The Stories of 10 People Featured on Historically Bad Album Covers

LDProd/iStock via Getty Images
LDProd/iStock via Getty Images

Bargain bin recording artists are people, too. In the interest of balanced reporting, I hereby submit to you the very human stories behind some of those infamous photos.

1. I LOVE MY LIFE – JIM POST

Ten years before the above album was released, Jim Post had a Top 10 hit with his then-wife, Cathy. Recording as the folk duo Friend and Lover, "Reach Out of the Darkness" became something of an anthem for the flower power movement with its "I think it's so groovy now, that people are finally getting together" chorus.

In recent years, Jim has published a series of successful children's books and also puts that impressive 'stache to good use by touring the country in a one-man show as Mark Twain.

2. JULIE'S SIXTEENTH BIRTHDAY - JOHN BULT

A girl's Sweet Sixteen should be special, but it looks like poor Julie received some bad news instead of a new car. I'm guessing Pop is reassuring her that everything will be OK. "Just tell me the boy's name, and I'll get my shotgun and Ma will rustle up the preacher..."

John Bult hails from Lake Charles, Louisiana, and once performed on the legendary Louisiana Hayride. He's a house painter by trade these days, although he still loves to sing and brings his guitar to crawfish boils to entertain family and friends. By all accounts he's just one all-around good ol' devoted family guy (he and his long-time wife, an Extension Agent with Louisiana State University, have two grown children, and neither one is named "Julie") who has a million stories to tell and will do so with minimal prompting.

3. LIVE AT THE OPEN FACE SANDWICH CLUB – EDDIE MACK

Eddie Mack has a bona fide show business pedigree; his father was Charlie Mack, one half of the very successful vaudevillian comedy team "Moran and Mack, the Two Black Crows." (Yes, it was a blackface act, but in the 1920s that sort of thing still passed as entertainment.) When Eddie was four years old he was standing backstage one afternoon during auditions for a Broadway show. A man ambled up behind him, placed his hands on young Eddie's shoulders, and asked Charlie, "So, who is this brat?" Eddie was offended by the "brat" remark and kicked the man, who happened to be W.C. Fields, in the shin. As a result, even when Eddie was approaching adulthood, W.C. Fields always referred to him as "Charlie Mack's Brat."

Eddie grew up to be a talented pianist, singer, and actor. He was married and divorced six times. (The beauty perched on the piano was married to him for a brief period – Eddie was old-fashioned and didn't believe in "shacking up.") In 1969 he was on stage in Toronto as a member of the touring company of There's a Girl in My Soup (starring Don Ameche) when his throat started hemorrhaging during a song. He was rushed to the hospital and diagnosed with throat cancer. Greasepaint was in his blood, though, so even though he couldn't speak while recuperating from surgery and radiation, he got a job leading the orchestra on a cruise ship and communicated with the musicians via gestures and a Magic Slate.

4. PUSH PUSH - HERBIE MANN

A sweaty, nude man holding a flute (the classic phallic instrument) on the cover of a record entitled Push Push... You don't have to be Sigmund Freud to figure out that this is, as NPR's Jazz Profiles described it in Mr. Mann's obituary, a "sexually charged album." When Mann was a youngster growing up in 1930s Brooklyn, he loved rhythm and wanted to be a drummer. Drum kits were (and still are) expensive, so his mother bought him a clarinet instead. He developed an interest in jazz and learned to play several other instruments, finally settling on the flute because there was a surplus of clarinet and saxophone players vying for the limited amount of openings in professional jazz bands. Mann was known in the music industry for always being at least one step ahead of the current trend. He traveled the globe in search of inspiration and released a series of albums that were influenced by Afro-Cuban rhythms, Yiddish music, Brazilian bossa nova, and straight-ahead R&B. Sadly, Mann lost his battle with prostate cancer in 2003.

5. BY REQUEST ONLY - KEN

There are certain times when one feels a twinge of guilt for poking fun at some anonymous unsuspecting mook on the internet. One of those times is when said mook is found to be alive and well and aware of his infamy. Such is the case with Ken Snyder, a devout Christian (currently living in Iowa) who once upon a time found that he was best able to express his faith via song. Ken traveled the country, performing his original tunes and spreading The Word. So many people asked for a recording of his songs that he went into a South Carolina studio in 1976 and cut By Request Only. The album wasn't originally available in record stores; he carried them in his car and fans had to purchase them directly from Ken after his shows (he, that's how MC Hammer got his start!).

When Ken was contacted by a curious album owner a few years ago, he admitted that he knew he'd been voted "worst album cover" some place on the internet, but he was truly taken aback at just how many web pages had picked up on the Ken meme. And he was downright dumbfounded to learn that a copy of By Request Only had sold for $135.50 on eBay in 2007.

(In the more recent photo at left, Ken is on the far right.)

6. SOMETHING SPECIAL - JEFF STEINBERG

Something Special was released in 1974, a time when folks with disabilities were more often described as "crippled" rather than as a person with "special needs." Jeff Steinberg was born with no arms and malformed legs. He spent most of his childhood first at a Shriner's Hospital and then at The Good Shepherd Home for the Physically Handicapped. His birth mother was Jewish, but Steinberg converted to Christianity after being fostered by a local Christian couple. The "Tiny Giant" (he stands 4'6") and his wife travel the world ministering through humor, scripture, and song, urging people to "Quit focusing on the handicap and start appreciating the Gift."

7. REBORN - ORION

Once upon a time, Georgia-based writer Gail Brewer-Giorgio concocted a story about a popular Southern rock and roll singer named Orion Eckley Darnell. Orion became so famous that his fans referred to him as "The King." Sadly, Orion eventually felt trapped by his success and staged his own death, complete with a wax figure in his likeness and an elaborate funeral. Elvis Presley died in August 1977 and shortly afterward Brewer-Giorgio's story was published. It didn't take fans and conspiracy theorists very long to decide that she was telling the true story of the King, and that the real Elvis was alive somewhere. A producer named Shelby Singleton sensed the opportunity and found a singer named Jimmy Ellis whose voice and style were nearly identical to Presley. Singleton dyed Ellis' hair black and had him grow some sideburns, but there was no hiding the fact that his face didn't look anything like Elvis'. Shelby had a brainstorm – have Ellis perform while wearing a mask. Not only that, but have him perform under the name "Orion," just like the guy in that book.

Ellis wasn't wild about having to perform incognito, but he went along with it and achieved an amazing level of success, considering his whole career was based on keeping fans guessing as to whether or not he was really Elvis Presley. His voice was so similar to Presley's that RCA almost sued Singleton; they thought he'd unearthed some pirated unreleased Elvis tracks. Orion recorded nine albums in three years and played to sold-out crowds in medium-sized venues. His career ended just that quickly, though, when he ripped off his mask onstage in a fit of anger during a performance in 1981.

A tragic postscript to the Orion story: Jimmy Ellis and his wife were shot to death in 1998 when the pawn shop they owned was robbed by armed bandits.

8. JOYCE

Joyce Drake is a devout Christian woman who lives in Sealy, Texas. Her father, the late Reverend Billy Yeats, was an ordained minister with the Assemblies of God for 60 years during which time he pastored at seven different churches. Likewise, Joyce's husband Clyde was a long-time pastor at the First Assembly of God Church, where Joyce often played piano and sang during his services. It is unclear whether Rev. Clyde is still preaching regular Sunday worship, but the Sealy-area obituaries indicate that he's been in high demand as an officiant for local funeral services in recent years. As for Joyce, well, I did find a telephone number for her but I couldn't bring myself to interrupt her while she's probably busy delivering Meals on Wheels and reading to the blind just to quiz her about an unflattering album cover photo.

9. POR PRIMERA VEZ (FOR THE FIRST TIME)– TINO

Constantino Fernández Fernández, known to his fans as Tino, was one of many hopefuls who answered a 1979 ad in a Barcelona newspaper looking for pre-teens to be part of a pop group that Belter Records was assembling. Tino made the final cut and became the "red" member of Parchís; the band's name meant "Parcheesi" in Spanish and each member was assigned a different color to represent the tokens in the traditional board game. Parchís was very successful in Spain for two years (one of their biggest hits was a Spanish rendition of the Village People's "In the Navy") but by 1983 they were overshadowed by Latin-American boy band sensation Menudo. Tino left the group that same year at age 16 and launched a short-lived solo career aimed at capitalizing on his heartthrob status. Sadly, he later lost that provocatively positioned left arm in an automobile accident while driving in Buenos Aires.

10. LIEBE MUTTER (DEAR MOTHER) ... - HEINO

"A Bouquet That Never Wilts" is German singer Heino's personal Valentine to dear ol' Mom. The cover photo just radiates familial affection, doesn't it? You can almost hear his mother murmuring, "Heino, my son, you are beautiful and angular and you make my uterus implode with affection" as she cuddles him.

Heino was born Heinz Georg Kramm in Dusseldorf, Germany, in 1938. When he was 10 years old his mother got him an accordion for Christmas, though the family could ill afford such an expense. Five years later he formed a musical trio with two friends and got a regular gig playing at a local bakery. Eventually, in between playing for pumpernickel, the group gained notice when they took the top prize at th Oberbilker Markt hometown festival and they secured both a manager and a record deal. Critics described Heino's style as "folk music with a Beatles beat;" that may have been stretching the truth a bit, but he did have a certain appeal that inspired lumberjacks. Heino has sold more than 50 million albums over the course of his career and he's still performing today, with his basso cantante voice and platinum hair both intact.

8 Surprising Facts About Eddie Murphy

David Shankbone via Flickr // CC BY 2.0, Wikimedia Commons
David Shankbone via Flickr // CC BY 2.0, Wikimedia Commons

Few entertainers have enjoyed the kind of success comedian Eddie Murphy has had. Born in Brooklyn, New York on April 3, 1961, Murphy originally found fame on Saturday Night Live, then went on to dominate the box office throughout much of the 1980s with hits like 48 Hrs., Trading Places, Beverly Hills Cop I and II, The Golden Child, Eddie Murphy: Raw, and Coming to America, which went unrivaled in Hollywood. Switching from his trademark role of a streetwise, fast-talking fish out of water, Murphy moved on to a string of successful family comedies (The Nutty Professor, Doctor Dolittle) in the 1990s and beyond.

Having taken some time off following the lukewarm reception to Bruce Beresford's 2016 drama Mr. Church, in which Murphy starred, the 58-year-old is coming back into the spotlight with the Netflix biopic Dolemite Is My Name, a return to Saturday Night Live (on December 21), and a sequel to Coming to America (coming in December 2020). The actor also plans on a return to stand-up comedy after a 32-year hiatus. In the meantime, check out some lesser-known facts about Murphy’s life and career, including his plans for a cartoon series and an idea to cross paths with Crocodile Dundee.

1. Eddie Murphy wasn’t always live on Saturday Night Live.

Eddie Murphy stars in 'Dolemite Is My Name' (2019)
Eddie Murphy stars in Dolemite Is My Name (2019).
François Duhamel, Netflix

After enjoying success as a stand-up comedian, Murphy arrived on Saturday Night Live in 1980 at age 19, where he spent four seasons drawing renewed interest to the show that had once been declared “Saturday Night Dead” by critics following the departure of original cast members Bill Murray, Dan Aykroyd, and John Belushi, and series creator Lorne Michaels. By the time Murphy was ready to depart the show in 1984 to pursue feature films—1982’s 48 Hrs. and 1983’s Trading Places had been hits—SNL's producers were so desperate to hold on to their star attraction that they offered Murphy a deal to essentially stick around for a portion of the 1983-1984 season. Murphy would appear live in studio in 10 of the 20 scheduled shows and tape 15 sketches that they could insert throughout the season.

“We basically just did a private show that was one Eddie sketch after another that we taped with a studio audience,” writer Pam Norris told Tom Shales and James Andrew Miller for their 2002 book, Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests. “And then those were later put into the shows.”

2. Eddie Murphy hosted Saturday Night Live while he was still a cast member.

Before departing SNL, Murphy was scoring box office hits, including his debut in 1982’s 48 Hrs. His co-star, Nick Nolte, was scheduled to host SNL on December 11 to promote that film. When Nolte fell ill the week of the show, Murphy was selected to host at the last minute—the only time a then-current cast member took over hosting duties. “This summer, Nick and I had the opportunity to work together in a motion picture called 48 Hrs.,” Murphy told the audience during his introduction. “Uh, Nick and I grew together, and Nick taught me a lot about myself, and a lot about acting, and he’s a real great guy. You know, we were sitting around in Paramount’s lot this summer, and I said, ‘Nick, why don’t you come and host Saturday Night Live?’ and he said, ‘Yeah, sure, Eddie, anything for you.’ That’s the kind of guy Nick was. When Nick got here, got off the plane, he vomited on my shirt. And we realized Nick was too sick to do the show. And that’s too bad, because Nick was gonna be in some real great stuff tonight. But I know you folks tuned in to see one of the stars of 48 Hrs. host the show, and dammit, you’re gonna see it. ‘Cause I’m gonna host the show. Live, from New York, it’s the Eddie Murphy Show!”

3. Fred Rogers liked Eddie Murphy’s impression of him.

While on Saturday Night Live, Murphy repeatedly returned to a sketch character named Mister Robinson, a less-than-wholesome version of Mister Rogers. Rather than be dismayed by the parody, Rogers was reportedly very amused by it. He once visited Murphy at Rockefeller Center where SNL was broadcast and met Murphy in his dressing room to congratulate him on the character.

4. There was almost an Eddie Murphy Saturday morning cartoon.

In 1987, at the height of Murphy’s powers in the entertainment industry, he was nearly granted one of the biggest honors of any performer: his own Saturday morning cartoon series. Murphy was reportedly in discussions with Hanna-Barbera for a series—the premise was never disclosed—that would presumably have offered a G-rated interpretation of his comic sensibilities.

The idea was not without precedent. One of Murphy’s comic inspirations, the similarly adult-oriented Richard Pryor, headlined Pryor’s Place, a children's show that ran on CBS for one season beginning in 1984. The untitled Murphy production never saw the light of day, though Murphy did eventually find his way back in the Hanna-Barbera fold. He was set to voice the title character in Hong-Kong Phooey, a live-action and computer-animated adaptation of the ‘70s cartoon featuring a martial arts-proficient dog, in 2011. That project was also shelved.

5. Eddie Murphy’s Beverly Hills Cop character almost met Crocodile Dundee.

Eddie Murphy stars in 'Beverly Hills Cop' (1984)
Eddie Murphy stars in Beverly Hills Cop (1984).
Paramount Home Entertainment

Released in 1984, Beverly Hills Cop was a gigantic hit, with its $235 million in ticket sales beating even Ghostbusters to become America's highest grossing film of the year. Murphy starred as Axel Foley, a Detroit police detective whose investigation of his friend’s murder leads him to a culture clash in Beverly Hills. The film spawned two sequels in 1987 and 1994. For the third installment, Paramount kicked around the idea of teaming Murphy’s Foley with Paul Hogan’s Crocodile Dundee character, the star of his own fish-out-of-water franchise. The idea was suggested by Brandon Tartikoff, Paramount’s then-president. Another idea would have Foley in London and working with a Scotland Yard inspector played by Sean Connery. The 1994 film ultimately featured Foley attempting to solve his boss’s murder and chasing a lead back to an amusement park in California.

6. Eddie Murphy shot a Beverly Hills Cop television pilot.

Though the Beverly Hills Cop sequels were not as well-received as the original, the role was still important to both Paramount and Murphy. In 2013, the studio launched a pilot for a television series that would see Foley become the chief of police in Detroit and spar with his cop son, Aaron Foley (Brandon T. Jackson). Murphy appeared in the pilot and was expected to recur throughout the series, but CBS failed to pick it up. Murphy is now expecting to shoot a fourth Beverly Hills Cop feature film once he finishes the Coming to America sequel.

7. Eddie Murphy has a deep vault of music he’s recorded.

Though he drew a mixed response to his musical albums in the 1980s, Murphy has never stopped recording music. Following the release of “Party All the Time,” the performer has been steadily using home recording studios to produce material. Speaking with Netflix’s Present Company podcast in 2019, Murphy said there are a lot of songs left unreleased. “I’ve never stopped doing music … I stopped putting it out, though, because the audience gets weirded out by it. And I don’t want to be that guy.”

8. Barack Obama may have gotten him back into stand-up.

Murphy is expected to return to stand-up comedy beginning in 2020, a move that may be the result of a massive $70 million Netflix deal. But according to Murphy, resuming that career might be the product of a meeting with Barack Obama. He met up with the President in 2015, when Murphy was accepting the Mark Twain Prize for American Humor. Obama asked when he would be doing comedy again. “When you go into the Oval Office and the President asks when you are doing stand-up, it’s time to do some jokes,” Murphy said.

15 Fascinating Facts About Candyman

PolyGram Filmed Entertainment
PolyGram Filmed Entertainment

Helen Lyle (Virginia Madsen) is a Chicago graduate student with a deep fascination with urban legends, which she and her friend Bernadette (Kasi Lemmons) are using as the basis for a thesis project. After they stumble across the local legend of Candyman, a well-to-do black artist who fell in love with a white woman in the late 1800s and was murdered for it, Helen wants to learn more. When she’s told that Candyman still haunts Chicago's Cabrini-Green housing project, and that his spirit can be summoned by repeating his name into a mirror five times, Helen does just that … and all hell breaks loose.

What began as a low-budget indie film has morphed into a contemporary classic of the horror genre, and essential Halloween viewing. In 1992, English filmmaker Bernard Rose—who got his start working as a gopher on The Muppet Show—turned Clive Barker’s short story “The Forbidden” into Candyman. Here are 15 things you might not have known about Candyman.

1. Eddie Murphy was considered for the lead in Candyman.

Though the role of Candyman turned Tony Todd into a horror icon, he wasn’t the only actor in consideration for the film’s title role: Eddie Murphy was also reportedly a contender for the part. Though it’s unclear exactly why he wasn’t cast, sources have reported that it had to do with everything from his height (at 5 feet 9 inches, he wouldn’t seem nearly as intimidating as the 6-foot-5 Todd) to his salary demands.

2. An unexpected pregnancy landed Virginia Madsen the lead.

Virginia Madsen stars in 'Candyman'
PolyGram Filmed Entertainment

When asked by HorrorNewsNetwork about how she got the role of Helen in Candyman, Virginia Madsen shared that it was almost by accident: She was supposed to play Bernie, Helen’s friend and classmate, the role that eventually went to Kasi Lemmons.

“I was actually very good friends with Bernard [Rose] and his wife Alexandra,” Madsen said. “She is a wonderful actress, who actually brought Clive Barker’s short story ‘The Forbidden’ to her husband. She thought this would be a great film, and he could direct her. She was supposed to be Helen. I was going to play [Kasi Lemmons'] part, until they made the character African American. Then I was out.

“Right before shooting, Alexandra found out she was pregnant. It was great for me, but it was so sad for her because this was her role; she found this story and really wanted it. So when I was asked to step in I felt like ‘I can’t take my friend’s role.’ She actually came over one day and said ‘It would just kill me to see someone else play this role, you have to be the one who plays it.’ So with her blessing I took on the role. I really tried to work my butt off just to honor her.”

3. Candyman could have starred Sandra Bullock.

On the film’s DVD commentary, producer Alan Poul said that had Madsen been unable to step into the role of Helen, the part would have likely been offered to Sandra Bullock, who was still a relative unknown actress at that point. Though she had played the role of Tess McGill in the television adaptation of Working Girl, she was still a couple of years away from Speed (1994), the role that launched her into stardom.

4. Candyman's title sequence was groundbreaking.

The film’s opening credits feature a great aerial view of Chicago, which was pretty revolutionary for its time. “We did that with an incredible new machine called the Skycam, which can shoot up to a 500mm lens with no vibration,” Rose told The Independent. “You've never seen that shot before, at least not done that smoothly.”

5. Not all of the film's creepy details sprung from Clive Barker's imagination.

While investigating one of Candyman’s crime scenes, Helen and Bernie discover that the design of the apartment’s medicine cabinet made it a possible point of entry for an intruder. This was not a made-up piece of horror movie fiction: While researching the film, Rose learned that a series of murders had been committed in Chicago in this very way.

6. Bernard Rose sees Candyman as a romantic figure.

Tony Todd stars in 'Candyman'
PolyGram Filmed Entertainment

Viewers may think of Candyman as one of the horror genre’s most terrifying villains, but Rose said that “the idea always was that he was kind of a romantic figure. And again, romantic in sort of the Edgar Allan Poe sense—it's the romance of death. He's a ghost, and he's also the resurrection of something that is kind of unspoken or unspeakable in American history, which is slavery, as well. So he's kind of come back and he's haunting what is the new version of the racial segregation in Chicago.

“And I think there's also something very seductive and very sweet and very romantic about him, and that's what makes him interesting. In the same way there is about Dracula. In the end, the Bogeyman is someone you want to surrender to. You're not just afraid of. There's a certain kind of joy in his seduction. And Tony was always so romantic. Tony ties him in so elegantly and is such a gentleman. He was wonderful.”

7. The bees in the film were bred specifically to appear onscreen.

No, that is not CGI! The bees that play a key role in Candyman are indeed real. So that they looked appropriately terrifying, but were less dangerous to the cast and crew, the filmmakers used newborn bees—they were just 12 hours old—so that they looked fully grown, but had less powerful stingers.

8. Tony Todd was stung 23 times, and got a bonus each time it happened.

Photo of Tony Todd in 'Candyman'
PolyGram Filmed Entertainment

In addition to allowing the filmmakers to cover his face with bees, Todd actually agreed to film a scene in which he had a mouthful of bees—and that, too, was all real. He told TMZ that he wore a dental dam to prevent any bees from sliding into his throat—which doesn’t mean that he didn’t suffer a sting or two … or 23, to be exact, over the course of three Candyman movies. Though it might have been worth it. “I had a great lawyer,” he told TMZ. “A thousand dollars a pop.”

9. The bees weren't great news for Virginia Madsen.

Madsen, too, had to get up close and personal with those bees—a fact that almost forced her to pass on the role. “When Bernie was first asking me to do the role I said, ‘Well, I can’t. I’m allergic to bees,’” she told HorrorNewsNetwork. “He said ‘No you’re not allergic to bees, you’re just afraid.’ So I had to go to UCLA and get tested because he didn’t believe [me]. I was tested for every kind of venom. I was far more allergic to wasps. So he said, ‘We’ll just [have] paramedics there, it will be fine!’ You know actors, we’ll do anything for a paycheck! So fine, I’ll be covered with bees.

“So we a had a bee wrangler and he pretty much told us you can’t freak out around the bees, or be nervous, or swat at them, it would just aggravate them. They used baby bees on me. They can still sting you, but are less likely. When they put the bees on me it was crazy because they have fur. They felt like little Q-tips roaming around on me. Then you have pheromones on you, so they’re all in love with you and think you’re a giant queen. I really just had to go into this Zen sort of place and the takes were very short. What took the longest was getting the bees off of us. They had this tiny ‘bee vacuum,’ which wouldn’t harm the bees. After the scene where the bees were all over my face and my head, it took both Tony and I 45 minutes just to get the bees off. That’s when it became difficult to sit still. It was cool though, I felt like a total badass doing it.”

10. Philip Glass composed the score, but was disappointed in the movie.

When Philip Glass signed on to compose the score for Candyman, he apparently envisioned the final film being something totally different. According to Rolling Stone, “What he'd presumed would be an artful version of Clive Barker's short story ‘The Forbidden’ had ended up, in his view, a low-budget slasher.” Glass was reportedly disappointed in the film, and felt that he had been manipulated. Still, the haunting music is considered a classic score—and Glass’s own view of it seems to have softened over time. “It has become a classic, so I still make money from that score, get checks every year,” he told Variety in 2014.

11. Many of the film's scenes were shot at Cabrini-Green.

In 2011, the last remaining high-rise in the Cabrini-Green housing project was demolished. Over the years, the property—which opened in 1942—gained a notorious reputation around the world for being a haven for violence, drugs, gangs, and other criminal activities. While the project’s real-life history weaves its way into the narrative of Candyman, it only makes sense that Rose would want to shoot there. Which he did. But in order to gain permission to shoot on location, he had to agree to cast some of the residents as extras.

“I went to Chicago on a research trip to see where it could be done and I was shown around by some people from the Illinois Film Commission and they took me to Cabrini-Green,” Rose said. “And I spent some time there and I realized that this was an incredible arena for a horror movie because it was a place of such palpable fear. And rule number one when you're making a horror movie is set it somewhere frightening. And the fear of the urban housing project, it seemed to me, was actually totally irrational because you couldn't really be in that much danger. Yes, there was crime there, but people were actually afraid of driving past it. And there was such an aura of fear around the place and I thought that was really something interesting to look into because it's sort of a kind of fear that's at the heart of modern cities. And obviously, it's racially motivated, but more than that—it's poverty motivated.”

12. Candyman's producers were worried that the movie would be considered racist.

During pre-production, Candyman’s producers began to worry that the film might draw criticism for being racist, given that its villain was black and it was largely set in an infamous housing project. “I had to go and have a whole set of meetings with the NAACP, because the producers were so worried,” Rose told The Independent. “And what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be a ghost? Why shouldn't a black actor play Freddy Krueger or Hannibal Lecter? If you're saying that they can't be, it's really perverse. This is a horror movie.'”

13. Still, some filmmakers complained that it was racist.

In a 1992 story in the Chicago Tribune, some high-profile black filmmakers expressed their disappointment that the film seemed to perpetuate several racist stereotypes. “There’s no question that this film plays on white middle-class fears of black people,” director Carl Franklin (Out of Time, Devil in a Blue Dress) said. “It unabashedly uses racial stereotypes and destructive myths to create shock. I found it hokey and unsettling. It didn't work for me because I don’t share those fears, buy into those myths.”

Reginald Hudlin, who directed House Party, Boomerang, and Marshall, described the film as “worrisome,” though he didn’t want to speak on the record about his specific issues with the film. “I've gotten calls about [the movie], but I think I'm going to reserve comment,” he said. “Some of my friends are in it and I may someday want to work for TriStar.”

For Rose, those assessments may have been hard to hear, as his goal in adapting Barker’s story and directing it was to upend the myths about inner cities. “[T]he tradition of oral storytelling is very much alive, especially when it's a scary story,” he told The Independent. “And the biggest urban legend of all for me was the idea that there are places in cities where you do not go, because if you go in them something dreadful will happen—not to say that there isn't danger in ghettos and inner city areas, but the exaggerated fear of them is an urban myth.”

14. Candyman is still the role that Virginia Madsen is most recognized for (especially at airports).

Kasi Lemmons and Virginia Madsen in 'Candyman'
PolyGram Filmed Entertainment

Though she earned a Best Supporting Actress nomination in 2005 for Alexander Payne’s Sideways, in 2012 Madsen said that Candyman is still the role she is most recognized for—especially at airports.

“More people recognize me from that movie than anything I’ve done,” she told HorrorNewsNetwork. “It means a lot to me. It was after years of struggling. As an actor, you always want a film that’s annual, like It’s a Wonderful Life or A Christmas Story. I just love that I have a Halloween movie. Now it’s kind of legend this story. People have watched it since they were kids, and every Halloween it’s on, and they watch it now with their kids. That means a lot to me. The place I get recognized the most is the airport security for some reason. Every person in airport security has seen Candyman. Maybe it makes them a little afraid of me.”

15. There was an actual Candyman killer.

Though the Chicago-based legend of Candyman is a work of fiction, there was an actual serial killer known as “Candyman” or “The Candy Man.” Between 1970 and 1973, Dean Corll kidnapped, tortured, and murdered at least 28 young boys in the Houston area. Corll earned his sweet nickname from the fact that his family owned a candy factory.

SECTIONS

arrow
LIVE SMARTER