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8 Movie Star Life Stories (That Were Completely Made Up)

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You know you shouldn't believe everything you read about famous actors and actresses. Here are eight stars whose life stories (or significant parts thereof) were as fictional as the movies they starred in.

1. Theda Bara

The publicists promoting Theda Bara, Hollywood's first major sex symbol, let their imaginations run wild. She was introduced in fan magazines as the daughter of a desert prince and an Italian or French sculptor (or an Egyptian seeress, depending on the story you read). "Born in the shadow of the Sphinx," and weaned on serpent's blood, she was "a crystal-gazing seeress of profoundly occult powers." She had previously been a star of the Paris stage and, in her spare time, she drove men wild with desire. She would also go heavily veiled in public (thanks to a contractual obligation) and was often photographed with skeletons.


In actuality, she was a girl from Cincinnati named Theodosia Goodman, the daughter of a Jewish tailor. Can you believe that people used to fall for that "daughter of an Egyptian seeress" line? In truth, she was known to be demure and prudent. As a teenage actor on the New York stage (sorry, not Paris), she had tried to make herself sound exotic (or at least non-Jewish) by calling herself Theodosia de Coppet.

But it was as Theda Bara that she became a superstar. She later told stories of public exclusion and being refused service in restaurants. "Audiences thought the stars were the way they saw them," she recalled. "Once on the streets of New York a woman called the police because her child spoke to me."

2. Douglas Fairbanks

Douglas Fairbanks was one of the top film stars of the silent era, a successful producer, and an all-around athlete. The evidence is still there, on film. Many of the things he said about himself, however, were not so reliable. Was he a Wall Street stockbroker (which was a great job back then, when the stock market was cool)? Was he a cattle freighter? Or were they just stories?


If you believe one story that he told throughout his life, he was a Harvard graduate. However, there is no record of him on that university's esteemed register. Perhaps he was trying to add an intellectual side to his dashing image. Or perhaps there's truth to the story that he attended Harvard for a few months before deciding to travel to Europe – and the "graduation" part of the story was added later. Whatever the case, his son Douglas Fairbanks Jr. (a top star in his own right) said that it was one of many tall tales that his father made up about his early life.

3. Erich von Stroheim

Before he became known as one of Hollywood's great directors, Erich von Stroheim was the classic evil German soldier in many films made during World War I – and, like Theda Bara, audiences had trouble telling him apart from his roles. People would heckle and spit at him in the streets. But unlike Bara, he loved the attention, as it proved what an effective movie villain he was.


Although he seemed German enough, he wasn't quite there. When it was revealed that he was actually born in Vienna, he claimed to be of a noble Austrian family. In fact, his parents were Jews from Prussia and the Czech Republic. He was an officer in the Austrian army before moving to America at age 21. He wasn't an evil German; in fact, despite his name (and, as later films would reveal, his accent), he wasn't even German.

4. Max Schreck

German actor Max Schreck's unusual features inspired director F.W. Murnau to cast him as the title vampire in the horror classic Nosferatu (1922). Schreck's performance was so chilling that, as nobody remembers him for anything else, legend states that he was a real-life vampire, cast in just one film. Many horror fans, in fact, believe that this might be true. In the film Shadow of the Vampire (2000), Willem Dafoe played him like this, as a mysterious actor who avoided the sunlight and casually sucked the blood from a low-flying bat. Dafoe's performance won him an Oscar nomination and was added to Schreck's vampirical reputation.


In fact, Schreck was a happily married man who was a 43-year-old established theatre actor when Nosferatu (his fifth film) was released. Though he specialized in horror, he made several more films in Germany (usually playing non-vampires) until his death of a heart attack in 1936. None of them, however, are even remotely as famous as Nosferatu.

5. Adolphe Menjou

Another silent movie star, Adolphe Menjou was famous as a debonair charmer, with a waxy mustache and an impeccable dress sense. His name fit the image perfectly, allowing his fans to assume that he was French. The truth was less glamorous. He was actually an Irish-American born in Pittsburgh.


When talking pictures came in, many stars' voices revealed them as frauds. Menjou, however, used a French accent to match his name in his first speaking role as a womanizing musician in Fashions in Love (1929). Formerly a stage actor, he was skilled with his voice, but movie stardom meant maintaining an image. He continued making films for another 30 years, though he eventually dropped the accent.

6. Errol Flynn

Many stories have been told about Errol Flynn: high seas adventurer, gun runner, alcoholic, morphine addict, murderer, serial adulterer (no one denies that one), Nazi spy. In his best-selling autobiography, My Wicked, Wicked Ways, he boasted about his misdeeds, but that's OK, because much of it was a lie. We can't be sure of exactly how much, but some of it we know was untrue.


He claimed, for example, that his film debut was playing Fletcher Christian in In the Wake of the Bounty. That's true enough, but he also said that he was discovered by an American producer named Joel Schwartz, and the film was shot on location in Tahiti. He was actually discovered by Australian producer-director Charles Chauvel, and the movie was filmed in Sydney. (Unlike Merle Oberon, he didn't want anyone to see him as an Australian. Doubt has even been cast over whether he was Australian-born.)

Even less reliable, perhaps, was Charles Higham's Errol Flynn: The Untold Story (1980). Higham accused Flynn of being all sorts of things: a closet bisexual, a drug-runner, a pedophile (OK, that was technically true), and a Nazi spy, supplying Japan with crucial intelligence for the Pearl Harbor attack. This was discredited by many of Higham's own sources, who accused him of inventing their quotes. Flynn's family tried to sue the author, but the case was thrown out of court because, as Higham was doubtless aware, the dead can't be libeled under American law. Instead, some of the stories gained wide acceptance – and added to the myth.

7. Shirley Eaton

Jill Masterson is one of the most famous James Bond girls, which is no mean achievement, as she really didn't have to do much, dying in an early scene of Goldfinger (1964) after betraying her titular boss, who suffocates her by covering her in gold paint. Jill's painted corpse, lying naked on the bed, still ranks as one of the most memorable sights from the Bond movies – and led to a long-running story that, like the character she played, Shirley Eaton had also died of asphyxiation thanks to Goldfinger. The story was so widespread that it might have done some damage to the career of the 27-year-old starlet (who already had a lengthy CV of British comedies), but she went on to make another eight movies before retiring in 1969, then wrote an autobiography called Golden Girl. Not bad for a dead woman!

Oh, and painting your body to death? As long as you can breathe through your mouth and nose, asphyxiation shouldn't be a problem.

8. Walter Matthau

Craggy-faced comedy star Walter Matthau was born Walter Matuschanskyayasky. His middle name was Foghorn and his mother was a gypsy. Or maybe not. Thought he would stick by such "facts" in several interviews, these were jokes that he told so that he wasn't driven crazy by his constant procession of media calls. In truth, his surname was Matthow (which has exactly the same pronunciation) and his parents were Russian-Jewish immigrants in New York. Those who knew him said that it was often difficult to know whether he was joking or being serious. Hence, it's anyone's guess whether his father was an Orthodox priest who lost his job after claiming that the Pope was infallible.


Mark Juddery is an author and historian based in Australia. His latest book, Overrated: The 50 Most Overhyped Things in History (Perigree), is already causing a stir. You can order it from Amazon or Barnes and Noble. You can see a slideshow excerpt from the book, and you can argue with Mark's choices (or suggest new ones) on his blog. Mark offers one tip: If you want to say "This book is overrated"... it's been done.

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8 Gonzo Facts About Hunter S. Thompson
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Hunter S. Thompson in Gonzo: The Life and Work of Hunter S. Thompson (2008)
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Like any real-life legend, there are many myths surrounding the life and work of Hunter S. Thompson. But in Thompson’s case, most of those stories—particularly the more outlandish ones—are absolutely true. The founder of the “Gonzo journalism” movement is one of the most fascinating figures of the 20th century. In celebration of what would have been his 80th birthday, here are some things you might not have known about the eccentric writer.

1. HE WAS NAMED AFTER A FAMOUS SCOTTISH SURGEON.

Hunter S. Thompson was reportedly named after one of his mother’s ancestors, a Scottish surgeon named Nigel John Hunter. But Hunter wasn't just your run-of-the-mill surgeon. In a 2004 interview with the Independent, Thompson brought along a copy of The Reluctant Surgeon, a Biography of Nigel John Hunter, a biography of his namesake, which read: "A gruff Scotsman, Hunter has been described as the most important naturalist between Aristotle and Darwin, the Shakespeare of medicine and the greatest man the British ever produced. He was the first to trace the lymphatic system. He performed the first human artificial insemination. He was the greatest collector of anatomical specimens in history. He prescribed the orthopaedic shoe that allowed Lord Byron to walk."

When pressed about what that description had to do with him, Thompson responded: "Well, I guess that might be the secret of my survival. Good genes."

2. HE MISSED HIS HIGH SCHOOL GRADUATION … BECAUSE HE WAS IN JAIL.

Just a few weeks before he was set to graduate from high school, at the age of 17, Thompson was charged as an accessory to robbery and sentenced to 60 days in jail. 

“One night Ralston Steenrod, who was in the Athenaeum with Hunter, was driving, and Hunter and another guy he knew were in the car,” Thompson’s childhood friend Neville Blakemore recalled of the incident. “As they were driv­ing through Cherokee Park, the other guy said, ‘Stop. I want to bum a ciga­rette from that car.’ People used to go park and neck at this spot. And the guy got out and apparently went back and mugged them. The guy who was mugged got their license number and traced the car, and within a very short time they were all three arrested.

“Just before this Hunter had been blamed for a nighttime gas-station rob­bery,” Blakemore added, “and before that he and some friends got arrested for buying booze under­age at Abe's Liquor Store on Frankfort Avenue by the tracks. So Hunter had a record, and he was already on probation. He was given an ultimatum: jail or the military. And Hunter took the Air Force. He didn't graduate with his class.”

3. IT WAS A FELLOW JOURNALIST WHO COINED THE TERM “GONZO.”

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While covering the 1968 New Hampshire primary, Thompson met fellow writer and editor Bill Carodoso, editor of The Boston Globe Sunday Magazine, which is where Thompson first heard him use the word “Gonzo.” “It meant sort of ‘crazy’ or ‘off-the-wall,’” Thompson said in Anita Thompson’s Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson. Two years later, in June 1970, Thompson wrote an article for Scanlan’s Monthly entitled “The Kentucky Derby Is Decadent and Depraved,” which became a game-changing moment in journalism because of its offbeat, slightly manic style that was written with first-person subjectivity.

Among the many fellow journalists who praised Thompson for the piece was Cardoso, who sent a letter to Thompson that “said something like, ‘Forget all the sh*t you’ve been writing, this is it; this is pure Gonzo.’ Gonzo. Yeah, of course. That’s what I was doing all the time. Of course, I might be crazy.” Thompson ran with the word, and would use it himself for the first time a year later, in Fear and Loathing in Las Vegas.

4. HE TYPED OUT FAMOUS NOVELS TO LEARN THE ART OF WRITING.

In order to get the “feel” of being a writer, Thompson used to retype his favorite novels in full. “[H]is true model and hero was F. Scott Fitzgerald,” Louis Menand wrote in The New Yorker. “He used to type out pages from The Great Gatsby, just to get the feeling, he said, of what it was like to write that way, and Fitzgerald’s novel was continually on his mind while he was working on Fear and Loathing in Las Vegas, which was published, after a prolonged and agonizing compositional nightmare, in 1972.”

"If you type out somebody's work, you learn a lot about it,” Thompson told Charlie Rose in 1997. “Amazingly it's like music. And from typing out parts of Faulkner, Hemingway, Fitzgerald—these were writers that were very big in my life and the lives of the people around me—so yeah, I wanted to learn from the best I guess."

5. HE RAN FOR SHERIFF IN COLORADO.

In 1970, Thompson ran for sheriff of Pitkin County, Colorado on what he called the Freak Power ticket. Among his political tactics: shaving his head so that he could refer to his opponent as his “long-haired opponent,” promising to eat mescaline while on duty, and campaigning to rename Aspen “Fat City” to deter "greed heads, land-rapers, and other human jackals from capitalizing on the name 'Aspen.'" Unfortunately, he lost.

6. HE STOLE A MEMENTO FROM ERNEST HEMINGWAY.

In 1964, three years after Ernest Hemingway committed suicide at his cabin in Ketchum, Idaho, Thompson traveled to the late author’s home in order to write “What Lured Hemingway to Ketchum?” While there, according to his widow, Hunter “got caught up in the moment” and took “a big pair of elk horns over the front door.” Last year, more than a decade after Thompson’s death, Anita returned the antlers to the Hemingway family—which is something she and Hunter had always planned to do. “They were warm and kind of tickled … they were so open and grateful, there was no weirdness,” Anita said.

7. HE ONCE USED THE INSIDE OF MUSICIAN JOHN OATES’ COLORADO CABIN AS HIS PERSONAL PARKING SPACE.

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Earlier this month, musician John Oates—the latter half of Hall & Oates—shared a story about his ranch in Woody Creek, Colorado, just outside of Aspen, which is currently on the market for $6 million. In an interview with Colorado Public Radio, Oates recalled how when he first purchased the cabin, there was a red convertible parked inside. “I happened to ask the real estate agent who owned the convertible, and he said ‘your neighbor Hunter Thompson,’” Oates said. “Why is he keeping his car in a piece of property he doesn’t own? The real estate agent looked at me and said ‘It’s Woody Creek, you’ll figure this out. It’s a different kind of place.’” After sending several letters to his neighbor to retrieve his vehicle, Oates took matters into his own hands and deposited the car on Thompson’s lawn. Oates said that the two became friends, but never mentioned the incident.

8. AT HIS FUNERAL, HIS ASHES WERE SHOT OUT OF A CANNON.

On February 20, 2005—at the age of 67—Thompson committed suicide. But Thompson wasn’t about to leave this world quietly. In August of that year, in accordance with his wishes, Thompson's ashes were shot into the air from a cannon while fireworks filled the sky.

“He loved explosions," his widow, Anita, told ESPN, which wrote that, “The private celebration included actors Bill Murray and Johnny Depp, rock bands, blowup dolls and plenty of liquor to honor Thompson, who killed himself six months ago at the age of 67.”

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15 Memorable Quotes from George A. Romero
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Hollywood has lost one of its most iconic horror innovators with the death of George A. Romero, who passed away on Sunday at the age of 77. “He died peacefully in his sleep, following a brief but aggressive battle with lung cancer, and leaves behind a loving family, many friends, and a filmmaking legacy that has endured, and will continue to endure, the test of time,” his manager, Chris Roe, said in a statement.

Though he rose to prominence as the master of zombie flicks, beginning with Night of the Living Dead, Romero honed his filmmaking skills on a far less frightening set: shooting bits for Mister Rogers’ Neighborhood.

“I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made,” Romero once said. “What I really mean is that I was scared sh*tless while I was trying to pull it off.” (Rogers returned the favor by being a longtime champion of Romero’s work—and even called Dawn of the Dead “a lot of fun.”)

It’s that high-spirited sense of fun that made Romero’s work so iconic—and kept the New York City native busy for nearly 50 years. To celebrate his life and career, here are 15 of his most memorable quotes on everything from the humanity of zombies to the horror of Hollywood producers.

ON THE IMPORTANCE OF HAVING A SENSE OF HUMOR

“For a Catholic kid in parochial school, the only way to survive the beatings—by classmates, not the nuns—was to be the funny guy.”

ON THE HOLLYWOOD WAY

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

ON BEING PIGEONHOLED

“As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!”

ON ZOMBIES AS A METAPHOR

“I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.”

ON FINDING OBJECTIVITY AS A FILMMAKER

“There are so many factors when you think of your own films. You think of the people you worked on it with, and somehow forget the movie. You can't forgive the movie for a long time. It takes a few years to look at it with any objectivity and forgive its flaws.”

ON THE REAL VALUE OF THE INTERNET

“What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.”

ON THE HORROR OF DEALING WITH PRODUCERS

“I'll never get sick of zombies. I just get sick of producers.”

ON THE IMPORTANCE OF COLLABORATION

“Collaborate, don’t dictate.”

ON THE BEAUTY OF LOW-BUDGET MOVIEMAKING

“I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed.”

ON HUMANS BEING THE REAL VILLAINS

“My zombies will never take over the world because I need the humans. The humans are the ones I dislike the most, and they're where the trouble really lies.”

ON BEING IMMUNE TO TRENDS

“Somehow I've been able to keep standing and stay in my little corner and do my little stuff and I'm not particularly affected by trends or I'm not dying to make a 3-D movie or anything like that. I'm just sort of happy to still be around.”

ON THE HUMANITY OF HORROR

“My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.”

ON THE ENDURING APPEAL OF HORROR

“If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.”

ON THE IMPORTANCE OF SURROUNDING ZOMBIES WITH STUPID PEOPLE

“A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.”

ON LIFE AFTER DEATH

“I'm like my zombies. I won't stay dead!”

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