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When Gus Fring Was Big Bird's Camp Counselor

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Michele K. Short/AMC/Sony Pictures Television

Today, most people know Giancarlo Esposito as the super-intense—and unexpectedly violent—Gus Fring on both Breaking Bad and Better Call Saul. But long before he was the head of Albuquerque's favorite chicken restaurant/meth empire, Esposito landed a much more G-rated gig when he played Mickey, Big Bird's camp counselor, for five episodes on Sesame Street in 1982. Let's watch ...

(Spoiler alert: Big Bird doesn't get his throat slit.)

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Pop Culture
How Phil Collins Accidentally Created the Sound That Defined 1980s Music
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Kevin Winter, Getty Images

Unless your technical knowledge of music runs deep, you may have never heard the phrase “gated reverb.” But you’ve definitely heard the effect in action: It’s that punchy snare drum sound that first gained traction in music in the 1980s. If you can play the drum beat from “I Would Die 4 U” by Prince or “Born in the U.S.A.” by Bruce Springsteen in your head, you know what sound we’re referring to.

But that iconic element of pop might not have emerged if it wasn’t for Peter Gabriel and Phil Collins. As Vox lays out in its new video, the discovery was made in 1979 during the studio recording of Peter Gabriel’s self-titled third solo album (often called Melt because of its cover art). Gabriel’s Genesis bandmate Phil Collins was playing the drums as usual when his beats were accidentally picked up by the microphone used by audio engineers to talk to the band. That microphone wasn’t meant to record music—its heavy compressors were designed to turn down loud sounds while amplifying quiet ones. The equipment also utilized a noise gate, which meant the recorded sounds were cut off shortly after they started. The result was a bright, fleeting percussive sound unlike anything heard in popular music.

Gabriel loved the effect, and made it the signature sound on the opening track of his album. A year later, Collins featured it in his hit single “In the Air Tonight,” perhaps the most famous example of gated reverb to date.

The sound would come to define music of the 1980s and many contemporary artists continue to use it today. Get the full history of gated reverb below.

[h/t Vox]

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entertainment
The Time That Dean Martin and Jerry Lewis Opened Competing Restaurants on the Sunset Strip
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From 1946 to 1956, Dean Martin and Jerry Lewis were show business supernovas. With an act that combined singing, slapstick, and spontaneous hijinks, the duo sold out nightclubs coast to coast, then went on to conquer radio, television, and film. Long before Elvis and The Beatles came along, Dean and Jerry  were rock stars of comedy.

Offstage, there was a cordial but cool friendship between the laidback Martin and the more neurotic Lewis. But as the pressures of their success increased, so did the tensions between them. Martin grew tired of playing the bland romantic straight man to Lewis’s manic monkey boy. And when Lewis started to grab more headlines and write himself bigger parts in their movies, Martin decided to quit the act. In an angry moment, he told Lewis that he was “nothing to me but a f**king dollar sign.”

After the split, both men went on with their individual careers, though it took Martin a few years before he regained his footing. One of his ventures during that transitional period was a Hollywood eatery called Dino’s Lodge.

DINO'S LODGE

In the summer of 1958, Martin and his business partner, Maury Samuels, bought a controlling interest in a restaurant called The Alpine Lodge, at 8524 Sunset Boulevard. They hired Dean’s brother Bill to manage the place, and renamed it Dino’s Lodge.

Outside they put up a large neon sign, a likeness of Dean’s face. The sign turned into a national symbol of hip and cool, thanks to appearances on TV shows like Dragnet, The Andy Griffith Show, and most prominently, in the opening credits of 77 Sunset Strip.

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Dino’s Lodge was popular from the get-go, serving home-style Italian food and steaks in an intimate, candlelit, wood-paneled room meant to replicate Martin’s own den. In the first year, Dean himself frequented the place, signing autographs and posing for photos with starstruck diners. He also occasionally brought along famous friends like Frank Sinatra and Shirley MacLaine. To promote the idea of the swingin’ lifestyle that Martin often sang about, Dino’s served “an early morning breakfast from 1 to 5 a.m.” The restaurant also had a lounge that featured singers, though only females. Dean apparently didn’t want any male vocalists encroaching on his turf.

But as with many a celebrity venture into the food business, this one soon turned sour. And most of that was due to the jealousy of Jerry Lewis.

JERRY'S

In late 1961, Lewis wooed Martin’s business partner Maury Samuels away, ponied up some $350,000, and opened his own copycat restaurant three blocks down Sunset. It was called Jerry’s. To make it clear he was out for top billing, Lewis had his own likeness rendered in neon, then mounted it on a revolving pole 100 feet above his restaurant. In contrast to Dino’s Italian-based menu, Jerry’s would serve “American and Hebrew viands.” Lewis didn’t stop there. Within a few months, he’d hired away Dino’s top two chefs, his maître d', and half his waitstaff.

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When Lewis was in Los Angeles, he made of point of table-hopping and schmoozing with his guests at his restaurant, and he occasionally brought in a few of his celebrity friends, like Peggy Lee and Steve McQueen.

FOOD FOR THOUGHT

By the following year, a disgusted Dean Martin was fed up with the restaurant business and cut ties with Dino’s Lodge. Much to his aggravation, he lost a motion in court to have his likeness and name removed from the sign. So the new owners carried on as Dino’s Lodge, with the big neon head staring down on Sunset for another decade before the place finally went bust.

Jerry’s lost steam long before that, folding in the mid-1960s.

For the rest of the 1960s and the early 1970s, Martin and Lewis avoided each other. “Jerry’s trying hard to be a director,” Dean once told a reporter. “He couldn’t even direct traffic.”

In 1976, Frank Sinatra famously engineered an onstage reunion of the pair during The Jerry Lewis Telethon. While the audience roared their approval, Sinatra said, “I think it’s about time, don’t you?” And to Sinatra, Lewis said under his breath, “You son of a bitch.”

What followed was an awkward few moments of shtick between the former partners. Reportedly, Martin was drunk and Lewis was doped up on painkillers. There was a quick embrace, Martin sang with Sinatra, then blew Lewis a kiss and disappeared from his life for good. Martin died in 1995. Lewis passed away today, at the age of 91.

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