A Brief History of Christmas Tree Lights

Like Bert and Ernie or pork and fennel, Christmas trees and lights were made for each other. But how did stringing up a few hundred twinkling lights on a pine tree become a normal part of Christmas merrymaking?

Make Like a Tree and Get in the House

Well, it all started with the pagans. The ritual use of evergreens and lights during winter celebrations predates Christianity. Their symbolism (life in the dead of winter) must not have been lost on Christians, who adopted the pagan Yule log and began bringing evergreen trees into their homes during the winter. In the 17th century, the Germans combined the two elements and the tradition of illuminating the Christmas tree with candles began (legend has it that Martin Luther, inspired by a starry Christmas Eve sky, lit the first tree a century earlier, but the first documented references to a lit tree come from 1660).

The Christmas tree came to the United States in the early 19th century with the German-speaking Moravians (who often practiced the "putzing" or "dressing up" of the tree with decorative ornaments), who settled in Pennsylvania and North Carolina. One of the earliest documented references to a Christmas tree in America comes from a 1821 journal entry by Matthew Zahm of Lancaster, Pennsylvania, who saw his friends "on the hill at Kendrick's saw mill" looking for a good tree to put in the living room.

Christmas trees quickly spread from German enclaves and became an established part of American Christmas celebrations.

In 1832, Harvard University professor Charles Follen, inspired by German tradition, may have been the first American to illuminate a Christmas tree when he decorated his with candles. In 1851, Mark Carr opened the first Christmas tree retail operation, cutting down trees in the Catskill Mountains and selling them at New York City's Washington Market. In 1856, the illuminated Christmas tree hit the big time when President Franklin Pierce had the White House tree decorated with candles.

The candle-lit Christmas tree, to no one's surprise, had some problems. For one, it was hard to keep the candles attached to the branches. People tried pinning the candle down with a needle, tying the candle to the branch with wire or string, and using melted wax as an adhesive. None of these methods worked very well. Fortunately, a breakthrough came in the form of Frederick Artz's 1878 invention: a clip-on candleholder. But even if you got the candles to stay, there was the little manner of having a very large, vary flammable tree in your living room. People usually kept the candles lit for no longer than 30 minutes at a time, kept an eye on the tree the whole time, and always had a bucket of sand or water at the ready in case of fire. Of course, accidents still happened. Eventually, a group of insurance companies collectively refused to pay for fires started by Christmas trees and began putting a "knowing risks" clause in their policies.

The Christmas Tree, Like Bob Dylan, Goes Electric

1st-xmas-treeOn December 22, 1882, Edward Johnson—a friend of Thomas Edison and vice president of the Edison Electric Light Company—displayed the first electrically illuminated Christmas tree in the parlor of his New York City home (pictured). The tree, powered by an Edison generator (Johnson lived in the first section of the city to be wired for electricity), featured eighty hand-wired red, white and blue light bulbs—which, according to a reporter from the Detroit Post and Tribune, were each as "large as an English walnut"—and sat on a motorized box that rotated it "some six times a minute."Â  Over the next few years, Johnson and Edison experimented with and improved upon Johnson's electric tree lights. In 1890, they took them to the market place, publishing a 28-page brochure about "Edison miniature lamps for Christmas trees" and placing ads for the product in popular magazines.

Electric tree lights, like the illuminated tree before them, got national attention when they made their debut at the White House on Grover Cleveland's 1895 Christmas tree. Most people who weren't the President of the United States would have to wait for their own electric tree lights, however. Public distribution of electricity was spotty, and most people living outside major cities would have had to supply their own electric power from a household generator. Lighting an average-sized tree would have also been prohibitively expensive for most people. The generator, the fee for the wireman who would need to hand-wire all the lights on the tree, and the wire and lights themselves would usually cost upwards of $300.

A Chicken in Every Pot and an Electric Christmas Tree in Every Living Room

In 1903, a breakthrough in electric lighting technology came when GE offered the first pre-wired string of tree lights to the public. The string of lights, called a "festoon," consisted of a string of eight pre-wired porcelain sockets, eight Edison miniature colored glass lamps, and a screw-in plug for a wall socket (the length of wire all this was attached to was not made by GE, but the American Eveready Company, which would go on to become part of the National Carbon Company and give the world the long-lasting alkaline battery).

Festoons were still pretty expensive at $12 per string (slightly less than an average week's wages for many people), but that problem would be solved when GE attempted to patent their Christmas lighting festoon. The patent application was refused, because the product was based on knowledge that an ordinary wireman possessed. With the market wide open, other companies and inventors began to produce their own tree light sets and the American Christmas light industry was born.

One early Christmas light entrepreneur was teenager Albert Sadacca, who convinced his parents to use the material from their novelty lighting business to produce affordable tree light sets. He later started a trade organization called the National Outfit Manufacturers Association (NOMA). NOMA eventually became the NOMA Electric Co. and dominated the Christmas light market until the 1960s, when competition from foreign imports drove them into bankruptcy and out of the lighting business.

This article originally appeared last December.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


George Stroud/Express/Getty Images

In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

Annotations in Copy of Shakespeare's First Folio May Have Been John Milton's

GeorgiosArt/iStock via Getty Images
GeorgiosArt/iStock via Getty Images

It's a well-known literary fact that William Shakespeare had an enormous influence on "Paradise Lost" poet John Milton, and new evidence suggests that super fan Milton—who even wrote a poem called "On Shakespeare"—might have owned his idol's first folio.

The folio, which contains 36 of Shakespeare’s plays, was published in 1623—seven years after the Bard’s death. An estimated 750 first folios were printed, with only 233 of them known to have survived, including one with annotations written throughout it. As it turns out, those scribbles might be Milton's.

According to The Guardian, Cambridge University fellow Jason Scott-Warren believes that Milton wrote those important annotations. Scott-Warren read an article about an anonymous annotator written by Pennsylvania State University English professor Claire Bourne. The Folio copy in question has been stored in the Free Library of Philadelphia since 1944, and Bourne was able to date the annotator back to the mid-1600s. (Milton died in 1674.) It was Scott-Warren who noticed that the handwritten notes looked similar to Milton’s handwriting.

"It shows you the firsthand encounter between two great writers, which you don’t often get to see, especially in this period,” Scott-Warren told The Guardian. “A lot of that kind of evidence is lost, so that’s really exciting.”

If the writing does indeed belong to Milton, it’s not the first time the poet has left notes on another writer's work; he supposedly marked up his copy of Giovanni Boccaccio’s Life of Dante as well. Scott-Warren and Bourne plan to pair up to find out if Milton left annotations on any other notable works.

"It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived—and yet the evidence here so far is persuasive,” Dr. Will Poole, a fellow and tutor at Oxford's New College said. "This may be one of the most important literary discoveries of modern times."

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