10 Actors' Dramatic Departures from Popular Shows

As the season premiere of Two and a Half Men edges closer, many fans are alternately waiting to see how the addition of Ashton Kutcher to the cast will change the show while simultaneously shaking their heads over an actor (we're looking at you, Charlie Sheen) who was unwilling to rein in his self-destructive behavior just a tad during production season in exchange for almost two million dollars per episode...! Mr. Sheen's isn't the first major character to be axed from a hit show, and there are others who (sometimes) ill-advisedly killed their own golden goose while their former show, despite dire predictions, went on. Here are some memorable examples:

Co-workers bid Shelley Long Cheers

When Cheers debuted in 1982, one of the main continuing story threads was the love/hate relationship between wannabe-intellectual waitress Diane (Shelley Long) and retired athlete/bar owner Sam (Ted Danson). But behind the scenes, Long's relationship with not only Danson but the rest of the cast and crew of Cheers leaned more toward the "hate" side of the equation. Long was a perfectionist and, among other quirks, often held up taping for 45 minutes or more to have her hair and make-up redone (all the while, the studio audience was sitting and waiting). After the box office success of her 1987 film Outrageous Fortune, Long decided to leave Cheers to pursue her movie career. Unbeknowst to critics and viewers who predicted certain death for the sitcom with the departure of such a major character, Long's departure actually relieved a good deal of on-set tension and virtually revitalized the cast and writers. Cheers ran for another very successful six seasons until Ted Danson finally decided to call it quits.

He found his thrill behind the camera

Red-haired aw-shucks all-wholesome-American Ron Howard starred as Richie Cunningham on Happy Days for the first seven years of the long-running sitcom's 10 year run. Howard had been acting since the age of four, including a nine-year stint as Opie on The Andy Griffith Show. Having spent most of his life on studio sets, he developed a serious interest in acting directing, and the respectable box office results of 1977's Grand Theft Auto, his directorial debut, further whetted his creative appetite. He was itching to stop playing a teenager and start pursuing his dream. Since virtually every Happy Days plot revolved around Richie, the producers were panicked when Howard gave his notice, so he agreed to return for a limited number of guest shots after his character joined the Army and was shipped off to Greenland. Happy Days continued for another four seasons, but the changes wrought by Howard's departure were mind-boggling. Somehow Joanie, Chachi, Fonzie, et al., were magically transported 30 years into the future. Instead of a feel-good slice of 1950s nostalgia, viewers were treated to a barrage of Very Special Episodes (with formerly apolitical Fonzie suddenly solving the problem du jour—be it racism, single parenthood, or alcoholism—in 30 minutes) and featuring cast members who looked like they'd stepped out of an Izod ad rather than the Eisenhower era. Of course, Howard hasn't done too badly for himself since hanging up his Jefferson High jacket...

It was high treason, and it mattered a great deal

When Rob Lowe first signed on to play Deputy Communications Director Sam Seaborn on The West Wing, he was considered the "box office draw" and was likewise given both top billing and the highest salary. But after the first season, the show started to gain critical acclaim and the supporting cast attracted more attention. Once The West Wing became a bona fide ratings hit, supporting actors Allison Janney, Bradley Whitford, Richard Schiff, and John Spencer joined forces and demanded a sizable salary increase. The granted pay raise brought the quartet up to the same salary level as original "main" star Rob Lowe. When Lowe asked for a raise, the producers refused him and, as Lowe later stated in his autobiography, he thought, "You know what? This is not right. It's just not right," so he called it quits in 2003. Despite his bitter departure, Lowe was still appreciative to the series' producers for essentially reviving his career (which had been in a slump after a notorious hotel sex video was made public) and he appeared in two parts of a four-episode story arc that served as the series finale in 2006.

What do you think, sirs?

Joel Hodgson was a successful stand-up comic (with appearances on The Tonight Show and Saturday Night Live under his belt) when he bid farewell to Los Angeles and returned to his hometown in Minnesota. While deciding his next career move, he did local stand-up and also sold personally constructed robots (his passion since childhood) at a local shop. The industrial space he rented in which to construct his creations was next door to the studios of KTMA, a local St. Paul UHF station managed by Jim Mallon. Jim and Joel became friendly, and eventually when Mallon had two hours of air time to fill on Sunday afternoons he asked Hodgson if he could somehow use his comedy act along with his robot puppets to fill the time. The show the two co-created, Mystery Science Theater 3000, eventually became a cable hit — so popular that Hollywood came a-calling.

When the prospect of a major motion picture version of MST3K became a reality, Jim Mallon suddenly took charge and insisted upon being named director. He then offered Joel, who was supposedly his equal partner in the MST franchise, various associate producer-type credits. Joel felt that his overall role in the show was being minimized, and that to object would start a legal fight that could jeopardize not only the movie but the series as a whole, so he left the show during the fifth season. Michael J. Nelson, who had been head writer for the series since the beginning, took over the hosting duties after Joel's departure. Joel has since confessed in subsequent interviews that he really didn't think the show would last five more seasons without him and that he occasionally has had some 20/20 hindsight twinges of doubt about his decision to leave.

Wild child

When One Day at a Time debuted in 1975, it was one of the first sitcoms to realistically portray a newly divorced single mom as its main character. Bonnie Franklin played 34-year-old Ann Romano, who had recently ended a 17-year marriage and moved into an apartment with her two teenage daughters. Valerie Bertinelli was the adorable and angelic (she had to make up sins when she went to Confession) younger daughter, Barbara, while Mackenzie Phillips was the rebellious older daughter, Julie. While Julie's biggest offenses were of the breaking curfew variety, off-screen Mackenzie's behavior would have shocked even the worldly Schneider. The troubled teen was not only addicted to heroin and cocaine, she was also having an incestuous relationship with her father, John Phillips. She was arrested for cocaine possession during the third season of the show and her character was written out for six episodes so Phillips could go through rehab. She was eventually fired, then briefly rehired for limited guest appearances, then written out entirely in 1982. One Day at a Time continued on for an additional two years, with the plot focus shifted to newly married Barbara and her husband.

"It wasn't supposed to be like this

Has there ever been a more compassionate and selfless character on television than Edith Bunker? She would've given Archie her corneas and kidneys if he needed them, and she would've had them removed without anesthetic if sodium pentothal cost extra. So it's understandable that the death of Edith Bunker turned out to be one of the most poignant moments ever shown on a sitcom. Funny thing is, many All in the Family fans recall and reminisce seeing "the episode where Edith died," even though there never was such an episode during the run of that series.

When All in the Family ended its run, Jean Stapleton had decided that after nine seasons the character of Edith was as developed as it would get and had nowhere else to go. She signed on for the first season of Archie Bunker's Place with the understanding that it would be Edith's swan song. As the first episode of Season Two of ABP opened, Archie and Stephanie are eating an awkward breakfast together. As the dialog progresses, we learn that Edith had died suddenly of a stroke in her sleep three weeks earlier. Archie's soliloquy after finding Edith's bedroom slipper was very emotional, but ABP had another three seasons to go, so he had to get over his grief fairly quickly so that the writers could have his character date other women in future episodes.

Better late than homophobic

Isaiah Washington won a Screen Actors Guild Award for his portrayal of gifted thoracic surgeon Dr. Preston Burke on Grey's Anatomy and was named "one of TV's sexiest men" by TV Guide. The future seemed rosy for the actor until one day during Season Three when co-star T.R. Knight was late reporting to the set. Washington made no secret of his agitation at the production delay, and the situation escalated when Patrick "Dr. McDreamy" Dempsey defended Knight and urged Washington to cool down. According to backstage witnesses, Washington then directed his anger toward Dempsey and grabbed him by the neck and shoved him while yelling, "I'm not your little f***** like [Knight]!" The scuffle was leaked to the National Enquirer, and Knight, feeling cornered, came out to the press shortly afterward. ABC announced in June 2007 that Washington's contract would not be renewed, and a month later the actor appeared on Larry King Live and blamed Patrick Dempsey for his outburst, stating that McDreamy "was treating him like a 'B-word,' a 'P-word,' and the 'F-word,'" which Washington said implied that he was weak and afraid to fight back. Four years later, Grey's Anatomy is still going strong and viewers are still trying to figure out what all those "-words" are.

Second time wasn't the charm

Shannen Doherty had some previous TV roles under her belt, but it was the part of Midwestern transplant Brenda Walsh on Fox's Beverly Hills 90210 that made her a star (and a tabloid favorite). By the third season of the series, Doherty was apparently having trouble separating herself from the character she played on TV and spent many late nights on the town, occasionally brawling with boyfriends, and frequently showing up to work late and hungover. She wasn't winning any popularity contests with her co-stars, either; she and Jennie Garth once got into a fistfight, and Luke Perry asked the writers to cool off the love story between Dylan and Brenda because he wanted as few up-close-and-personal scenes with Doherty as possible. Doherty was fired after Season Four and Brenda was shipped off to London to study theater. Four years later, producer Aaron Spelling gave Doherty a second chance and hired her to play one of the three magical sisters on Charmed. By the third season things weren't so peachy-keen behind the scenes; rumor has it that Alyssa Milano and Doherty only spoke to one another when the script required it. Finally Milano approached the Paramount execs with an ultimatum—either Doherty went or she'd leave. Doherty had just recently been arrested for a DWI and had a track record of being difficult, while Milano was, well, more of an America's Sweetheart type. Guess which way the ax fell.

A dark and depressing crime show? Who'd-a thunk it?!

Broadway veteran Mandy Patinkin signed up to be the main star of police procedural drama Criminal Minds in 2005. His character, Jason Gideon, was the academic, gifted profiler of a special FBI team that was designated as the National Center for the Analysis of Violent Crime. Somehow the gifted actor apparently missed these few clues that indicated his character might be involved with the darker side of life, because during the Festival de Télévision de Monte-Carlo in 2007, Patinkin told the assembled journalists, "I loathe those violent images and I want no part of that type of violence. I work with the writers and producers constantly to try and tamper that violence down." At the first table read of the premiere episode of Season Three in July 2007, Patinkin simply didn't show up. He didn't bother to call in "sick" and had never hinted that he was considering leaving, so his cast mates and the production staff were stunned. Patinkin soon began the legal maneuvers necessary to be released from his contract, stating that he wanted to go back to musical theater to inject laughter and happiness into the entertainment industry. When he did return for a day so that his character could be given a proper send-off, his part was reduced to one scene, filmed on a separate soundstage with an alternate crew because his former co-workers were still very bitter at his abrupt, no-explanation-given departure.

Behavior unbecoming a Huxtable

Dr. Heathcliff Huxtable was one of America's favorite TV dads during the 1980s. Bill Cosby was just as paternal, and perhaps even more so, behind the scenes. All the regular actors had to sign a morals clause as a condition of being hired, and Cosby rode roughshod on the school-age actors to always put their studies first. In any such tightly regimented atmosphere there is bound to be one rebel, and in this case it was Lisa Bonet, the most popular (according to fan mail and press coverage) member of the Huxtable clan.

Bonet's first "offense" was co-starring in 1987's Angel Heart, a film in which her explicit sex scene with Mickey Rourke had to be seriously edited so that the rating could be reduced from X to R. Less than a year later Bonet appeared semi-nude on the cover of Rolling Stone. Producers felt that Bonet's off-stage antics could potentially harm the squeaky-clean Huxtable image, but Dr. Cosby (who already had a spin-off in development) intervened and allowed Lisa to continue playing the character of Denise on A Different World. Bonet's eventual pregnancy threw a further wrench into the works; she was married but Denise was not, and even though A Different World sometimes explored controversial issues, an unwed pregnant college student was not one of the plot lines the producers had in mind. Bonet returned briefly to The Cosby Show, but when her marriage to Lenny Kravitz began unraveling, she often turned up late to the set or not at all and was ultimately let go due to "creative differences." Not only was Bonet absent from the series finale (geez, even Vanessa’s former fiancé Dabnis was present!), she has thus far not been invited to attend any of the subsequent Cosby Show reunions.

From saving lives to saving money

When Wayne Rogers signed on for the role of Trapper John on M*A*S*H, he was told that the TV series would be as similar to the movie as TV would allow and, accordingly, that the characters of Hawkeye and Trapper would be equal. But as Alan Alda got more involved with the creative aspects of the show, the writers started giving Hawkeye all the best jokes and most poignant monologues. Rogers was suddenly Alda's second banana and not at all pleased about the situation. He resigned abruptly after Season Three, which prompted a multi-million dollar breach-of-contract lawsuit from the producers. Rogers, however, had never signed his contract (he'd objected to a morals clause), so the last laugh was his.

Sort of.

M*A*S*H soldiered on for eight more seasons, and Wayne Rogers' acting career never got completely back on track. However, Rogers is one of the few actors in Hollywood who works for the sake of artistry, not a paycheck. When he first started out in the business he saw too many stars losing everything they'd earned thanks to bad investments, so he set out to educate himself in the world of finance. He befriended entrepreneur Lew Wolff (head of real estate at 20th Century Fox) and learned all about real estate and money management. Today, Rogers owns the Stop-N-Save convenience store chain, an upscale chain of New York bridal stores, and Wayne M. Rogers & Company, an investment strategy firm.

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12 Surprising Facts About Robin Williams
Kevork Djansezian/Getty Images for PCA
Kevork Djansezian/Getty Images for PCA

Robin Williams had a larger-than-life personality. On screen and on stage, he embodied what he referred to as “hyper-comedy.” Offscreen, he was involved in humanitarian causes and raised three children—Zak, Zelda, and Cody. On July 16, HBO debuts the documentary Robin Williams: Come Inside My Mind, directed by Marina Zenovich. The film chronicles his rise on the L.A. and San Francisco stand-up comedy scenes during the 1970s, to his more dramatic roles in the 1980s and '90s in award-winning films like Dead Poets Society; Good Morning, Vietnam; Awakenings; The Fisher King; and Good Will Hunting. The film also focuses on August 11, 2014, the date of his untimely death. Here are 12 surprising facts about the beloved entertainer.


A still from 'Robin Williams: Come Inside My Mind' (2018)

After leaving Juilliard, Robin Williams found himself back in his hometown of San Francisco, but he couldn’t find work as an actor. Then he saw something for a comedy workshop in a church and decided to give it a shot. “So I went to this workshop in the basement of a Lutheran church, and it was stand-up comedy, so you don’t get to improvise with others, but I started off doing, ostensibly, it was just like improvising but solo," he told NPR. "And then I started to realize, ‘Oh.’ [I started] building an act from there."


In 2001, Williams visited Koko the gorilla, who passed away in June, at The Gorilla Foundation in Northern California. Her caregivers had shown her one of his movies, and she seemed to recognize him. Koko repeatedly signed for Williams to tickle her. “We shared something extraordinary: laughter,” Williams said of the encounter. On the day Williams died, The Foundation shared the news with Koko and reported that she fell into sadness.


In 1974, photographer Daniel Sorine captured photos of two mimes in New York's Central Park. As it turned out, one of the mimes was Williams, who was attending Juilliard at the time. “What attracted me to Robin Williams and his fellow mime, Todd Oppenheimer, was an unusual amount of intensity, personality, and physical fluidity,” Sorine said. In 1991, Williams revisited the craft by playing Mime Jerry in Bobcat Goldthwait’s film Shakes the Clown. In the movie, Williams hilariously leads a how-to class in mime.


As a teen, Lisa Jakub played Robin Williams’s daughter Lydia Hillard in Mrs. Doubtfire. “When I was 14 years old, I went on location to film Mrs. Doubtfire for five months, and my high school was not happy,” Jakub wrote on her blog. “My job meant an increased workload for teachers, and they were not equipped to handle a ‘non-traditional’ student. So, during filming, they kicked me out.”

Sensing Jakub’s distress over the situation, Williams typed a letter and sent it to her school. “A student of her caliber and talent should be encouraged to go out in the world and learn through her work,” he wrote. “She should also be encouraged to return to the classroom when she’s done to share those experiences and motivate her classmates to soar to their own higher achievements … she is an asset to any classroom.”

Apparently, the school framed the letter but didn’t allow Jakub to return. “But here’s what matters from that story—Robin stood up for me,” Jakub wrote. “I was only 14, but I had already seen that I was in an industry that was full of back-stabbing. And it was entirely clear that Robin had my back.”


Anson Williams, Marion Ross, and Don Most told The Hallmark Channel that a different actor was originally hired to play Mork for the February 1978 Happy Days episode “My Favorite Orkan,” which introduced the alien character to the world. “Mork & Mindy was like the worst script in the history of Happy Days. It was unreadable, it was so bad,” Anson Williams said. “So they hire some guy for Mork—bad actor, bad part.” The actor quit, and producer Garry Marshall came to the set and asked: “Does anyone know a funny Martian?” They hired Williams to play Mork, and from September 1978 to May 1982, Williams co-headlined the spinoff Mork & Mindy for four seasons.


Actor Robin Williams poses for a portrait during the 35th Annual People's Choice Awards held at the Shrine Auditorium on January 7, 2009 in Los Angeles, California
Michael Caulfield, Getty Images for PCA

In 1988, Williams made his professional stage debut as Estragon in the Mike Nichols-directed Waiting for Godot, which also starred Steve Martin and F. Murray Abraham. The play was held off-Broadway at Mitzi E. Newhouse Theater at Lincoln Center. The New York Times asked Williams if he felt the show was a career risk, and he responded with: “Risk! Of never working on the stage again! Oh, no! You’re ruined! It’s like you're ruined socially in Tustin,” a town in Orange County, California. “If there’s risk, you can’t think about it,” he said, “or you’ll never be able to do the play.”

Williams had to restrain himself and not improvise during his performance. “You can do physical things,” he said, “but you don’t ad lib [Samuel] Beckett, just like you don’t riff Beethoven.” In 1996, Nichols and Williams once again worked together, this time in the movie The Birdcage.


The 1992 success of Aladdin, in which Williams voiced Genie, led to more celebrities voicing animated characters. According to a 2011 article in The Atlantic, “Less than 20 years ago, voice acting was almost exclusively the realm of voice actors—people specifically trained to provide voices for animated characters. As it turns out, the rise of the celebrity voice actor can be traced to a single film: Disney’s 1992 breakout animated hit Aladdin.” Since then, big names have attached themselves to animated films, from The Lion King to Toy Story to Shrek. Williams continued to do voice acting in animated films, including Aladdin and the King of Thieves, Happy Feet, and Happy Feet 2.


In March 1998, Williams won a Best Supporting Actor Oscar for his performance as Sean Maguire in Good Will Hunting. In 2011, Williams appeared on The Graham Norton Show, and Norton asked him what it was like to win the award. “For a week it was like, ‘Hey congratulations! Good Will Hunting, way to go,'” Williams said. “Two weeks later: ‘Hey, Mork.’”

Then Williams mentioned how his speech accidentally left out one of the most important people in his life. “I forgot to thank my mother and she was in the audience,” he said. “Even the therapist went, ‘Get out!’ That was rough for the next few years. [Mom voice] ‘You came through here [points to his pants]! How’s the award?’”


At this year’s 25th anniversary screening of Schindler’s List, held at the Tribeca Film Festival, director Steven Spielberg shared that Williams—who played Peter Pan in Spielberg’s Hook—would call him and make him laugh. “Robin knew what I was going through, and once a week, Robin would call me on schedule and he would do 15 minutes of stand-up on the phone,” Spielberg said. “I would laugh hysterically, because I had to release so much.”


During a June 2018 appearance on The Graham Norton Show, Ethan Hawke recalled how, while working on Dead Poets Society, Williams was hard on him. “I really wanted to be a serious actor,” Hawke said. “I really wanted to be in character, and I really didn’t want to laugh. The more I didn’t laugh, the more insane [Williams] got. He would make fun of me. ‘Oh this one doesn't want to laugh.’ And the more smoke would come out of my ears. He didn’t understand I was trying to do a good job.” Hawke had assumed Williams hated him during filming.

After filming ended, Hawke went back to school, but he received a surprising phone call. It was from Williams’s agent, who—at Williams's suggestion—wanted to sign Hawke. Hawke said he still has the same agent today.


In February 1988, Williams told Rolling Stone how he sometimes still had to audition for roles. “I read for a movie with [Robert] De Niro, [Midnight Run], to be directed by Marty Brest,” Williams said. “I met with them three or four times, and it got real close, it was almost there, and then they went with somebody else. The character was supposed to be an accountant for the Mafia. Charles Grodin got the part. I was craving it. I thought, ‘I can be as funny,’ but they wanted someone obviously more in type. And in the end, he was better for it. But it was rough for me. I had to remind myself, ‘Okay, come on, you’ve got other things.’”

In July 1988, Universal released Midnight Run. Just two years later, Williams finally worked with De Niro, on Awakenings.


Actors Robin Williams (L) and Billy Crystal pose at the afterparty for the premiere of Columbia Picture's 'RV' on April 23, 2006 in Los Angeles, California
Kevin Winter, Getty Images

Starting in 1986, Williams, Billy Crystal, and Whoopi Goldberg co-hosted HBO’s Comic Relief to raise money for the homeless. Soon after Williams’s death, Crystal went on The View and spoke with Goldberg about his friendship with Williams. “We were like two jazz musicians,” Crystal said. “Late at night I get these calls and we’d go for hours. And we never spoke as ourselves. When it was announced I was coming to Broadway, I had 50 phone messages, in one day, from somebody named Gary, who wanted to be my backstage dresser.”

“Gary” turned out to be Williams.

Robin Williams: Come Inside My Mind premieres on Monday, July 16 at 8 p.m. ET on HBO.

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12 EGOT Winners (and 25 Almost-EGOTS)
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Archive Photos/Getty Images

Life should have been good for Miami Vice’s Philip Michael Thomas in 1985. He was the star of one of television’s biggest hits, had released his first album as part of a multimillion dollar deal with Atlantic Records, and was making a name for himself in the fashion world (or at least trying to) with his very own women’s clothing line. But Thomas still had loftier goals, both in mind and on the gold medallion he was so fond of wearing. That dream was an EGOT.

Though Thomas swore that the engraved letters E, G, O, and T on his prized necklace stood for energy, growth, opportunity, and talent, those around the then-36-year-old actor unanimously gave a different translation: Emmy, Grammy, Oscar, and Tony—the four awards Thomas had intended to win over the next few years. It’s now more than 30 years later and Thomas has yet to even be nominated for any one of those accolades.

While an EGOT may seem an unlikely reality for Thomas, it’s not an impossibility for all artists. If John Legend can beat out Benedict Cumberbatch to win this year's Emmy for Outstanding Lead Actor in a Limited Series or a Movie for Jesus Christ Superstar Live in Concert, he'll become the 13th member of the EGOT winners' circle—and one of its youngest. Here are the 12 current members, a couple of SHEGOTS, plus several artists who are just one award away.


Richard Rodgers
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Before there was even a name for it, American composer Richard Rodgers became the first person to EGOT (yes, the acronym can also be used as a verb) when he won an Emmy for the television documentary Winston Churchill: The Valiant Years. His Oscar came in 1945, when his “It Might as Well Be Spring” from State Fair was named Best Song. He earned Grammys in both 1960 and 1962, for the original cast recordings of The Sound of Music and No Strings, respectively. Between 1950 and 1962, he won six Tony Awards, three of them in that first year for South Pacific. The same year, South Pacific also earned Rodgers a Pulitzer Prize for Drama, which we guess makes him a PEGOT.


Helen Hayes
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In 1977, 15 years after Rodgers inaugurated the honor, actress Helen Hayes joined him as the first female EGOT—an honor that took her 45 years to achieve, the longest of any of her EGOT peers. Her road began in 1932, when she won the Oscar for The Sin of Madelon Claudet (she won a second Oscar for 1970’s Airport). Her first Tony came in 1947, for Happy Birthday, followed by another in 1958 for Time Remembered. And she won a Best Actress Emmy in 1953 for an episode of Schlitz Playhouse of Stars. But it would take more than two decades for her to nab that elusive second letter, which she did for Best Spoken Word Recording for Great American Documents.


Rita Moreno
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Seven months after Hayes earned her EGOT, actress Rita Moreno did the same when she won her first of two consecutive Emmys for a guest spot on The Muppet Show in 1977 (the following year she won one for an appearance on The Rockford Files). But Moreno did it in about a third the time of Hayes, 16 years, which was an EGOT record until Lopez smashed it last night. Her Oscar came in 1961 as Best Supporting Actress in West Side Story, followed by a Best Recording for Children Grammy in 1972, for The Electric Company. In 1975, Moreno nabbed a Tony playing Googie Gomez in Terrence McNally’s The Ritz, a role she reprised in the 1976 big-screen version.


John Gielgud
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Unlike his three predecessors, the Oscar wasn’t the first award John Gielgud won to earn his EGOT. Instead it was the Tony, which he first won in 1948 for The Importance of Being Earnest. He won a second Tony in 1961, as the director of Big Fish, Little Fish. Next came the Grammy, in 1979, for his dramatic recording of Ages of Man. In 1981, Gielgud took home the Best Supporting Actor Oscar for his iconic role as Dudley Moore’s butler/sidekick in Arthur. And when he won the Emmy in 1991, for Outstanding Lead Actor in Summer’s Lease, he was 87 years old, making him the oldest EGOT-getter.


Audrey Hepburn
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Unfortunately, Audrey Hepburn didn’t live long enough to enjoy her EGOT. Two of her awards—her 1994 Grammy for the children’s album Audrey Hepburn’s Enchanted Tales and her 1993 Emmy for the informational Gardens of the World with Audrey Hepburn—were awarded after her passing on January 20, 1993, which made her the first posthumous EGOT recipient. She did, however, have the chance to bask in the glow of her 1953 Oscar for Roman Holiday, and a Tony for Ondine one year later.


Marvin Hamlisch
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There’s a distinctively heavy emphasis on the “O” in composer Marvin Hamlisch’s EGOT, as he is the most Academy Award-winning of the bunch, with a total of three. All of them were awarded in 1973—two for The Way We Were and one for his score for The Sting. It was “The Way We Were” that earned him his first of four Grammys, too, in 1974. His collaboration with Barbra Streisand continued, and earned him two Emmys in 1995, for Barbra: The Concert. Hamlisch’s Tony came in 1976 for A Chorus Line, the musical that also got him a Pulitzer Prize, making him the only other PEGOT on this list.


Jonathan Tunick
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Composer/conductor Jonathan Tunick’s path to EGOT glory was a straight shot over the course of 20 years: In 1977 he won an Oscar for A Little Night Music, followed by an Emmy for Music Direction in 1982 for Night of 100 Stars, a 1988 Grammy for Best Instrumental Arrangement for Cleo Laine’s “No One is Alone,” and, finally, a 1997 Tony for Best Orchestrations for Titanic.


Mel Brooks
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Yes, Mel Brooks can do it all. In June of 2001 he became the world’s eighth EGOT winner, just a few weeks shy of his 75th birthday, when he earned three Tony Awards—for Best Musical, Best Original Score, and Best Book of a Musical—for The Producers. It was The Producers that brought Brooks his Oscar as well, for Best Original Screenplay (albeit 33 years earlier). Brooks’s first award came in 1967, when he won the Emmy for writing The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special. Beginning in 1997, he won three consecutive Emmys, this time as a guest actor on the sitcom Mad About You. It was during that same period that he also won his first of three Grammys, in 1998 for Best Spoken Comedy Album for The 2000 Year Old Man in the Year 2000. In a 2013 NPR interview, Brooks mentioned this crowning achievement, saying, “I'm an EGOT, so I don't need any more [awards].”


Mike Nichols
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Mike Nichols earned his EGOT in the same year as Mel Brooks, though it took him a full 40 years to get there (versus Brooks’s 34). The late comedian-turned-director’s path began with a 1961 Best Comedy Performance Grammy for An Evening With Mike Nichols And Elaine May. In 1964, he won his first of nine Tony Awards for Barefoot in the Park (his second came a year later for The Odd Couple). In 1967 he was named Best Director at the Oscars for The Graduate. And in 2001 he won his first two of four Emmys—for Outstanding Directing and Outstanding Made for Television Movie—for Wit.


Whoopi Goldberg
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If Philip Michael Thomas invented the idea of the EGOT, Tracy Morgan—as Tracy Jordan—brought the phrase back into popular use on 30 Rock, when he set the same goal and even wore the necklace. And they even got real-life EGOT winner Whoopi Goldberg to play along and poke fun at the debate over whether she should truly be included as her Emmy is a Daytime one. (“It still counts,” she told Tracy. “Girl’s gotta eat!”) Goldberg's first award was a 1985 Grammy for Best Comedy Recording of Whoopi Goldberg—Original Broadway Show Recording. Next came a 1990 Best Supporting Actress Oscar for Ghost. In 2002 she got her E and T: an Emmy for hosting Beyond Tara: The Extraordinary Life of Hattie McDaniel and a Tony as co-producer of Thoroughly Modern Millie, which won Best Musical.


Scott Rudin
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Scott Rudin is the first producer to EGOT. He earned his gold medallion in 2012 when The Book of Mormon: Original Broadway Cast Recording earned a Grammy for Best Musical Theater Album (an award Rudin shares with fellow EGOT Robert Lopez). Rudin’s first award—an Emmy—came in 1984, for the kid’s show He Makes Me Feel Like Dancin’. He earned his first of 15 Tony Awards in 1994 for Passion, and his most recent in 2017 for Hello, Dolly!. While Rudin is probably best known as a film producer, he’s only got one Oscar to his credit, a 2007 Best Picture statue for the Coen brothers’ No Country for Old Men.


Robert Lopez
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In 2014, songwriter Robert Lopez became the newest EGOT when he and his wife, Kristen Anderson-Lopez, took home the Oscar for Best Original Song for Frozen’s “Let It Go.” (The pair won a second statuette earlier this year for the song "Remember Me" from Coco.) In addition to being the newest member of the EGOT winners' circle, he is also the youngest member of the club (he's 43 years old now, but had just turned 39 when he was "inducted.") Lopez is also the fastest artist to achieve the honor, taking just 10 years to earn all four awards, beginning with a 2004 Tony Award for Best Score for Avenue Q, followed by two Daytime Emmys in 2008 and 2010 for Outstanding Achievement in Music Direction and Composition for Wonder Pets. In 2012, Lopez and Rudin shared the Grammy for The Book of Mormon, making them the first pair of EGOTs to have a shared award get them into the circle.


Though the official number of EGOT winners is 12, it’s worth noting that there are a handful of other rather famous faces who have also earned all four awards ... but because at least one of them is a special or honorary award only—not a competitive one—their inclusion in the official club is questionable. Let’s call them SHEGOTs?


Terry Fincher, Express/Getty Images

Amazingly, the only Tony Award that Barbra Steisand has on her mantel is a non-competitive one; in 1970, she was named Star of the Decade.


Performer Liza Minnelli
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Liza Minnelli may have been handed a Grammy Legend Award in 1990—but this legend has no competitive Grammy to speak (or sing) of.


James Earl Jones accepts the Special Tony Award for Lifetime Achievement in the Theatre onstage during the 2017 Tony Awards at Radio City Music Hall on June 11, 2017 in New York City
Theo Wargo, Getty Images for Tony Awards Productions

Though he's been a Hollywood icon for decades, James Earl Jones's only Oscar win was an honorary one in 2012. He did receive a Best Actor nomination in 1971 for The Great White Hope, but lost out to George C. Scott for Patton. (It's worth noting that Scott had alerted the Academy ahead of time that he refused the nomination, so it was hardly surprising that he wasn't there to accept the actual award.)


Johnny Mercer Award Honoree Alan Menken performs onstage at the Songwriters Hall Of Fame 48th Annual Induction and Awards at New York Marriott Marquis Hotel on June 15, 2017 in New York City
Larry Busacca, Getty Images for Songwriters Hall Of Fame

Composer/songwriter Alan Menken won the Tony for Best Original Score for the Broadway version of Newsies in 2012, but his 1990 Emmy for his contribution to "Wonderful Ways to Say No," an anti-drug cartoon special, was an honorary one—leaving him one official award short of an EGOT.


Harry Belafonte attends the 2016 Library Lions Gala at New York Public Library - Stephen A Schwartzman Building on November 7, 2016 in New York City
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In 2014, Harry Belafonte was awarded the Academy's Jean Hersholt Humanitarian Award—putting him in the elite class of a half-dozen (SH)EGOTs.


Music producer Quincy Jones attends Spotify's Inaugural Secret Genius Awards hosted by Lizzo at Vibiana on November 1, 2017 in Los Angeles, California
Matt Winkelmeyer, Getty Images for Spotify

Music producer Quincy Jones may be one of the world's most award-winning artists, but a competitive Oscar has so far eluded him. Like Belafonte, the only Academy Award he has won is the Jean Hersholt Humanitarian Award (which he received in 1994). Beyond that, he is a seven-time Oscar nominee.


While there are are a number of artists who came close to EGOT'ing during their lifetimes—including Robin Williams (who was short a Tony), Jessica Tandy (she was missing a Grammy), Henry Fonda (who was minus an Emmy), and Leonard Bernstein (who never won an Oscar)—the EGOT dream is still alive for dozens of artists.


If John Legend wins an Emmy this year, he'll become the 13th official member of the EGOT winners' circle.


It's hard to believe that Julie Andrews has yet to win a Tony Award (though she's been nominated for three). If and when she does, she can add EGOT to her resume.


Like Legend, Andrew Lloyd Webber and Tim Rice are just an Emmy short of an EGOT—which could change this year.


The Hamilton creator came so close to EGOT'ing last year. But something tells us it won't be long before he's inducted into this elite group of artists.


He may be one of the world's most acclaimed filmmakers, but it took him more than a quarter-century to earn his first (and so far only) Oscar. Hopefully a Tony will be next.


Just below the EGOT, there's what is known as the Triple Crown of Acting: a performer who has won an Oscar, Emmy, and a Tony (but is missing a Grammy). Frances McDormand is among that group.


Like McDormand, Viola Davis is part of the Triple Crown club.


It took 20 years and 16 nominations, but Randy Newman finally became an Oscar winner in 2002 when he won the award for Best Original Song for "If I Didn't Have You" from Monsters, Inc. He still needs a Tony though.


He's one of the most celebrated actors alive, but Al Pacino is no Grammy winner.


The iconic composer may hold the record for the most Oscar nominations for a living person, but John Williams has yet to receive a single Tony Award nomination.

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The iconic singer is one Tony Award short of an EGOT.


The "Rocket Man" singer is one Emmy Award away from an EGOT.


Dame Maggie Smith may not have a Grammy Award, but she's a Triple Crown-winning actor who has earned the right to be addressed as "Dame."


Rapper/poet/singer/producer Common only needs a Tony Award to complete his EGOT.


Longtime producing partners Ron Howard and Brian Grazer have seemingly conquered every medium, but neither one has yet to win a Tony (though Grazer has come closer; he was nominated in 2008).


The South Park creators are just an Oscar short of the EGOT goalpost.


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