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In space, no one can hear you scream

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The title of my post today comes from the Alien movie poster—it's the film's tagline, if you recall. Of course, we all know how many sci-fi series have messed this little fact up by adding explosions and such to satisfy our selfish need for action, no matter how inauthentic. But there are some great examples of Hollywood getting it right. First, a refresher, if you forgot why we wouldn't be able to hear explosions in space:

Simple: Sound waves, just like humans, need air to exist. Space is a vacuum, so the sound waves can't vibrate and reach our ears. If you were in a spaceship when a nearby ship or basestation exploded, you'd only hear the shrapnel bouncing into your ship. That's it. No explosion.

Stanley Kubrick's 2001: a Space Odyssey is probably the best example of Hollywood getting this correct. Whenever a scene cuts to the outside of a spacecraft, there are no sounds at all. Remember the big scene where astronaut David Bowman needs to get inside the spaceship Discovery from his pod without his helmet? We see the explosion and subsequent propulsion of Bowman from the airlock in total, eerie silence. When do we get sound back? When Bowman closes the airlock and lets it fill with air.

Another example of Hollywood getting it right is the sci-fi Western Firefly and its subsequent film, Serenity. They both give us space without sound.

Can you name other examples of Hollywood getting it right?

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The Time Douglas Adams Met Jim Henson
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John Gooch/Keystone/Getty Images

On September 13, 1983, Jim Henson and The Hitchhiker's Guide to the Galaxy author Douglas Adams had dinner for the first time. Henson, who was born on this day in 1936, noted the event in his "Red Book" journal, in characteristic short-form style: "Dinner with Douglas Adams – 1st met." Over the next few years the men discussed how they might work together—they shared interests in technology, entertainment, and education, and ended up collaborating on several projects (including a Labyrinth video game). They also came up with the idea for a "Muppet Institute of Technology" project, a computer literacy TV special that was never produced. Henson historians described the project as follows:

Adams had been working with the Henson team that year on the Muppet Institute of Technology project. Collaborating with Digital Productions (the computer animation people), Chris Cerf, Jon Stone, Joe Bailey, Mark Salzman and Douglas Adams, Jim’s goal was to raise awareness about the potential for personal computer use and dispel fears about their complexity. In a one-hour television special, the familiar Muppets would (according to the pitch material), “spark the public’s interest in computing,” in an entertaining fashion, highlighting all sorts of hardware and software being used in special effects, digital animation, and robotics. Viewers would get a tour of the fictional institute – a series of computer-generated rooms manipulated by the dean, Dr. Bunsen Honeydew, and stumble on various characters taking advantage of computers’ capabilities. Fozzie, for example, would be hard at work in the “Department of Artificial Stupidity,” proving that computers are only as funny as the bears that program them. Hinting at what would come in The Jim Henson Hour, viewers, “…might even see Jim Henson himself using an input device called a ‘Waldo’ to manipulate a digitally-controlled puppet.”

While the show was never produced, the development process gave Jim and Douglas Adams a chance to get to know each other and explore a shared passion. It seems fitting that when production started on the 2005 film of Adams’s classic Hitchhiker’s Guide, Jim Henson’s Creature Shop would create animatronic creatures like the slovenly Vogons, the Babel Fish, and Marvin the robot, perhaps a relative of the robot designed by Michael Frith for the MIT project.

You can read a bit on the project more from Muppet Wiki, largely based on the same article.

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Everything That’s Leaving Netflix in October
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NBC - © 2012 NBCUniversal Media, LLC

Netflix subscribers are already counting down the days until the premiere of the new season of Stranger Things. But, as always, in order to make room for the near-90 new titles making their way to the streaming site, some of your favorite titles—including all of 30 Rock, The Wonder Years, and Malcolm in the Middle—must go. Here’s everything that’s leaving Netflix in October ... binge ‘em while you can!

October 1

30 Rock (Seasons 1-7)

A Love in Times of Selfies

Across the Universe

Barton Fink

Bella

Big Daddy

Carousel

Cradle 2 the Grave

Crafting a Nation

Curious George: A Halloween Boo Fest

Daddy’s Little Girls

Dark Was the Night

David Attenborough’s Rise of the Animals: Triumph of the Vertebrates (Season 1)

Day of the Kamikaze

Death Beach

Dowry Law

Dr. Dolittle: Tail to the Chief

Friday Night Lights (Seasons 1-5)

Happy Feet

Heaven Knows, Mr. Allison

Hellboy

Kagemusha

Laura

Love Actually

Malcolm in the Middle (Seasons 1-7)

Max Dugan Returns

Millennium 

Million Dollar Baby

Mortal Combat

Mr. 3000

Mulholland Dr.

My Father the Hero

My Name Is Earl (Seasons 1-4)

One Tree Hill (Seasons 1-9)

Patton

Picture This

Prison Break (Seasons 1-4)

The Bernie Mac Show (Seasons 1-5)

The Shining

The Wonder Years (Seasons 1-6)

Titanic

October 19

The Cleveland Show (Seasons 1-4)

October 21

Bones (Seasons 5-11)

October 27

Lie to Me (Seasons 2-3)

Louie (Seasons 1-5)

Hot Transylvania 2

October 29

Family Guy (Seasons 9-14)

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