Why Did Soap Operas Look Different From Other TV Shows?

via YouTube
via YouTube

Soap operas, "soaps" or "my stories," as many a grandmother has called them, are dramas presented in a serial format on daytime television or radio. Their name comes from a time when old serial dramas broadcast on radio had soap manufacturers (Procter & Gamble and Lever Brothers, to name a couple) as sponsors and/or producers. They also, you probably remember, looked really really crappy.

There are two main reasons for this lack of visual quality, both of which were rooted in the problem of soap operas' time slots and scheduling. Daytime TV shows generally don't pull in as much advertising revenue as evening programs, and many soap operas air daily instead of weekly, so low budgets, short production times and quick turnaround are the name of the game.

The Lighting Game

via YouTube

Soap opera lighting is a major reason the shows look the way they do.

Backlighting, part of the three-point lighting setup often used in television production, helps "lift" actors out of the background. This is especially useful for productions that are shot on a lower-quality medium and in small interior sets, which soaps often are. The problem is that shooting on videotape on a small set can reduce the subtlety of the lighting technique. Actors in the foreground often wind up very noticeably backlit, something that doesn't happen on shows with larger sets, or shows that are recorded on film.

Soaps and other lower-budget shows also look "off" because they're often evenly lit across the entire set to facilitate simultaneously shooting with more than one camera. This lighting/shooting method means the actors can move around and the lights don't have to be reset for every shot. This allows for fewer takes and costs less, but it also means more diffuse, less natural-looking lighting in the final product.

On Tape

via YouTube

The filming medium (that is, what the show is recorded on) and the way the show is shot make up the the other half of the equation. Soaps have often been shot on various types of videotape to keep costs down, and compared to prime time shows and big budget movies shot on film, they can look a little flat. Shooting with videotape also gives you a lower resolution, and to compensate, soaps have always made heavy use of close-ups.

Time and budgetary constraints and the multi-camera setup also require soaps to edit differently than prime time shows. Soaps usually use static cameras, since dollies would mean more opportunities for mistakes, more takes, and more cost. Angle shifts are usually accomplished by cutting from one camera to another and any movement tends to be simple zooming, which you're about as likely to see in a movie as you are to see sweeping pan shots and long-take tracking shots on daytime TV.

Of course, daytime soaps have taken a big hit in recent years, and only four of the classics—The Young and the Restless, The Bold and the Beautiful, General Hospital and Days of Our Livesremain on air. They all made the switch to broadcast in high definition, which was a costly upgrade, but one that greatly improved viewability. For a couple of years, All My Children and One Life to Live briefly found new life on Hulu, where they were also filmed and streamed in high definition. But old habits die hard, and the term "soap opera effect" still persists as a way to describe the glossy, overly polished look that shows or TV settings can take.

Why Are Barns Often Painted Red?

iStock/Ron and Patty Thomas
iStock/Ron and Patty Thomas

Beginning with the earliest American settlements and continuing into the 18th century, most barns weren't painted at all. Early American barn builders took sun exposure, temperature, moisture, wind, and water drainage patterns into account when placing and building barns, and they seasoned the wood (that is, they reduced the moisture content) accordingly. The right type of wood in the right environment held up fine without any paint.

Toward the end of the 1700s, these old-school methods of barn planning and building fell by the wayside. People sought a quicker, easier fix for preserving their barns—a way to coat and seal the wood to protect it from sunlight and moisture damage. Farmers began making their own coating from a mix of linseed oil (a tawny oil derived from the flax seeds), milk, and lime. It dried quickly and lasted a long time, but it didn't really protect the wood from mold and wasn't quite like the "barn red"we know today—it was more of a burnt orange, really.

Turning Red

The problem with mold is that it decays wood and, in large quantities, can pose health risks to people and animals. Rust, it turns out, kills mold and other types of fungi, so farmers began adding ferrous oxide (rusted iron) to the linseed oil mix. A little bit of rust went a long way in protecting the wood, and it gave the barn a nice red hue.

By the late 19th century, mass-produced paints made with chemical pigments became available to most people. Red was the least expensive color, so it remained the most popular for use on barns, except for a brief period when whitewash became cheaper and white barns started popping up. (White barns were also common on dairy farms in some parts of Pennsylvania, central Maryland, and the Shenandoah Valley, possibly because of the color's association with cleanliness and purity.)

Throughout Appalachia (a historically poorer region), many barns went unpainted for lack of money. In the tobacco regions of Kentucky and North Carolina, black and brown barns were the norm, since the dark colors helped heat the barn and cure tobacco.

Today, many barns are still painted the color traditionally used in a given region, with red still dominating the Northeast and Midwest.

Have you got a Big Question you'd like us to answer? If so, send it to bigquestions@mentalfloss.com.

This story was updated in 2019.

Is There An International Standard Governing Scientific Naming Conventions?

iStock/Grafissimo
iStock/Grafissimo

Jelle Zijlstra:

There are lots of different systems of scientific names with different conventions or rules governing them: chemicals, genes, stars, archeological cultures, and so on. But the one I'm familiar with is the naming system for animals.

The modern naming system for animals derives from the works of the 18th-century Swedish naturalist Carl von Linné (Latinized to Carolus Linnaeus). Linnaeus introduced the system of binominal nomenclature, where animals have names composed of two parts, like Homo sapiens. Linnaeus wrote in Latin and most his names were of Latin origin, although a few were derived from Greek, like Rhinoceros for rhinos, or from other languages, like Sus babyrussa for the babirusa (from Malay).

Other people also started using Linnaeus's system, and a system of rules was developed and eventually codified into what is now called the International Code of Zoological Nomenclature (ICZN). In this case, therefore, there is indeed an international standard governing naming conventions. However, it does not put very strict requirements on the derivation of names: they are merely required to be in the Latin alphabet.

In practice a lot of well-known scientific names are derived from Greek. This is especially true for genus names: Tyrannosaurus, Macropus (kangaroos), Drosophila (fruit flies), Caenorhabditis (nematode worms), Peromyscus (deermice), and so on. Species names are more likely to be derived from Latin (e.g., T. rex, C. elegans, P. maniculatus, but Drosophila melanogaster is Greek again).

One interesting pattern I've noticed in mammals is that even when Linnaeus named the first genus in a group by a Latin name, usually most later names for related genera use Greek roots instead. For example, Linnaeus gave the name Mus to mice, and that is still the genus name for the house mouse, but most related genera use compounds of the Greek-derived root -mys (from μῦς), which also means "mouse." Similarly, bats for Linnaeus were Vespertilio, but there are many more compounds of the Greek root -nycteris (νυκτερίς); pigs are Sus, but compounds usually use Greek -choerus (χοῖρος) or -hys/-hyus (ὗς); weasels are Mustela but compounds usually use -gale or -galea (γαλέη); horses are Equus but compounds use -hippus (ἵππος).

This post originally appeared on Quora. Click here to view.

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