What Makes #2 Pencils So Special?

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Most of us pick up pencils—and lose them—without giving them a second thought. Pencils are a bit more interesting than you might, think, though. Here are a few not-so-frequently asked questions about everyone's second-favorite writing implements, including the story of a time when pencil sharpeners were illegal.

WHAT MAKES #2 PENCILS SO SPECIAL?

When it comes to pencils, #2s are actually the absolute middle of the road. While we number our various grades of pencils in the U.S., the rest of the world uses a system of numbers and letters to describe how hard and how black a pencil's lead is. An American #2 pencil (roughly) corresponds to an HB pencil on the rest of the world's scale. The lead is not too dark and not too light, and it's not too hard or too soft.

Pencils numbered higher than 2 have harder leads and are often used by engineers, architects, and draftsmen because of their harder points. The underlying logic here is that the harder point gives the user greater control of the lead. You'll find softer leads in pencils numbered below 2, which are popular with artists because they can help create a wider spectrum of tones than one would achieve by sticking solely to a #2 pencil.

ACK! I USED A #3 PENCIL ON THE SAT! IS MY LIFE OVER?

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No ... but you're probably destined for a life of hard labor rather than college. No, not really. It's hard to get a straight answer on this question, but there are quite a few reports from people online who messed up by using the wrong grade of pencil and still did just fine on their SATs. The general consensus seems to be that the SAT's scanners will read a #3 pencil's mark just the same as it would read one from a #2 pencil. Some people do feel, however, that the harder lead in a #3 pencil makes erasing tougher and ups the chances that a stray smudge or incompletely erased mark will be read by the scanner and end up hurting your score. So it's probably best to err on the safe side and double-check your pencil type before heading into the exam.

IF THE REST OF THE WORLD USES A SYSTEM OF NUMBERS AND LETTERS TO GRADE PENCILS, WHY DO WE USE JUST NUMBERS?

Thank Henry David Thoreau and his old man. When graphite was discovered in New Hampshire during the 1820s, John Thoreau and his brother-in-law Charles Dunbar built their own pencil factory. The only problem was that New Hampshire graphite was pretty crummy; it smeared and made for pretty poor pencils.

Enter a young Henry David Thoreau. Before he wrote about civil disobedience and spent his time at Walden Pond, he worked at the family pencil company. Thoreau perfected a process of using clay as a binder to make the soft, loose graphite hard and suitable for pencils. Suddenly the New England graphite could be used to make a pencil that didn't leave giant smears, and the Thoreaus' business took off. By the middle of the 19th century, the Thoreaus were selling pencils with varying graphite hardness, which they numbered one through four.

IF THE CENTER OF THE PENCIL HAS BEEN MADE OF GRAPHITE FOR SO LONG, WHY DO WE CALL IT "LEAD"?

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Blame shoddy 16th century chemistry for this one. When a giant graphite deposit was found in England during the 16th century, it eventually found a use as a writing implement. However, early chemists weren't exactly sure what the useful gray substance actually was. They assumed it was some sort of lead, and the term "pencil lead" came into use—even though there wasn't any lead involved.

WHY ARE PENCILS PAINTED YELLOW?

According to most stories, our pencils are yellow as a result of a clever marketing gimmick. In 1889, the Hardtmuth company of Austria introduced a new line of fancy pencils at the World's Fair in Paris. The pencils were named Koh-i-Noor after a famed Indian diamond, and they contained the world's finest graphite from the Far East. They were also painted yellow, which was unusual at the time.

Some historians claim that the Austrian company painted their pencils yellow as a subtle nod to the yellow on the flag of Austria-Hungary. Others claim the yellow was an even subtler nod to the Far Eastern graphite in the pencils; the color yellow is associated with royalty in China. In either case, the new yellow pencils were a hit, and soon other companies began painting their own wares yellow in an attempt to swipe some of Hardtmuth's business.

DOES THE LITTLE METAL BAND THAT HOLDS THE ERASER ON THE PENCIL HAVE A NAME?

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It sure does. It's called a ferrule, a combination of the Latin words viriola ("small bracelet") and ferrum ("iron").

HAVE PENCIL ERASERS GIVEN US ANY COMMON WORDS?

You bet. According to records from the 18th century, the elastic substance from tropical plants got its name thanks to its common use of being rubbed over pencil marks to erase them. Since using this substance as an eraser required a lot of rubbing, people began calling it rubber. Another name for rubber from the same era that didn't catch on quite as well was lead-eater

WHEN WAS IT ILLEGAL TO OWN A PENCIL SHARPENER?

If you owned a pencil sharpener in early 20th century England, you had a hot little piece of contraband. At the time, the supply of the red cedar that had historically been used in pencils was getting perilously low, so the government briefly outlawed pencil sharpeners in order to limit waste from overzealous sharpening. Eventually the mechanical pencil and the discovery of incense-cedar's usefulness in making pencils solved this problem, and pencil sharpeners became street legal once again. Phew!

What's the Difference Between Pigeons and Doves?

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To the layman, the difference between pigeons and doves has something to with color, maybe. Or location. Or general appeal (doves usually get much better press than pigeons do). But what’s the actual, scientific difference between doves and pigeons?

As it turns out, there isn’t one. Paul Sweet, the collection manager for the department of ornithology at the American Museum of Natural History, says the difference is more linguistic than taxonomic.

“The word dove is a word that came into English from the more Nordic languages, whereas pigeon came into English from French,” Sweet tells Mental Floss.

Both dove and pigeon refer to the 308 species of birds from the Columbidae family, Sweet says. There’s no difference between a pigeon and a dove in scientific nomenclature, but colloquial English tends to categorize them by size. Something called a dove is generally smaller than something called a pigeon, but that’s not always the case. A common pigeon, for example, is called both a rock dove and a rock pigeon.

“People just have their own classification for what makes them different,” Sweet says. “So in the Pacific, for example, the big ones might get called pigeons and the smaller ones might be called doves, but they’re actually more closely related to each other than they are to other things in, say, South America, that are called pigeons and doves.”

The difference boils down to linguistic traditions, so feel free to tell people you’re releasing pigeons at your wedding or that you’re feeding doves in the park. Scientifically speaking, you’ll be correct either way.

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What Is the Wilhelm Scream?

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What do Star Wars, The Lord of the Rings, Pirates of the Caribbean, Harold and Kumar Go to White Castle, Toy Story, Reservoir Dogs, Titanic, Anchorman, 22 Jump Street, and more than 200 other films and TV shows have in common? Not much besides the one and only Wilhelm Scream.

The Wilhelm Scream is the holy grail of movie geek sound effects—a throwaway sound bite with inauspicious beginnings that was turned into the best movie in-joke ever when it was revived in the 1970s.

Just what is it? Chances are you’ve heard it before but never really noticed it. The Wilhelm Scream is a stock sound effect that has been used in both the biggest blockbusters and the lowest low-budget movies and television shows for over 60 years, and is usually heard when someone onscreen is shot or falls from a great height.

First used in the 1951 Gary Cooper western Distant Drums, the distinctive yelp began in a scene in which a group of soldiers wade through a swamp, and one of them lets out a piercing scream as an alligator drags him underwater.

As is the case with many movie sound effects, the scream was recorded later in a sound booth with the simple direction to make it sound like “a man getting bit by an alligator, and he screams.” Six screams were performed in one take, and the fifth scream on the recording became the iconic Wilhelm (the others were used for additional screams in other parts of the movie).

Following its debut in 1951, the effect became a regular part of the Warner Bros. sound library and was continually used by the studio’s filmmakers in their movies. Eventually, in the early 1970s, a group of budding sound designers at USC’s film school—including future Academy Award-winning sound designer Ben Burtt—recognized that the unique scream kept popping up in numerous films they were watching. They nicknamed it the “Wilhelm Scream” after a character in the first movie they all recognized it from, a 1963 western called The Charge at Feather River, in which a character named Private Wilhelm lets out the pained scream after being shot in the leg by an arrow.

As a joke, the students began slipping the effect into the student films they were working on at the time. After he graduated, Burtt was tapped by fellow USC alum George Lucas to do the sound design on a little film he was making called Star Wars. As a nod to his friends, Burtt put the original sound effect from the Warner Bros. library into the movie, most noticeably when a Stormtrooper is shot by Luke Skywalker and falls into a chasm on the Death Star. Burtt would go on to use the Wilhelm Scream in various scenes in every Star Wars and Indiana Jones movie, causing fans and filmmakers to take notice.

Directors like Peter Jackson and Quentin Tarantino, as well as countless other sound designers, sought out the sound and put it in their movies as a humorous nod to Burtt. They wanted to be in on the joke too, and the Wilhelm Scream began showing up everywhere, making it an unofficial badge of honor. It's become bigger than just a sound effect, and the name “Wilhelm Scream” has been used for everything from a band name, to a beer, to a song title, and more.

But whose voice does the scream itself belong to? Burtt himself did copious amounts of research, as the identity of the screamer was unknown for decades. He eventually found a Warner Bros. call sheet from Distant Drums that listed actors who were scheduled to record additional dialogue after the film was completed. One of the names, and the most likely candidate as the Wilhelm screamer, was an actor and musician named Sheb Wooley, who appeared in classics like High Noon, Giant, and the TV show Rawhide. You may also know him as the musician who sang the popular 1958 novelty song “Purple People Eater.”

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