cold War "educational" films like Duck and Cover with narration, this documentary is grim, sometimes funny, and often bizarre. When I saw this on PBS while I was in high school, it blew my mind -- how could these propaganda films be so stupid? How had I never seen the devastation in Japan after the bombings? It's impressive and horrifying. From the film's description:

The Atomic Cafe is a sometimes hilarious, sometimes sobering collection of film clips taken from American propaganda films of the 1950s. The thrust of the production is to expose the misinformation (and downright lies) dispensed by the government concerning the atomic bomb. We are shown vignettes from such classic instructional films as Duck and Cover, wherein school children are assured that they will survive a nuclear attack simply by huddling together next to the schoolhouse wall. In another sequence, a pack of pigs are dressed in Army uniforms and left to die at "Ground Zero" during a nuclear test to see if human beings (who purportedly have the same skin consistency as pigs) could endure such an ordeal.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

9. Nanook Of The North

This 1922 proto-documentary is required viewing for students of film -- it's the first time we saw a real feature film that wasn't fiction. It's a bit slow by today's standards, but a landmark documentary nonetheless. From the film's description:

Filmmaker Robert Flaherty had lived among the Eskimos in Canada for many years as a prospector and explorer, and he had shot some footage of them on an informal basis before he decided to make a more formal record of their daily lives. Financing was provided by Revillion Freres, a French fur company with an outpost on the shores of Hudson Bay. Filming took place between August 1920, and August 1921, mostly on the Ungava Peninsula of Hudson Bay. Flaherty employed two recently developed Akeley gyroscope cameras which required minimum lubrication; this allowed him to tilt and pan for certain shots even in cold weather. He also set up equipment to develop and print his footage on location and show it in a makeshift theater to his subjects. Rather than simply record events as they happened, Flaherty staged scenes -- fishing, hunting, building an igloo -- to carry along his narrative. The film's tremendous success confirmed Flaherty's status as a first-rate storyteller and keen observer of man's fragile relationship with the harshest environmental conditions. (In a sadly appropriate footnote, Nanook, the subject of the film, died of starvation not long after the film's release.)

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

10. Life In A Day

This YouTube-sponsored documentary shows what happens when you ask people around the world to show you their lives. While it's not the most meaningful documentary around, it's touching at times, and often surprisingly well-photographed. From the fim's description:

Director Kevin Macdonald (The Last King of Scotland) and producer Ridley Scott (Alien, Gladiator) team up to offer this candid snapshot of a single day on planet Earth. Compiled from over 80,000 YouTube submissions by contributors in 192 countries, Life in a Day presents a microcosmic view of our daily experiences as a global society. From the mundane to the profound, everything has its place as we spend 90 minutes gaining greater insight into the lives of people who may be more like us than we ever suspected, despite the fact that we're separated by incredible distances.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

11. The Day the Wave Came

This 30-minute documentary recounts the 2004 Tsunami, including graphic footage of the wave and interviews with survivors. From the film's description:

The magnitude and destruction of a Tsunami is hard to comprehend. This minute-by-minute account reveals the human face of the 2004 tragedy. A torrent of water sweeps through a street, destroying everything in its path. In the background, women are screaming. "I remember yelling 'we're all going to die, we're all going to die'", recalls one survivor. Hours earlier, meteorologist Smith Dharmasroja had desperately tried to get a warning out. When the wave struck Sri Lanka, Sulochana Perera attempted to rescue many drowning children, only to see her efforts dashed as the second bigger wave hit. This report reveals how events unfolded around the Indian Ocean: why no warnings were issued, survivors' stories and what the impact has been on their shattered lives. Includes remarkable pictures of the Tsunami.

Watch it on YouTube or watch the whole thing below (embedding is enabled for this one):

For 11-11-11, we'll be posting twenty-four '11 lists' throughout the day. Check back 11 minutes after every hour for the latest installment, or see them all here.

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13 Thrilling Facts About House Of Wax
Warner Home Video
Warner Home Video

A remake of 1933’s Mystery of the Wax Museum, André de Toth’s House of Wax solidified the 3D movie craze of the 1950s. In the process it also walloped the box office and turned Vincent Price into a horror movie icon. On the 65th anniversary of the movie's release, join us on a tour of the legendary House of Wax; keep your hands off the mannequins, though—you might not want to know what lies beneath.

1. IT WAS ONLY THE SECOND 3D MOVIE TO BE RELEASED BY A MAJOR STUDIO.

Three-dimensional cinema is older than you might think. The first feature film to use this technology was the silent drama Power of Love, which dates all the way back to 1922. Yet audiences didn’t truly embrace this innovation until some 30 years later with the release of Bwana Devil—a Technicolor thriller about man-eating lions. Produced independently, Bwana Devil ballooned into a surprise smash, grossing more than $1.3 million in its first month in just 30 theaters. This really caught Hollywood’s attention. At a time when cinemas had to compete with television, 3D looked like the next big thing, a spectacle that could draw viewers out of their living rooms and into the nearest movie house. The industry’s biggest players rushed to cash in. On April 8, 1953, Columbia Pictures’ Man in the Dark premiered, making it the first 3D movie ever released by a major studio. House of Wax, a Warner Bros. film, opened just two days later.

2. IRONICALLY, THE DIRECTOR LACKED DEPTH PERCEPTION.

As a child, André de Toth lost his left eye in an accident. Hence, the native Hungarian often wore an eyepatch. Rumor has it that WB president Jack Warner ordered de Toth not to wear the accessory on the set of House of Wax, lest anyone ridicule the studio for giving a 3D project to a one-eyed filmmaker. However, leading lady Phyllis Kirk cast some doubt on this story. “He may have [gone without his patch], but I don’t remember it,” she said later in an interview. But by all accounts, de Toth was undaunted by the challenging job; once, he rhetorically asked a reporter, “Beethoven couldn’t hear music either, could he?”

Far from being a setback, de Toth’s limited sight may have actively improved the finished product. Vincent Price himself thought as much. According to his daughter, Victoria Price, “Vincent felt that House of Wax was saved from being unrelieved schlock by the faulty vision of its director … Since the 3D effect was lost on him, de Toth never really understood what the fuss was about, and limited his use of the gimmick rather than shamelessly indulging it the way a man with normal eyesight might have done. It was de Toth’s relative restraint, he believed, that turned House of Wax into a classic.”

3. VINCENT PRICE’S MAKEUP LOOKED SO GROTESQUE THAT HE WASN’T ALLOWED TO ENTER CERTAIN BUILDINGS WHILE WEARING IT.

In the movie, Price plays Professor Henry Jarrod, a wax sculptor whose museum and beloved figurines are torched by a greedy businessman (more on that later). Jarrod survives, but his face is horribly disfigured. Since the film was to be shot in both Technicolor and 3D, great pains were taken to ensure that Price’s makeup looked as convincing as possible. The result was a patchwork of hideous burns that shocked audiences—and nauseated a lot of Warner Bros. employees. “I was banished from the studio commissary,” Price later recalled. “This cold shoulder treatment started when I walked [in there] for lunch for the first time and the girl at the register turned green and almost fainted. Then the patrons got up and headed for the door. It was a bad day for business.”

4. IGOR WAS PLAYED BY A YOUNG CHARLES BRONSON.

Charles Bronson in 'House of Wax' (1953)
Warner Home Video

Like Dr. Frankenstein, Professor Jarrod has a henchman named Igor—albeit, one that suffers from mutism instead of back problems. The role was given to Charles Buchinsky, who’d later emerge as one of Hollywood’s favorite tough guys in movies like The Magnificent Seven and The Great Escape. Worried that an eastern European last name might cost him a lot of work during the second Red Scare, Buchinsky rechristened himself as “Charles Bronson“ in 1954.

5. ONE ACTOR’S APPEARANCE WENT UNCREDITED BECAUSE HE’D BEEN BLACKLISTED.

Buchinsky/Bronson had it easy; changing his last name was nothing compared to what Nedrick Young went through as a result of Joseph McCarthy’s communist witch hunt. In early 1953, Young portrayed Leon (Jarrod’s other assistant) in House of Wax. Then, before the movie opened, he had to square off against a very different house: Accused of being a Marxist sympathizer, Young was questioned before the House Un-American Activities Committee. By his own admission, the actor was “a very unfriendly witness.” When asked outright if he was a communist, Young pled the fifth—and was blacklisted. Thanks to the controversy, his name was stricken from the credits in House of Wax.

6. PHYLLIS KIRK TRIED TO TURN THE MOVIE DOWN.

Since she was under contract with Warner Bros., Kirk had no choice but to appear in this picture when the studio cast her as Sue Allen, one of the leads. That didn’t stop her from complaining about the gig. “I bitched and moaned and … [said] that I wasn’t interested in becoming the Fay Wray of my time,” Kirk confessed. Another bone of contention was the 3D format, which she regarded as a “gimmick.” But despite these reservations, Kirk decided that playing ball would be preferable to getting suspended. “And incidentally, I went on to have a lot of fun making House of Wax,” she admitted.

7. THE FIRE IN THE OPENING SCENE SPREAD WILDLY OUT OF CONTROL.

It must have been easy for Price to act alarmed in the sequence in which his museum burns down. Right before the shoot, de Toth’s crew set three “spot fires” in strategic locations. Then the cameras started rolling and everything went downhill. The team quickly lost control of their fires, which merged into a massive inferno that put a hole in the sound stage roof and singed Price’s eyebrows. But because the rapidly melting wax mannequins would’ve been very hard to replace, de Toth kept on filming—even as firemen arrived to help extinguish the flames.

8. IT COMES WITH AN INTERMISSION.

Prior to the late 1970s, “epic” films would often treat their viewers to a built-in bathroom break. Midway through screenings of Gone With the Wind and other, extra-long classics, the action would pause, the theater lights would brighten, and the word “Intermission” would appear onscreen. Ordinarily, this practice was reserved for movies with bladder-testing runtimes of two and a half hours or more. By comparison, House of Wax flies by with its breezy 88-minute runtime. Yet, unconventionally for a short picture, it contains an intermission. Why? Screening the 3D film required two projectors running simultaneously. The respite was necessary because it allowed theater employees to change both reels an hour into the movie.

9. A FUNCTIONING GUILLOTINE WAS USED IN THE CLIMAX.

Toward the end of the film, Igor gets into a big fight with Sue’s boyfriend, Scott, played by Paul Picerni. From the get-go, there’s no doubt about which one has the upper hand, as Igor seizes poor Scott and shoves his head under a guillotine in the museum’s French Revolution display. Luckily, the police arrive in time to rescue our hero, pulling him out of harm’s way seconds before the blade comes crashing down.

Just like his character, Picerni came dangerously close to getting his head chopped off, Louis XVI-style—because this guillotine was 100 percent real. Rather than film the scene in segments, de Toth wanted to shoot the whole thing in one take. With blithe nonchalance, he told Picerni to go and stick his head under the razor-sharp blade of this death device.

Naturally, Picerni objected. At a 2006 House of Wax Q&A, the star reminisced at length about the argument that followed. “I asked de Toth, ‘How are you going to control the blade?’ He said the property master was going to sit on top of the guillotine, holding the blade between his legs, then let it drop after my head was removed.” When the actor opined that this sounded dangerous, de Toth replied, “What are you, chicken sh*t?” In the end, Picerni agreed to do the scene in one take, on the condition that a metal bar be inserted under the blade to keep it from falling prematurely.

10. THE FILM WAS COMPLETED WAY AHEAD OF SCHEDULE.

House of Wax was given a $1.5 million budget and 60-day shooting schedule. De Toth finished it in only 28 days for a meager $650,000. Blown away by this efficiency, Jack Warner sent him a case of whiskey as a “thank you.”

11. BELA LUGOSI ATTENDED THE PREMIERE—ALONG WITH A GUY IN A GORILLA SUIT.

Although the star of Universal’s Dracula (1931) did not appear in House of Wax, he did help promote it. The film’s world premiere was held at the Paramount Theater in Los Angeles on April 16, 1953. As a publicity stunt, Lugosi was invited to attend the big event. Clad in a vampire cape, he emerged from his limousine with a chain link leash, which was attached to an actor in an ape costume—a clear homage to the 1952 comedy Bela Lugosi Meets a Brooklyn Gorilla.

12. IT MADE BOX OFFICE HISTORY.

House of Wax turned into one of the biggest hits of 1953 and 1954. In an era where movie tickets cost an average of 49 cents apiece, the horror feature pulled in an astonishing $5.5 million domestically. This made House of Wax the highest-grossing 3D movie ever made at the time, although it would lose this title in 1969 to a popular “skin flick” called The Stewardesses. By the way, Star Wars: The Force Awakens is the current record-holder.

13. PRICE LIKED TO ATTEND SCREENINGS OF THE MOVIE INCOGNITO.

As the thespian once told biographer Joel Eisner, he’d regularly go out and see House of Wax during its run. Happily for Price, the requisite 3D glasses could usually conceal his identity in the back of a dimly lit theater. But one night, he decided to make his presence known. At a showing in New York City, Price quietly took a seat behind two teenagers. Right after a particularly frightening scene, he leaned forward and asked “Did you like it?” In Price’s words, “They went right into orbit!"

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10 Fascinating Facts About Ella Fitzgerald
Library of Congress (LOC), Public Domain, Wikimedia Commons
Library of Congress (LOC), Public Domain, Wikimedia Commons

Today marks what would have been the 101st birthday of Ella Fitzgerald, the pioneering jazz singer who helped revolutionize the genre. But the iconic songstress’s foray into the music industry was almost accidental, as she had planned to show off her dancing skills when she made her stage debut. Celebrate the birthday of the artist known as the First Lady of Song, Queen of Jazz, or just plain ol’ Lady Ella with these fascinating facts.

1. SHE WAS A JAZZ FAN FROM A YOUNG AGE.

Though she attempted to launch her career as a dancer (more on that in a moment), Ella Fitzgerald was a jazz enthusiast from a very young age. She was a fan of Louis Armstrong and Bing Crosby, and truly idolized Connee Boswell of the Boswell Sisters. “She was tops at the time,” Fitzgerald said in 1988. “I was attracted to her immediately. My mother brought home one of her records, and I fell in love with it. I tried so hard to sound just like her.”

2. SHE DABBLED IN CRIMINAL ACTIVITIES AS A TEENAGER.

A photo of Ella Fitzgerald
Carl Van Vechten - Library of Congress, Public Domain, Wikimedia Commons

Fitzgerald’s childhood wasn’t an easy one. Her stepfather was reportedly abusive to her, and that abuse continued following the death of Fitzgerald’s mother in 1932. Eventually, to escape the violence, she moved to Harlem to live with her aunt. While she had been a great student when she was younger, it was following that move that her dedication to education faltered. Her grades dropped and she often skipped school. But she found other ways to fill her days, not all of them legal: According to The New York Times, she worked for a mafia numbers runner and served as a police lookout at a local brothel. Her illicit activities eventually landed her in an orphanage, followed by a state reformatory.

3. SHE MADE HER STAGE DEBUT AT THE APOLLO THEATER.

In the early 1930s, Fitzgerald was able to make a little pocket change from the tips she made from passersby while singing on the streets of Harlem. In 1934, she finally got the chance to step onto a real (and very famous) stage when she took part in an Amateur Night at the Apollo Theater on November 21, 1934. It was her stage debut.

The then-17-year-old managed to wow the crowd by channeling her inner Connee Boswell and belting out her renditions of “Judy” and “The Object of My Affection.” She won, and took home a $25 prize. Here’s the interesting part: She entered the competition as a dancer. But when she saw that she had some stiff competition in that department, she opted to sing instead. It was the first big step toward a career in music.

4. A NURSERY RHYME HELPED HER GET THE PUBLIC’S ATTENTION.

Not long after her successful debut at the Apollo, Fitzgerald met bandleader Chick Webb. Though he was initially reluctant to hire her because of what The New York Times described as her “gawky and unkempt” appearance, her powerful voice won him over. "I thought my singing was pretty much hollering," she later said, "but Webb didn't."

Her first hit was a unique adaptation of “A-Tisket, A-Tasket,” which she helped to write based on what she described as "that old drop-the-handkerchief game I played from 6 to 7 years old on up."

5. SHE WAS PAINFULLY SHY.

Though it certainly takes a lot of courage to get up and perform in front of the world, those who knew and worked with Fitzgerald said that she was extremely shy. In Ella Fitzgerald: A Biography of the First Lady of Jazz, trumpeter Mario Bauzá—who played with Fitzgerald in Chick Webb’s orchestra—explained that “she didn't hang out much. When she got into the band, she was dedicated to her music … She was a lonely girl around New York, just kept herself to herself, for the gig."

6. SHE MADE HER FILM DEBUT IN AN ABBOTT AND COSTELLO MOVIE.

As her IMDb profile attests, Fitzgerald contributed to a number of films and television series over the years, and not just to the soundtracks. She also worked as an actress on a handful of occasions (often an actress who sings), beginning with 1942’s Ride ‘Em Cowboy, a comedy-western starring Bud Abbott and Lou Costello.

7. SHE GOT SOME HELP FROM MARILYN MONROE.

“I owe Marilyn Monroe a real debt,” Fitzgerald said in a 1972 interview in Ms. Magazine. “It was because of her that I played the Mocambo, a very popular nightclub in the ’50s. She personally called the owner of the Mocambo and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him—and it was true, due to Marilyn’s superstar status—that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard … After that, I never had to play a small jazz club again. She was an unusual woman—a little ahead of her times. And she didn’t know it.”

Though it has often been reported that the club’s owner did not want to book Fitzgerald because she was black, it was later explained that his reluctance wasn’t due to Fitzgerald’s race; he apparently didn’t believe that she was “glamorous” enough for the patrons to whom he catered.

8. SHE WAS THE FIRST AFRICAN AMERICAN WOMAN TO WIN A GRAMMY.

Ella Fitzgerald
William P. Gottlieb - LOC, Public Domain, Wikimedia Commons

Among her many other accomplishments, in 1958 Fitzgerald became the first African American woman to win a Grammy Award. Actually, she won two awards that night: one for Best Jazz Performance, Soloist for Ella Fitzgerald Sings the Duke Ellington Songbook, and another for Best Female Pop Vocal Performance for Ella Fitzgerald Sings the Irving Berlin Songbook.

9. HER FINAL PERFORMANCE WAS AT CARNEGIE HALL.

On June 27, 1991, Fitzgerald—who had, at that point, recorded more than 200 albums—performed at Carnegie Hall. It was the 26th time she had performed at the venue, and it ended up being her final performance.

10. SHE LOST BOTH OF HER LEGS TO DIABETES.

In her later years, Fitzgerald suffered from a number of health problems. She was hospitalized a handful of times during the 1980s for everything from respiratory problems to exhaustion. She also suffered from diabetes, which took much of her eyesight and led to her having to have both of her legs amputated below the knee in 1993. She never fully recovered from the surgery and never performed again. She passed away at her home in Beverly Hills on June 15, 1996.

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