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10 Director's Cuts That Change The Plot

Whether because of a dispute with the studio or just a plethora of unused material, a director often feels the need to re-release a classic (or not-so-classic) film. Often these directors’ cuts or extended editions are just more bloated versions of the original, but on occasion they represent a departure from the entire original.

By the way, there are spoilers within for both versions of these movies. Proceed with caution.

1. Blade Runner

Blade Runner has actually gone through many iterations. There was the theatrical cut released in 1982 with a “happy ending” shoehorned in by the studio. Both director Ridley Scott and star Harrison Ford hated it, and Ford has even confessed that he wasn’t giving it his all when recording a voiceover that he called “not an organic part of the film.” Then came the “directors cut” in 1992 that Scott also disowned.

Finally, Warner Brothers worked with Scott in 2007 to release the Final Cut of Blade Runner, the only version which Scott had complete control over. It contained several changes (particularly to the score) and new scenes, but perhaps the most significant was the confirmation (or close to it) that Ford’s character Deckard actually was a replicant. Instead of the “happy ending” that shows Deckard and Rachel driving through a beautiful landscape, Scott’s ending is more ambiguous and simply shows them leaving Deckard's apartment. Plus the appearance of an origami unicorn in front of Deckard’s door hints that he is, in fact, a replicant (a similar calling card had been used earlier in the film to denote replicants). In interviews about the new release, Scott confirmed that Deckard was a replicant in his version, although Ford said he believed the character was human.

2. Donnie Darko

Despite the cult success of the mind-bending film, Donnie Darko director Richard Kelly repeatedly apologized for the theatrical release of the movie, stating it was not his original film. To make up for it, he convinced 20th Century Fox to release a directors cut in 2004 that he felt would be more cohesive and easier for viewers to understand. The most notable change he made was literally adding in text from the fictional The Philosophy of Time Travel, which had previously been a DVD extra. Fans were split: some loved the explanations that filled in previous plot holes, others hated the notion that they needed to be spoon-fed the story.

Of course, some fans never got past the fact that the directors cut replaces Echo & The Bunnymen's "The Killing Moon" with INXS's "Never Tear Us Apart” in the opening scene.

3. Metropolis

Although it’s considered a masterpiece of cinema, the plot of Metropolis can still be a bit difficult for some viewers to understand. But a recent extended version that uses footage from prints discovered after some 80 years in Argentina and New Zealand helps remedy that –- by filling in plot details as director Fritz Lang had intended. Film historians had long been looking for the extended footage from Metropolis, which was cut before its original release to ensure a 90-minute running time.

Mostly, the new footage (which is intercut with title cards and still images to fill in for damaged or missing frames) serves to smooth out plot details, including a crucial scene in which the sorcerer Rotwang explains his plan to use robots to stir a labor revolt. But historians said it also helped them learn about how the legendary film was made, including the fact that it had been tinted by hand.

4. Salt

For a movie released just last year, there sure are a lot of different versions floating around. On the DVD release, director Phillip Noyce included an extended version and a director's cut that adds more intrigue to the film. In the original, a Russian sleeper agent played by Live Liev Schreiber follows the U.S. President to his secure bunker, then knocks him unconscious. But in the director’s cut, Schreiber’s character goes even farther and assassinates the president. In a voiceover on the director's cut, it is revealed that the new president is also a Russian agent waiting to be activated, which would make a sequel a serious bummer.

5. Payback

In the theatrical release, almost the entire third act differs from director Brian Helgeland’s original vision, which was unresolved until the release of a 2006 director's cut. The most notable change, however, comes at the very end of the movie. In the theatrical release, Mel Gibson’s character kills two top mob figures, then drives off happily with the female lead, Rosie, and his dog. In Helgeland’s version, Gibson is shot in a train station showdown. Rather than driving off happily with Rosie, she picks him up while he is bleeding and his fate is left up in the air.

6. Leon (The Professional)

In the original film, the relationship between the hitman Leon and his 12-year-old neighbor Mathilda was already a little dicey, what with the two of them collaborating on a series of murders. But the directors cut adds a whole new level of discomfort. In it, Mathilda – played by Natalie Portman in her film debut – is shown to be far more involved in the assassinations of a crew of drug dealers. She also sexually propositions Leon and plays a game of Russian roulette to force Leon to say that he loves her. Those scenes were in the original European release, but were cut because producers were concerned about how American audiences would react.

7. Superman II

Due to a number of disputes between him and the film’s producers, director Richard Donner left the set of Superman II without completing filming (he had been filming both the original and the sequel simultaneously). Notably, the producers refused to include any footage of Marlon Brando as Jor-El in the sequel because of the massive cut of the box office gross he was requesting. The studio then brought in Richard Lester to replace Donner, forcing him to reshoot some scenes, rewrite others and edit out most of Donner’s work. That left a movie with roughly 25 percent of Donner’s footage and 75 percent new work (and 0 percent Brando).

The 2006 “Richard Donner Cut” brought back the director’s original vision, although the editing was choppy and Donner had to use some unfinished test footage to fill in the holes. But fans generally agree it makes more sense. For example, the theatrical release never fully explains how Superman gets his powers back after voluntarily giving them up, but the Donner cut shows that Jor-El “dies” again to restore the powers. The new version of the sequel also ends with Superman flying around the world to undo the damage of the supervillains and purge Lois Lane’s memory of the fact that he is Clark Kent. If that sounds familiar, it’s because that scene was written into the end of the original once it became clear it wouldn’t be used in the sequel.

8. Robin Hood: Prince of Thieves

A 2003 “special edition” release of the much-lampooned Kevin Costner vehicle doesn’t contain many earth-shattering changes. But it does introduce a new backstory for the Sheriff of Nottingham by revealing that he is, in fact, the son of the evil witch Mortianna (who murdered the real son of the original sheriff and replaced him with her own). Sadly, the special edition doesn’t do anything to fix Costner’s uneven English accent.

9. Kingdom of Heaven

By adding some 50 minutes of footage, director Ridley Scott said his new cut of Kingdom of Heaven also adds a whole heap of context for the violence in his Crusades epic. For example, a priest that the blacksmith Balian kills at the beginning is revealed to be his half-brother, making their feud more about family relations than religion. The new cut also introduces an entirely new character, Baldwin V, who even becomes king before his family discovers that he has leprosy. Although the director’s cut was widely praised (unlike the theatrical release), at 3-and-a-half hours, it never really took off with viewers who already hated the original release.

10. Dominion: Prequel to the Exorcist and Exorcist: The Beginning

These aren’t directors cuts per se, so much as two directors using the same script and lead actor to make the different movies. Paul Schrader was hired to direct Dominion: Prequel to the Exorcist and managed to finish a final cut of the film. But producers at Morgan Creek weren’t happy with the result -– too much religion, not enough blood –- and decided to scrap that cut. But rather than get rid of the investment, they hired on Renny Harlin to retool the script and film a new version with star Stellan Skarsgård staying on board as Father Merrin.

Harlin’s version was released in theaters as Exorcist: The Beginning. But Schrader soon won the rights to release his own version, leaving audiences with two Exorcist prequels that both starred Stellan Skarsgard. Neither was well-received and both followed the same basic plot. But critics looked slightly more favorably on Schrader’s, which includes a love interest (that does not get possessed by a demon) and deals more with Merrin’s loss of faith.

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15 Educational Facts About Old School
DreamWorks
DreamWorks

Old School starred Luke Wilson as Mitch Martin, an attorney who—after catching his girlfriend cheating, and through some real estate and bitter dean-related circumstances—becomes the leader of a not-quite-official college fraternity. Along with his fellow thirtysomething friends Bernard (Vince Vaughn) and newlywed Frank (Will Ferrell), they end up having to fight for their right to maintain their status as a party-loving frat on campus.

The film, which was released 15 years ago today, marked Vaughn’s return to major comedies and Ferrell’s first major starring role after seven years on Saturday Night Live. Here are some facts about the movie for everyone, but particularly for my boy, Blue.

1. THE IDEA ORIGINATED WITH AN AD GUY.

Writer-director Todd Phillips was talking to a friend of his from the advertising industry named Court Crandall one day. Crandall had seen and enjoyed Phillips's movie Frat House (1998) and told his director buddy, “You know what would be funny is a movie about older guys who start a fraternity of their own.” After being told by Phillips to write it, he presented Phillips with a “loose version” of the finished product.

2. SOME OF THE FRAT SHENANIGANS WERE REAL.

While Crandall received the story credit for Old School, Phillips and Scot Armstrong received the credit for writing the script. Armstrong put his own college fraternity experiences into the script. “We were in Peoria, Illinois, so it was up to us to entertain ourselves," Armstrong shared in the movie's official production notes. "A lot of ideas for Old School came from things that really happened. When it was cold, everyone would go stir crazy and it inspired some moments of brilliance. Of course, my definition of ‘brilliance' might be different from other people's.”

3. IVAN REITMAN HELPED OUT.

Ivan Reitman, director of Stripes and Ghostbusters, was an executive producer on the film. Phillips and Armstrong wrote and rewrote every day for two months at Reitman’s house, an experience Phillips described as comedy writing “boot camp.”

4. THE STUDIO DIDN’T WANT VINCE VAUGHN.

Vince Vaughn in 'Old School' (2003)
DreamWorks

It didn’t seem to make a difference to DreamWorks that Phillips and Armstrong had written the role of Bernard with Vince Vaughn in mind—the studio didn't want him. After his breakout success in Swingers, Vaughn had taken roles in dramas like the 1998 remake of Psycho. “So when Todd Phillips wanted me for Old School, the studio didn’t want me,” Vaughn told Variety in 2015. “They didn’t think I could do comedy! They said, ‘He’s a dramatic actor from smaller films.’ Todd really had to push for me.”

5. RECYCLED SHOTS OF HARVARD UNIVERSITY WERE USED.

The film was mainly shot on the Westwood campus of UCLA. The aerial shots of the fictitious Harrison University, however, were of Harvard; they had been shot for Road Trip (2000).

6. VINCE VAUGHN FANS MIGHT RECOGNIZE THE CHURCH.

In the film, Frank gets married at Westminster Presbyterian Church in Pasadena, California. Vaughn and Owen Wilson were in that same church two years later for Wedding Crashers (2005).

7. WILL FERRELL SCARED MEMBERS OF A 24-HOUR GYM.

Frank’s streaking scene was shot on a city street. As Ferrell remembered it, one of the storefronts was a 24-hour gym with Stairmasters and treadmills in the window. “I was rehearsing in a robe, and all these people are in the gym, watching me. I asked one of the production assistants, ‘Shouldn’t we tell them I’m going to be naked?’ Sure enough, I dropped my robe and there were shrieks of pure horror. After the first take, nobody was at the window anymore. I took that as a sign of approval.”

8. FERRELL REALLY WAS NAKED.

Ferrell justified it by saying it showed his character falling off the wagon. “The fact that it made sense was the reason I was really into doing it, and why I was able to commit on that level," Ferrell told the BBC. "If it was just for the sake of doing a crazy shot, then I don't think it makes sense.” Still, Ferrell needed some liquid courage, and was intimidated by the presence of Snoop Dogg.

9. ROB CORDDRY WAS NOT NAKED, BUT HE STILL HAD TO SIGN AWAY HIS NUDITY RIGHTS.

Old School marked the first major film role for Rob Corddry, who at the time was best known as a correspondent for The Daily Show. He had a jewel bag around his private parts for his nude scene, but his butt made it into the final cut. He had to sign a nudity clause, which gave the film the right to use his naked image “in any part of the universe, in any form, even that which is not devised.”

10. SNOOP DOGG AGREED TO CAMEO SO HE COULD PLAY HUGGY BEAR IN STARSKY & HUTCH.

Phillips admitted to essentially bribing the hip-hop artist/actor, using Snoop Dogg’s desire to play the street informant in the modern movie adaptation of the classic TV show (which Phillips was also directing) to his advantage. “So when I went to him I said, 'I want you to do Huggy Bear,' he was really excited. And I said, 'Oh yeah, also will you do this little thing for me in Old School a little cameo?' So he kind of had to do it I think."

11. SNOOP WANTED TO HANG OUT WITH VINCE VAUGHN ON SET, BUT NOT LUKE WILSON.

Snoop Dogg in 'Old School' (2003)
Richard Foreman, Dreamworks

Vaughn and his friends accepted an invitation to hang out in Snoop Dogg’s trailer to play video games on the last day of shooting. Vaughn recalled seeing Luke Wilson later watching the news alone in his trailer; he had not been informed of the get-together.

12. WILSON WAS TEASED BY HIS CO-STARS.

Vaughn, Wilson, and Ferrell dubbed themselves “The Wolfpack”—years before Phillips directed The Hangover—because they would always make fun of each other. A particularly stinging exchange had Ferrell refer to Legally Blonde (which Wilson had starred in) as Legally Bland. Wilson said it didn’t make him feel great. Wilson retorted by telling Ferrell that "the transition from TV to the movies isn't a very easy one, so you might just want to keep one foot back in TV just in case this whole movie thing falls through!"

13. TERRY O’QUINN SCARED HIS SONS INTO THINKING THEY WERE TRIPPING.

Terry O’Quinn (who went on to play John Locke on Lost the following year) agreed to play Goldberg, uncredited, in what was a two-day job for him. He neglected to inform his sons he was in the movie, and when they saw it, one of them called their father. “I got a call from my sons one night, and they said, ‘What were you doing in Old School? We didn’t even know you were in it!’ They said, ‘We’re sitting there, and the first time we see you, it’s, like, in a reflection in a window. And when we saw it, and we both thought we were, like, tripping or something!’”

14. THE EARMUFFS WERE IMPROVISED.

Before filming, Vaughn worked with Ferrell to figure out their characters' backstories and how they knew each other; he credited that with helping him figure out who Bernard was, which led to several ad-libbed moments. “The earmuff scene where he swears in front of the kids, and then I tell the kid to earmuff, that all is off the cuff. But that stuff is a lot easier to do when you know who you are and your circumstances, and who your characters are,” Vaughn explained.

15. FERRELL AND VAUGHN DIDN’T LOVE A SCRIPT FOR A SEQUEL.

Armstrong had written Old School Dos in 2006, which saw the frat going to Spring Break. Ferrell said that he and Vaughn read the script but felt like they would just be “kind of doing the same thing again.” Wilson, on the other hand, was excited over the new script.

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15 Fun Facts About Army of Darkness
Universal Pictures
Universal Pictures

On February 19, 1993, Army of Darkness—the third installment in Sam Raimi and Bruce Campbell's Evil Dead franchise—made its way into U.S. theaters. You probably know all about Ash’s boomstick, but on the occasion of the hilarious horror comedy's 25th anniversary, it's worth a closer look.

1. ARMY OF DARKNESS ISN'T THE ENTIRE TITLE.

The film’s title is stylized onscreen as Bruce Campbell vs. Army of Darkness. This phrasing was Sam Raimi’s homage to the defunct Hollywood tradition of putting stars’ names in movie titles (like Abbott and Costello Meet Frankenstein)—but the studio feared the long title would confuse moviegoers, so it was shortened for official purposes to just Army of Darkness.

2. EVEN THE SHORTER TITLE WASN'T RAIMI'S FIRST CHOICE.

Army of Darkness is the third installment of the Evil Dead series and the first to take place during the Middle Ages. Raimi’s original title for Army of Darkness was The Medieval Dead.

3. BRIDGET FONDA FINALLY GOT TO WORK WITH RAIMI.

Bridget Fonda makes a cameoas Ash’s girlfriend Linda during the beginning flashback sequence. She is the third actress in three films to play Linda (following actresses Betsy Baker and Denise Bixler). Fonda—a huge Evil Dead II fan—had originally auditioned to be in Raimi’s previous film, Darkman, but didn’t get the part.

4. ASH'S CAR HAD A LOT OF SCREEN EXPERIENCE.

The 1973 Oldsmobile Delta 88 allegedly appears in all of Sam Raimi’s films.

5. DARKMAN MADE ARMY OF DARKNESS POSSIBLE.

Raimi wanted to make Army of Darkness immediately following 1987’s Evil Dead II, but he struggled to find funding to finish his trilogy. The financial success of Raimi’s 1990 film, Darkman, eventually convinced Universal Studios to split the $12 million budget with executive producer Dino De Laurentiis.

6. A SUBTLE SCIENCE FICTION REFERENCE PLAYS A KEY ROLE.

The words Ash must utter to safely retrieve the Necronomicon (“Klaatu verata nikto”) are actually a variation on a phrase from the original version of The Day the Earth Stood Still. In that film, “Klaatu barada nitko” is the phrase one must say to stop the robot Gort from destroying Earth.

7. THE SKELETON DEADITES WERE AN HOMAGE.

Their design is a tribute to visual effects legend Ray Harryhausen.

8. THE STAY PUFT MARSHMALLOW MAN MAKES AN APPEARANCE.

Billy Bryan, the actor who portrays the second monster in the medieval pit, also portrayed the Stay Puft Marshmallow Man in Ghostbusters.

9. SAM RAIMI'S BROTHER WORE A LOT OF HATS.

Ted Raimi—who makes cameos in all of his brother’s films—appears as three different background characters in Army of Darkness. He is first seen as a sympathetic villager, then as a dying soldier during the final battle, and, finally, as an S-Mart employee in the last scene.

10. RAIMI HAD TO FIGHT FOR AN R-RATING.

In keeping with the gory first two films in the series, Army of Darkness received an NC-17 rating from the MPAA. It was subsequently bumped down to an R rating after the filmmakers pointed out that the ostensible gore in the film was happening to skeletons.

11. PLAYING EVIL ASH WAS TOUGH FOR CAMPBELL.

It took makeup artists three hours to get Campbell ready for shooting.

12. RAIMI STORYBOARDED EVERY SINGLE SHOT IN THE MOVIE HIMSELF.

About 25 shots in the final battle are taken from storyboards originally used in the 1948 Victor Fleming film Joan of Arc, which were brought to Raimi’s attention by visual effects supervisor William Mesa. Mesa got them from a friend, who got them from Fleming himself.

13. THERE'S AN EASTER EGG FOR TREKKIES.

Star Trek fans will recognize the location where Ash learns the “Klaatu verata nikto” incantation. The scene was shot at the iconic Vasquez Rocks in Agua Dulce, California, where the famous “Arena” episode from Star Trek was also shot. The movie also shot in the Bronson Canyon area of Griffith Park in Los Angeles that served as the Batcave for the 1960s Batman television show.

14. THE STUDIO CHANGED THE ENDING.

Bruce Campbell stars in 'Army of Darkness' (1992)
Universal Pictures

The original conclusion of the film—which Universal Studios deemed too negative—featured Ash taking too much potion to get back to the present day and waking up in a future, post-apocalyptic London. The ending can be seen on subsequent director’s cuts of home video versions of Army of Darkness.

15. EVEN AFTER YEARS OF TRYING, A SEQUEL NEVER MATERIALIZED.

Beginning in 2015, Bruce Campbell reprised his role as Ash in the Ash vs Evil Dead TV series. While fans of the Evil Dead franchise love it, Raimi spent years trying to get a sequel to Army of Darkness off the ground. On the commentary track for the first season of Ash vs. Evil Dead, Raimi even shared a few of the discarded ideas he had for the film.

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