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7 Bizarre Stories of Stolen Movie Props

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There was a time when movie props were worthless. When a film wrapped, the studio would often recycle props and costumes for use in other films, or sometimes simply throw them away. But that's changed over the years, and now movie collectibles are a big business, with high-profile props going for hundreds of thousands of dollars. Unfortunately, when you start talking that kind of money, there are bound to be a few crooked characters who will do whatever it takes to get their hands on a piece of Hollywood history.

1. Has Anyone Questioned the Flying Monkeys?

It's believed there were six or seven pairs of Dorothy's famous ruby red slippers made for the production of the 1939 film The Wizard of Oz. Of those, the location of four pairs is currently known, including one that resides in the Smithsonian. The Judy Garland Museum in Grand Rapids, Minnesota, had their own pair, until the shoes were stolen one night in August 2005. The case went cold until this past April, when police received a tip that a resident in Homer Glen, Illinois, had not only bragged about paying someone to steal the slippers, but openly displayed the shoes in a glass box. Police raided the alleged thief's house, but didn't find the ruby red shoes. For now, the case remains open, and the shoes are still at-large.

2. Easy Rider Choppers Chopped

There are few motorcycles more iconic than the ones ridden by Peter Fonda and the late, great Dennis Hopper in their counterculture classic, Easy Rider. There were four custom motorcycles built for the film—two copies of each bike, including the "Captain America" chopper ridden by Fonda, featuring a star-spangled fuel tank and an extra long fork for the front wheels. One of the Captain America bikes was destroyed during filming, while the other three motorcycles were stolen from a storage garage before the film was even in the can. Obviously the bikes weren't famous yet, so they were presumably stripped and sold for parts. The thieves left the damaged Captain America bike, which was later restored, and now resides at the National Motorcycle Museum in Anamosa, Iowa.

3. The Man Without the Golden Gun

In the 1974 movie The Man with the Golden Gun, James Bond takes on Scaramanga, an expert assassin who charges $1 million per kill. The hitman's signature is a custom-made, solid gold gun that can be cleverly disassembled and disguised as everyday items like a cigarette case, a lighter, a pen, and a cuff link. There were three prop guns made for the film—one that came apart, another that didn't come apart, and one that could fire a blank round. In October 2008, one of these props (it's unclear which one it was) was discovered missing from its display case at Elstree Studios in Hertfordshire, England. Police still have no leads on the disappearance of the prop, worth an estimated £80,000 (~$117,000) on the collector's black market.

4. The Case of the Missing Maltese Falcon

There were a handful of falcon statues made for the 1941 noir classic, The Maltese Falcon, starring Humphrey Bogart as Dashiell Hammett's famous private eye, Sam Spade. Over the years, nearly all original models of the bird have been lost, making the few remaining copies very valuable—including one that sold for nearly $400,000 in 1994. For promotional purposes, plaster casts of the bird were made upon the film's release, and Elisha Cook, Jr., a character actor who played a henchman in the film, got his hands on one. His copy of the bird was later acquired by John's Grill in San Francisco, a restaurant dedicated to Hammett, who often wrote and ate there in the 1930s. The replica bird was on display for years, sitting on the second floor in a display case for all to see. That is, of course, until the day it disappeared in 2007.


After the falcon went missing, John's Grill offered a no-questions-asked reward of $25,000 to the person who brought it back, but no one came forward. The owner could have easily gotten a good replacement replica off eBay for a few hundred bucks, but he took a different approach instead. He put the $25,000 towards the creation of a new, original design of the Maltese Falcon that is a more stylized interpretation than the one used in the 1941 film. The new statue is five inches taller than the original and weighs around 150lbs, three times heavier than the plaster replica that was stolen. To ensure this bird doesn't go missing, it's been bolted down and is monitored 24/7 by closed-circuit cameras. With that much security, the next time someone messes with this Maltese Falcon, it won't take Sam Spade to crack the case.

5. Big Bucks in Spandex

Apparently no one's spider-sense was tingling when crooks made off with four hand-made superhero suits from the set of the first Spider-Man film. Each Spider-Man costume, valued at around $50,000 a piece, disappeared from a locked building on the Sony Pictures lot, leading authorities to believe it was an inside job. Police received a tip from the ex-wife of a former security guard at Sony, Jeffrey Gustafson, who said he might be involved in the theft. Police searched Gustafson's home and found records indicating that one costume was at a friend's house, two were traced to a collector in New York, and the last one was in the collection of a man in Japan. Adding to Gustafson's woes, police also found in his home a mannequin dressed in a $150,000 Batman costume that went missing from the Warner Bros. lot in 1996. Not coincidentally, Gustafson worked as a security guard at Warner Bros. at the time. For stealing the Spidey suits, Gustafson got 9 months in jail, 5 years probation, and had to pay $93,000 in restitution.

6. Do Collectors Dream of Rubber Handguns?

As he's hunting android replicants in a dystopian future, Blade Runner's Deckard, played by Harrison Ford, carries a strange-looking handgun that has captivated sci-fi fans for decades. The prop was custom-made using pieces from real firearms, including a bolt action from a rifle, two triggers, various knobs and dials, and even LED lights. To prevent their very expensive, one-of-a-kind prop from breaking, the producers made two solid rubber copies that were indistinguishable from the original at a distance, and could be knocked around during stunt scenes without getting damaged. But during the shoot, one of the dummy guns went missing and was never seen again.

Oddly enough though, about a month after the film was released, highly accurate plastic replicas of Deckard's gun began appearing for sale on the collector's market. These knock-offs were so close to the ones used in the film that they must have been created using molds taken from the missing, now presumed stolen, dummy gun.

While it's certain the thief made a pretty penny by selling the dummy gun, he would have surely been better off stealing the custom-made gun instead—it sold at auction in 2009 for $270,000.

7. Well, That's One Way to Get an Oscar

In March 2000, a few guys got their hands on the ultimate movie collector's item when they stole 55 Oscars just days before the Academy Awards ceremony. Anthony Hart, a dock worker at delivery company Roadway Express, conspired with a fellow employee, truck driver Lawrence Ladent, to load 10 boxes of Oscars onto Ladent's truck. Ladent then took the statues to the home of accomplice John Harris for safekeeping until they could line up black market buyers. However, the men got spooked by the publicity surrounding the missing statues and dumped the boxes in an alleyway instead. Shortly after, Harris' half-brother, Willie Fulgear, found 52 of the Oscars while rummaging through the trash, looking for packing boxes to use during a move.


After reporting his find to police, Fulgear collected a $50,000 reward from Roadway Express, but the other men didn't make out quite so well. Anthony Hart received the lightest sentence with three years probation. John Harris was sentenced to six months in jail, three years probation, and had to pay $921 to the Academy in restitution for the three missing statues. Lawrence Ledent was given six months in prison, five years probation, had to pay the Academy $1,050, and pay Roadway Express the full amount of the reward they offered to Fulgear.

As for the three missing Oscars, one was found in 2003 during a Miami drug raid, but the other two are still out there somewhere.
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What piece of movie memorabilia would you like to get your hands on? Tell us about it in the comments below!

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40 Fun Facts About Sesame Street
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Now in its 47th season, Sesame Street is one of television's most iconic programs—and it's not just for kids. We're big fans of the Street, and to prove it, here are some of our favorite Sesame facts from previous stories and our Amazing Fact Generator.

Sesame Workshop

1. Oscar the Grouch used to be orange. Jim Henson decided to make him green before season two.

2. How did Oscar explain the color change? He said he went on vacation to the very damp Swamp Mushy Muddy and turned green overnight.

3. During a 2004 episode, Cookie Monster said that before he started eating cookies, his name was Sid.

4. In 1980, C-3PO and R2-D2 visited Sesame Street. They played games, sang songs, and R2-D2 fell in love with a fire hydrant.

5. Mr. Snuffleupagus has a first name—Aloysius

6. Ralph Nader stopped by in 1988 and sang "a consumer advocate is a person in your neighborhood."

7. Caroll Spinney said he based Oscar's voice on a cab driver from the Bronx who brought him to the audition.

8. In 1970, Ernie reached #16 on the Billboard Hot 100 with the timeless hit "Rubber Duckie."

9. One of Count von Count's lady friends is Countess von Backwards, who's also obsessed with counting but likes to do it backwards.

10. Sesame Street made its Afghanistan debut in 2011 with Baghch-e-Simsim (Sesame Garden). Big Bird, Grover and Elmo are involved.

11. According to Muppet Wiki, Oscar the Grouch and Count von Count were minimized on Baghch-e-Simsim "due to cultural taboos against trash and vampirism."

12. Before Giancarlo Esposito was Breaking Bad's super intense Gus Fring, he played Big Bird's camp counselor Mickey in 1982.

13. Thankfully, those episodes are available on YouTube.

14. How big is Big Bird? 8'2". (Pictured with First Lady Pat Nixon.)

15. In 2002, the South African version (Takalani Sesame) added an HIV-positive Muppet named Kami.

16. Six Republicans on the House Commerce Committee wrote a letter to PBS president Pat Mitchell warning that Kami was not appropriate for American children, and reminded Mitchell that their committee controlled PBS' funding.

17. Sesame Street's resident game show host Guy Smiley was using a pseudonym. His real name was Bernie Liederkrantz.

18. Bert and Ernie have been getting questioned about their sexuality for years. Ernie himself, as performed by Steve Whitmere, has weighed in: “All that stuff about me and Bert? It’s not true. We’re both very happy, but we’re not gay,”

19. A few years later, Bert (as performed by Eric Jacobson) answered the same question by saying, “No, no. In fact, sometimes we are not even friends; he can be a pain in the neck.”

20. In the first season, both Superman and Batman appeared in short cartoons produced by Filmation. In one clip, Batman told Bert and Ernie to stop arguing and take turns choosing what’s on TV.

21. In another segment, Superman battled a giant chimp.

22. Telly was originally "Television Monster," a TV-obsessed Muppet whose eyes whirled around as he watched.

23. According to Sesame Workshop, Elmo is the only non-human to testify before Congress.

24. He lobbied for more funding for music education, so that "when Elmo goes to school, there will be the instruments to play."

25. In the early 1990s, soon after Jim Henson’s passing, a rumor circulated that Ernie would be killed off in order to teach children about death, as they'd done with Mr. Hooper.

26. According to Snopes, the rumor may have spread thanks to New Hampshire college student, Michael Tabor, who convinced his graduating class to wear “Save Ernie” beanies and sign a petition to persuade Sesame Workshop to let Ernie live.

27. By the time Tabor was corrected, the newspapers had already picked up the story.

28. Sesame Street’s Executive Producer Carol-Lynn Parente joined Sesame Workshop as a production assistant and has worked her way to the top.

29. Originally, Count von Count was more sinister. He could hypnotize and stun people.

30. According to Sesame Workshop, all Sesame Street's main Muppets have four fingers except Cookie Monster, who has five.

31. The episode with Mr. Hooper's funeral aired on Thanksgiving Day in 1983. That date was chosen because families were more likely to be together at that time, in case kids had questions or needed emotional support.

32. Mr. Hooper’s first name was Harold.

33. Big Bird sang "Bein' Green" at Jim Henson's memorial service.

34. As Chris Higgins put it, the performance was "devastating."

35. Oscar's Israeli counterpart is Moishe Oofnik, whose last name means “grouch” in Hebrew.

36. Nigeria's version of Cookie Monster eats yams. His catchphrase: "ME WANT YAM!"

37. Sesame's Roosevelt Franklin ran a school, where he spoke in scat and taught about Africa. Some parents hated him, so in 1975 he got the boot, only to inspire Gob Bluth’s racist puppet Franklin on Arrested Development 28 years later.

38. Our good friend and contributor Eddie Deezen was the voice of Donnie Dodo in the 1985 classic Follow That Bird.

39. Cookie Monster evolved from The Wheel-Stealer—a snack-pilfering puppet Jim Henson created to promote Wheels, Crowns and Flutes in the 1960s.

40. This puppet later was seen eating a computer in an IBM training film and on The Ed Sullivan Show.

Thanks to Stacy Conradt, Joe Hennes, Drew Toal, and Chris Higgins for their previous Sesame coverage!

An earlier version of this article appeared in 2012.

How Apple's '1984' Super Bowl Ad Was Almost Canceled

More than 30 years ago, Apple defined the Super Bowl commercial as a cultural phenomenon. Prior to Super Bowl XVIII, nobody watched the game "just for the commercials"—but one epic TV spot, directed by sci-fi legend Ridley Scott, changed all that. Read on for the inside story of the commercial that rocked the world of advertising, even though Apple's Board of Directors didn't want to run it at all.

THE AD

If you haven't seen it, here's a fuzzy YouTube version:

"WHY 1984 WON'T BE LIKE 1984"

The tagline "Why 1984 Won't Be Like '1984'" references George Orwell's 1949 novel 1984, which envisioned a dystopian future, controlled by a televised "Big Brother." The tagline was written by Brent Thomas and Steve Hayden of the ad firm Chiat\Day in 1982, and the pair tried to sell it to various companies (including Apple, for the Apple II computer) but were turned down repeatedly. When Steve Jobs heard the pitch in 1983, he was sold—he saw the Macintosh as a "revolutionary" product, and wanted advertising to match. Jobs saw IBM as Big Brother, and wanted to position Apple as the world's last chance to escape IBM's domination of the personal computer industry. The Mac was scheduled to launch in late January of 1984, a week after the Super Bowl. IBM already held the nickname "Big Blue," so the parallels, at least to Jobs, were too delicious to miss.

Thomas and Hayden wrote up the story of the ad: we see a world of mind-controlled, shuffling men all in gray, staring at a video screen showing the face of Big Brother droning on about "information purification directives." A lone woman clad in vibrant red shorts and a white tank-top (bearing a Mac logo) runs from riot police, dashing up an aisle towards Big Brother. Just before being snatched by the police, she flings a sledgehammer at Big Brother's screen, smashing him just after he intones "We shall prevail!" Big Brother's destruction frees the minds of the throng, who quite literally see the light, flooding their faces now that the screen is gone. A mere eight seconds before the one-minute ad concludes, a narrator briefly mentions the word "Macintosh," in a restatement of that original tagline: "On January 24th, Apple Computer will introduce Macintosh. And you'll see why 1984 won't be like '1984.'" An Apple logo is shown, and then we're out—back to the game.

In 1983, in a presentation about the Mac, Jobs introduced the ad to a cheering audience of Apple employees:

"... It is now 1984. It appears IBM wants it all. Apple is perceived to be the only hope to offer IBM a run for its money. Dealers, initially welcoming IBM with open arms, now fear an IBM-dominated and -controlled future. They are increasingly turning back to Apple as the only force that can ensure their future freedom. IBM wants it all and is aiming its guns on its last obstacle to industry control: Apple. Will Big Blue dominate the entire computer industry? The entire information age? Was George Orwell right about 1984?"

After seeing the ad for the first time, the Apple audience totally freaked out (jump to about the 5-minute mark to witness the riotous cheering).

SKINHEADS, A DISCUS THROWER, AND A SCI-FI DIRECTOR

Chiat\Day hired Ridley Scott, whose 1982 sci-fi film Blade Runner had the dystopian tone they were looking for (and Alien wasn't so bad either). Scott filmed the ad in London, using actual skinheads playing the mute bald men—they were paid $125 a day to sit and stare at Big Brother; those who still had hair were paid to shave their heads for the shoot. Anya Major, a discus thrower and actress, was cast as the woman with the sledgehammer largely because she was actually capable of wielding the thing.

Mac programmer Andy Hertzfeld wrote an Apple II program "to flash impressive looking numbers and graphs on [Big Brother's] screen," but it's unclear whether his program was used for the final film. The ad cost a shocking $900,000 to film, plus Apple booked two premium slots during the Super Bowl to air it—carrying an airtime cost of more than $1 million.

WHAT EXECUTIVES AT APPLE THOUGHT

Although Jobs and his marketing team (plus the assembled throng at his 1983 internal presentation) loved the ad, Apple's Board of Directors hated it. After seeing the ad for the first time, board member Mike Markkula suggested that Chiat\Day be fired, and the remainder of the board were similarly unimpressed. Then-CEO John Sculley recalled the reaction after the ad was screened for the group: "The others just looked at each other, dazed expressions on their faces ... Most of them felt it was the worst commercial they had ever seen. Not a single outside board member liked it." Sculley instructed Chiat\Day to sell off the Super Bowl airtime they had purchased, but Chiat\Day principal Jay Chiat quietly resisted. Chiat had purchased two slots—a 60-second slot in the third quarter to show the full ad, plus a 30-second slot later on to repeat an edited-down version. Chiat sold only the 30-second slot and claimed it was too late to sell the longer one. By disobeying his client's instructions, Chiat cemented Apple's place in advertising history.

When Apple co-founder Steve Wozniak heard that the ad was in trouble, he offered to pony up half the airtime costs himself, saying, "I asked how much it was going to cost, and [Steve Jobs] told me $800,000. I said, 'Well, I'll pay half of it if you will.' I figured it was a problem with the company justifying the expenditure. I thought an ad that was so great a piece of science fiction should have its chance to be seen."

But Woz didn't have to shell out the money; the executive team finally decided to run a 100-day advertising extravaganza for the Mac's launch, starting with the Super Bowl ad—after all, they had already paid to shoot it and were stuck with the airtime.

1984 - Big Brother

WHAT EVERYBODY ELSE THOUGHT

When the ad aired, controversy erupted—viewers either loved or hated the ad, and it spurred a wave of media coverage that involved news shows replaying the ad as part of covering it, leading to estimates of an additional $5 million in "free" airtime for the ad. All three national networks, plus countless local markets, ran news stories about the ad. "1984" become a cultural event, and served as a blueprint for future Apple product launches. The marketing logic was brilliantly simple: create an ad campaign that sparked controversy (for example, by insinuating that IBM was like Big Brother), and the media will cover your launch for free, amplifying the message.

The full ad famously ran once during the Super Bowl XVIII (on January 22, 1984), but it also ran the month prior—on December 31, 1983, TV station operator Tom Frank ran the ad on KMVT at the last possible time slot before midnight, in order to qualify for 1983's advertising awards.* (Any awards the ad won would mean more media coverage.) Apple paid to screen the ad in movie theaters before movie trailers, further heightening anticipation for the Mac launch. In addition to all that, the 30-second version was aired across the country after its debut on the Super Bowl.

Chiat\Day adman Steve Hayden recalled: "We ran a 30- second version of '1984' in the top 10 U.S. markets, plus, in an admittedly childish move, in an 11th market—Boca Raton, Florida, headquarters for IBM's PC division." Mac team member Andy Hertzfeld ended his remembrance of the ad by saying:

"A week after the Macintosh launch, Apple held its January board meeting. The Macintosh executive staff was invited to attend, not knowing what to expect. When the Mac people entered the room, everyone on the board rose and gave them a standing ovation, acknowledging that they were wrong about the commercial and congratulating the team for pulling off a fantastic launch.

Chiat\Day wanted the commercial to qualify for upcoming advertising awards, so they ran it once at 1 AM at a small television station in Twin Falls, Idaho, KMVT, on December 15, 1983 [incorrect; see below for an update on this -ed]. And sure enough it won just about every possible award, including best commercial of the decade. Twenty years later it's considered one of the most memorable television commercials ever made."

THE AWFUL 1985 FOLLOW-UP

A year later, Apple again employed Chiat\Day to make a blockbuster ad for their Macintosh Office product line, which was basically a file server, networking gear, and a laser printer. Directed by Ridley Scott's brother Tony, the new ad was called "Lemmings," and featured blindfolded businesspeople whistling an out-of-tune version of Snow White's "Heigh-Ho" as they followed each other off a cliff (referencing the myth of lemming suicide).

Jobs and Sculley didn't like the ad, but Chiat\Day convinced them to run it, pointing out that the board hadn't liked the last ad either. But unlike the rousing, empowering message of the "1984" ad, "Lemmings" directly insulted business customers who had already bought IBM computers. It was also weirdly boring—when it was aired at the Super Bowl (with Jobs and Sculley in attendance), nobody really reacted. The ad was a flop, and Apple even proposed running a printed apology in The Wall Street Journal. Jay Chiat shot back, saying that if Apple apologized, Chiat would buy an ad on the next page, apologizing for the apology. It was a mess:

20-YEAR ANNIVERSARY

In 2004, the ad was updated for the launch of the iPod. The only change was that the woman with the hammer was now listening to an iPod, which remained clipped to her belt as she ran. You can watch that version too:

FURTHER READING

Chiat\Day adman Lee Clow gave an interview about the ad, covering some of this material.

Check out Mac team member Andy Hertzfeld's excellent first-person account of the ad. A similar account (but with more from Jobs's point of view) can found in the Steve Jobs biography, and an even more in-depth account is in The Mac Bathroom Reader. The Mac Bathroom Reader is out of print; you can read an excerpt online, including QuickTime movies of the two versions of the ad, plus a behind-the-scenes video. Finally, you might enjoy this 2004 USA Today article about the ad, pointing out that ads for other computers (including Atari, Radio Shack, and IBM's new PCjr) also ran during that Super Bowl.

* = A Note on the Airing in 1983

Update: Thanks to Tom Frank for writing in to correct my earlier mis-statement about the first air date of this commercial. As you can see in his comment below, Hertzfeld's comments above (and the dates cited in other accounts I've seen) are incorrect. Stay tuned for an upcoming interview with Frank, in which we discuss what it was like running both "1984" and "Lemmings" before they were on the Super Bowl!

Update 2: You can read the story behind this post in Chris's book The Blogger Abides.

This post originally appeared in 2012.

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