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"Hallelujah" 10 Ways

"Hallelujah" is a song written by Leonard Cohen in 1984, and never officially released as a single. It has become famous mainly through cover versions, and has been recorded by hundreds of artists. In 2008, American Idol contestent Jason Castro sang a version that caused Jeff Buckley's famous cover to rocket to the top of the Billboard Hot Digital Songs chart (you know, the kids these days with their iTunes and what-not). Buckley's rendition became a Platinum single on April 22, 2008, eleven years after his death and fourteen years after its original release -- despite never being officially released as a single.

"Hallelujah" has appeared in endless TV shows and movies. According to Wikipedia, it has appeared in: The West Wing, Crossing Jordan, Without a Trace, The O.C., Scrubs, House, Criminal Minds, ER, Third Watch, Ugly Betty, and LAX; and the films Feast of Love, The Edukators, Vinterkyss and Lord of War. I also happen to know it popped up in The Watchmen, The L Word, Shrek, and probably many more. This song is everywhere.

Here are ten of the best-known versions of the song. There are actually so many "well-known" covers of "Hallelujah" that I couldn't include them all in a top 10 -- go search YouTube for more. (One very notable version is the one by Espen Lind featuring Kurt Nilsen, Alejandro Fuentes and Askil Holm, which cannot be embedded.)

1. Jeff Buckley (Live in Studio)

Although this version differs a little from his famous album version (it has a longer intro), Jeff Buckley's is the most famous cover of "Hallelujah." It was inspired by John Cale's version (#4 below) and was released on Buckley's album "Grace" in 1994.

2. Rufus Wainwright

Wainwright's version is nearly as famous as Buckley's, because it appeared on the Shrek soundtrack (despite John Cale's version actually being used in the film). Wainwright's album version is actually my favorite version of the song. Another notable Wainwright performance is from the Leonard Cohen documentary "I'm Your Man," and includes vocals from Joan Wasser (Buckley's girlfriend) and Martha Wainwright.

3. k.d lang

It's not news that k.d. lang can really, really sing. But still, her vocal control in this live version is stunning. The last note goes on forever, and the video includes nearly a full minute of standing ovation. If this doesn't make you cry, I don't know what will.

4. John Cale

John Cale is credited for popularizing Cohen's song with his early cover. This arrangement seemed really weird to me until I listened to it several times. Watch John Cale and a string quartet perform the classic song in 1992.

5. Sheryl Crow

Crow speeds it up a bit, and her guitar treatment is different than most -- she capos on the first fret. Wicked. (For guitar nerds, most versions are performed capo'd at the 5th fret and played in "G", thus sung in the key of C.)

6. Allison Crowe

Crowe's album "Tidings" featured songs recorded in a single take. Here's one of them.

7. Damien Rice

Performed in 2008, at Leonard Cohen's induction into the Rock and Roll Hall of Fame. Also interesting to see that he's playing capo'd at the third fret. See a more emotional/quiet version from Rice here.

8. Justin Timberlake and Matt Morris

Part of the "Hope for Haiti Now" benefit in January, 2010. Sorry about the weird popup YouTube thingies embedded here -- don't click them -- but this version actually has the best sound of any on YouTube.

9. Regina Spektor

Live in 2005, with phrasing more like Cohen's than most covers. Audio only.

10. Leonard Cohen

Of course, Leonard Cohen actually wrote the song in the first place. Check out that last verse. Cohen reportedly said of the song: "I wanted to write something in the tradition of the hallelujah choruses but from a different point of view.... It's the notion that there is no perfection -- that this is a broken world and we live with broken hearts and broken lives but still that is no alibi for anything. On the contrary, you have to stand up and say 'hallelujah' under those circumstances."

A Note for Non-Musicians

The lyrics "it goes like this, the fourth, the fifth, the minor fall, and the major lift" refer to the chord progression of the song itself as those lyrics are sung. Although the verse is about King David, the lyrics now seem like Cohen is winking at the listener -- teaching future generations with his own lyrics in the first verse how to cover his song. The chords to this bit are: C, F (the fourth), G (the fifth), A minor (the minor fall), and F (the major lift).

Today is October 10, 2010—10.10.10. To celebrate, we've got all our writers working on 10 lists, which we'll be posting throughout the day and night. To see all the lists we've published so far, click here.

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The Unsolved Mysteries Soundtrack Is Coming to Vinyl
Terror Vision
Terror Vision

If you never missed an episodes of Unsolved Mysteries, just listening to the opening theme of the series may be enough to raise the hairs on the back of your neck. Now, you don't need to wait to catch reruns of the show to experience the haunting music: The original soundtrack is now available to preorder on vinyl—the first time it's been available in any format.

Terror Vision, a company that releases obscure horror scores on vinyl, has produced two versions of the soundtrack: A single LP for $27 and a triple LP for $48. Both records were compiled from the original digital audio tapes used to score the show. Terror Vision owner and soundtrack curator Ryan Graveface writes in the product description: "The single LP version features my personal favorite songs from the ghost related segments of Unsolved Mysteries whereas the triple LP set contains EVERYTHING written for the ghost segments. This version is very very limited as it’s really just meant for diehard fans.”

Both LPs include various iterations of the Unsolved Mysteries opening theme—three versions on the single and five on the triple. Customers who spring for the triple LP will also receive liner notes from the show's creator John Cosgrove, composer Gary Malkin, and Graveface.

Over 30 years since the show first premiered, the theme music remains one of the most memorable parts of the spooky, documentary-style series. As Producer Raymond Bridgers once said, "The music was so distinctive that you didn’t even have to be in the room to know that Unsolved Mysteries was on.”

You can preorder the records today with shipping estimated for late June.

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11 Surprising Facts About Irving Berlin
Wikimedia Commons
Wikimedia Commons

Irving Berlin is famous for writing classic American songs such as “White Christmas,” “God Bless America,” "Puttin' on the Ritz," and “There’s No Business Like Show Business.” Known as the King of Tin Pan Alley, he wrote more than 1000 songs that appeared in movies, TV shows, and Broadway musicals. In honor of what would be Berlin’s 130th birthday, here are 11 facts about the legendary songwriter.

1. HE WAS RUSSIAN BY BIRTH, NOT GERMAN.

Israel Isidore Baline was born May 11, 1888 in Mohilev, Russia. In the early 1890s, Berlin’s parents moved their family of eight (Israel, who was 5 at the time, was the youngest of six) from Russia to New York City’s Lower East Side to escape anti-Jewish pogroms. He went by Izzy in America in an attempt to assimilate, and when his first composition was printed, it bore the name "I. Berlin." Berlin allowed a rumor to circulate that it was a printing error that created his pen name, but biographers tend to note that he chose it because it closely resembled his birth name, but sounded less ethnic. In 1911, he legally made the change from Izzy Baline to Irving Berlin.

2. AFTER HIS FATHER DIED, HE QUIT SCHOOL AND BEGAN SINGING ON THE STREET.

Berlin's father, Moses Baline, had been a cantor (one who leads prayer songs) in Russia, but had trouble finding steady work in America. He died of chronic bronchitis when Berlin was just 13. Though the young boy had already been selling newspapers to try to help his family make money, Berlin quit school and, in an attempt to lessen the financial burden for his mother, he also moved out and lived in a ghetto on the Bowery, beginning when he was just 14 years old. To support himself, he busked on the streets and in back rooms of saloons for money, hoping that passersby and bar regulars would give him their spare change. He later worked as a singing waiter in Chinatown.

3. HE EARNED A HANDFUL OF COINS FOR HIS FIRST SONG.

In 1907, Berlin sold the publishing rights to his first song to a music publisher for 75 cents. Because he co-wrote the song, called “Marie from Sunny Italy,” with a pianist, Berlin only received half (approximately 37 cents) of the payment for the piece.

4. HIS RAGTIME SONG INSPIRED A TRENDY DANCE.

Long before the Macarena or the Harlem Shake, Berlin’s song “Alexander's Ragtime Band” (1911) topped the charts and sold more than 1 million copies of sheet music. Although it wasn’t an authentic ragtime song, it inspired people across the world to hit the dance floor. Over the decades, different singers including Ray Charles recorded versions of the song.

5. “WHEN I LOST YOU” WAS ABOUT THE DEATH OF HIS NEW WIFE.

In 1912, Berlin married Dorothy Goetz, but his new wife caught typhoid fever on their honeymoon in Cuba and died five months later. He wrote his first ballad, “When I Lost You,” about the experience: “I lost the sunshine and roses / I lost the heavens of blue / I lost the beautiful rainbow… When I lost you.” The song sold more than 1 million copies.

6. HE WROTE PATRIOTIC SONGS IN WWI AND WWII.

In 1917, during World War I, the U.S. Army drafted Berlin to write patriotic songs. In order to raise funds for a community building on his Long Island army base, he wrote Yip! Yip! Yaphank!, a popular musical revue performed by actual soldiers that later went to various theaters around New York. It included the popular song "Oh! How I Hate to Get Up in the Morning," which Berlin sang at each performance.

During World War II, Berlin wrote This Is The Army, which became a Broadway musical and 1943 film starring Ronald Reagan. Berlin chose not to personally profit from the show—he gave all the earnings, over $9.5 million, to the U.S. Army Emergency Relief Fund.

7. HE BOUGHT TRANSPOSING PIANOS DUE TO HIS LACK OF MUSICAL TRAINING.

Despite Berlin’s incredible songwriting success, he was neither classically trained nor educated in music theory. He only knew how to play the piano in F sharp, so in order to write songs that didn’t all sound the same, he bought transposing keyboards. These special keyboards changed the key, allowing him to play the same notes but produce different sounds. Berlin also paid music secretaries who notated and transcribed his music.

8. HIS INTERFAITH MARRIAGE GENERATED CONTROVERSY.


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In 1925, Berlin met and fell in love with a Roman Catholic debutante named Ellin Mackay. Her father, a financier named Clarence Mackay, disapproved of Berlin because he was Jewish. The couple’s interfaith relationship attracted major press attention, and Mackay’s father reportedly disowned her when she married him in a secret ceremony in 1926. One biographer noted that though Irving was Jewish and Ellin was Catholic, their three daughters were raised Protestant, "largely because Ellin was in favor of religious tolerance." Mackay’s father came around several years later, and the Berlins were together for 62 years until Ellin's death in 1988. He died the following year at age 101.

9. HE GAVE ALL ROYALTIES FOR “GOD BLESS AMERICA” TO THE BOY AND GIRL SCOUTS.

Although Berlin originally wrote “God Bless America” during WWI for Yip! Yip! Yaphank!, he didn’t use the song until 1938. Through its lyrics, Berlin expressed his gratitude to America for giving him everything, and “God Bless America” became an instantly recognizable, patriotic song.

He decided that 100 percent of the song’s royalties would go to the Boy and Girl Scouts and the Campfire Girls. Thanks to Berlin’s God Bless America Fund, which assigned royalties from “God Bless America” (plus his other patriotic songs) to the Scouts, the organizations have received millions of dollars over the years.

10. HE COMPOSED ANNIE GET YOUR GUN AFTER HIS FRIEND’S SUDDEN DEATH.

In 1945, composer Jerome Kern (best known for Show Boat) started working on the score for a new Rodgers and Hammerstein-produced musical, Annie Get Your Gun. But when Kern died unexpectedly within a week of starting to write, Berlin took over scoring duties. Berlin’s music and lyrics for the musical, which included songs such as “There's No Business Like Show Business” and “Anything You Can Do I Can Do Better,” helped make Annie Get Your Gun a massive success.

11. ALTHOUGH “WHITE CHRISTMAS” IS HIS BIGGEST HIT, CHRISTMAS WAS A TRAGIC TIME FOR BERLIN.

“White Christmas” has become a Christmas classic, selling more than 100 million copies. But Christmas was a time of sadness for Berlin and his wife: their only son, also named Irving, died of Sudden Infant Death Syndrome on Christmas Day in 1928. The baby was three weeks old when he died, and the Berlins, along with their three other children, mourned his death each holiday season.

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