7 Ways People Woke Up, Pre-Alarm Clock

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We have complicated relationships with our alarm clocks. They’re necessary for keeping appointments and staying employed, but you won’t find many people that actually enjoy being jolted out of bed to the same tone every morning for years on end. Though no matter how much you’ve grown to despise the incessant beeping of your alarm, know that waking up was no less of a struggle for previous generations. After all, there’s no snooze button for church bells or a factory whistle. Here are seven ways people would wake up before the invention of the modern alarm clock.

1. BLADDER CONTROL

Early man drank tons and tons of water if he needed to wake up before the sun. Why? Well, if you're over the age of 30 or so, you probably know what getting up in the middle of the night to urinate is all about. The custom of "over-drinking" before bed was even utilized by Native Americans well into the 20th century.

2. THE CLEPSYDRA

Speaking of water, the clepsydra, or water clock, was used by the earliest civilizations for thousands of years. They weren't so much clocks as they were timers, working in much the same way a common hourglass works. It wasn't until 245 BCE that Ctesibius of Alexandria improved the clepsydra, or "water thief" as it was known, and created the world's first mechanical clock. It's mind-boggling to think about what Ctesibius accomplished: Seasonal cycles required irregular water levels be dispensed into a receiving vessel with equidistant hour-marks, while daily cycles required varying hour-marks and regular efflux. Making the clepsydra an alarm clock required nothing more than a floating bob that struck an alarm once it reached a desired level. Later versions turned gears, signaling an alarm or even springing a catapult that launched a pellet into a metallic plate.

3. RELIGIOUS WAKE-UP CALLS

In many early Christian societies, bells called churchgoers to prayer in the morning. Religious bells also served to mark the passage of time throughout the day before people wore watches. In most Islamic traditions, audible tones and prayers marked the start of the day (just as they do today). The Fajr (literally "dawn") is the first of five daily prayers blasted out through the village. Four more prayers follow the sun and help mark the passage of time, day in, day out.

4. PEG CLOCKS

About the year 1555, Taqi al-Din Muhammad ibn Ma'ruf invented a few different types of mechanical alarm clocks, including one that would sound at any desired time. This was achieved by placing a peg into a hole on the face of the clock. Taqi al-Din was born in Syria and schooled in Cairo. Similar clocks were also developed around the same time in Western Europe.

5. THE KNOCKER-UP

The Knocker-Up (also referred to as a Knocker-Upper) gained prominence during the Industrial Revolution, using a long stick with wire or a knob affixed to the end to rouse customers at a desired time. Clients would agree verbally in advance, or simply post a preferred time on doors or windows. For a few pence a week, clients could rest assured knowing their Knocker Upper would not leave until he (Knocker Ups were almost always men) was certain a person was awake. Larger factories and mills often employed their own Knocker Ups to ensure laborers made it to work on time.

6. THE FACTORY WHISTLE

At the dawn of the Industrial Age, workers lived around the factory at which they worked, and would wake at the sound of the factory whistle. Steel and textile mills drew in farmers from the countryside, and like that, ding-ding, the clock ruled the roost. Time was always money. But now time could also be regulated more easily. Work was no longer driven by the season; rather it was divided into units of time. It was the factory whistle, not the rising sun or the chirping birds, that called people to work.

7. LEVI HUTCHENS'S 4 A.M. ALARM

In 1787, Levi Hutchens of Concord, New Hampshire, invented another incipient alarm clock. Built into a simple pine box, a gear mechanism set off a bell. However, the bell on his clock could ring only at 4 a.m., not coincidentally the time Levi needed to get up for work. Finally, on October 24, 1876, a mechanical wind-up alarm clock that could be set for any time was patented by Seth E Thomas.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


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In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

Annotations in Copy of Shakespeare's First Folio May Have Been John Milton's

GeorgiosArt/iStock via Getty Images
GeorgiosArt/iStock via Getty Images

It's a well-known literary fact that William Shakespeare had an enormous influence on "Paradise Lost" poet John Milton, and new evidence suggests that super fan Milton—who even wrote a poem called "On Shakespeare"—might have owned his idol's first folio.

The folio, which contains 36 of Shakespeare’s plays, was published in 1623—seven years after the Bard’s death. An estimated 750 first folios were printed, with only 233 of them known to have survived, including one with annotations written throughout it. As it turns out, those scribbles might be Milton's.

According to The Guardian, Cambridge University fellow Jason Scott-Warren believes that Milton wrote those important annotations. Scott-Warren read an article about an anonymous annotator written by Pennsylvania State University English professor Claire Bourne. The Folio copy in question has been stored in the Free Library of Philadelphia since 1944, and Bourne was able to date the annotator back to the mid-1600s. (Milton died in 1674.) It was Scott-Warren who noticed that the handwritten notes looked similar to Milton’s handwriting.

"It shows you the firsthand encounter between two great writers, which you don’t often get to see, especially in this period,” Scott-Warren told The Guardian. “A lot of that kind of evidence is lost, so that’s really exciting.”

If the writing does indeed belong to Milton, it’s not the first time the poet has left notes on another writer's work; he supposedly marked up his copy of Giovanni Boccaccio’s Life of Dante as well. Scott-Warren and Bourne plan to pair up to find out if Milton left annotations on any other notable works.

"It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived—and yet the evidence here so far is persuasive,” Dr. Will Poole, a fellow and tutor at Oxford's New College said. "This may be one of the most important literary discoveries of modern times."

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