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The New Issue is Out! (Plus, 5 Good Reasons to Pick it Up)

The new mental_floss hits newsstands today, and we can't wait for you to check it out. If you're not a subscriber, we're providing a few choice tidbits after the jump to get you excited. (By the way, you can fix that by taking advantage of one of these subscription specials right here.)

Here are a just a few of things you'll learn inside:

1. Walruses are One Man Floating Bands!

When courting a lady, walruses aren't afraid of a little song and dance. In fact, a male will elaborately click, bark, and drum his flippers on his pharyngeal pouches—two air pockets on the sides of his throat—creating music so complex that it's been compared to the songs of humpback whales. On land, this pouch drumming isn't so impressive, but underwater, it sounds like chimes. In fact, when marine explorer Jacques Cousteau visited the Arctic in 1972, he dropped a microphone into the ocean and mistook the ringing for bells. In addition to making music and impressing French divers, pharyngeal pouches also serve as flotation devices, allowing walruses to comfortably float and sleep with their heads above water. They're like water-wings, except in your neck. -From the "I Am the Walrus" spread on p. 16

2. Thomas Edison was The Original Subway Hero

To understand why Thomas Edison is such a nerd hero, all you have to do is skim his patents. The man invented the lightbulb, the phonograph, electric railroads, underwater search lights, and more than 1,000 other important things. But none of that would have happened if Edison hadn't saved a child's life first.
In 1862, at the age of 15, Edison got his first job as a newspaper boy at a train station in Mount Clemens, Mich. One day, while hawking papers, Edison noticed a 3-year-old boy playing on the tracks, right in the path of a runaway freight car. Although the engineer had spotted the boy and was trying desperately to stop the car, he couldn't. The quick-thinking Edison jumped on the track, swooped up the boy in the nick of time, and then dove away from the speeding train. The action not only saved the boy's life, but it changed Edison's, as well. The boy's father happened to be the station's telegraph operator. He was so grateful to Edison that he took him under his wing and trained him in telegraphy, sparking the inventor's lifelong love affair with all things electric.
-From the "Real Americans: 13 Heroes Villains and Legends Who Defined the American Spirit" cover story, p 49

3. If Scooby Doo and Marmaduke are both Great Danes, why do they look so different?

The truth is that Scooby-Doo is a wonderful pet, and detective, but he could never win a traditional dog show. When veteran character designer Iwao Takamoto began designing Scooby, he researched the ideal characteristics of a Great Dane. Then, he gave his creation all the opposite traits—a sloping back, bowed legs, and an undershot jaw. The design served two purposes: Not only did it lend Scooby a comical, non-threatening look, but it also set him apart from the comic strip character Marmaduke, removing the threat of lawsuits.
-From "Scooby and the Gang", p 18

4. Ben Franklin Invented the Extension Arm?!

In his later years, Ben Franklin spent lots of time in libraries. And he invented stuff for them, too! To reach books on high shelves, he created a pole with a claw on one end and handles on the other. To this day, you can still see people using Franklin's extension arm at convenience stores and bodegas everywhere.
-From A Ridiculously Long and Incomplete List of Things that Ben Franklin Invented, p 46

5. The Man who Controlled A Bull's Mind with a Remote

In 1963, Dr. Jose Delgado stepped into a bullring in Cordova, Spain, with a 550-lb. charging bull named Lucero. The Yale University neurophysiologist was no bullfighter, but he had a plan: to control the bull's mind. Delgado was among a small group of researchers developing a new type of electroshock therapy. Here's how it worked: First, the researchers would implant tiny wires and electrodes into the skull. Then, they'd send electrical surges to different parts of the brain, sparking emotions and triggering movements in the body. The goal was to change the patient's mental state, perking up the depressed and calming the agitated. But Delgado took this science to a new level when he developed the "stimoceiver." The chip, which was about the size of a quarter, could be inserted inside a patient's head and operated by remote control. Delgado envisioned the technology eventually leading to a "psychocivilized society," in which everyone could temper their self-destructive tendencies at the press of a button.

For several years, Delgado experimented on monkeys and cats, making them yawn, fight, play, mate, and sleep—all by remote control. He was particularly interested in managing anger. In one experiment, he implanted a stimoceiver into a hostile monkey. Delgado gave the remote control to the monkey's cage mate, who quickly figured out that pressing the button calmed down his hotheaded friend.

.....

To read the rest of this story (where the intrepid Delgado hops into the ring with a raging bull!) be sure to pick up a copy on newsstands. Or better yet, subscribe here. Of course, these 5 stories just scratch the surface. We've got 72 pages of incredible stories and facts, from the Unbelievable Story of the Brooklyn Bridge to a Slacker's Guide to Making Millions to why Mumbai is being hailed as the City of the Future.

Make our editors happy and pick up a copy today!

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Martin Wittfooth
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Art
The Cat Art Show Is Coming Back to Los Angeles in June
Martin Wittfooth
Martin Wittfooth

After dazzling cat and art lovers alike in 2014 and again in 2016, the Cat Art Show is ready to land in Los Angeles for a third time. The June exhibition, dubbed Cat Art Show 3: The Sequel Returns Again, will feature feline-centric works from such artists as Mark Ryden, Ellen von Unwerth, and Marion Peck.

Like past shows, this one will explore cats through a variety of themes and media. “The enigmatic feline has been a source of artistic inspiration for thousands of years,” the show's creator and curator Susan Michals said in a press release. “One moment they can be a best friend, the next, an antagonist. They are the perfect subject matter, and works of art, all by themselves.”

While some artists have chosen straightforward interpretations of the starring subject, others are using cats as a springboard into topics like gender, politics, and social media. The sculpture, paintings, and photographs on display will be available to purchase, with prices ranging from $300 to $150,000.

Over 9000 visitors are expected to stop into the Think Tank Gallery in Los Angeles during the show's run from June 14 to June 24. Tickets to the show normally cost $5, with a portion of the proceeds benefiting a cat charity, and admission will be free for everyone on Wednesday, June 20. Check out a few of the works below.

Man in Garfield mask holding cat.
Tiffany Sage

Painting of kitten.
Brandi Milne

Art work of cat in tree.
Kathy Taselitz

Painting of white cat.
Rose Freymuth-Frazier

A cat with no eyes.
Rich Hardcastle

Painting of a cat on a stool.
Vanessa Stockard

Sculpture of pink cat.
Scott Hove

Painting of cat.
Yael Hoenig
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20th Century Fox Home Entertainment
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entertainment
11 Magical Facts About Willow
20th Century Fox Home Entertainment
20th Century Fox Home Entertainment

Five years after the release of Return of the Jedi (1983) and four years after Indiana Jones and the Temple of Doom (1984), George Lucas gave audiences the story for another film about an unlikely hero on an epic journey, but this time he had three Magic Acorns and a taller friend instead of a whip and gun to help him along. Willow (1988) was directed by Ron Howard and starred former Ewok and future Leprechaun, Warwick Davis.

Over the past few decades, Willow—which was released 30 years ago today—has become a cult classic that's been passed down from generation to generation. Before you sit down to explore that world again (or for the first time), here are 11 things you might not have know about Willow.

1. IT WAS WRITTEN FOR WARWICK DAVIS.

In an interview with The A.V. Club, Warwick Davis revealed that George Lucas first mentioned the idea for the film to Davis’s mother during the filming of one of the Ewok TV specials in 1983, in which he was reprising his role as Wicket. Lucas had been developing the idea for more than a decade at that point, but working with Davis on Return of the Jedi helped him realize the vision. “George just simply said that he had this idea, and he was writing this story, with me in mind,” Davis said. “He didn't say at that time that it was going to be called Willow. He said, 'It's not for quite yet; it's for a few years ahead, when Warwick is a bit older.'" The role was Davis’s first time not wearing a mask or costume on screen.

2. IT WAS ORIGINALLY CALLED MUNCHKINS.

Five years after he mentioned the idea, Lucas was ready to make his film with Ron Howard directing and a then-17-year-old Davis as the lead. The original title was presumably inspired by the characters from L. Frank Baum's The Wonderful Wizard of Oz, and the subsequent Victor Fleming film.

3. IT WAS CRITICIZED FOR BEING A COPY OF STAR WARS.

Having thought of the two worlds simultaneously, Lucas may have cribbed some of his own work and other well-known stories a little too much for Willow, and some critics noticed. “Without anything like [Star Wars’s] eager, enthusiastic tone, and indeed with an understandable weariness, Willow recapitulates images from Snow White, The Wizard of Oz, Gulliver's Travels, Mad Max, Peter Pan, Star Wars itself, The Hobbit saga, Japanese monster films of the 1950s, the Bible, and a million fairy tales," wrote Janet Maslin of The New York Times. "One tiny figure combines the best attributes of Tinkerbell, the Good Witch Glinda, and the White Rock Girl.”

Later in her review, Maslin continued to point out the similarities between the two films: “When the sorcerer tells Willow to follow his heart, he becomes the Obi-Wan Kenobi of a film that also has its Darth Vader, R2-D2, C-3P0 and Princess Leia stand-ins. Much energy has gone into the creation of their names, some of which (General Kael) have recognizable sources and others (Burglekutt, Cherlindrea, Airk) have only tongue-twisting in mind. Not even the names have anything like Star Wars-level staying power.”

4. IT WAS THE LARGEST CASTING CALL FOR LITTLE PEOPLE IN MOVIE HISTORY.

Lucas has previously cast several little people for roles in Return of the Jedi, and there were more than 100 actors hired to portray Munchkins in The Wizard of Oz. But, according to Davis, the casting call for Willow was the largest ever at the time with between 225 and 240 actors hired for the film.

5. THE DEATH DOGS WERE REAL DOGS IN COSTUME.

The big bad in the film, Bavmorda, has demon dogs that terrorize Willow’s village. The dogs are more boar-like than canine, but they were portrayed by Rottweilers. The prop team outfitted the dogs with rubber masks and used animatronic heads for close-up scenes.

6. IT WAS THE FIRST USE OF MORPHING IN A FILM.

While trying to use magic to turn an animal back into a human, Willow fails several times before eventually getting it right, but he does succeed in turning the animal into another animal, which is shown in stages. To achieve this, the visual effects teamed used a technique known as "morphing."

The film’s visual effects supervisor, Dennis Muren of Industrial Light & Magic, explained the technique to The Telegraph:

The way things had been up till that time, if a character had to change at some way from a dog into a person or something like that it could be done with a series of mechanical props. You would have to cut away to a person watching it, and then cut back to another prop which is pushing the ears out, for example, so it didn't look fake ... we shot five different pieces of film, of a goat, an ostrich, a tiger, a tortoise, and a woman and had one actually change into the shape of the other one without having to cut away. The technique is much more realistic because the cuts are done for dramatic reasons, rather than to stop it from looking bad.”

7. THE STORY WAS CONTINUED IN SEVERAL NOVELS.

Willow has yet to receive a sequel, but fans of the story can return to the world in a trilogy of books that author Chris Claremont wrote in collaboration with Lucas between 1995 and 2000. According to the Amazon synopsis of Shadow Moon, the first book picks up 13 years after the events of the film, and baby Elora Danan’s friendless upbringing has turned her into a “spoiled brat who seemingly takes joy in making miserable the lives around her. The fate of the Great Realms rests in her hands, and she couldn't care less. Only a stranger can lead her to her destiny.”

8. THERE IS A MISSING SCENE CONCERNING THE MAGIC ACORNS.

Hardcore fans of the film have noticed that there is a continuity error that involves the Magic Acorns Willow was given by the High Aldwin. During an interview with The Empire Podcast, Davis explained that in a scene near the end of the film, he throws a second acorn and is inexplicably out after having only used two of the three Magic Acorns he had been given earlier in the film. Included in the Blu-ray release is the cut scene, in which Willow uses an acorn (his second) in a boat during a storm and accidentally turns the boat to stone. Davis says that his hair is wet in the next scene that did make it into the original version of the film, but the acorn is never referenced.

9. JOHN CUSACK AUDITIONED FOR THE PART OF MADMARTIGAN.

Val Kilmer in 'Willow' (1988)
20th Century Fox Home Entertainment

Val Kilmer famously played the role of the reluctant hero two years after played Iceman in Top Gun (1986), but he was not the only big name to audition for the role. Davis revealed in a commentary track that he once read with John Cusack, who in 1987 had already starred in Sixteen Candles (1984), Stand by Me (1986), and Hot Pursuit (1987).

10. THERE IS A NOD TO SISKEL AND EBERT.

During a battle scene later in the film, Willow and his compatriots have to fight a two-headed beast outside of the castle. The name of the stop motion beast is the Eborsisk, which is a combination of the names of famed film critics, Roger Ebert and Gene Siskel.

11. THE BABY NEVER ACTED AGAIN.

A scene from 'Willow' (1988)
20th Century Fox Home Entertainment

As is the case with most shows and films, the role of the baby Elora was played by twins, in this case Kate and Ruth Greenfield. The IMDb pages for both actresses only has the one credit. In 2007, Davis shared a picture of him posing with a woman named Laura Hopkirk, who said that she played the baby for the scenes shot in New Zealand, but she is not credited online.

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