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Phil Jackson: The Lubricating Oil

Phil Jackson never saw a movie until his senior year in high school. TV? His family didn't own one. Dancing? Not allowed. For a while he thought he'd follow his parents, both Assemblies of God ministers in Montana, into soul saving.

But he ended up playing in the NBA, experimenting with LSD, living in Woodstock, coaching the world's most famous athlete, moving to Los Angeles and dating the boss' daughter -- The Man's daughter? Did I mention she's posed nude for Playboy?

OK, so I may have skipped over a few details.

Zen Schmen

Somewhere in there, Jackson collected more titles than any other NBA coach all the while hearing snide comments from his peers. Arrogant. Egomaniac. Front runner.

An NBA coach read a column I wrote making the case for Jackson as Coach of the Year several seasons ago. He saw me coming toward him down a hallway the same day. His disdain was palpable. I had to be kidding, right? No, I said, I wasn't kidding. Well, then, I simply didn't know what coaching was all about.

Red Auerbach, the legendary Boston Celtics coach and architect, griped that Jackson "picked his spots" as an NBA coach. The shorthand: He had Michael Jordan and Scottie Pippen in Chicago, Shaquille O'Neal and Kobe Bryant in Los Angeles. Who couldn't win with that?

Auerbach's nine NBA titles -- eight of them consecutively -- was the standard until Jackson won his 10th two seasons ago when the Lakers dispatched Orlando in five games.

Jackson immediately donned a Roman numeral "X" hat. He said his kids gave it to him. Not the classiest move for sure to make it all about himself. Then again, it's not as if he lit a cigar on the bench.

The 11th title for Jackson came just a few weeks ago in a Game 7 squeaker over Red's old team, after which Jackson hopped in his car and drove to Montana to contemplate retirement.

Auerbach, who died in 2006, wasn't so insanely protective of his legacy that he didn't see the value of Jackson's approach. In fact, he allowed that Jackson was a "great coach." What a concession. You mean, Auerbach didn't have a locker room full of Hall of Famers in Boston? He won with inspiration and perspiration?

Old Red simply had more respect for coaches who took on the bigger challenge of molding mediocrity into excellence.

"He never tried building a team and teaching the fundamentals," Auerbach was quoted saying. "When he's gone in there, they've been ready-made for him. It's just a matter of putting his system in there. They don't worry about developing players if they're not good enough. They just go get someone else."

Well, now...Jackson dispelled that notion when he reclaimed a Lakers team that hit the skids in 2004-05 without Jackson and went 34-48. He rehabilitated a team that no longer had Shaquille O'Neal, mending a failed relationship with Kobe Bryant (Bryant called Jackson's triangle offense "boring"; Jackson wrote a book calling Bryant "uncoachable.")

The result? Five years later, the Lakers are back-to-back champs. If Jackson returns, he's in position for his fourth "threepeat."

Reading List

Phil Jackson's attempts to get players to think beyond basketball has led to a tradition. Every year, he goes to the bookstore and buys each player a book to take on the first long trip of the season.

Here's what he handed out to his 2009-2010 Lakers in January:
Ron Artest: "Sacred Hoops" by Phil Jackson.
*
Luke Walton: "The Monkey Wrench Gang" by Edward Abbey.
*
Pau Gasol: "2666" by Roberto Bolano.
*
Sasha Vujacic: "Reservation Blues" by Sherman Alexie.
*
Andrew Bynum: "Six Easy Pieces" by Walter Mosley.
*
Shannon Brown: "Dreams from My Father" by Barack Obama.
*
Kobe Bryant: "Montana 1948" by Larry Watson.
*
Derek Fisher: "Soul on Ice" by Eldridge Cleaver.
*
Josh Powell: "The Souls of Black Folk" by W.E.B. Du Bois.
*
Jordan Farmar: "Makes Me Wanna Holler" by Nathan McCall.
*
DJ Mbenga: "Monster: The Autobiography of an LA Gang Member" by Sanyika Shakur.
*
Adam Morrison: "Che: A Graphic Biography" by Sid Jacobson and Ernie Colon.
*
Lamar Odom: "The Right Mistake" by Walter Mosley.

(Note: Kobe Bryant says he never reads Jackson's suggestions)

Auerbach's gripe and the grudging applause from other coaches is understandable on some fundamental level, I guess. A coach is as good as his talent. And Jackson always had more talent than most. He's also tweaked egos, challenged convention and won more mind games with players than he lost by a long shot.

Picking his spots? Most of the coaches who found fault with Jackson would've done the same given the opportunity.

Show me a race car driver who opts to prove his greatness by choosing the slow car in the field and I'll show you a guy choking on exhaust fumes as he gets lapped.

It's more accurate to say that the opportunities picked Jackson, rather than the other way around. Who couldn't win with Michael Jordan? Try Doug Collins. Who couldn't win with Shaq and Kobe? Ask Del Harris.

The Man in the Panama Hat

Teams weren't lining up to hire Jackson early in his career after he retired as a player (He won two titles with the Knicks as a gritty, long-armed defender who played hard and smart). The book he wrote in 1975 -- Maverick -- in which he revealed his experimentation with LSD, probably didn't help.

That counter-culture image followed Jackson to his first NBA interview. For the occasion, he wore a Panama hat with a macaw feather. Chicago was looking for an assistant to head coach Stan Albeck. He was, to put it mildly, a casual job seeker.

When Sports Illustrated NBA reporter Jack McCallum wrote about Jackson after the coach's first NBA title with the Bulls, he related how Jackson felt the need to tell Albeck about the legend and meaning of the feather in his hat.

"His eyes glazed over very early in the interview," Jackson told SI.

And, no, he didn't get a second interview.

When his detractors sniff that Jackson never paid his dues, it's a matter of definition. He coached in Puerto Rico during the summers. After his rejection in Chicago, he returned to Albany of the Continental Basketball Association where he won a title while trading in a short commute to live with his family in a holistic community near Woodstock.

It's not too difficult to get the reputation for being "different" in a clubhouse or locker room. If you can knock off a crossword puzzle or two, you're typecast as cerebral. If the puzzle is the New York Times and it's Saturday, you're viewed as a possible consultant for the next Shuttle launch.

(Former Cleveland Indians pitcher Charles Nagy once told me how he got chosen to be the team representative in the player's association. "I made the mistake of wearing glasses to the ball park one day," Nagy said. "They thought I looked smart." He was half kidding. I think.)

Jackson wasn't just a bookworm as a player and coach. He wasn't just curious. In the NBA mindset, his interest in Eastern philosophies pretty much made him a meditating lama compared to those around him. A coach who considers author Robert Pirsig's Zen and the Art of Motorcycle Maintenance a spiritual manual is going to be met with a full eye roll if he tries to apply any of that to life in the NBA.

"Like Lubricating Oil"

When Jackson got a second call to interview in Chicago a few seasons after he failed to land the assistant job, GM Jerry Krause told him to lose the Panama hat. He fit the mold better. He got hired as Collins' assistant and took over when the Bulls felt a coaching change was necessary.

Collins believed Jackson campaigned for the job behind his back, even pretending to embrace Tex Winters' triple post "triangle" offense. Maybe he did. But it would've made no sense for Jackson to simply espouse the triangle to get the job. The greatest player in the world, Jordan, didn't especially care for it.

Through gaining trust in Jackson, Jordan came to trust the triangle. Jackson's offense was Winters' offense. His defense was assistant John Bach's defense. But the team? The team was always his in Chicago. It was no different in either of his tours of L.A. though Kobe Bryant put that to the test.

At the time of the Sports Illustrated profile of Jackson, the coach's wife, June, said, "Phil's like lubricating oil. He keeps everything moving."

Not the highest coaching praise perhaps but surely the most accurate.

Living in the Moment

It's well chronicled that Jackson won with Hall of Fame talent like Jordan, Pippen, Shaq and Kobe. (And an All-Star in Pau Gasol).

In winning 11 titles, Jackson massaged egos big and bigger. He reached the straightest of arrows and the oddballs alike (C'mon down, Ron Artest).

Jordan and Bryant, two of the strongest personalities in the game, came to embrace Jackson's ways. All that living in the moment stuff that so many of Jackson's peers thought was bunk? Jordan epitomized it, recognizing how his energy had to fit in the flow and not necessarily steer the action.

Bryant was slower to come around. He may not yet "get" Jackson the way Jordan did. There's no debate, though, that Bryant has become a walking advertisement for what Jackson has always considered his mission when it comes to dealing with players: "to strengthen the muscle of their mind."

Bryant is lobbying for Jackson to return. So is Lakers' guard Derek Fisher who recently told ESPN.com that he can't believe Lakers ownership is even floating the idea of a paycut for Jackson after consecutive titles.

"In terms of my feelings about him: He's remarkable," Fisher said. "It's sad to me when you think about what he's accomplished in his career, that he still always has to deal with these type of scenarios where there's a question of whether or not he's the best person for the job, or he's not really coaching because of the players that he's had.

"He's just a remarkable human being in terms of his approach to managing and coaching the team. I think not even just the Lakers, but the NBA as a whole, would lose a big part of what this game has been about the last 20 years if he's not back. If he's not back, it changes the whole landscape."

Jackson will turn 65 in September. He fought kidney stones and a bad hip last season. He walks like the Tin Man left to rust in a monsoon.

Eleven titles as a coach. Two as a player. How can that be an unlucky number when it's also been his yellowbrick road?

Bud Shaw is a columnist for the Cleveland Plain Dealer who has also written for the Philadelphia Daily News, San Diego Union-Tribune, Atlanta Journal-Constitution and The National. You can read his Plain Dealer columns at Cleveland.com, and read all his mental_floss articles here.

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10 Fun Facts About Spice World
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Hulton Archive, Getty Images

In 1996, the Spice Girls took the world by storm when they released the song “Wannabe” from their debut album, Spice. Their mantra of “Girl Power” inspired a generation of young women to “Spice Up Your Life.” After Spice sold 31 million copies worldwide, the inevitable next step was the Girls starring on the big screen. So 20 years ago, on January 23, 1998, Columbia Pictures unleashed Spice World on American moviegoers.

In their film debut, the Girls—Melanie Brown (Scary Spice), Melanie Chisholm (Sporty Spice), Emma Bunton (Baby Spice), Geri Halliwell (Ginger Spice), and Victoria Beckham (Posh Spice)—played comical versions of themselves. The plot revolved around them trying to perform their biggest show yet, at London's Royal Albert Hall, while a tabloid newspaper reporter spied on them. And their best friend went into labor. And Ginger Spice kissed an alien.

Director Bob Spiers recruited several British luminaries to cameo, with Roger Moore, Bob Hoskins, Elvis Costello, Jennifer Saunders, and Elton John among those who appeared in the film. The Spice Girls were so popular that Prince Charles and his sons, Princes William and Harry, attended the Spice World premiere.

The movie, budgeted at $25 million, grossed a robust $100 million worldwide, despite Roger Ebert giving it a half-star rating and writing that the Girls were “so detached they can’t even successfully lip-synch their own songs.”

Spice World was nominated for seven Razzies, and won one: Worst Actress, an honor shared by all five Girls. In a 2007 UK poll, it was voted the worst film ever made. But over the years the film has endured. Esquire suggested it was better than The Beatles’s A Hard’s Day Night, and the podcast How Did This Get Made? spent more than an hour debating the film’s ridiculous plot.

Though the best-selling girl group of all time disbanded in 2000, Spice World remains a relic of Spice Mania. On its 20th anniversary, here are 10 fun facts about the film.

1. IT TOOK ONLY A YEAR FROM THE IDEA TO THE FINISHED FILM.

Prince Charles and Prince Harry pose with Spice Girls Victoria Beckham Mel C
WALTER DHLADHLA, AFP, Getty Images

Barnaby Thompson, one of the film’s producers, started a production company with Annie Lennox’s husband at the time, Uri Fruchtmann. Lennox and the Girls shared the same manager, Simon Fuller. Over lunch, Fuller, Fruchtmann, Thompson, and Fuller’s brother Kim decided they’d make the movie. "We finished it within a year of that lunch," Thompson told The Telegraph. "That lunch was on November 1, 1996 and we delivered the film exactly a year later, November 1, 1997."

2. THE GIRLS STOPPED TRAFFIC IN FRANCE.

By May 1997, the Girls had four number-one singles in the UK, and were one of the most popular music groups in the world. To create anticipation for Spice World, the producers took the women to the Cannes Film Festival, even though the film hadn’t been shot yet. "We put out a photo call notice," publicist Dennis Davidson said. "The traffic on the Croisette came to a standstill, there was a screaming crowd, people hanging out of the windows, it was totally insane." An estimated 5000 to 10,000 people showed up to see the pop stars. The film shot around London between June and August of 1997.

3. RICHARD E. GRANT’S DAUGHTER FORCED HIM TO DO THE MOVIE.

Richard E. Grant attends 'Their Finest' after party during the 60th BFI London Film Festival at on October 13, 2016.
John Phillips, Getty Images for BFI

Richard E. Grant’s 9-year-old daughter was a fan of the Spice Girls and when he was offered the part of the Girls’ manager, Clifford, she told him he had to do it, despite his concerns about “my acting credibility.” “And she’d say, ‘No, no, you have to. You have to because I want to meet them,’” Grant told Vulture in 2014. “So I did, and she was so thrilled. I had school playground credibility for about two semesters and then of course you dip into the other side when they go, ‘No, I was never a Spice Girls fan!’ Now that generation has all come back around again going, ‘Yeah, we love the Spice Girls!’”

4. SHAKESPEARE HELPED CAST ALAN CUMMING.

Alan Cumming played a less-than-Shakespearean role in the movie as a paparazzo-like guy named Piers Cuthbertson-Smyth. Ginger Spice was the one who suggested him to the casting department. “I remember seeing Alan Cumming performing as Hamlet [at the Donmar Warehouse],” she told The Telegraph. “When it came to Spice World, however many years later, it came to casting and we were going through pictures and I was like, ‘Let’s pick him, I saw him in Hamlet.’ It was brilliant to have that caliber of actors to be in our funny movie.”

5. YOU CAN VISIT THE SPICE BUS.

The Spice Girls arrive atop a double decker bus for a screening of their new movie 'Spice World' in New York.
HENNY RAY ABRAMS, AFP, Getty Images

The 1978 British Leyland Bristol VRTSL3 double decker bus, covered with the Union Jack on the outside and a swing on the inside, made its debut in the movie. Though a bomb destroyed it at the end of the movie, in real life it was saved. However, after filming ended the bus fell into disrepair, until the Island Harbour Marina, located on the Isle of Wight, purchased the beauty and restored it to its original state. They put it on permanent display in July 2014. The only thing the bus is missing is Meat Loaf driving it.

6. WITHNAIL AND I CONVINCED ELVIS COSTELLO TO MAKE A CAMEO.

In an interview with The A.V. Club, Elvis Costello said he loved Richard E. Grant’s film Withnail and I. “You know, I thought, ‘If I go to IMDb, I’m only a couple of clicks away from Withnail!,’” he said. Costello, who plays a barman in the movie, said he found his role to be “ironic.” “I’d only quit drinking a couple of years before, so I think the idea of being a barman was sort of ironic in my mind.”

7. THE PRODUCTION MADE SURE THE GIRLS DIDN’T READ THE SCRIPT.

Kim Fuller wrote the script (with additional writing from Jamie Curtis), which was originally titled Five. He knew the Girls might not like the script, or even read it. He gathered the ladies in a hotel in London. “I went in and said, ‘Look, turn your phones off, this is serious. I’m going to read you the story,’” he said.

They liked the story, and Ginger Spice contributed script ideas, even when she was in Bali. “I was spending hours on the phone trying to get it all sorted out and make sure that it was right,” she said. “By the time that we started, it was almost perfect.”

8. BUT THEY DIDN’T STICK TO THE SCRIPT.

Fuller said he gave them daily script pages and then they rehearsed it. “You needed to catch them at the right moment, when the energy is there,” Fuller said. “They’re not going to do 20 takes of one line, you know, so you had to think quickly on your feet.” In the Spice World documentary, Mel B confessed that she and the Girls interpreted the script. “We contributed our own little sparkle on top of it,” she said. “There were some times when we’d say the lines wrong just to make us laugh,” Baby Spice added. But those improvisations caused the script supervisor to almost quit.

"The script lady went beserk and nearly resigned because we kept changing everything," Fuller told The Telegraph. "There were a lot of flowers and we consoled her for a while and everything was fine after that."

9. THE GIRLS RECORDED AN ALBUM WHILE FILMING.

Their first album was such a massive hit that they needed to record their sophomore album to keep up the momentum. In order to fit in filming the movie and recording Spiceworld (one word), they had a mobile studio on set. They ended up writing some of the album’s—and movie’s—songs during production.

“It was quite good doing the album at the same time as the film because we were always hyperactive after a day on set and that meant we could go in the mobile studio and vibe off each other,” Posh told The Telegraph. They managed to film during the day and record at night. Virgin Records released the album on November 3, 1997, and most of Spiceworld’s songs made it into the movie, which meant there was an unofficial soundtrack.

10. MEL C LOVES THE MOVIE.

Melanie Chisholm (Sporty Spice) at the premiere of 'Spice World'
Brenda Chase, Getty Images

Mel C told The Telegraph that the film was difficult for her to watch, but when her daughter and friends wanted to watch it at a birthday party, Mel changed her mind. “I sat down with them and I actually really enjoyed it,” she said. “I laughed out loud. It brought back so many memories, and I think enough time has passed for me to be able to watch myself. You know in a way, it is brilliant. It’s very tongue-in-cheek, very silly. And the thing that I really realized was there was so much of us in it. It was very, very real.”

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Here's The Full List of 2018 Oscar Nominations
Universal Pictures
Universal Pictures

There are only two things that can get Hollywood’s biggest stars out of bed at 5 a.m.: an early call time or Academy Award nominations. The nominees for the 90th annual Oscars were announced on Tuesday morning, and represented a great year in movies.

Guillermo del Toro’s merman-meets-woman love story The Shape of Water leads this year’s nominees with a total of 13 nominations, followed by Martin McDonagh’s divisive Three Billboards Outside Ebbing, Missouri, which received nine nominations.

Jordan Peele and Greta Gerwig both made some Oscar history with their nominations for Best Director: Peele is the fifth black director to compete for the statuette (joining John Singleton, Lee Daniels, Steve McQueen, and Barry Jenkins—none of whom have won the award) while Gerwig is the fifth woman to be nominated for the prize (in 2010, Kathryn Bigelow became the first female Best Director winner with The Hurt Locker).

The Academy Awards will be hosted by Jimmy Kimmel for a second time, and will air on March 4, 2018. Which movies will you be rooting for on Oscar night?

BEST PICTURE

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

LEAD ACTOR

Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

LEAD ACTRESS

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

SUPPORTING ACTOR

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

SUPPORTING ACTRESS

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

DIRECTOR

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

ANIMATED FEATURE

The Boss Baby, Tom McGrath, Ramsey Ann Naito
The Breadwinner, Nora Twomey, Anthony Leo
Coco, Lee Unkrich, Darla K. Anderson
Ferdinand, Carlos Saldanha
Loving Vincent, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

ANIMATED SHORT

Dear Basketball, Glen Keane, Kobe Bryant
Garden Party, Victor Caire, Gabriel Grapperon
Lou, Dave Mullins, Dana Murray
Negative Space, Max Porter, Ru Kuwahata
Revolting Rhymes, Jakob Schuh, Jan Lachauer

ADAPTED SCREENPLAY

Call Me by Your Name, James Ivory
The Disaster Artist, Scott Neustadter & Michael H. Weber
Logan, Scott Frank & James Mangold and Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees

ORIGINAL SCREENPLAY

The Big Sick, Emily V. Gordon & Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro, Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh

CINEMATOGRAPHY

Blade Runner 2049, Roger Deakins
Darkest Hour, Bruno Delbonnel
Dunkirk, Hoyte van Hoytema
Mudbound, Rachel Morrison
The Shape of Water, Dan Laustsen

BEST DOCUMENTARY FEATURE

Abacus: Small Enough to Jail, Steve James, Mark Mitten, Julie Goldman
Faces Places, JR, Agnès Varda, Rosalie Varda
Icarus, Bryan Fogel, Dan Cogan
Last Men in Aleppo, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
Strong Island, Yance Ford, Joslyn Barnes

BEST DOCUMENTARY SHORT SUBJECT

Edith+Eddie, Laura Checkoway, Thomas Lee Wright
Heaven is a Traffic Jam on the 405, Frank Stiefel
Heroin(e), Elaine McMillion Sheldon, Kerrin Sheldon
Knife Skills, Thomas Lennon
Traffic Stop, Kate Davis, David Heilbroner

BEST LIVE ACTION SHORT FILM

DeKalb Elementary, Reed Van Dyk
The Eleven O’Clock, Derin Seale, Josh Lawson
My Nephew Emmett, Kevin Wilson, Jr.
The Silent Child, Chris Overton, Rachel Shenton
Watu Wote/All of Us, Katja Benrath, Tobias Rosen

BEST FOREIGN LANGUAGE FILM

A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body and Soul (Hungary)
The Square (Sweden)

FILM EDITING

Baby Driver, Jonathan Amos, Paul Machliss
Dunkirk, Lee Smith
I, Tonya, Tatiana S. Riegel
The Shape of Water, Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri, Jon Gregory

SOUND EDITING

Baby Driver, Julian Slater
Blade Runner 2049, Mark Mangini, Theo Green
Dunkirk, Alex Gibson, Richard King
The Shape of Water, Nathan Robitaille, Nelson Ferreira
Star Wars: The Last Jedi, Ren Klyce, Matthew Wood

SOUND MIXING

Baby Driver, Mary H. Ellis, Julian Slater, Tim Cavagin
Blade Runner 2049, Mac Ruth, Ron Bartlett, Doug Hephill
Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo
The Shape of Water, Glen Gauthier, Christian Cooke, Brad Zoern
Star Wars: The Last Jedi, Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

PRODUCTION DESIGN

Beauty and the Beast, Sarah Greenwood; Katie Spencer
Blade Runner 2049, Dennis Gassner, Alessandra Querzola
Darkest Hour, Sarah Greenwood, Katie Spencer
Dunkirk, Nathan Crowley, Gary Fettis
The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

ORIGINAL SCORE

Dunkirk, Hans Zimmer
Phantom Thread, Jonny Greenwood
The Shape of Water, Alexandre Desplat
Star Wars: The Last Jedi, John Williams
Three Billboards Outside Ebbing, Missouri, Carter Burwell

ORIGINAL SONG

"Mighty River" from Mudbound, Mary J. Blige
"Mystery of Love" from Call Me by Your Name, Sufjan Stevens
"Remember Me" from Coco, Kristen Anderson-Lopez, Robert Lopez
"Stand Up for Something" from Marshall, Diane Warren, Common
"This Is Me" from The Greatest Showman, Benj Pasek, Justin Paul

MAKEUP AND HAIR

Darkest Hour, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
Victoria and Abdul, Daniel Phillips and Lou Sheppard
Wonder, Arjen Tuiten

COSTUME DESIGN

Beauty and the Beast, Jacqueline Durran
Darkest Hour, Jacqueline Durran
Phantom Thread, Mark Bridges
The Shape of Water, Luis Sequeira
Victoria and Abdul, Consolata Boyle

VISUAL EFFECTS

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
Star Wars: The Last Jedi,  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon
War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

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