DreamWorks Classics
DreamWorks Classics

18 Facts About Your Favorite Christmas TV Specials

DreamWorks Classics
DreamWorks Classics

Here are some behind-the-scenes tidbits about a handful of holiday small-screen favorites.

Rudolph the Red-Nosed Reindeer

1. Which came first, the TV special or the song? Johnny Marks wrote the song in 1949. He was the brother-in-law of Robert L. May, the Montgomery Ward copywriter who’d created the story of the red-nosed reindeer for a department store coloring book. Marks had a good ear for a catchy holiday tune and was responsible for many of the Christmas classics we still hear today, including “I Heard the Bells on Christmas Day,” “Rockin’ Around the Christmas Tree” and “A Holly Jolly Christmas.” Nevertheless, he was reluctant at first to allow his tune to be the subject of a TV special – he thought that over-exposure might equal a decrease in record sales. Luckily he lived just down the street from Arthur Rankin, of Rankin/Bass fame, who eventually managed to change Marks’ mind.

2. Mario Muller, the screenwriter for the TV special, stated in an interview that the reason his script deviated so much from the original story is that he was unable to find a copy of May’s book at the time. Several of the characters, including Hermey the wannabe dentist, were named after Muller’s real-life friends.

3. The first few drafts of the screenplay did not include the character of Sam the Snowman. In fact, the songs sung by Sam in the final version were originally performed by Yukon Cornelius. But General Electric felt that the production needed a “name” in order to sell it to a network, and Burl Ives was brought on board.

Frosty the Snowman

DreamWorks Classics

4. The song came first in this instance, too; in fact the tune was written by Jack Nelson and Steve Rollins in 1950 specifically as a means of capitalizing on the success of Gene Autry’s “Rudolph the Red-Nosed Reindeer.” The record wasn’t as huge as “Rudolph” sales-wise, but Frosty’s story was nevertheless perpetuated via Golden Books and Dell Comics.

5. Despite a long career in radio and film, legendary comedian Jimmy Durante’s memory has been primarily kept alive all these years thanks to his role as the narrator in this Christmas special. Durante loved children, and is famous for turning down a performance fee at the Eagles International Convention in 1961. When asked by the organizers “What can we do, then?” Durante replied in his trademark Brooklynese: “Help da kids.”

6. First aired in 1969, Frosty was the first Rankin/Bass Christmas special to utilize traditional animation (versus the stop-motion method used in their other projects). Paul Coker, Jr., a long-time MAD magazine illustrator, provided both the main character and background drawings.

Santa Claus is Coming to Town

DreamWorks Classics

7. Yet again, the song came first. In this case, way first: J. Fred Coots and Henry Gillespie wrote it in 1932, at a time when sheet music outsold records. The song only received national exposure in the first place because Eddie Cantor, Coots’ employer at the time, reluctantly sang it (at the urging of his wife) on his radio show in late November 1934. Despite the music publishers’ dire warning that songs aimed at children were doomed to fail, Cantor’s performance sent the sheet music for the song flying off retailers’ shelves and inspired countless other popular artists to record it.

8. How does a 71-year-old hoofer keep his name in the spotlight many years after MGM had ceased producing big-budget musicals and his aging bones have begun to betray him? Voiceover work! That's how Rankin/Bass was able to secure Fred Astaire for the role of the mailman/narrator for their 1970 special. R/B’s Rudolph the Red-Nosed Reindeer had been airing annually since 1964, so Astaire agreed to this project, rightly assuming that it had “legs.” Rankin/Bass also benefited because even older adults with no kids at home tuned in to see and hear the Fred Astaire they remembered so fondly.

A Charlie Brown Christmas

United Feature Syndicate

9. In 1963, TV producer Lee Mendelson filmed a documentary about Charles Schulz and the daily process involved in creating his Peanuts comic strip. The Peanuts documentary never sold, but Coca-Cola execs happened to see it and asked Mendelson if he’d be interested in doing an animated Charlie Brown Christmas special. Within a few days, Mendelson and Schulz had the outline of a script ready, with notes like “sad Christmas tree,” “school play,” and “ice skating” scribbled in the margins.

10. When it came to actually producing the special, Charlie Brown was truly a problem child. Unlike most of the other characters, Charlie Brown’s head was completely round, which made it difficult for the animators to indicate movement from side to side. Snoopy, on the other hand, was the easiest character to manipulate, which is why they had fun making him do everything from dancing the jitterbug to impersonating a vulture.

11. When CBS executives previewed A Charlie Brown Christmas, they were uneasy, to say the least. There was not enough action, it moved too slow, the voices had been done by real kids, not adult actors, there was no laugh track, etc. Most upsetting was the fact that Linus read from the Gospel of Luke in one scene. (“You can’t read from the Bible on network television!”) Nevertheless, CBS had made a commitment to their sponsor, so they aired the special as scheduled on December 9, 1965. And, as it turned out, A Charlie Brown Christmas drew in 15.4 million viewers, placing it second in the ratings that week after Bonanza. A few months later, Charles Schulz and Lee Mendelson found themselves onstage accepting an Emmy Award for Outstanding Children’s Program.

How the Grinch Stole Christmas

Warner Bros. Television

12. Boris Karloff, best known as a horror film actor thanks to his starring roles in movies such as Frankenstein, won a Grammy Award in 1967 (in the spoken word category) for his work as the narrator/Grinch when How the Grinch Stole Christmas was released as an LP.

13. “You’re a Mean One, Mr. Grinch” was sung by Thurl Ravenscroft, whose basso profundo voice is familiar to most of the world as that of Kellogg’s Tony the Tiger (“They’re grrrrrreat!!”)

14. The Grinch in Dr. Seuss’ original 1957 book was black and white with touches of pink, like every other illustration. It was director Chuck Jones (who’d produced and directed countless Warner Brothers cartoons starring Bugs Bunny and his pals) who decided that the Grinch should be green.

15. Just prior to the Grinch’s first airing, Variety snarked at the $315,000 budget (extravagant by 1966 standards) for a children’s cartoon. "The Grinch - It Not Only Stole Christmas But Picked CBS' Pocket” was the headline of doom.

Bowie and Bing

16. It’s not an official stand-alone Christmas special, but this 1977 clip manages to get aired every holiday season, mainly due to the odd juxtaposition of the participants: old-school crooner Bing Crosby (age 73 at the time) and contemporary artist (considered somewhat outrageous by those who still remembered Ziggy Stardust) David Bowie. Crosby was in the midst of a UK tour at the time, and the theme of the show was “Christmas in England.”

17. Bowie’s management had agreed to have him appear on the special because A) it was filmed at Elstree Studios, not far from Bowie’s home, and B) his video for “Heroes” would be a part of the show (complete with an introduction by Der Bingle himself).

18. At the last minute, however, Bowie read the script and objected to singing “Little Drummer Boy,” stating “I hate this song. Is there something else I could sing?” Ian Fraser, Larry Grossman and Buz Kohan (the show’s producers and songwriters in their own right) adjourned to the studio’s basement and in less than 90 minutes came up with the “Peace on Earth” bit that Bowie agreed to interweave with Crosby’s rendition of “Little Drummer Boy.”

7 Surprising Uses for Tequila

Happy National Margarita Day! While you could celebrate by having a few drinks, you could also skip the hangover by unlocking one of tequila's amazing abilities outside of the glass. Many spirits are useful for activities beyond sipping (vodka, for example, is a great stain and odor remover), but tequila holds some particularly magical powers. Here are just a few of them.


In 2008, a team of scientists in Mexico discovered that when the heated vapor from an 80-proof tequila blanco was combined with a silicon or stainless steel substrate, it resulted in the formation of diamond films. These films can be used in commercial applications, such as electrical insulators, or to create one big fake diamond. Who knew that spending $50 on a bottle of Don Julio was such a wise investment?


Keeping with the science theme: In 2011, researchers at England’s University of Oxford suggested that we may one day be gassing up our cars with tequila. They identified agave, the plant from which tequila is produced, as a potential biofuel source—and a particularly attractive one, as the plant itself is not consumed by humans and can thrive in desert climates.


Scientists have long promoted the potential benefits of the agave plant for its ability to help dissolve fats and lower cholesterol. The bad news? These properties get a bit diluted when the plant is distilled into alcohol. Even more so when it's whipped into a sugary margarita.


Take three or more shots of tequila and you’re bound to pass out. A single shot can have the same effect—just not in that drunken stupor kind of way. Relaxation is one of the positive side effects of tequila drinking; a small amount (1 to 1.5 ounces) before bedtime can reportedly help you fall asleep faster and sleep more soundly.


Too much of a good thing may not bring a welcome turn of events for your liver … but your colon will thank you! Researchers at Mexico’s University of Guadalajara have identified the blue agave as a potentially helpful source for delivering drugs to the colon in order to treat colitis, IBS, Crohn’s disease and even cancer.


If Ernest Hemingway had known about the healing properties of tequila, his signature drink might have been a margarita instead of a daiquiri. In 2010, experiments conducted at Mexico’s Polytechnic Institute of Guanajuato revealed that the agave plant (which is high in fructans, a fructose polymer) could stimulate the GLP-1 hormone, aiding in increased insulin production.


“Plenty of liquids” is a well-known remedy for getting oneself out from under the weather. But expanding that definition to include a kicked-up shot of tequila makes a day laid out on the couch sound much more appealing. In the 1930s, doctors in Mexico recommended the following concoction to fight off a cold.

.5 ounce of tequila blanco
.5 ounce of agave nectar (to eliminate bacteria and soothe sore throats)
.5 ounce of fresh lime juice (for Vitamin C)

Though some people (including tequila companies) swear by its healing powers, others say it's hogwash.

Big Questions
Where Should You Place the Apostrophe in President's Day?

Happy Presidents’ Day! Or is it President’s Day? Or Presidents Day? What you call the national holiday depends on where you are, who you’re honoring, and how you think we’re celebrating.

Saying "President’s Day" infers that the day belongs to a singular president, such as George Washington or Abraham Lincoln, whose birthdays are the basis for the holiday. On the other hand, referring to it as "Presidents’ Day" means that the day belongs to all of the presidents—that it’s their day collectively. Finally, calling the day "Presidents Day"—plural with no apostrophe—would indicate that we’re honoring all POTUSes past and present (yes, even Andrew Johnson), but that no one president actually owns the day.

You would think that in the nearly 140 years since "Washington’s Birthday" was declared a holiday in 1879, someone would have officially declared a way to spell the day. But in fact, even the White House itself hasn’t chosen a single variation for its style guide. They spelled it “President’s Day” here and “Presidents’ Day” here.

Wikimedia Commons // Public Domain

Maybe that indecision comes from the fact that Presidents Day isn’t even a federal holiday. The federal holiday is technically still called “Washington’s Birthday,” and states can choose to call it whatever they want. Some states, like Iowa, don’t officially acknowledge the day at all. And the location of the punctuation mark is a moot point when individual states choose to call it something else entirely, like “George Washington’s Birthday and Daisy Gatson Bates Day” in Arkansas, or “Birthdays of George Washington/Thomas Jefferson” in Alabama. (Alabama loves to split birthday celebrations, by the way; the third Monday in January celebrates both Martin Luther King, Jr., and Robert E. Lee.)

You can look to official grammar sources to declare the right way, but even they don’t agree. The AP Stylebook prefers “Presidents Day,” while Chicago Style uses “Presidents’ Day.”

The bottom line: There’s no rhyme or reason to any of it. Go with what feels right. And even then, if you’re in one of those states that has chosen to spell it “President’s Day”—Washington, for example—and you use one of the grammar book stylings instead, you’re still technically wrong.

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