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Small River Cemetery No. 5

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There's a 4,000-year-old cemetery in the desert north of Tibet known as Small River Cemetery No. 5. In it, more than 200 mummies rest underneath a "vigorous forest of phallic symbols," and the corpses show signs of European and Siberian origin. So how did they end up in China? The New York Times gives us some clues in a new story: A Host of Mummies, a Forest of Secrets. But what really jumps out at me is all this talk of phalluses and proto-lingerie. Here's a snippet:

The cemetery lies in what is now China's northwest autonomous region of Xinjiang, yet the people have European features, with brown hair and long noses. Their remains, though lying in one of the world's largest deserts, are buried in upside-down boats. And where tombstones might stand, declaring pious hope for some god's mercy in the afterlife, their cemetery sports instead a vigorous forest of phallic symbols, signaling an intense interest in the pleasures or utility of procreation.

...As the Chinese archaeologists dug through the five layers of burials, Dr. Mair recounted, they came across almost 200 poles, each 13 feet tall. Many had flat blades, painted black and red, like the oars from some great galley that had foundered beneath the waves of sand.

At the foot of each pole there were indeed boats, laid upside down and covered with cowhide. The bodies inside the boats were still wearing the clothes they had been buried in. They had felt caps with feathers tucked in the brim, uncannily resembling Tyrolean mountain hats. They wore large woolen capes with tassels and leather boots. A Bronze Age salesclerk from Victoria's Secret seems to have supplied the clothes beneath — barely adequate woolen loin cloths for the men, and skirts made of string strands for the women.

I'd say these are some sexy mummies. Read the rest for a story of some very ancient, and very sex-obsessed, dead people.

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Wikimedia Commons // Public Domain
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‘American Gothic’ Became Famous Because Many People Saw It as a Joke
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Wikimedia Commons // Public Domain

In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.

According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.

Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."

Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.

Get the full story from Vox below.

[h/t Vox]

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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0
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Get Your GIFs Ready for This International Public Domain GIF-Making Competition
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“Dissension” by Tobias Rothe. Original image courtesy Fondazione Federico Zeri/Università di Bologna // CC-BY 3.0

Excellent GIF-making skills can serve you beyond material for your clever tweets. Each year, a group of four digital libraries from across the world hosts GIF IT UP, a competition to find the best animated image sourced from public domain images from their archives.

The competition is sponsored by Europeana, the Digital Public Library of America (DPLA), New Zealand’s DigitalNZ, and the National Library of Australia’s Trove, all of which host millions of public domain works. The requirements are that the source material must be in the public domain, have a 'no known copyright restrictions' statement, or have a Creative Commons license that allows its reuse. The material must also come from one of the sponsored sources. Oh, and judging by the past winners, it helps if it’s a little whimsical.

The image above won the grand prize in 2015. And this was a runner-up in 2016:

via GIPHY

This year’s prizes haven’t been announced yet (although Europeana says there will be a new one for first-time GIF makers), but last year’s grand prize winner got their own Giphoscope, and runners-up got $20 gift cards. (Turns out, there’s not a lot of money in public domain art.)

Not an expert GIFer yet? You can always revisit the audio version of DPLA’s advanced GIF-making tutorial from last year.

The fourth-annual GIF IT UP contest opens to submissions October 1.

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