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Celebrating Christmas with The Beatles

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Paul: "I just wanted to thank you fans. Don't know where we'd be without you."
John: "The army, probably."

George, speaking about their upcoming film: "This one will be in color."
John: "Green."
--1964 Beatles Christmas Record

So much of the career and lives of The Beatles has been documented in books, TV specials, movies, videos, magazine articles, and more. But one often ignored facet of their fascinating story is their annual Christmas records. The Christmas recordings, usually done after a regular recording session in the studio, give a unique perspective of the evolution of the most popular band in the world.

The original idea for an annual Beatles Christmas record came from the Beatles press officer, Tony Barrow (the originator of the group's most common nickname, "the Fab Four"), who was inspired by the Queen's annual Yuletide greetings on British radio. Barrow, whose office would be backed up for weeks with floods of fan letters for the group, thought a Christmas record might please their many fans. Thus, for the next seven years (from 1963 to 1969), the boys would record a 7-inch flexi-disc of them singing and talking, which would be mailed directly to their U.S. and U.K. fan club members.

The first few Christmas records were written as scripts, but it's the boys' ad-libs that make them so interesting. The records give a glimpse into the boys' Monty Python-esque humor, a humor which is, at it's best, hilarious and which was a key ingredient in the band's incredible success and popularity. A popular British radio show, "The Goon Show," featuring Peter Sellers, had a definite influence on the Beatles' Christmas recordings. John Lennon, especially, was a devoted, inveterate fan of the show.

1963

The first Christmas record shows the Beatles' early fresh-faced innocence as, one after the other, they thank their fans for a "gear year" and sing renditions of "Good King Wenceslas" and "Rudolph the Red-Nosed Ringo."

1964

The second record is actually much funnier, and more sarcastic, than the previous one. John speaks about his book, reading obviously scripted dialogue: "I write in my spare time, it says here." Paul asks if he wrote that himself, to which John replies, "No, it's somebody's bad handwroter."

1965

The 1965 Christmas record was not as scripted as its two predecessors, and it shows. The boys sing a deliberately off-key version of Paul McCartney's hit, "Yesterday," and seem a bit blasé and robotic as they give their fans their customary thanks. (It cannot be neglected that the Beatles were, at this time, having "marijuana for breakfast," according to John. They had also discovered LSD in '65.)

1966

The Beatles came back in 1966 with a full-fledged British pantomime called "Everywhere It's Christmas." During the last months of 1966, the boys had been apart for the first time in four years, and one can easily hear their pleasure at being together again. They obviously had a ball cutting up, making inside jokes, and assuming various roles.

1967

"Christmas Time is Here Again," the 1967 record, is probably the greatest Beatles Christmas record. The title tune is catchy, the sketches are great, and the jokes are sharp. John and Ringo even designed the cover. Sadly, this was to be the last Christmas record in which one can hear the boys enjoying each other's company.

1968

By the 1968 Christmas record, the first to be recorded individually instead of as a group, the disintegration of the Beatles had begun. Yoko Ono's presence was a necessity for John, and an onus to the other three. John recites two of his poems; one, called "Jock and Yono," was a thinly disguised mild attack telling of the "two balloons named Jock and Yono who were in love" and "had to overcome overwhelming oddities, including some of their beast friends." George sarcastically thanks the Beatles fans for "making [their] lives worth living," before having then-popular singer Tiny Tim give a horrible rendition of John's song "Nowhere Man" — quite possibly the single worst Beatles cover of all time.

1969

At the time of the 1969 Christmas recording, the Beatles had already split up, although it had not yet been publicly announced. George makes a token 16-second appearance, while Ringo gets in a brief plug for his new movie, "The Magic Christian." Paul ad-libs a pleasant song, but the majority of this dull final Christmas record is devoted to the obviously besotted John chattering with his beloved new bride, Yoko. (I love John Lennon, and he's definitely not a boring guy, but when he gets into the banter with Yoko, the "magic" seems to leave.)

In 1970, a compilation album of all seven Christmas records was released to the devoted fans.


Eddie Deezen has appeared in over 30 motion pictures, including Grease, WarGames, 1941, and The Polar Express. He's also been featured in several TV shows, including Magnum PI, The Facts of Life, and The Gong Show. And he's done thousands of voice-overs for radio and cartoons, such as Dexter's Laboratory and Family Guy.

Read all Eddie's mental_floss stories.

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5 Killer Pieces of Rock History Up for Auction Now (Including Prince’s Guitar)
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Karrah Kobus/NPG Records via Getty Images

If you’ve ever wanted to own a piece of rock history, now is the time. A whole host of cool music memorabilia from the 20th century is going up for sale through Julien’s Auctions in Los Angeles as part of its “Icons and Idols” sale. If you’ve got the dough, you can nab everything from leather chairs from Graceland to a shirt worn by Jimi Hendrix to never-before-available prints that Joni Mitchell signed and gave to her friends. Here are five highlights from the auction:

1. ELVIS’S NUNCHUCKS

Elvis’s nunchucks
Courtesy Julien's Auctions

Elvis’s karate skills sometimes get a bad rap, but the King earned his first black belt in 1960, and went on to become a seventh-degree black belt before opening his own studio in 1974. You can cherish a piece of his martial arts legacy in the form of his nunchaku. One was broken during his training, but the other is still in ready-to-use shape. (But please don’t use it.) It seems Elvis wasn’t super convinced of his own karate skills, though, because he also supposedly carried a police baton (which you can also buy) for his personal protection.

2. PRINCE’S GUITAR

A blue guitar used by Prince
Courtesy Julien's Auctions

Prince’s blue Cloud guitar, estimated to be worth between $60,000 and $80,000, appeared on stage with him in the late ’80s and early ’90s. The custom guitar was made just for Prince by Cloud’s luthier (as in, guitar maker) Andy Beech. The artist first sold it at a 1994 auction to benefit relief efforts for the L.A. area’s devastating Northridge earthquake.

3. KURT COBAIN’S CHEERLEADER OUTFIT

Kurt Cobain wearing a cheerleader outfit in the pages of Rolling Stone
Courtesy Julien's Auctions

The Nirvana frontman wore the bright-yellow cheerleader’s uniform from his alma mater, J.M. Weatherwax High School in Aberdeen, Washington, during a photo shoot for a January 1994 issue of Rolling Stone, released just a few months before his death.

4. MICHAEL JACKSON’S WHITE GLOVE

A white glove covered in rhinestones
Courtesy Julien's Auctions

A young Michael Jackson wore this bejeweled right-hand glove on his 1981 Triumph Tour, one of the first of many single gloves he would don over the course of his career. Unlike later incarnations, this one isn’t a custom-made glove with hand-sewn crystals, but a regular glove topped with a layer of rhinestones cut into the shape of the glove and sewn on top.

The auction house is also selling a pair of jeans the star wore to his 2003 birthday party, as well as other clothes he wore for music videos and performances.

5. WOOD FROM ABBEY ROAD STUDIOS

A piece of wood in a frame under a picture of The Beatles
Courtesy Julien's Auctions

You can’t walk the halls of Abbey Road Studios, but you can pretend. First sold in 1986, the piece of wood in this frame reportedly came from Studio Two, a recording space that hosted not only The Beatles (pictured), but Pink Floyd, Stevie Wonder, Eric Clapton, and others.

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How Jimmy Buffett Turned 'Margaritaville' Into a Way of Life
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Ethan Miller/Getty Images

Few songs have proven as lucrative as “Margaritaville,” a modest 1977 hit by singer and songwriter Jimmy Buffett that became an anthem for an entire life philosophy. The track was the springboard for Buffett’s business empire—restaurants, apparel, kitchen appliances, and more—marketing the taking-it-easy message of its tropical print lyrics.

After just a few years of expanding that notion into other ventures, the “Parrot Heads” of Buffett’s fandom began to account for $40 million in annual revenue—and that was before the vacation resorts began popping up.

Jimmy Buffett performs for a crowd
Kevork Djansezian/Getty Images

“Margaritaville,” which turned 40 this year, was never intended to inspire this kind of devotion. It was written after Buffett, as an aspiring musician toiling in Nashville, found himself in Key West, Florida, following a cancelled booking in Miami and marveling at the sea of tourists clogging the beaches.

Like the other songs on his album, Changes in Latitudes, Changes in Attitudes, it didn’t receive a lot of radio play. Instead, Buffett began to develop his following by opening up for The Eagles. Even at 30, Buffett was something less than hip—a flip-flopped performer with a genial stage presence that seemed to invite an easygoing vibe among crowds. “Margaritaville,” an anthem to that kind of breezy attitude, peaked at number eight on the Billboard charts in 1977. While that’s impressive for any single, its legacy would quickly evolve beyond the music industry's method for gauging success.

What Buffett realized as he continued to perform and tour throughout the early 1980s is that “Margaritaville” had the ability to sedate audiences. Like a hypnotist, the singer could immediately conjure a specific time and place that listeners wanted to revisit. The lyrics painted a scene of serenity that became a kind of existential vacation for Buffett's fans:

Nibblin' on sponge cake,
Watchin' the sun bake;
All of those tourists covered with oil.
Strummin' my six string on my front porch swing.
Smell those shrimp —
They're beginnin' to boil.

By 1985, Buffett was ready to capitalize on that goodwill. In Key West, he opened a Margaritaville store, which sold hats, shirts, and other ephemera to residents and tourists looking to broadcast their allegiance to his sand-in-toes fantasy. (A portion of the proceeds went to Save the Manatees, a nonprofit organization devoted to animal conservation.) The store also sold the Coconut Telegraph, a kind of propaganda newsletter about all things Buffett and his chill perspective.

When Buffett realized patrons were coming in expecting a bar or food—the song was named after a mixed drink, after all—he opened a cafe adjacent to the store in late 1987. The configuration was ideal, and through the 1990s, Buffett and business partner John Cohlan began erecting Margaritaville locations in Florida, New Orleans, and eventually Las Vegas and New York. All told, more than 21 million people visit a Buffett-inspired hospitality destination every year.

A parrot at Margaritaville welcomes guests
Kevork Djansezian/Getty Images

Margaritaville-branded tequila followed. So, too, did a line of retail foods like hummus, a book of short stories, massive resorts, a Sirius radio channel, and drink blenders. Buffett even wrote a 242-page script for a Margaritaville movie that he had hoped to film in the 1980s. It’s one of the very few Margaritaville projects that has yet to have come to fruition, but it might be hard for Buffett to complain much. In 2015, his entire empire took in $1.5 billion in sales.

As of late, Buffett has signed off on an Orlando resort due to open in 2018, offering “casual luxury” near the boundaries of Walt Disney World. (One in Hollywood, Florida, is already a hit, boasting a 93 percent occupancy rate.) Even for guests that aren’t particularly familiar with his music, “Jimmy Buffett” has become synonymous with comfort and relaxation just as surely as Walt Disney has with family entertainment. The association bodes well for a business that will eventually have to move beyond Buffett’s concert-going loyalists.

Not that he's looking to leave them behind. The 70-year-old Buffett is planning on a series of Margaritaville-themed retirement communities, with the first due to open in Daytona Beach in 2018. More than 10,000 Parrot Heads have already registered, eager to watch the sun set while idling in a frame of mind that Buffett has slowly but surely turned into a reality.

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