19 Weird Clauses in Baseball Contracts

Baseball contracts aren't just about money. They're also about bonus clauses and sweet, sweet perks. Here's a list of some of the more creative, generous or ludicrous perks players have received.

1. Bobby Bonilla Finally Gets Paid

Hey, New York Mets fans, think things couldn't get any worse? Next year former outfielder Bobby Bonilla goes back on the payroll at the ripe old age of 48. A little back-story: In 1999 Bonilla returned to the Mets for a second stint at Shea following his borderline disastrous free-agent signing in 1992.

Bonilla wasn't any better the second time around, so the Mets waived him in 2000. The problem was that the team still owed Bonilla $5.9 million in guaranteed salary. Bonilla's agents worked out a deal with the Mets where he would defer the salary if the team would pay him $1,193,248.20 every July 1 from 2011 to 2035. Not a bad deal for someone who was so bad the team basically paid him to go away.

2. Support for Rollie Fingers' 'stache

rollie.jpgFormer A's owner Charlie Finley never thought of a gimmick he wouldn't try, including a mechanical rabbit that delivered fresh balls to the umpire and hiring a 13-year-old MC Hammer as his "Executive V.P." In 1972, Finley offered his players cash for growing a mustache by Father's Day, thereby giving birth to reliever Fingers' trademark handlebar "˜stache. The A's went on to win the World Series that season, and Fingers' contract for 1973 contained a $300 bonus for growing the mustache as well as $100 for the purchase of mustache wax.

3. Charlie Kerfeld's Tasty Bonus

After a spectacular rookie season in 1986, the rotund reliever who always pitched in his lucky Jetsons t-shirt needed a new contract. Kerfeld asked for $110,037.37, matching his number 37 jersey, to pitch in 1987. On top of that, he received 37 boxes of orange Jell-O in the deal. The Astros would soon regret this delicious bonus, though; Kerfeld, who was famously caught eating ribs in the dugout that season, would battle weight and injury problems and get sent down to the minors.

4. The Red Sox Buy John Lackey Insurance

The Boston Red Sox made a big free-agent splash this winter by signing starting pitcher John Lackey to a 5-year, $82.5 million deal. Signing pitchers to long-term contracts is a tricky venture due to the possibility of injury, but the Red Sox managed to give themselves a little peace of mind. If Lackey misses any significant time due to surgery on a pre-existing elbow injury during the first five years of the contract, the Red Sox gain a club option for the 2015 season in which Lackey would have to pitch for the Major League minimum salary.

5. George Brett Becomes a Landlord

The contract extension George Brett signed with the Kansas City Royals in 1984 must have been one of the stranger deals in MLB history. The club agreed to give Brett the bat he used in the infamous 1983 "Pine Tar Game" as part of the pact, but that wasn't the only odd perk. The contract also gave him part ownership of an apartment complex in Memphis.

At the time, Avron Fogelman co-owned the Royals. Fogelman had made his fortune as a lawyer and real estate baron in Memphis, so when the team needed a little extra incentive to get Brett to sign, they offered the third baseman a piece of one of Fogelman's developments. Brett's agent/brother Bobby negotiated the deal; he referred to the 1,100-apartment complex as "a nice little kicker." Brett received a guaranteed cash flow of $1 million from the development and retained the right to sell his 10-percent stake to the Royals for $2 million.

Fogelman's Royals used the trick a couple more times when they signed reliever Dan Quisenberry and outfielder Willie Wilson to similar deals that gave them stakes in the 700-apartment Stewart's Ferry development in Nashville. (Quiz got 24.5 percent of the development, while Wilson got 9.5 percent.) Fogelman later told the New York Times that he might have given up too much in the hastily negotiated deals.

6. Barry Bonds Gets a Legal Deal

All player contracts are full of legal jargon, but Barry Bonds' 2007 deal with the San Francisco Giants contained a different kind of legalese. In the wake of Bonds' ongoing problems with the law, the club negotiated a deal that would allow the Giants to release Bonds or convert his contract to a non-guaranteed deal if he came under indictment for a crime. Moreover, the club contractually severed its relationship with Bonds' personal trainers and wrote in the deal that said trainers were no longer allowed in team facilities.

7. Roy Oswalt's Big Toy

Before Oswalt made a start in the 2005 National League Championship Series, Astros owner Drayton McLane promised to make the ace's dreams come true if he won, specifically his life goal of bulldozer ownership. After Oswalt dominated the Cardinals to send Houston to its first-ever World Series, McLane came through with a Caterpillar D6N XL. Since Major League Baseball requires high-dollar gifts be disclosed, Oswalt signed an addendum to his contract, a "bulldozer clause," authorizing the club to give him his new toy.

8. Daisuke Matsuzaka's Lucky Number

Dice-K's deal with the Red Sox included a plethora of strange or excessive clauses including housing allowances and a personal masseuse. But the oddest is that he was contractually guaranteed the jersey number 18.

9. Kevin Brown, Los Angeles Dodgers

The seven-year, $105 million deal Brown signed after the 1998 season guaranteed twelve round trip private jet trips from L.A. to his hometown in Macon, Georgia, for his family, sparing his children from cruel flight attendants' taunts about their dad being overpaid.

10. Need Yankees Tickets? Call A-Rod

When it comes to baseball's biggest free agent deals, it's not uncommon for teams to throw in a suite or a set of premium tickets to home games as part of the contract. Nothing comes free at the new Yankee Stadium, though, not even if you're the team's biggest star. The 10-year contract Alex Rodriguez signed in December 2007 guarantees him $275 million in cash, but he doesn't get any free tickets. Instead, he gets the option of purchasing four Legends Suite or comparable season tickets each year. Fellow Bronx Bomber Mark Teixeira is also contractually allowed to purchase eight of the Yankees' choicest season tickets each year.

11. Ichiro Won't Be Homeless

One would think a guy making a guaranteed $17 million a year wouldn't be too worried about keeping a roof over his head. Not Ichiro Suzuki, though. The Seattle Mariners star outfielder signed a five-year contract extension in July 2007 that included, among other perks, four round-trip airline tickets to Japan each year and the services of an interpreter and trainer throughout the season. It also included a housing allowance for each year of the deal. While the numbers themselves aren't eye-popping—the allowance ranges from $32,000 to $36,000 a year over the life of the deal—kudos to Ichiro for getting someone else to pay his rent.

12. Curt Schilling Stays Skinny

By the end of his storied career, outspoken hurler Curt Schilling had started to get a bit doughy. When the Boston Red Sox re-signed him to a one-year deal with $8 million before the 2008 season, it included a clause in which Schilling could pick up an extra $2 million if he made weight at six random weigh-ins over the course of the season. Schilling picked up a $333,333 check each time he didn't tip the scales too far.

13. Horse Play for Troy Glaus

Arizona inked the slugging third baseman signed for four years and $45 million in December 2004. As part of the deal, Glaus received $250,000 annually for "personal business expenses," namely the cost of his wife Ann's equestrian training and equipment. Although Glaus bashed 37 homers for the Snakes in 2005, he also tied for the major-league lead in errors by a third baseman with 24. Despite Mrs. Glaus' surely improving performance in the steeplechase, Glaus had to hoof it to Toronto when he was traded barely a year after signing.

14. Suns Tix for Randy Johnson

When the Big Unit signed with the Arizona Diamondbacks in 1998, team owner Jerry Colangelo also threw in a pair of partial season tickets for the Phoenix Suns to lure in the lanky lefty. Seems like Johnson could have afforded his own tickets, but to be fair, when you're making $52 million over four years, it's hard to get scalpers to fall for "Can you take twenty for the pair? I swear it's all I've got, dude."

15. Carlos Beltran's Tennis Ball Launcher

beltran.jpgBeltran's mammoth seven-year, $119 million deal from January 2005 showed that he had all of baseball's five tools but lacked a conditioned ocular enhancer: a gadget that throws numbered, colored tennis balls over 150 mph to help players pick up the speed of a pitched ball. There's a clause in the contract requiring that the Mets lease the machine and retain an operator for it.

16. Billy Beane Gets a Piece of the A's

When lauded general manager Billy Beane signed a three-year extension with the Oakland Athletics in 2002, he negotiated a clause that would allow him to opt out of the deal if the team were sold. Sure enough, in April 2005, a new ownership group headed by real estate developer Lew Wolff bought the team. Rather than opting out and leaving the team, Beane jumped at the opportunity to negotiate another four-year extension that would take him through the 2012 season. This deal came with more than just cash, though; Wolff also set Beane up as a minority owner with a 4% share of the club.

17. Brad Lidge: Silver Slugger?

When the Houston Astros (sound familiar?) re-signed Brad Lidge in January 2007, the reliever got an incentive clause promising $25,000 for winning a Silver Slugger, given annually to the top hitter at each position. Lidge probably didn't consider this easy money; as a relief pitcher, he had only been to the plate seven times in his five-season career and hadn't seen an at-bat since 2004. Despite an erratic season on the mound, Lidge was the model of consistency at the plate in 2007, mostly because he never had an at-bat. Houston finished 13th in the National League in runs scored that year, though, so maybe letting Lidge take some hacks would have been worth a try.

18. A.J. Burnett's Family Rides in Style

Lots of players have free-plane-ticket perks written into their contracts, but some feel that air travel really lacks that fun we're-going-to-the-prom feeling you can only get from a long limo ride. When flamethrower A.J. Burnett signed with Toronto as a free agent in December 2005, he required that his wife receive eight round-trip limo rides from his home in Maryland to Toronto each season. That's around nine hours in a limo each way, which is enough time to move the little divider between you and the driver up and down roughly 3,500 times.

19. Michael Jordan Pulls in Cash in the Minors

Michael Jordan's abrupt departure from basketball to play minor league baseball following the Chicago Bulls' 1993 championship campaign struck a number of observers as odd. How could Jordan quit playing hoops and leave all of that money on the table?

As it turns out, His Airness was losing less cash than we all thought. Bulls owner Jerry Reinsdorf also owned the Chicago White Sox, the team Jordan was playing for in the minors. Even though Jordan was technically retired from basketball, Reinsdorf paid Jordan his $4 million salaries for the Bulls seasons he missed.

Big thanks to the always awesome Cot's Baseball Contracts for help with the baseball deals. Bobby Bonilla image courtesy of

Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
10 Monster Facts About Pacific Rim
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Legendary Pictures took a gamble on Pacific Rim, Guillermo del Toro’s 2013 monster/robot slugfest. Since it wasn’t based on a preexisting franchise, it lacked a built-in fanbase. That can be a serious drawback in our current age of blockbuster remakes and reboots. The movie underperformed domestically; in America, it grossed just over $100 million against its $180 million budget. Yet Pacific Rim was a huge hit overseas and acquired enough fans to earn itself a sequel, Pacific Rim Uprising, which arrives in theaters this week. Here are 10 things you might not have known about the movie that started it all.


Idris Elba in 'Pacific Rim' (2013)
Warner Bros.

One foggy day in 2007, Beacham—who’d recently moved to California—was walking along Santa Monica Beach. As he looked out at the Ferris wheel on the city’s eponymous pier, he pictured a looming sea monster. Then he imagined an equally large robot gearing up to fight the beast. “They just sort of materialized out of the fog, these vast godlike things,” Beacham said. He decided to pursue the concept further after coming up with the idea of human co-pilots who’d need to operate their robot as a team, which added a new thematic dimension.

“I didn’t know I had something I wanted to write until I realized these robots are driven by two pilots, and what happens when one of those people dies? What happens to the leftovers? Then it became a story about loss, moving on after loss, and dealing with survivor’s guilt," Beacham said. "That made the monsters scarier because now you care about the people who are in these robots.”


Pacific Rim was picked up by Legendary Pictures and handed over to director Guillermo del Toro. A huge fan of monster cinema, del Toro enthusiastically co-wrote the final screenplay with Beacham. Sixteen concept artists were hired to sketch original robot and creature designs for the film. “We would get together every day like kids and draw all day,” del Toro told the New York Daily News. “We designed about a hundred Kaijus and about a hundred Jaegers and every week we would do an American Idol and we would vote [some of] them out.”


In “Charlie Kelly: King of the Rats,” the tenth episode of It's Always Sunny in Philadelphia's sixth season, Charlie Day’s character gives us a darkly comedic monologue about rodent extermination. Little did the actor know that the performance would open a big opportunity for him. Impressed by the rat speech, del Toro offered Day the part of Dr. Newton Geizler, Pacific Rim’s socially-inept kaiju expert. “He said to himself, ‘That’s my guy. That guy should be in my next movie because if he killed rats, he can kill the monster,’” Day recalled during an appearance on Late Night with Jimmy Fallon. On the movie set, del Toro often joked about how much he enjoys It’s Always Sunny. As a way of repaying his director, Day helped get del Toro a minor role in the series.


Most of the film’s special effects were computer-generated, but not everything was digital. For the robot cockpit scenes, del Toro had his team build the interior of a full-scale Jaeger head. The finished product stood four stories tall and weighed 20 tons. And like a Tilt-A-Whirl from hell, it was designed to rock around violently on its platform via a network of hydraulics. Once inside, the actors were forced to don 40-pound suits of armor. Then the crew strapped their feet into an apparatus that Charlie Hunnam has compared to a high-resistance elliptical machine.

Certain shots also required del Toro to dump gallons of water all over his exhausted, physically-strained stars. So yeah, the experience wasn’t much fun. “We saw every one of the actors break down on that set except for the female lead actress Rinko Kikuchi," del Toro said. "She’s the only actor that didn’t snap."


Del Toro wanted Gipsy Danger, his ‘bot, to have the self-confident air of a wild west gunslinger. To that end, he and concept artist Oscar Chichoni developed a swaggering gait that was based on John Wayne’s signature hip movements. The Jaeger’s Art Deco-like design was influenced by the Chrysler and Empire State Buildings.


Hailed as the “fortieth greatest guitarist of all time” by Rolling Stone, Rage Against the Machine's Tom Morello rocked the MTV generation with hits like “Bulls on Parade” and “Killing in the Name.” Pacific Rim bears his mark as well. The film’s lead composer was Ramin Djawadi, whose other works include the Game of Thrones theme. Wanting to add a “rock element” to the Pacific Rim soundtrack, he and del Toro reached out to Morello. The guitarist didn’t need much persuading.

“When they asked me to put some giant robot riffs and screaming underwater monster licks on the film score, I was all in,” Morello said. Djwadi was pleased with the rocker's contributions to the project. As he told the press: “Tom’s unique style and sounds really defined our robots.”


A definite highlight of this movie is Gipsy Danger’s duel with the winged kaiju Otachi in downtown Hong Kong. Both characters were computer-generated, as were the majority of the streets, cars, and towers in this epic sequence. However, there is one moment which was at least partly realized with practical effects. Gipsy punches through the wall of an office building early in the fight. We see her fist rip through a series of cubicles and gradually decelerate until it lightly taps a chair with just enough force to set off a Newton’s Cradle desktop toy. For that shot, effects artists at 32Ten Studios constructed a miniature office building interior featuring 1/4-scale desks, cubicles, and padded chairs. The level of detail here was amazing: 32Ten’s staff adorned each individual workspace with lamps, computers, wastebaskets, and teeny, tiny Post-it notes.


Rinko Kikuchi in 'Pacific Rim' (2013)
Kerry Hayes, Warner Bros. Entertainment Inc. and Legendary Pictures

Audiences reacted strongly to Kikuchi’s character Mako Mori, who inspired an alternative to the famous Bechdel test. Some critics praised the culmination of her relationship with Raleigh Beckett (Hunnam). Although it’s common practice for the male and female leads in an action flick to end their movie with a smooch, Mori and Beckett share a platonic hug as Pacific Rim draws to a close. Del Toro revealed that he shot three different versions of that final scene. “We did one version where they kiss and it almost felt weird. They’re good friends, they’re pals, good colleagues,” del Toro said.


At the end of the credits, there’s a tribute that reads: “This film is dedicated to the memories of monster masters Ray Harryhausen and Ishiro Honda.” Harryhausen passed away on May 7, 2013—two months before Pacific Rim’s release. A great stop-motion animator, he breathed life into such creatures as the towering Rhedosaurus in 1953’s The Beast From 20,000 Fathoms.

Ishiro Honda was another giant of the kaiju genre, having directed Rodan, War of the Gargantuas, and numerous Godzilla films. Del Toro has great respect for both men. When Harryhausen died, the director said, “I lost a member of my family today, a man who was as present in my childhood as any of my relatives.” He also adores the Japanese monster classics and says he’d love to see a Pacific Rim-Godzilla crossover someday. Maybe it’ll happen.


If you’re not familiar with the practice of “Sweding,” let us fill you in: The 2008 comedy Be Kind, Rewind is about two co-workers at a VHS rental store who accidentally erase every tape in stock. Hoping to save their skins, they create ultra low-budget remakes of all the films they’ve destroyed using cardboard sets and cheap costumes. It’s a process these guys call “Sweding” as a ploy to convince everyone that their (unintentionally hilarious) knockoffs were produced in Sweden. Since Be Kind, Rewind was released, Sweding has become a legitimate art form.

When Pacific Rim’s first trailer debuted in 2013, YouTubers Brian Harley and Brodie Mash created a shot-for-shot, Sweded duplicate of the preview. Instead of state-of-the-art CG effects, their version used toy helicopters, duct-tape monster masks, and an ocean of packing peanuts—and del Toro loved it. At WonderCon 2013, he praised the video, saying that it inspired the editing used in Pacific Rim’s third trailer. Harley and Mash happened to be at the same gathering. When del Toro met the comedic duo, he exclaimed “I loved it! My daughters loved it, we watched it a bunch of times!” Then he invited the Sweding duo to attend Pacific Rim’s premiere in Hollywood.

Composite by Mental Floss. Illustrations, iStock.
The DEA Crackdown on Thomas Jefferson's Poppy Plants
Composite by Mental Floss. Illustrations, iStock.
Composite by Mental Floss. Illustrations, iStock.

The bloom has come off Papaver somniferum in recent years, as the innocuous-looking plant has come under new scrutiny for its role as a building block in many pain-blunting opiates—and, by association, the opioid epidemic. That this 3-foot-tall plant harbors a pod that can be crushed and mixed with water to produce a euphoric high has resulted in a stigma regarding its growth. Not even gardens honoring our nation's Founding Fathers are exempt, which is how the estate of Thomas Jefferson once found itself in a bizarre dialogue with the Drug Enforcement Administration (DEA) over its poppy plants and whether the gift shop clerks were becoming inadvertent drug dealers.

Jefferson, the nation's third president, was an avowed horticulturist. He spent years tending to vegetable and flower gardens, recording the fates of more than 300 varieties of 90 different plants in meticulous detail. At Monticello, his Charlottesville, Virginia plantation, Jefferson devoted much of his free time to his sprawling soil. Among the vast selection of plants were several poppies, including the much-maligned Papaver somniferum.

The front view of Thomas Jefferson's Monticello estate
Thomas Jefferson's Monticello estate.

"He was growing them for ornamental purposes,” Peggy Cornett, Monticello’s historic gardener and curator of plants, tells Mental Floss. “It was very common in early American gardens, early Colonial gardens. Poppies are annuals and come up easily.”

Following Jefferson’s death in 1826, the flower garden at Monticello was largely abandoned, and his estate was sold off to help repay the debts he had left behind. Around 115 years later, the Garden Club of Virginia began to restore the plot with the help of Jefferson’s own sketches of his flower borders and some highly resilient bulbs.

In 1987, Monticello’s caretakers opened the Thomas Jefferson Center for Historic Plants, complete with a greenhouse, garden, and retail store. The aim was to educate period-accurate gardeners and sell rare seeds to help populate their efforts. Papaver somniferum was among the offerings.

This didn’t appear to be of concern to anyone until 1991, when local reporters began to obsess over narcotics tips following a drug bust at the University of Virginia. Suddenly, the Center for Historic Plants was fielding queries about the “opium poppies” in residence at Monticello.

The Center had never tried to hide it. “We had labels on all the plants,” says Cornett, who has worked at Monticello since 1983 and remembers the ensuing political scuffle. “We didn’t grow them at the Center. We just collected and sold the seeds that came from Monticello.”

At the time, the legality of growing the poppy was frustratingly vague for the Center’s governing board, who tried repeatedly to get clarification on whether they were breaking the law. A representative for the U.S. Department of Agriculture saw no issue with it, but couldn’t cite a specific law exempting the Center. The Office of the Attorney General in Virginia had no answer. It seemed as though no authority wanted to commit to a decision.

Eventually, the board called the DEA and insisted on instructions. Despite the ubiquity of the seeds—they can spring up anywhere, anytime—the DEA felt the Jefferson estate was playing with fire. Though they were not a clandestine opium den, they elected to take action in June of 1991.

“We pulled up the plants," Cornett says. “And we stopped selling the seeds, too.”

Today, Papaver somniferum is no longer in residence at Monticello, and its legal status is still murky at best. (While seeds can be sold and planting them should not typically land gardeners in trouble, opium poppy is a Schedule II drug and growing it is actually illegal—whether or not it's for the express purpose of making heroin or other drugs.) The Center does grow other plants in the Papaver genus, all of which have varying and usually low levels of opium.

As for Jefferson himself: While he may not have crushed his poppies personally, he did benefit from the plant’s medicinal effects. His personal physician, Robley Dunglison, prescribed laudanum, a tincture of opium, for recurring gastric issues. Jefferson took it until the day prior to his death, when he rejected another dose and told Dunglison, “No, doctor, nothing more.”


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