14 Celebrities Who Appeared on Comic Book Covers

by Robert Schnakenberg

This fall marks the 75th anniversary of DC Comics. The publisher is celebrating the occasion with the release of DC Comics: The 75th Anniversary Poster Book, a collection of more than 100 comic book covers featuring the best-loved, most iconic superhero characters like Superman, Batman, and Wonder Woman. But comics creators have never been shy about reaching into the wider universe of pop culture for cover subjects. DC's main rival Marvel Comics has gotten in on the act on occasion as well. Here are 14 examples of surprising, unexpected, downright unusual celebrities who have found their way onto comic book covers through the years.

Orson Welles

In 1949, United Artists released Black Magic, a big-screen adaptation of an Alexandre Dumas novel, starring Orson Welles as the 18th century Italian occultist Alessandro Cagliostro. Eager to help out with a little cross-promotion, National Periodicals Publications (later to be known as DC Comics) plopped the Citizen Kane auteur smack dab in the middle of a Superman adventure. "Black Magic on Mars" has Welles zooming off to the Red Planet after discovering an experimental rocket ship in the Italian countryside. There he must contend with The Great Martler, leader of the Solazis, a cadre of hydrocephalic aliens who model themselves on Nazi Germany. Naturally, Welles' broadcasts back to Earth warning of an imminent Martian invasion go unheeded—a consequence of his War of the Worlds hoax some years earlier—but he does hold the Martians at bay with swordplay and magic tricks. Soon enough, Superman arrives to set things right and return Welles to Earth in time for the Black Magic wrap party.

Bob Hope

In the late 1940s, the declining popularity of superheroes prompted America's comics publishers to rely increasingly on movie and TV characters to populate its funny books. After bombing with The Adventures of Alan Ladd and a short-lived Ozzie and Harriet title in 1949, DC Comics struck gold in 1950 with The Adventures of Bob Hope, which followed the humorous adventures of the ski-nosed film comedian as he solved crimes, flirted with pretty "dames," and performed a series of odd and unlikely jobs over the course of an improbable eighteen-year run. In this issue, Hope becomes a private eye and helps a gorgeous blonde locate her lost dog. Storylines were submitted to Hope's "people" for approval, but for the most part DC creators had free reign to use the popular entertainer's lascivious coward persona however they saw fit. As the series wheezed on, the situations grew more fanciful. In the mid-1960s, Hope acquired a teenage sidekick—a nerdy nephew named Tadwallader Jutefruce—who could transform himself, Incredible Hulk-like, into an Austin Powers-attired rock 'n' roll alter ego named Super Hip. The first four issues of The Adventures of Bob Hope all featured photographic covers, like the one at left.

Pat Boone

Long before he attempted to reinvent himself in the eyes of younger audiences with his headbanging 1997 album In a Metal Mood, America's avatar of wholesome family entertainment turned up on the cover of this 1959 issue of Superman's Girlfriend Lois Lane. "Next to standing in front of an altar with Superman," the comic's unseen narrator informs us, "Lois Lane's wildest dream is to share a microphone with America's top singing star and idol of millions, Pat Boone!" (Shhh, don't tell Perry Como, whom she had previously crushed on in the pages of Superman #67 nine years earlier.) In the whimsical ten-page tale "Superman's Mystery Song," Lois gets to live out her dream by performing a duet with Boone honoring their mutual BFF, Superman. But a careless mental error on the part of lyricist Clark Kent nearly results in the public revelation of the Man of Steel's secret identity. Only some quick thinking by Pat Boone—and the awesome power of his celebrity—averts a musical catastrophe.

Jerry Lewis

The strong sales of The Adventures of Bob Hope inspired a string of similar titles based on licensed TV properties and popular comedians. Thus was spawned Jackie Gleason and the Honeymooners in 1956, Sgt. Bilko in 1957 (with a separate series for the sitcom's Private Doberman character the following year), and The Many Loves of Dobie Gillis in 1960. Easily the most successful of all these "comic comics" was The Adventures of Jerry Lewis, which began life as The Adventures of Dean Martin and Jerry Lewis, but was recalibrated to focus solely on the Dumb Kid following the duo's breakup in 1957. The series ran for an incredible 14 years and 124 issues and featured plots even more outlandish than the movie clown's infamous Holocaust comedy The Day the Clown Cried. In this issue from June of 1964, Jerry encounters a fire-breathing dragon on the grounds of a bucolic resort hotel.

Allen Funt

Billed as “the creator of TV’s wildest half-hour,” Allen Funt was just wrapping up the original network run of his popular hidden camera series Candid Camera when Mort Weisinger, the editor on DC’s Superman line, dragooned him into an appearance on the cover of Action Comics. Weisinger, a proponent of using gimmicks and guest stars to boost comic book sales, had previously performed a similar trick with This Is Your Life host Ralph Edwards. Comedian Steve Allen, President John F. Kennedy, and actress Ann Blyth had also crossed paths with the Man of Steel at various points during Weisinger’s tenure. This 1967 issue, in which Funt’s prying lens nearly catches Clark Kent in the act of changing into his Superman costume, marked the end of the long parade of celebrities in Metropolis. Weisinger departed as editor three years later, taking his Rolodex of big-name guest stars with him.

Woody Allen

Fresh off his directorial debut, What’s Up, Tiger Lily?, Woody Allen was enjoying his first blush of national fame when writer E. Nelson Bridwell and artist Mike Sekowsky commandeered his likeness for the cover of Showcase #71 in December of 1967. In fact, Bridwell—a humor writer by trade who had once toiled for Mad magazine—was such a big fan of the Woodman that he had used him as the model for Merryman, a member of DC’s parody superhero team The Inferior Five, the previous year. Showcase was DC’s venerable tryout title, a place where new and unconventional characters were trotted out for “let’s throw it up against the wall and see if it sticks” auditions. Featured here are the Maniaks, a fictional rock band created to cash in on the success of the Monkees, and never seen again after this issue. The pop quartet gets snapped up by Woody to star in his new Civil War-themed stage musical, Confederate Yankees. The hastily drawn, heavily padded story consists almost entirely of “musical” excerpts from the play, proving that the magic of Broadway does not translate to the comic book page.

Don Rickles

In 1971, DC handed the creative keys to Superman’s Pal: Jimmy Olsen to legendary artist Jack Kirby. Kirby proved to be a somewhat erratic driver, to say the least, repopulating the title with a host of unusual new characters, bringing back old ones, and generally trying to shake things up. Some of Kirby’s changes were inspired; others were bizarre—like a two-issue story arc involving insult comedian Don Rickles and his lookalike, Goody Rickels. The idea for a Rickles guest spot originated with Kirby’s assistants, Mark Evanier and Steve Sherman who, like “the King,” were huge fans of the abrasive comic, then performing regularly before national audiences on the Johnny Carson Tonight Show. Rickles’ appearance was at first going to consist of a brief cameo, but DC publicity people were so thrilled at the cross-promotional opportunities that they insisted that Kirby feature him on the cover and expand the storyline over two entire issues.

Uri Geller

Not to be outdone by DC, Marvel Comics added some star power to its pages in 1976 with a cover appearance by renowned mentalist Uri Geller. The Israeli-born spoonbender was riding high at the time, having just published his bestselling autobiography My Story. Marvel Comics headman Stan Lee met Geller at a party in New York and became enamored with the idea of casting the charismatic paranormalist in a comic book. Daredevil writer Marv Wolfman was given with the unenviable task of shoehorning Geller into this issue of Daredevil, in which the titular hero turns to Geller for help defeating a mind-reading supervillain and his army of ESP-endowed henchmen. Geller, whose eyes glow an eerie yellow at various points, is given an extensive superheroic back story of his own. “Curse you, Geller! Curse you!” the villain spits, in a representative snippet of dialogue.

John Travolta

Strange as it may seem, there was a time when the future star of Saturday Night Fever and Pulp Fiction was relegated to the background along with Ron “Horshack” Palillo, Lawrence Hilton-Jacobs, and the other supporting characters on the cover of 1976’s Welcome Back, Kotter #1, which kicked off a ten-issue run for this DC Comics series based on the then-popular ABC sitcom. While Travolta capers with a coloring book, series star Gabe Kaplan takes center stage as Gabe Kotter, a former juvenile delinquent who takes a teaching job at his old Brooklyn high school. In the inaugural issue, Gabe’s application for a transfer to a cleaner, safer, less chaotic school in Manhattan is accepted. But will those conniving Sweathogs let him go so easily?

The Cast of Saturday Night Live

Back in the days when Saturday Night Live was the hippest show on television, Marvel Comics tried to glom on to some of the show’s countercultural cachet by having its marquee superhero crash a performance by the Not-Ready-for-Prime-Time Players. The threadbare plot has a supervillain called the Silver Samurai coveting a ring that’s stuck on the finger of SNL cast member John Belushi. When chaos erupts during the live broadcast, Spider-Man must team up with the quick-thinking sketch comics to defeat the bad guy and his minions. Bill Murray gets to knock out henchmen with a giant rubber hammer. Garrett Morris gets to dress up as The Mighty Thor. Laraine Newman gets to do…very little, proving that Marvel scribe Chris Claremont had as much trouble coming up with material for her as Saturday Night Live’s writers did. Gilda Radner, Dan Aykroyd, and Jane Curtin round out the cover cast for this 1977 issue of Marvel Team-Up, which also includes cameo appearances by SNL producer Lorne Michaels and Marvel honcho Stan Lee.

Muhammad Ali

Sure, Superman could leap tall buildings in a single bound, but could he float like a butterfly and sting like a bee? In one of the most heavily hyped comic books in history, The Greatest of All Time took on The Man of Tomorrow in a 1978 single-issue “treasury sized” special. The blockbuster story has Supes and Ali slugging it out to determine who is Earth’s true champion and claim the right to take on an alien contender named Hun’Ya. (In an ironic twist, the comic arrived on stands so late that Ali was no longer even the champion of his own weight class anymore; he’d been dispatched by Leon Spinks several months earlier.) As it turns out, Ali wins the bout, but the comic’s lasting appeal lies in savoring every last detail of artist Neal Adams’ eye-popping wraparound cover, a Sgt. Pepper-ish tableau featuring the likes of Kurt Vonnegut, Jimmy Carter, Frank Sinatra, and Jerry Garcia amid a host of other Disco Era celebrities.

David Letterman

In the summer of 1984, while its senior editors were off attending Comic-Con in San Diego, Marvel Comics turned control of its superhero titles over to its second string staff for one issue only. The “Assistant Editors’ Month” stunt generated some predictably zany stories, including this bizarre guest appearance by the gap-toothed host of NBC’s Late Night with David Letterman. In a plot inspired by Martin Scorsese’s The King of Comedy, several of the auxiliary heroes from Marvel’s superteam flagship The Avengers get themselves booked on Letterman’s show. Unbeknownst to them, a clownish supervillain named the Mechano-Marauder has rigged the set with booby traps. After some leaden banter with the host, all manner of chaos erupts, until Letterman himself saves the day by bonking the fame-seeking baddie on the head with an enormous prop doorknob. Sadly, it wasn’t until 2002 that another late-night host turned up in the pages of a Marvel Comic, when Letterman’s rival Jay Leno joined forces with Spider-Man for a series of back-up stories entitled “One Night Only.”

John Walsh

When the trail goes cold on their search for the leader of a child slavery ring, the costumed superteam known as The Outsiders knows just the right man to call: John Walsh. The host of Fox TV’s long-running criminal manhunt program America’s Most Wanted turns up in photographic form on the cover of this 2004 issue, which earns extra celebrity bonus points because it was written by Judd Winick, star of MTV’s The Real World: San Francisco. In the following issue, a lead provided by an America’s Most Wanted viewer helps The Outsiders crack the case. This wasn’t the first time John Walsh had seen us in the funny pages. He’d previously done a three-month-long guest stint in the newspaper comic strip Dick Tracy, becoming the first real-life person ever to appear in its panels.

Stephen Colbert

As regular Colbert Report watchers know, the Comedy Central host is an inveterate comics junkie. He regularly promotes Marvel Comics on his show, and Marvel editor-in-chief Joe Quesada famously bequeathed him Captain America’s mighty shield during a Colbert Report appearance in 2007. So when Colbert needed help publicizing his farcical run for the presidency in 2008, he naturally turned to his friends at the House of Ideas. The result was “Colbert for President” signage liberally seeded throughout scores of Marvel titles, plus an eight-page backup story in Amazing Spider-Man #573. The variant cover, drawn by Quesada himself, mimics the famous first appearance of the web-slinger in Amazing Fantasy #15.

Robert Schnakenberg is the author of DC Comics: The 75th Anniversary Poster Book, available now from Quirk Books. Visit him on the web at

Getty Images
15 Heartwarming Facts About Mister Rogers
Getty Images
Getty Images

Fred Rogers—who was born in Latrobe, Pennsylvania on March 20, 1928—remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. In celebration of what would have been his 90th birthday, here are 15 things you might not have known about everyone’s favorite “neighbor.” (Bonus fact: he's getting the Funko treatment!)


According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Nantucket—Rogers was overweight and shy as a child, and often taunted by his classmates when he walked home from school. “I used to cry to myself when I was alone,” Rogers said. “And I would cry through my fingers and make up songs on the piano.” It was this experience that led Rogers to want to look below the surface of everyone he met to what he called the “essential invisible” within them.


Rogers was an ordained minister and, as such, a man of tremendous faith who preached tolerance wherever he went. When Amy Melder, a six-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”


Responding to fan mail was part of Rogers’s very regimented daily routine, which began at 5 a.m. with a prayer and included time for studying, writing, making phone calls, swimming, weighing himself, and responding to every fan who had taken the time to reach out to him.

“He respected the kids who wrote [those letters],” Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette in 2005. “He never thought about throwing out a drawing or letter. They were sacred."

According to Arnet, the fan mail he received wasn’t just a bunch of young kids gushing to their idol. Kids would tell Rogers about a pet or family member who died, or other issues with which they were grappling. “No child ever received a form letter from Mister Rogers," Arnet said, noting that he received between 50 and 100 letters per day.


It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understands 2000 English words and can also converse in American Sign Language, was an avid Mister Rogers’ Neighborhood watcher, too. When Rogers visited her, she immediately gave him a hug—and took his shoes off.


Though Rogers began his education in the Ivy League, at Dartmouth, he transferred to Rollins College following his freshman year in order to pursue a degree in music (he graduated Magna cum laude). In addition to being a talented piano player, he was also a wonderful songwriter and wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.


Rogers’s decision to enter into the television world wasn’t out of a passion for the medium—far from it. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."


A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.


If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he explained.


Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup.

He liked both, but at lunch one day 50 years ago, he asked his television partner Josie Carey to taste it for him and tell him which it was.

Why did he need her to do this, Carey asked him. Rogers liked both, so why not just dip in?

"If it's tomato soup, I'll put sugar in it," he told her.


According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was about production, not comfort. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.


Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.


It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Dawn of the Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made. What I really mean is that I was scared sh*tless while I was trying to pull it off.”


In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.


Years later, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement (which was the argument of some in this contentious debate). Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.


In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

Hulton Archive/Getty Images
18 Timeless Will Rogers Quotes
Hulton Archive/Getty Images
Hulton Archive/Getty Images

William Penn Adair Rogers ranks among the finest performers, comedians, and social commentators in American history. So today, let’s all find an excuse to recite some of his best remarks.


“Everything is funny, as long as it’s happening to somebody else.”


“Why don’t they pass a constitutional amendment prohibiting anybody from learning anything? If it works as well as prohibition did, in five years we will have the smartest people on earth.”


"I was born on November 4, which is election day ... my birthday has made more men and sent more back to honest work than any other days in the year."


“When I first started out to write and misspelled a few words, people said I was plain ignorant. But when I got all the words wrong, they declared I was a humorist.”


“Live in such a way that you wouldn’t be ashamed to sell the family parrot to the town gossip.”


“Best doctor in the world is a veterinarian. He can’t ask his patients what’s the matter. He’s just got to know.”


“It’s great to be great, but it’s greater to be human.”


"This Einstein has proven a great comfort to us that always knew we didn’t know much. He has shown us that the fellows that we thought was smart is just as dumb as we are."


“There is nothing as easy as denouncing ... It don’t take much to see that something is wrong but it does take some eyesight to see what will put it right again.”


“A fanatic is always the fellow that is on the opposite side.”

11. ON AGE

"Eventually you reach a point when you stop lying about your age and start bragging about it."


"Everything is changing in America. People are taking the comedians seriously and the politicians as a joke."


“This would be a great world to dance in if we didn’t have to pay the fiddler.”


“[Get] a few laughs and do the best you can… Live your life so that whenever you lose, you’re ahead.”


"I was born on election day but never was able to get elected to anything. I am going to jump out some day and be indefinite enough about everything that they will call me a politician, then run on a platform of question marks, and be elected unanimously."


"Finding things to tax is becoming quite a problem. You see when taxes first started (who started 'em anyhow?), Noah must have taken into the ark two taxes, one male and one female, and did they multiply bountifully! Next to guinea pigs, taxes must have been the most prolific of animals."


"Everybody is ignorant only on different subjects."


"We don’t know what we want, but we’re ready to bite somebody to get it."


“I never met a man I didn’t like.”

Ironically, for somebody who came up with so much Grade A material, most people associate Rogers with a long-lived misquote. In actuality, the full, unaltered line was: “I joked about every prominent man in my lifetime, but I never met one I didn’t like.” A few years before his death in 1935, Rogers proposed it as an epitaph for his tombstone. However, the shortened version does appear chiseled upon his final resting place in Claremore, Oklahoma.  


More from mental floss studios