10 Facts About Clifford the Big Red Dog

PBS/Scholastic
PBS/Scholastic

Whether you know him from his books, TV series, movies, or video games, Clifford is undoubtedly the world's best known Big Red Dog. (And to think that Norman Bridwell, Clifford's creator, was told he would never succeed.) Here are 10 things you might not know about one of the most popular children's book characters of all time, who was born 55 years ago.

1. NORMAN BRIDWELL WAS TOLD HE WAS NEVER GOING TO MAKE IT.

Norman Bridwell was told over and over again that he was never going to make it as an illustrator; his pictures of dogs were too ordinary and boring. One critic finally offered the helpful suggestion that Bridwell create a little story to go with his drawings of a little girl riding a pony-like dog, and that was all it took. Scholastic Books agreed to publish Clifford the Big Red Dog less than a month later.

2. CLIFFORD IS NAMED AFTER AN IMAGINARY FRIEND.

Clifford was named after an imaginary friend Bridwell's wife had when she was a child. At first Bridwell suggested "Tiny" as the big, red dog's name, but his wife told him that was too boring.

3. THE DOG IS RED FOR A VERY PRACTICAL REASON.

When asked how he decided on Clifford's signature color, Bridwell admitted that "it was red because I happened to have red paint on the drawing table that night."

4. BRIDWELL'S DAUGHTER INSPIRED A CHARACTER.

Emily Elizabeth Howard, the little girl who takes a liking to the runt of the litter in the first book, is named after Bridwell's own daughter, Emily Elizabeth Bridwell.

5. CLIFFORD IS A BIT OF A MUTT.

Ever wonder exactly what type of dog Clifford is? Well, he's said to have the characteristics of a giant Vizsla now, but the very first prototype—back when he was just the size of a pony instead of a house—was of a rather large bloodhound. Bridwell has said he took his inspiration from the behavior of all types of dogs.

6. BRIDWELL WAS ADAMANT THAT CLIFFORD BEHAVE LIKE A NORMAL DOG.

Don't ever expect to see titles like Clifford Goes to Outer Space or Clifford and the Dinosaurs. Bridwell, who passed away in 2014, firmly believed that although Clifford is a bit oversized, he still mostly does things normal dogs do.

7. CLIFFORD EXISTS IN 13 LANGUAGES.

More than 75 Clifford books have been published since the original first hit bookstores in 1963 and there are more than 129 million copies in print in 13 different languages.

8. SOME FAMOUS NAMES HAVE LENT THEIR VOICES TO THE CLIFFORD CARTOON.

If you've ever watched the Clifford cartoon on PBS, you've likely recognized some of the voices. John Ritter was the voice of Clifford; Kel Mitchell of Kenan and Kel voiced Clifford's buddy T-Bone; Cree Summers lent her vocals to another pal named Cleo (you've also heard her as Penny in Inspector Gadget and Elmyra in Tiny Toon Adventures); and Emily Elizabeth is played by voice actress Grey DeLisle who is also the McNulty Brothers in Rugrats and Queen Amidala in the Star Wars interactive series.

9. THERE'S A PREQUEL BOOK SERIES.

In 1985, Bridwell started writing Clifford the Small Red Puppy, where you can catch a glimpse of Clifford before he was able to catch cars in his mouth. Clifford's Puppy Days shows us what life with Clifford and Emily Elizabeth was like back when he was still the runt, before the family had to move to Birdwell Island to accommodate Clifford's gigantism. It was also made into a PBS series in 2003 called Clifford's Puppy Days.

10. PEOPLE LOVE CLIFFORD BECAUSE HE'S ALWAYS FORGIVEN.

Following Bridwell's death in 2014, Scholastic chairman, CEO, and president Dick Robinson issued a statement describing why Bridwell and his famous pup were so beloved:

“Norman Bridwell’s books about Clifford, childhood’s most lovable dog, could only have been written by a gentle man with a great sense of humor. Norman personified the values that we as parents and educators hope to communicate to our children—kindness, compassion, helpfulness, gratitude—through the Clifford stories which have been loved for more than 50 years.

The magic of the character and stories Norman created with Clifford is that children can see themselves in this big dog who tries very hard to be good, but is somewhat clumsy and always bumping into things and making mistakes. What comforts the reader is that Clifford is always forgiven by Emily Elizabeth, who loves him unconditionally."

5 Actors Who Could Play the Next Batman

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iStock

by Natalie Zamora

Ben Affleck's casting as the Caped Crusader wasn't exactly met with a lot of excitement. While many DC fans were (and still are) happy with the casting, many definitely weren't, and even took it upon themselves to think of who could replace him. Now, with Affleck's role in Matt Reeves's upcoming The Batman completely unknown, it's worth looking at who has been actually rumored to take his place.

5. JAKE GYLLENHAAL

Jake Gyllenhaal attends the 2018 Toronto International Film Festival - 'The Sisters Brothers' premiere at Princess of Wales Theatre on September 8, 2018
Emma McIntyre, Getty Images

As early as November 2017, Academy Award nominee Jake Gyllenhaal has been rumored to be playing the next Batman. Reportedly, Gyllenhaal had a meeting with Matt Reeves, something reporter Rob Keyes tweeted out at the time. When asked about the possibility, the actor shot it down, saying, "Wow, that’s a very difficult question. The answer to that question is no."

4. RYAN GOSLING

Ryan Gosling attends the 'First Man' press conference during 2018 Toronto International Film Festival at TIFF Bell Lightbox on September 11, 2018
Emma McIntyre, Getty Images

Another acclaimed actor, Academy Award nominee Ryan Gosling has also been rumored to take on the role of Bruce Wayne for some time. When recently asked at the Toronto International Film Festival if he would consider, Gosling simply said, "I don't know," before joking that if his First Man and La La Land director Damien Chazelle made it, he'd be in.

3. JOSH BROLIN

Josh Brolin attends the 'Sicario Day Of The Soldado' Photo Call at Four Seasons Hotel Los Angeles at Beverly Hills on June 14, 2018 in Los Angeles, California
Matt Winkelmeyer, Getty Images

Although Josh Brolin now plays two major Marvel characters, Cable and Thanos, he once confirmed he was in the running for Ben Affleck's role in 2016. Ultimately, Brolin backed out after he had disagreements with Zack Snyder on how the character should be played. Ever since Affleck's departure from directing The Batman, Brolin has been rumored to take the role.

2. MATTHEW GOODE

Actor Matthew Goode attends the 'The Imitation Game' New York Premiere at Ziegfeld Theater in 2014
Slaven Vlasic, Getty Images for The Weinstein Company

Like Brolin, Matthew Goode was also one of the actors in the running to play Batman before Ben Affleck was cast. He was also reportedly considered for the roles of both Superman and Lex Luthor. Clearly, Goode would be welcomed into the DCEU. Now would be the perfect time.

1. JON HAMM

Jon Hamm attends the Premiere Of Warner Bros. Pictures And New Line Cinema's 'Tag' at Regency Village Theatre on June 7, 2018 in Westwood, California
Jerritt Clark, Getty Images

Ever since Jon Hamm played the dark and brooding role of Don Draper on Mad Men, fans have been rallying for him to play Batman. Though rumors have been circulating for years, Hamm just recently revealed that he has never had a conversation about the possibility. However, he did say he would be interested, if the script was good.

13 Secrets of Obituary Writers

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iStock

When Chicago Sun-Times obituary writer Maureen O’Donnell sits down to assess the lives of the recently departed, she feels less like a journalist and more like a historian. “I sometimes feel like I’m a frustrated history teacher,” she tells Mental Floss. “I get to teach a lesson every day and share it with readers.”

Unlike death notices, which only recite basic facts about the deceased, or funeral eulogies, which offer impassioned remembrances from loved ones, obituaries are a written memorial of a person’s legacy published for the world to see. Instead of dwelling on death they celebrate life, from the most recognizable celebrity to the quietest neighbor. They prove that almost everyone has a story to tell, and it’s sometimes only after a passing that people realize exactly how a person has left their mark in the world.

O’Donnell recalls a 2010 death notice for a Montana resident named Jim Cole, which mentioned his interest in photographing grizzly bears. Only after excavating details of his life did she realize Cole is the only person in North America to survive two grizzly attacks, 14 years apart. “They called him Grizzly Jim,” she says. “He wore an eyepatch because the second attack left him without an eye.” (Cole died of natural, not wildlife-related, causes at age 60.)

For more on how obituary writers approach the delicate art of human posterity, we asked several of them—including O’Donnell—to tell us about their work. Here’s what they had to say about a life spent covering death.

1. THEY LOOK FOR THE “ROSEBUD” MOMENT.

John Pope, who writes for the Times-Picayune in New Orleans and assembled a book of obituaries, Getting Off at Elysian Fields, says that the goal of his work is to discover the “Rosebud” moment of an individual’s life. (That's a reference to the 1941 film Citizen Kane, and the desire of a reporter to define the mysterious dying word uttered by wealthy business magnate Kane.) “I look for ‘Rosebud,’ what makes a person tick,” he says. “When you talk to relatives, they talk about how he loved family, how he loved life, but you need to keep going and dig deeper.”

In 2009, Pope was tasked with profiling William Terral, a beloved pediatrician and gardening hobbyist. While the former was a noble career, Pope found his real jewel in the fact that Terral was once so struck by the bag of plasma separated from his blood during a medical procedure that he took it home, hung it from an IV hook, and pumped the liquid into the ground to see if it would help his garden grow. “His hibiscus flourished,” Pope says. So did his obituary.

2. IT’S ACTUALLY A PRETTY UPLIFTING JOB.

The stereotype of obituary writers toiling under the shadow of death, constantly aware of the fragile nature of life, isn’t exactly accurate. According to Pope, some family members have such fond memories of the deceased that talking to them can provoke a lot of amusement. “With Edward ‘Bud Rip’ Ripoll, a saloonkeeper, I had to ask his daughter to stop because I was laughing so hard and the stories were so good,” he says. (Ripoll was a Budweiser fan, and his urn was inscribed with the dedication, “This Bud’s for you.”)

O’Donnell describes it as “uplifting” work. “You’re frequently writing about people who made a difference in the world, large or small. The end of life is always sorrowful, but with someone like Mary White, who lived to be 93 and started the La Leche League [to normalize public breastfeeding] in her living room that now has tens of millions of members across the globe, that’s inspiring.”

3. THEY SOMETIMES KNOW WHEN DEATH IS IMMINENT.

Yellow flowers sit on top of a coffin
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Obituary writers have all kinds of information channels when it comes to mortality. Funeral homes may call to notify them; death notices in their paper or in another might provide a clue that a lesser-known person’s life is worth investigating further. Or they may simply be tipped off that the end is near. “For Barbara Harris, who was a founding member of Second City, one of my co-workers heard she was ill,” O’Donnell says. “I was able to prepare the obituary in advance, so when the time came, there was something comprehensive for readers available.”

Other times, that information can be a little off. When an editor was sure a prominent celebrity was going to die, Pope was told to prepare a lengthy obituary. “It was Paul Prudhomme, a chef who a line editor was convinced was going to launch to glory at any moment," Pope says. “He died 27 years later.”

4. THEY NEED TO BE READY FOR AN EMOTIONAL DELUGE.

Mike Bodine, who writes for the Sheet in Mammoth Lakes, California, says that an obituary writer will often be the first person a relative of the deceased has spoken to in depth about a loved one’s passing. “They can be really distraught,” he says. “It’s a matter of waiting it out while people just let their heart out. You can’t always use what they’re saying, but just listening and being patient can help open people up. It can feel a little bit like handling the body itself. You don’t want to push people.”

5. THEY CAN GET CAUGHT UP IN FAMILY SQUABBLES.

Phoning family members to collect memories of the recently deceased can be a sobering experience. Bodine says that children of the deceased can sometimes try to use an obituary to vent about personal vendettas. “When someone has passed and a lot of money and kids are involved, it can turn into animosity,” he says. “Someone will say a sibling is screwing them over on money. It’s just distortion you have to wade through.”

6. FAMILIES CAN GET UPSET AT THEM.

While an obituary writer’s job is to celebrate life, that doesn't mean they exclude the less-flattering components. When he was writing about a local politician, Pope discovered that he had once been to prison for misappropriating campaign funds. When he mentioned that in the obituary, the man’s daughter phoned in an uproar. “She asked why we were doing that. I told her it was because it was the truth.”

O’Donnell has had similar experiences. “Unfortunately, in Chicago, a lot of politicians have been investigated and convicted of corruption," she says. "It gets reported at the time it happened and readers would have known about it. It would be a disingenuous, fraud obituary if you didn’t include it.”

7. OTHER TIMES, PEOPLE LIE.

Family members may also omit certain facts. Because obituaries are perceived as the last word on many people, relatives and friends sometimes lean into the idea it should be a hagiography. “With [socialite] Mickey Easterling, no one was going to tell me her age,” Pope says. “I had to cite public records, which I’ve never had to do before.” On another occasion, the deceased’s loved ones refused to inform Pope that a suicide had occurred. He found out the truth months later, after listing the cause of death as “undetermined” in the obituary.

8. IT’S BETTER TO DIE ON CERTAIN DAYS THAN OTHERS.

A death certificate sits on top of a table
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If you want a well-read obituary, try to die on a Friday. According to Pope, people who expire that day of the week are more likely to be targeted for inclusion in the Sunday edition of the paper, which affords more space and more time for the obituary writer to do a thorough job. “Dying on a Friday will get you more play on a Sunday,” he says. Holidays are also ill-advised times to make an exit, as reporters with dedicated beats (politics, movies, sports) aren’t usually around to assist in reporting notable deaths in those fields, and readership is down.

While you'd think the dying and their associates would have more pressing issues, sometimes they prioritize that recognition: In 1936, King George V's physician injected the monarch with enough morphine and cocaine to hasten his death in time for the next morning's papers, rather than the less-desirable evening editions.

9. PEOPLE CAN BE A LITTLE NERVOUS AROUND THEM.

When an obituary writer becomes well-known in the community, their very presence can portend bad news. If Pope needs to phone someone for any reason other than someone’s passing, he’ll sometimes begin the call by saying, “It’s Pope. No one died.”

That slight unease can work both ways. Once, Pope walked into a social gathering where three people whose obituaries he had already written and banked for future use were standing. “I just kind of stopped,” he says.

10. THEY GET INVITED TO FUNERALS.

Obituaries are often treasured by families who appreciate how a writer has summarized and memorialized the deceased. Sometimes, that gratitude can extend to invitations to come to the funeral. “That happens with some frequency,” O’Donnell says. “I went to the services for a rock concert roadie, who I didn’t know, but he worked a lot of rock concerts I went to the in 1970s. I met a lot of people there who went to the same concerts.”

Other times, they’ll be dispatched to cover the funeral for the purposes of writing a piece. “I went to Al Copeland’s funeral, the founder of Popeyes Chicken,” Pope says. “There were 24 white Bentleys, a horse-drawn hearse, and a band playing ‘My Way.’” The solemn music continued until the procession reached the grave, at which point they broke into “Love That Chicken From Popeyes.”

11. CERTAIN PHRASES CAN ANNOY THEM.

Work the death beat long enough and certain recurring phrases begin to wear on a writer’s patience. Pope dislikes using the term the late to precede a decedent’s name. “What’s the point?” he says. “Can we get over that?” He also dislikes funeral service because “it’s redundant,” and avoids using “natural causes” as the reason for a death whenever possible, because it's non-specific. "Always get the cause of death," he says.

12. SOME PEOPLE USE OBITS TO TAKE REVENGE.

A highlighter is run over the word 'revenge'
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O’Donnell says she's struck by the more contemporary practice of “revenge” obituaries, which are penned by family members and tend to criticize their departed relative for allegations relating to abuse or other personal reasons that have prompted a vendetta. Pope recalls a time when a widow sent in a death notice to his paper claiming her late husband’s law firm had sent him to an early grave. “We spent a day with lawyers de-fanging it,” he says.

13. THEY HAVE THEIR OWN AWARDS SHOW CALLED “THE GRIMMYS.”

Acting as a kind of unofficial trade organization, the Society of Professional Obituary Writers invites devotees of the dead to exchange information on their work and attend functions like ObitCon. Each year, awards—known as the Grimmys—are awarded for best long- and short-form obituaries, as well as for lifetime achievement. The trophy resembles a tombstone. “I was nominated last year,” Pope says.

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