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Library of Congress

The Stories Behind 10 Dr. Seuss Books

Library of Congress
Library of Congress

Theodor Seuss Geisel wasn't actually a doctor (at least not until his alma mater, Dartmouth, gave him an honorary PhD), but his unique poetic meter and leap-off-the-page illustrations made him one of the most successful children's writers in history. Here's a little background on some of his greatest hits, in honor of what would be his 113th birthday.

1. THE LORAX

The Lorax is widely recognized as Dr. Seuss's take on environmentalism and how humans are destroying nature. Groups within the logging industry weren't very happy about it and later sponsored The Truax, a similar book—but from the logging point of view. Another interesting fact: the book used to contain the line, "I hear things are just as bad up in Lake Erie," but 14 years after the book was published, the Ohio Sea Grant Program wrote to Seuss and told him how much the conditions had improved and implored him to take the line out. Dr. Seuss agreed and said that it wouldn't be in future editions.

2. THE CAT IN THE HAT

Dr. Seuss wrote The Cat in the Hat because he thought the famous Dick and Jane primers were insanely boring. Because kids weren't interested in the material, they weren't exactly compelled to use it repeatedly in their efforts to learn to read. So, The Cat in the Hat was born. "I have great pride in taking Dick and Jane out of most school libraries," the author once said. "That is my greatest satisfaction."

3. GREEN EGGS AND HAM

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Bennett Cerf, Dr. Seuss' editor, bet him that he couldn't write a book using 50 words or less. The Cat in the Hat was pretty simple, after all, and it used 225 words. Not one to back down from a challenge, Geisel started writing and came up with Green Eggs and Ham—which uses exactly 50 words.

The 50 words, by the way, are: a, am, and, anywhere, are, be, boat, box, car, could, dark, do, eat, eggs, fox, goat, good, green, ham, here, house, I, if, in, let, like, may, me, mouse, not, on, or, rain, Sam, say, see, so, thank, that, the, them, there, they, train, tree, try, will, with, would, you.

4. HORTON HEARS A WHO!

The line from the book, "A person's a person, no matter how small," has been used as a slogan for pro-life organizations for years. It's often questioned whether that was Seuss' intent in the first place, but when he was still alive, he threatened to sue a pro-life group unless they removed his words from their letterhead. Karl ZoBell, the attorney for Dr. Seuss' interests, says the author's widow doesn't like people to "hijack Dr. Seuss characters or material to front their own points of view."

5. MARVIN K. MOONEY WILL YOU PLEASE GO NOW!

It's often alleged that Marvin K. Mooney Will You Please Go Now!was written specifically about Richard Nixon, but the book came out only two months after the whole Watergate scandal. Which makes it unlikely that the book could have been conceived of, written, edited, and mass-produced in such a short time; also, Seuss never admitted that the story was originally about Nixon.

But that's not to say he didn't understand how well the two flowed together. In 1974, he sent a copy of Marvin K. Mooney to his friend, Art Buchwald, at The Washington Post. In it, he crossed out "Marvin K. Mooney" and replaced it with "Richard M. Nixon", which Buchwald reprinted in its entirety. Oh, and one other tidbit: this book contains the first-ever reference to "crunk," although its meaning is a bit different than today's crunk.

6. YERTLE THE TURTLE

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Yertle the Turtle = Hitler? Yep. If you haven't read the story, here's a little overview: Yertle is the king of the pond, but he wants more. He demands that other turtles stack themselves up so he can sit on top of them to survey the land. Mack, the turtle at the bottom, is exhausted. He asks Yertle for a rest; Yertle ignores him and demands more turtles for a better view. Eventually, Yertle notices the moon and is furious that anything dare be higher than himself, and is about ready to call for more turtles when Mack burps. This sudden movement topples the whole stack, sends Yertle flying into the mud, and frees the rest of the turtles from their stacking duty.

Dr. Seuss actually said Yertle was a representation of Hitler. Despite the political nature of the book, none of that was disputed at Random House—what was disputed was Mack's burp. No one had ever let a burp loose in a children's book before, so it was a little dicey. In the end, obviously, Mack burped.

7. THE BUTTER BATTLE BOOK

The Butter Battle Book was pulled from the shelves of libraries for a while because of the reference to the Cold War and the arms race. Yooks and Zooks are societies who do everything differently. The Yooks eat their bread butter-side up and the Zooks eat their bread butter-side down. Obviously, one of them must be wrong, so they start building weapons to outdo each other: the "Tough-Tufted Prickly Snick-Berry Switch," the "Triple-Sling Jigger," the "Jigger-Rock Snatchem," the "Kick-A-Poo Kid", the "Eight-Nozzled Elephant-Toted Boom Blitz," the "Utterly Sputter" and the "Bitsy Big-Boy Boomeroo."

The book concludes with each side ready to drop their ultimate bombs on each other, but the reader doesn't know how it actually turns out.

8. AND TO THINK THAT I SAW IT ON MULBERRY STREET

Dr. Seuss' first children's book, And to Think That I Saw It on Mulberry Street, was rejected 27 times according to Guy McLain of the Springfield Museum in Geisel's hometown. Only after Geisel bumped into a friend who'd just been hired by a publishing house did the book get the green light. "He said if he had been walking down the other side of the street," McLain told NPR, "he probably would never have become a children's author."

9. OH, THE PLACES YOU'LL GO!

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Oh, The Places You'll Go! is Dr. Seuss' final book, published in 1990. It sells about 300,000 copies every year because so many people give it to college and high school grads.

10. HOW THE GRINCH STOLE CHRISTMAS!

No Dr. Seuss story would be complete without a mention of How the Grinch Stole Christmas! In the Dr. Seuss-sanctioned cartoon, Frankenstein's Monster himself, Boris Karloff, provided the voice of the Grinch and the narration. Seuss was a little wary of casting him because he thought his voice would be too scary for kids.

Tony the Tiger, a.k.a. Thurl Ravenscroft, is the voice behind "You're a Mean One, Mr. Grinch." He received no credit on screen, so Dr. Seuss wrote to newspaper columnists to tell them exactly who had sung the song.

An earlier version of this article ran in 2009.

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15 Powerful Quotes From Margaret Atwood
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MICHAL CIZEK/AFP/Getty Images

It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
FRED DUFOUR/AFP/Getty Images
FRED DUFOUR/AFP/Getty Images

A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
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People visiting China's Tianjin Binhai Library.
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A general view of China's Tianjin Binhai Library.
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A woman taking pictures at China's Tianjin Binhai Library.
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A man visiting China's Tianjin Binhai Library.
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A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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