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SUNDAY - "Great Migrations," the Latest Mega Nature Documentary

Premiering Sunday, November 7, on the National Geographic Channel: Great Migrations. Set your DVRs -- the seven-part series is set to air at 8pm.

We live in a wonderful era for nature documentaries. In recent years we've seen mega documentaries like Planet Earth and Life capture headlines, and with good reason -- they featured stunning HD photography, huge budgets, and a compelling narrative. The latest mega nature documentary is Great Migrations from National Geographic, and it's a doozy. This seven-part series is narrated by Alec Baldwin and features shockingly impressive photography, often tackling subjects that are really hard to photograph -- like tiny baby crabs, butterflies, ants, birds, as well as your standard large-mammal fare. Here's a sneak peek:

What Makes National Geographic Unique?

When I was a kid, the National Geographic magazine and television specials meant three things to me:

1. Awesome photography.

2. Great educational content.

3. A certain raw quality. (Remember sneaking peeks at the magazines that showed semi-nude ladies, from cultures where that was the norm?)

I'm happy to report that all of these qualities are preserved in Great Migrations. The only downside to #3 is that the documentary shows the brutal reality of nature: you see animals killing and eating each other. A shark rips a seal in half, filling the water with blood. Any time you see a lion or a crocodile, you can bet some young or weak animal is about to be eaten -- and you're going to see teeth sink into its neck as it goes down in slow motion. There's even a (comparatively tame) segment in which bald eagles rip apart frozen fish, just when you think they're going to attack a flock of other birds. My point is, this is an unflinching view of nature -- and it raises questions for parents who want to watch the program with young kids. You can either take this as an opportunity to discuss life and death with the kids, or watch the program on your own first, and then bring them in when you're sure they can handle it.

It really is a "circle of life" issue. In order for predator species to survive, they have to eat prey. This documentary is about migrating animals, which serve as prey for predators. That's not news. What is interesting is that the presentation is pretty stark, and this presents parents an opportunity to sit down with the kids and talk about life and death. I was honestly surprised by the amount of violence shown onscreen -- it's not gratuitous, but it's real. That is what makes this a National Geographic documentary, though -- they don't tone it down to make nature cuddly and safe. They show you when a member of the herd doesn't make it, and then they show you the rest of the herd as it struggles for survival.

The Donaghy Probletunity

Alec Baldwin narrates Great Migrations, and he does it well. (When Oprah Winfrey narrated the US version of Life there were howls of protest and many viewers refused to watch until the UK version with Attenborough's narration was released on Blu-ray; I don't think anyone can complain about Baldwin's exquisite narration -- it feels right, it sounds right, and it gives the documentary an extra flavor.) But what kept creeping into my brain was Baldwin's character Jack Donaghy from 30 Rock. My mind kept flipping between listening to Alec Baldwin narrating the documentary...then Jack Donaghy narrating the documentary. After all, Donaghy is a TV executive on 30 Rock whose main feature is excessive gravitas, as expressed through his trademark Baldwin Voice.

Personally, I found this delightful. Your kids aren't going to get it, and if you haven't seen 30 Rock you're not going to get it either. But if you're a 30 Rock fan, you will experience this cognitive flip, and I found it hilarious to listen to Jack Donaghy narrating the migration of wildebeests, elephants, and so on. In this unexpected way, you get two documentaries in one -- the serious version and the wink-wink-nudge-nudge version that Jack Donaghy provides. It's up to you to decide which one you're watching.

And because I couldn't resist, here's a clip showing part of the monarch butterfly narration, as narrated by Jack Donaghy, Vice President of East Coast Television and Microwave Oven Programming for General Electric. (He makes sure to mention how the butterflies save energy...perhaps a hidden sales pitch for GE microwaves.)

How Did They Do That?

Watching Great Migrations, it's hard not to pause, wondering how in the world they managed to get certain shots. They film the migration of monarch butterflies (also covered by this NOVA special), and you wonder...how many photographers had to sit there next to a milkweed plant in order to get those shots? (This is actually explained in a Behind the Scenes episode as well as at this behind-the-scenes site.)

Time-lapse and slow motion are used to great effect, causing a lot of "wow" moments (I actually used saucier language, but you get the point). Some of the most memorable shots are underwater, with the two standouts being a brief segment on bioluminescent plankton, and an extended segment about red crabs (which are land creatures, but spawn in the sea).

Here's a clip from the red crab sequence, which they battle, I kid you not, "yellow crazy ants":

And here's some of that underwater footage I was talking about, followed by adorable baby crabs swarming over land. This is a tiny web video -- imagine this in full HD on your awesome TV.

This is a rare documentary in which the sheer beauty of insects and crustaceans, and the power of National Geographic's photography, makes them more relatable than mammals.

Senior producer David Hamlin, who shot the red crab sequence, explained it like so:

The aerial footage of some of these migrations is spectacular, but there is some stunning underwater photography of red crabs releasing their eggs, and then those eggs hatching. Can you talk a bit about what that shoot was like?

We filmed the red crabs on Christmas Island (between Australia and Indonesia). Once a year, when the monsoons arrive, nearly 50 million crabs march across the forest to the ocean. It's an incredible migration - one of my personal favorites. Frankly, this was the one migration I couldn't' miss - I just had to see it for myself. The year we filmed the crabs, the rains that triggered the annual migration were not as plentiful as in past years, so the crabs suffered during their walk. Open ground is death to them because the sun and heat dry up their lungs and they die. For red crabs, every drop of rain is quite literally a breath of fresh air. Another challenge in their race to the water's edge is what's known as yellow crazy ants. These invasive ants spray acid into the crabs' eyes rendering them blind, so that the crab can't move and dies in the sun.

The males arrive at the beach first and dig holes for the females, and a week later the females join them and burrow into those holes to grow their brood of up to 100,000 eggs. Then, something miraculous happens. Even though the female crabs are buried underground, they somehow know which night the moon is the smallest, and the tide therefore lowest, and they emerge from the earth, head down to the shoreline and into the water to release their eggs. The water is usually blue but it turns black with the amount of eggs.

Normally, when this migration happens, the eggs get dispersed all over the place and more often than not, they get eaten by fish and scattered by storms. It is only on every few years that the circumstances are favorable and the eggs make it back to the shoreline.

We were profoundly lucky - and prepared. We were able to see them hatching, and watch them emerge as tiny shrimp-like creature called megalops. But the real miracle is when millions of these tiny crablings emerge from the sea and overrun the beaches as they begin their own lifetime migrating back and forth, from the sea to the forest. It's breathtaking.

He's not overstating it (and you can see behind the scenes footage about this particular segment here). The red crab segment is stunning, breathtaking, you name it -- the sheer redness of the crabs on land to the bizarre and brilliantly colorful underwater footage are typical of Great Migrations. This is a documentary that will make you want to buy a bigger TV.

The Coffee Table Book

There's also a companion book featuring still photographs from the series, with a striking zebra photo on the cover. (Did you know that zebra stripe patterns are unique to each zebra? That's a little something I learned from watching Great Migrations.) The book stands on its own, and I've had it on my coffee table for a few weeks. Flipping through it, you're reminded again of what makes National Geographic so great: photography. The book is in stores now.

Set Your DVRs

Great Migrations premieres this Sunday, November 7, at 8pm. Check out the episode guide for details on the entire seven-part series. (Click the "episodes" button for specific air dates and times.) If you don't get the National Geographic Channel, the series will be out on Blu-ray and DVD on November 16.

Blogger disclosure: I was provided with rough cut DVD copies of the documentary for review, as well as a copy of the companion book for review. No compensation, monetary or otherwise, was provided for this article.

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iStock
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Google's AI Can Make Its Own AI Now
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iStock

Artificial intelligence is advanced enough to do some pretty complicated things: read lips, mimic sounds, analyze photographs of food, and even design beer. Unfortunately, even people who have plenty of coding knowledge might not know how to create the kind of algorithm that can perform these tasks. Google wants to bring the ability to harness artificial intelligence to more people, though, and according to WIRED, it's doing that by teaching machine-learning software to make more machine-learning software.

The project is called AutoML, and it's designed to come up with better machine-learning software than humans can. As algorithms become more important in scientific research, healthcare, and other fields outside the direct scope of robotics and math, the number of people who could benefit from using AI has outstripped the number of people who actually know how to set up a useful machine-learning program. Though computers can do a lot, according to Google, human experts are still needed to do things like preprocess the data, set parameters, and analyze the results. These are tasks that even developers may not have experience in.

The idea behind AutoML is that people who aren't hyper-specialists in the machine-learning field will be able to use AutoML to create their own machine-learning algorithms, without having to do as much legwork. It can also limit the amount of menial labor developers have to do, since the software can do the work of training the resulting neural networks, which often involves a lot of trial and error, as WIRED writes.

Aside from giving robots the ability to turn around and make new robots—somewhere, a novelist is plotting out a dystopian sci-fi story around that idea—it could make machine learning more accessible for people who don't work at Google, too. Companies and academic researchers are already trying to deploy AI to calculate calories based on food photos, find the best way to teach kids, and identify health risks in medical patients. Making it easier to create sophisticated machine-learning programs could lead to even more uses.

[h/t WIRED]

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Land Cover CCI, ESA
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Afternoon Map
European Space Agency Releases First High-Res Land Cover Map of Africa
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Land Cover CCI, ESA

This isn’t just any image of Africa. It represents the first of its kind: a high-resolution map of the different types of land cover that are found on the continent, released by The European Space Agency, as Travel + Leisure reports.

Land cover maps depict the different physical materials that cover the Earth, whether that material is vegetation, wetlands, concrete, or sand. They can be used to track the growth of cities, assess flooding, keep tabs on environmental issues like deforestation or desertification, and more.

The newly released land cover map of Africa shows the continent at an extremely detailed resolution. Each pixel represents just 65.6 feet (20 meters) on the ground. It’s designed to help researchers model the extent of climate change across Africa, study biodiversity and natural resources, and see how land use is changing, among other applications.

Developed as part of the Climate Change Initiative (CCI) Land Cover project, the space agency gathered a full year’s worth of data from its Sentinel-2A satellite to create the map. In total, the image is made from 90 terabytes of data—180,000 images—taken between December 2015 and December 2016.

The map is so large and detailed that the space agency created its own online viewer for it. You can dive further into the image here.

And keep watch: A better map might be close at hand. In March, the ESA launched the Sentinal-2B satellite, which it says will make a global map at a 32.8 feet-per-pixel (10 meters) resolution possible.

[h/t Travel + Leisure]

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