CLOSE
Original image

The Jerry Lewis Film Nobody Has Ever Seen

Original image

Man at a 2001 press conference: "When are you going to release The Day the Clown Cried?"

Jerry Lewis: "None of your G*****n business!"

In 1971, while appearing at the Olympia Theater, Jerry Lewis was approached by "producer" Nat Wachsberger, who told Lewis of his idea for a film called The Day the Clown Cried. Here's a look back at one of the most famous "never released" films in movie history.

The Plot

Written by Joan O'Brien and Charles Denton, the film's story told of Helmut Doork, a circus clown in Nazi Germany who has recently been fired. Doork gets drunk at a local bar, pokes fun at Hitler, and is taken to prison camp. After his act bombs with his fellow prisoners, Doork goes out alone to the prison yard and tries out his shtick. There, he overhears some children laughing at him.

Doork is given the job of putting new prisoners on the train to Auschwitz, the Nazi concentration camp. Like the Pied Piper, he leads a group of children on to the train; at the film's conclusion, he leads kids to their death in the gas chamber. He goes to entertain the kids, but feels remorse, so he steps inside the gas chamber to join them. The movie ends with Doork inside the gas chamber, the children laughing with him. (This is actually the film's story, more or less. No kidding.)

The Role Rejectors

Dick Van Dyke, Milton Berle, and Bobby Darin had all been approached about playing Doork in the film and all had (wisely) declined.

But Jerry Lewis, probably to his eternal regret, decided to take the role, and agreed to take the directing helm to boot.

Lewis' Preparation

To prepare himself for his role, Lewis toured the remains of both Auschwitz and Dachau concentration camps in Germany in February of 1972. (The film's concentration camp scenes were actually shot in a Swedish military compound.) He also reportedly dropped 40 pounds to play Doork, going on a six-week all-grapefruit diet.

Production Problems

Not much is known about the actual production of the film, adding to its cloak of mystery. What we do know indicates that when Lewis' first "serious movie" began filming in Stockholm, trouble started almost from the word "Go."

Film equipment was either lost or delivered late, and the necessary money was nowhere in sight. Ostensibly the film's producer, Nat Wachsberger did not appear on the set. He ran out of money, giving the production just $5,000.00 and failing to come up with the $50,000.00 he'd promised prior to production. Wachsberger kept promising Lewis that "the money was coming," but Lewis eventually ended up footing the bill himself.

Wachsberger had also neglected to pay Joan O'Brien for the rights to her script. Lewis had re-written much of O'Brien's original draft anyway, changing Doork's character in an attempt to make him into a more sympathetic "Charlie Chaplin-like" figure. Both O'Brien and fellow writer Charles Denton hated the changes Lewis gave to the Helmut Doork they had created and envisioned.

Cast members working on the film recall Jerry as being "distracted, nervous and preoccupied with money."

Post-Production Drama

Once production had ended, Lewis claimed (rightfully so) that Wachsberger had failed to make good on his promise of financial obligations. Incredibly, Wachsberger threatened to file a breach of contract suit against Lewis and claimed he had enough footage to finish the film without its star.

The studio held the film's negative, but Lewis took a cut of the film for himself.

After production, Lewis claimed that the film was invited to be shown at the Canes Film Festival and would be released sometime in 1973. Neither ever came to pass.

As late as 1982, Lewis wrote in his autobiography that he was hopeful The Day the Clown Cried would someday be released. Various lawsuits between the involved parties, though, stopped any hope the film would ever see the light of day.

Reactions to the Film

In the early 1980s, Europa Studios announced their plan to edit the negative of the film and finally release it. But O'Brien and Denton, the writers, stopped this from happening, saying it could never be released. O'Brien had seen a rough cut and declared it "was a disaster."

Interestingly, Lewis has screened the film for a very select few Hollywood insiders over the years. Harry Shearer (of The Simpsons) is one of the rare people to have actually seen The Day the Clown Cried. In Shearer's words:

"This was the perfect object. This movie is so drastically wrong, its pathos, its comedy, are so wildly displaced, that you could not, in your fantasy of what it might be like, improve on what it is. 'Oh my God!' That's all you can say."

Shearer told Lewis after the screening that the film was "terrible." Lewis, says Shearer, was furious.

Lewis' Motivation

Jerry Lewis' original motive in making the film was to make more people aware of the horrors of the Holocaust, a noble goal. But since the film was made, other movies, most notably the two multiple Oscar-winners Life is Beautiful (1997) and Steven Spielberg's now-classic Schindler's List (1992) have been released, and the purpose Lewis wanted to serve with his film would seem to have been amply served. Life is Beautiful actually appears to be strikingly similar to Lewis' concept in The Day the Clown Cried (and may have been wholly or partly based on the film), with Roberto Benigni, like Lewis, both starring and directing.

Lewis' Change of Heart

While Lewis once thought "the Academy can't ignore this" about The Day the Clown Cried and vowed in his autobiography that "one way or another, I'll get it done," he has definitely soured on the film over the years. He keeps his copy (the only copy of the film on video cassette) locked up in his vault to this day. He refuses to discuss any facet of the movie with reporters or anyone else.

The Award Nomination

In 1980, The Day the Clown Cried was nominated for a "Golden Turkey Award" (the precursor to today's Razzies—awards for the worst films). It was nominated in the "Worst Movie You Never Saw" category, but it couldn't even win that, losing to Billy Jack Goes to Washington, which, in contrast, was eventually released on DVD.

How many people have ever actually seen The Day the Clown Cried?

According to Shawn Levy, who wrote an excellent biography of Jerry Lewis (King of Comedy, 1997), the figure may be as low as 11, and may be as high as a few hundred.


Eddie Deezen has appeared in over 30 motion pictures, including Grease, WarGames, 1941, and The Polar Express. He's also been featured in several TV shows, including Magnum PI, The Facts of Life, and The Gong Show. And he's done thousands of voice-overs for radio and cartoons, such as Dexter's Laboratory and Family Guy.


Read all Eddie's mental_floss stories.

twitterbanner.jpg

Original image
MGM
arrow
entertainment
15 Inconceivable Facts About The Princess Bride
Original image
MGM

It's no wonder The Princess Bride is such a beloved film: It's action-packed but still lighthearted, sweet but not saccharine, silly but still smart—and, of course, endlessly quotable. Fortunately, in 2012, the movie's leading man Cary Elwes was inspired to write a behind-the-scenes book about the making of the movie in honor of its 25th anniversary, for which he interviewed nearly all of the key cast and crew (sadly, André the Giant, who played Fezzik, passed away in 1993).

Pulling from the impressively detailed text of As You Wish: Inconceivable Tales from the Making of The Princess Bride and various interviews Elwes and others have given over the years, we rounded up a series of fun facts and anecdotes sure to delight any fan of the film, which was released 30 years ago today.

1. IT WAS WRITTEN FOR THE AUTHOR'S DAUGHTERS.

William Goldman, who wrote the novel The Princess Bride in 1973 and penned the screenplay, told Entertainment Weekly that, "I had two little daughters, I think they were 7 and 4 at the time, and I said, 'I’ll write you a story. What do you want it to be about?' One of them said 'a princess' and the other one said 'a bride.' I said, 'That’ll be the title.'"

2. BOTH THE DIRECTOR AND THE LEADING MAN ALREADY KNEW AND LOVED THE STORY BEFORE FILMING EVEN BEGAN.

Cary Elwes' stepfather had given him Goldman's book in 1975, when the future actor was just 13 years old. Rob Reiner, who directed the movie, first read the book in his 20s when Goldman gave it to his father. It quickly became Reiner's favorite book of all time, and he had long wanted to turn it into a movie—but he had no idea that many before him had tried and failed.

3. FOR A LONG TIME, NO ONE WAS ABLE TO MAKE THE MOVIE.

At one point or another, Robert Redford, Norman Jewison, John Boorman, and François Truffaut all tried to get the book made into a movie, but due to a series of unrelated incidents—"green-lighters" getting fired, production houses closing—it languished for years. (In one of these proto-Princess Brides, a then-unknown Arnold Schwarzenegger was supposed to play Fezzik.) 

After several false starts, Goldman bought back the rights to the book. The movie only got made because Reiner had built up so much good will with movies like This is Spinal Tap and The Sure Thing that the studio, 20th Century Foxoffered to make any project of his choice.

4. MANDY PATINKIN FELT A PERSONAL CONNECTION TO THE CHARACTER OF INIGO MONTOYA.

Andre the Giant, Mandy Patinkin and Wallace Shawn in The Princess Bride (1987).
MGM

"The moment I read the script, I loved the part of Inigo Montoya," Patinkin told Entertainment Weekly. "That character just spoke to me profoundly. I had lost my own father—he died at 53 years old from pancreatic cancer in 1972. I didn’t think about it consciously, but I think that there was a part of me that thought, If I get that man in black, my father will come back. I talked to my dad all the time during filming, and it was very healing for me."

5. ANDRÉ THE GIANT COULD REALLY, REALLY DRINK.

Three bottles of cognac and 12 bottles of wine reportedly made him just a little tipsy. When the cast would go out for dinner, André—who, according to Robin Wright, ordered four appetizers and five entrees—would drink out of a 40-ounce beer pitcher filled with a mix of liquors, a concoction he called "The American."

6. ANDRÉ HAD AN UNCONVENTIONAL METHOD FOR LEARNING HIS LINES.

Reiner and Goldman met André, then a famous wrestler, at a bar in Paris. "I brought him up to the hotel room to audition him. He read this three-page scene, and I couldn’t understand one word he said," Reiner recalled. "I go, ‘Oh my God, what am I going to do? He’s perfect physically for the part, but I can’t understand him!’ So I recorded his entire part on tape, exactly how I wanted him to do it, and he studied the tape. He got pretty good!"

7. WILLIAM GOLDMAN WAS INCREDIBLY NERVOUS ON THE SET.

Of all the projects he’d written and worked on—which included the Academy Award-winning Butch Cassidy and the Sundance Kid—Goldman loved The Princess Bride best of all. This manifested itself as extreme nervousness about the project. Reiner invited Goldman to be on set for the duration of the filming—which Goldman did not want to do, saying, “I don’t like being on set. If you’re a screenwriter, it’s boring”—but on the first day, he proved to be a slight nuisance. The first couple takes were plagued by a barely-audible chanting, which turned out to be Goldman praying things would go well. And when Wright's character's dress caught on fire, he panicked, yelling, "Oh my god! Her dress is on fire!"—even though Goldman himself had written that into the script.

8. WALLACE SHAWN WAS BRILLIANT, BUT ALWAYS ON EDGE.

Wallace Shawn and Robin Wright in The Princess Bride (1987)
MGM

Shawn, who played Vizzini the Sicilian, really is, like his character, a man of "dizzying intellect." He has a history degree from Harvard and studied philosophy and economics at Oxford. In fact, on a day off from filming The Princess Bride, Shawn went to Oxford to give a guest lecture on British and American literature. But Shawn was inconsolably nervous for the entirety of filming.

After learning from his agent that Reiner had originally wanted Danny DeVito for the part, Shawn was wracked with insecurity, perpetually convinced that he was going to be fired after every bad take. "Danny is inimitable," Shawn said. "Each scene we did, I pictured how he would have done it and I knew I could never possibly have done it the way he could have done it," he said.

9. THE DUEL BETWEEN WESTLEY AND INIGO WAS EXCRUCIATINGLY RESEARCHED AND REHEARSED.

Goldman spent months researching 17th-century swordfighting manuals to craft Westley and Inigo's duel; all the references the characters make to specific moves and styles are completely accurate. Then Elwes and Patinkin, neither of whom had much (if any) fencing experience, spent more months training to perfect it—right- and left-handed.

"I knew that my job was to become the world’s greatest sword fighter," Patinkin recalled in Elwes's book. "I trained for about two months in New York and then we went to London and Cary and I trained every day that we weren’t shooting for four months. There were no stuntmen involved in any of the sword fights, except for one flip in the air.” Even after months of pre-shooting training, the fencing instructors came to set and, when there were a few free minutes, would pull Elwes and Patinkin aside to work on the choreography for the scene, which was intentionally one of the last to be shot.

10. IT WAS ELWES'S IDEA TO DIVE HEADFIRST INTO THE "QUICKSAND."

That particular Fire Swamp stunt was accomplished by having a trap door underneath a layer of sand, below which there was foam padding for the actors to fall onto. Originally, the direction called for Westley to jump in feet-first after Buttercup, but Elwes argued this wasn't particularly heroic. Switching up the direction was a risky move—if the trap door wasn't opened at exactly the right instant, Elwes risked banging his head—or even breaking his neck. After the stunt double successfully executed the dive, Elwes himself tried it, and nailed it perfectly on the first take.

11. MIRACLE MAX REALLY WAS THAT FUNNY—AND YOU'RE NOT EVEN SEEING HIS BEST STUFF.

Billy Crystal brought two photos for his makeup artist, Peter Montagna, to draw inspiration from when creating Miracle Max: Crystal’s grandmother and Casey Stengel. As for the acting, Elwes wrote in his book, "For three days straight and 10 hours a day, Billy improvised 13th-century period jokes, never saying the same thing or the same line twice." Unfortunately for viewers, many of the improvised jokes were not fit for a family-friendly film. Only the cast and crew knows how funny his more crude Miracle Max takes were, but judging from the fact that Patinkin bruised a rib trying to stifle his laughter, as he recounts in the book, they were probably pretty good.

12. BILLY CRYSTAL AND CAROL KANE, WHO PLAYED HIS WIFE, INVENTED AN ENTIRE BACKSTORY.

Carol Kane and Billy Crystal in The Princess Bride (1987)
MGM

"Billy came over to my apartment in Los Angeles and we took the book and underlined things and made up a little more backstory for ourselves," Kane said. "We added our own twists and turns and stuff that would amuse us, because there’s supposed to be a long history—who knows how many hundreds of years Max and Valerie have been together?" How has that pair not gotten a spin-off film yet? 

13. ELWES FILMED MANY OF HIS SCENES WITH A BROKEN TOE.

Six weeks into production, André convinced Elwes to go for a spin on the ATV that was used to transport the larger man to and from filming locations because he didn’t fit in the van. Almost immediately, the vehicle hit a rocky patch and Elwes got his foot stuck between two mechanisms in the vehicle, breaking his big toe. The young actor tried to hide the injury from his director, but, of course, Reiner quickly found out. He didn't find a new Westley, as Elwes feared he might, but they did have to work some movie magic to allow Elwes to limp around in many of the scenes undetected.

14. ONE PARTICULAR ON-SCREEN INJURY WASN'T FAKED.

As soon as Westley recognizes Count Rugen as the six-fingered man, the script calls for the Count to knock our hero unconscious with the butt of his sword. In filming, Christopher Guest, who played Rugen, was naturally reluctant to really hit Elwes for fear of hurting him. Unfortunately, this reticence was reading on screen and take after take failed to look convincing. Finally, Elwes suggested Guest just go for, at least tap him on the head to get the reaction timing right. The tap came a little too hard, however, and Elwes was knocked legitimately unconscious; he later awoke in the hospital emergency room. It's that take, with Elwes actually passing out, that appears in the film.

15. ONE OF THE FINAL SCENES NEVER MADE IT INTO THE FINAL FILM.

In an alternate ending that was eventually cut, Fred Savage—who plays the initially reluctant audience to Peter Falk's reading of The Princess Bride—goes to his window after his grandfather has left and sees Fezzik, Inigo, Westley, and Buttercup all on their white horses.

Original image
MasterClass
arrow
entertainment
Attention Aspiring Filmmakers: Martin Scorsese Is Teaching an Online Class
Original image
MasterClass

Since launching his career 50 years ago, Martin Scorsese has inspired countless fans to get into the moviemaking business. Now aspiring directors looking for a place to start can receive guidance from the legendary director himself. Beginning early next year, Martin Scorsese will lead his own filmmaking course through the online education platform MasterClass.

MasterClass is best known for offering classes taught by instructors who have already risen to the top of their respective fields. An architecture course from Frank Gehry, a music composition course from Hans Zimmer, and a tennis course from Serena Williams are just a few of the listings in the catalog. The company has also recruited several famous filmmakers in the past, including Aaron Sorkin and Werner Herzog, but Scorsese—the iconic director behind such classics as Taxi Driver (1976), Raging Bull (1980), and Goodfellas (1990) is in a league of his own.

Scorsese’s MasterClass includes more than 20 video lessons that pupils will be able to watch at their desired pace. They will also have the chance to upload their own videos and receive feedback from classmates, with Scorsese answering select questions.

"I was excited by this project because it gave me a chance to pass down my own inspirations and experiences and practices and evolutions,” the Oscar-winning director said in a release. “It was so important for me to have people that passed down their own knowledge when I was young, and MasterClass has given me an opportunity to try it myself.”

Prospective students can pre-enroll for $90 today to receive unlimited access to the course when it goes live in 2018.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios