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The Weird Week in Review

Fat Cat Gets Stuck Under Bomb-detecting Machine

A security checkpoint at the Newark Airport had to be shut down temporarily Tuesday when a large cat ran underneath a bomb-detecting machine. The 25-pound cat travels in a carrier, but was removed so the carrier could be checked through security. The frightened feline squeezed into a four-inch space under the machine and could not be dislodged. Passengers in line were sent to another security line for 20 minutes, until a hydraulic lift was brought in to pick up the machine so the cat could be retrieved. The cat's owner and her daughter missed their flight, but were relieved that the cat was alright.

Pole Dancing as an Olympic Event?

Ania Przeplasko of the International Pole Dancing Fitness Association believes that pole dancing will one day be recognized as a legitimate sport. She hopes it will eventually be a part of the Olympics. British pole dancer K.T. Coates is pushing to make pole dancing a "test event" at the 2012 Olympics in London and possibly a regular event in Rio de Janeiro in 2016. Coats has a petition with 4,000 signatures so far. The campaign to put pole dancing on the Olympic schedule has some opponents within the pole fitness community, such as those who believe gymnasts will crowd out dancers, and those who feel Olympic status will destroy the sport's allure.

Inmate Left in Courthouse as it Closes for Holiday Weekend

57-year-old Calvin Jones of Vallejo, California was in court for a probation violation two weeks ago. A bailiff took Jones to a secured room used for client-attorney meetings on Thursday morning, and then forgot him. That evening, the courthouse shut down operations for a four-day Presidents Day weekend!

Jones was left in the room, without food, water or access to restroom facilities for more than 10 hours, until a janitor at the Tuolumne Street courthouse discovered his plight about 7:25 p.m. and notified the Sheriff's Office.

"Deputies responded within 30 minutes and got him out of there," Faulkner told The Reporter, admitting that the situation "could have been very bad" had Jones been left uncared for in the courthouse over the long weekend.

The incident is under investigation.

Convict Digs Out of Prison With a Spoon

An unnamed 35-year-old female inmate broke out of a prison in Breda, the Netherlands. She had been housed on prison grounds in a special building for inmates preparing for release. She had dug a tunnel with a spoon! The tunnel went from the kitchen of the house to a sidewalk outside. Police think she had an accomplice who loosened the sidewalk paving stones outside. The woman had only 22 months left on her murder sentence. She is still at large.

Man Bulldozes House Before Foreclosure

Terry Hoskins of Moscow, Ohio took drastic steps to prevent the bank from foreclosing on his home. He owes $160,000 on his $350,000 home. Hoskins has struggled with RiverHills Bank over his home mortgage for almost ten years. Hoskins said he had an offer of $170,000 for the home, but the bank turned it down. Rather than see his home repossessed, Hoskins used a bulldozer and smashed the house to the ground. The building that houses his carpet business is under an IRS lien, and is set to go on the auction block on March second. Hoskins says he might bulldoze that property as well.

Drug User Reports Bad Hash to Police

A man in Eslöv, Sweden went to the local police station to complain about the hashish he had been sold. The unnamed man believed it had been laced with LSD.

The 26-year-old cannabis connoisseur declared to surprised police officers in the provincial Skåne town of Eslöv that he was not satisfied with the quality of his stash and would like to lodge a complaint, local newspaper Skånskan reports.

The man told officers that his ganja had not delivered the desired effect, leaving him feeling decidedly ill-at-ease and in the midst of a nightmare scenario where his girlfriend resembled a dolphin.

The man said in ten years of hash use, he's never had such a reaction. However, he was reluctant to identify the dealer who provided the drug, so it is unlikely police can do anything about his complaint.

Hero Dog Protects Lost Girl

Three-year-old Victoria Bensch wandered away from her home in Cordes Lakes, Arizona last Thursday. She was missing in the nearby mountains overnight while the temperature dipped down to 30 degrees Fahrenheit. Fifteen hours later, she was spotted in a dry creek bad by a helicopter pilot. Victoria was accompanied by her dog, Blue. Rescuers believe Blue kept the child warm and safe from predators overnight. When they approached the girl, the dog was on alert until Victoria smiled, then he relaxed and let rescuers approach. Blue had no trouble boarding the helicopter with Victoria. The girl was taken to a hospital for frostbite treatment and was found to be healthy.

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Wikipedia // Public Domain
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Retrobituaries
Haruo Nakajima, the Original Actor Beneath the Godzilla Suit
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Haruo Nakajima (second from left) during the filming of Godzilla Raids Again (1955).
Wikipedia // Public Domain

If you can’t picture actor Haruo Nakajima’s face, that’s because his most famous movie role had him hidden inside a monster costume. The Japanese performer—who played cinema’s most famous reptilian beast, Godzilla, in both the 1954 original film and 11 sequels—died on August 7, 2017 at the age of 88 from pneumonia, but not before giving the world a glimpse of the man beneath the scaly suit.

Nakajima was born on January 1, 1929, in Yamagata, Japan. As the third of five children, he knew he wouldn't inherit his father's butcher shop (which traditionally went to the eldest son), so he enrolled in an acting program at the age of 18 after working for a brief period as a truck driver for the occupying Allied forces.

Nakajima launched his movie career by working as a stuntman in samurai movies. His most famous bit part was in Akira Kurosawa’s famous 1954 adventure-drama Seven Samurai, but his big break occurred while filming the 1953 World War II military film Eagle of the Pacific.

The script required Nakajima to jump from a burning plane, and when director Ishirō Honda saw him in action, "he thought, 'This guy is full of energy,'" the actor recalled to Great Big Story in March 2017. “They came to see me as someone who had guts, and I think that’s why they wanted me for the role of Godzilla.”

In the original 1954 Godzilla film, underwater hydrogen bomb testing disturbs an ancient sea creature from its aquatic habitat, and the beast proceeds to wreak havoc upon mainland Japan. Since Nakajima initially had no idea what the titular monster would look like or how it would move, he prepared for his role in an unusual way.

“I spent 10 days at the zoo,” Nakajima later recalled, according to Jonathan Clements’s book Schoolgirl Milky Crisis: Adventures in the Anime and Manga Trade. “I’d watch the way the elephants walked, the monkeys, the gorillas, but especially the bears. I used to take two lunches with me. One was mine, and the rest of it I’d throw to the bears. When one of them snatched it up and shoveled it into his mouth, I’d watch the way he did it.”

Not that it was easy to move in the Godzilla suit. The original costume was made from ready-mixed concrete (rubber was a scare commodity in post-war Japan) and reportedly weighed around 220 pounds. It was also suffocatingly hot: Nakajima sweated so much beneath the soundstage’s bright lights that by day’s end he said he could fill half a bucket with perspiration wrung from his undershirt.

When Godzilla first arrived in movie theaters in 1954, an anonymous Nakajima watched the film from the front row to gauge the audience's reaction. "When the film was a success I was so surprised," he told Great Big Story. "I was so happy."

Nakajima starred in Godzilla movies for most of the next two decades. He also appeared in dozens of other monster movies as a contract actor for Japanese film studio Toho, which created the Godzilla franchise. But after filming Godzilla vs. Hedorah in 1971, Nakajima's exclusive contract wasn't renewed, and he donned the scaly suit just one last time for 1972's Godzilla vs. Gigan. The actor retired in 1973, and spent his remaining years attending comic cons and movie conventions, making the occasional Godzilla film cameo, and running a Toho-owned mahjong parlor.

Even though Nakajima enjoyed a successful career, he would never experience international fame: "Back then, people didn't speak positively of suit actors," Nakajima told Japanese magazine Josei Seven in 2014, according to Kotaku. "There'd be whispers going around that working inside [a suit] is not an acting job."

Yet the Godzilla franchise became a worldwide phenomenon. The films ushered in a new era of sci-fi monster movies, and after World War II, they served as a campy—yet palpable—reminder of the dangers of nuclear combat.

As for Nakajima himself, “there are not a lot of actors that you can compare him to,” Akira Mizuta Lippit, a cinematic arts professor at the University of Southern California, told The Washington Post after Nakajima’s death. “He, in fact, invented the kind of acting that he then performed. In that sense, he’s absolutely unique."

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Dori Ann Bischmann, PhD
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History
Inside the Never-Before-Seen Scrapbook of the Rubber Skin Lady, a 1930s-era Sideshow Star
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Agnes the Rubber Skin Lady and other performers, including Frieda Pushnik, Major Small, and John Williams the Alligator-Skin Boy.
Dori Ann Bischmann, PhD

As a young girl growing up in Milwaukee, Dr. Dori Ann Bischmann loved exploring her parents' attic. One day in the early 1970s, she discovered a mysterious trunk that piqued her curiosity.

Inside, there was some children's china, an antique baby doll, a beaded hat and bag from the 1920s, and an old scrapbook. The book had a picture of two puppies on the cover.

But the images between the covers weren't as cuddly as advertised.

Dori had found the scrapbook of her great aunt, Agnes Schwarzenbacher, also known as Agnes Higginbotham and Agnes Schmidt—but more famously as Agnes the Rubber Skin Lady. On the inside cover of the book a title marked in pen read, "Scrapbook of Show Life."

The newspaper clippings, photos, and signed pitch cards (promotional postcards featuring individual performers) that filled nearly 90 pages gave Dori a glimpse into the life of one of the sideshow's biggest stars of the 1930s. It also unlocked a family secret.

Close-up of a 1932 group photo of sideshow performers, with Agnes the Rubber Skin Lady featured in the center.
Close-up of a 1932 group photo of sideshow performers, with Agnes the Rubber Skin Lady featured in the center.
Dori Ann Bischmann, PhD

Dori had never met her aunt, who passed away in 1962. Nor had she ever heard about how Agnes drew crowds to watch her exhibit the excessive, elastic skin that covered her legs. Agnes could stretch the rubbery flesh anywhere from 15 to 30 inches, although from the waist up she looked completely normal. There are no reports of a diagnosis, but she may have had a condition called Ehlers-Danlos Syndrome.

Agnes, who was born in 1902 in Germany and came to America three years later, had shared her unusual skin on stages across the continent. In Toronto, she even performed before royalty. In one of the scrapbook's clippings, she spoke of the event as being one of the greatest thrills of her life on the road: "The audience was a very distinguished one and most famous of all was the Crown Prince of England, now the Duke of Windsor. I was most thrilled when he applauded vigorously."

With each turn of the book's pages, Dori encountered many of the extraordinary people Agnes performed with, particularly at the Ripley's Odditorium at the 1933 World's Fair in Chicago. At the time, Robert Ripley's "Believe It Or Not!" cartoon was extremely popular, and the Odditorium was the first public exhibition of unique performers and curiosities Ripley had gathered during his travels around the world. More than 2 million people visited his collection at the World's Fair and witnessed live acts like Agnes.

Clippings and pictures from Agnes Schwarzenbacher's circus scrapbook
Top: Crowd gathered at an oddity show capitalizing off Ripley’s success at the World’s Fair. Bottom: Agnes is featured in a newspaper clipping, between two photos of unknown performers.
Dori Ann Bischmann, PhD

Dori was enthralled with her discovery. "I have always been fascinated with people who are unique," she tells Mental Floss. Today, she works as a psychologist and often counsels people who have genetic disorders.

"I see a lot of amazing people overcoming many hurdles," she says. "At the same time I see people who are depressed. I wonder how all of the circus freaks felt on the inside. Were they hurting and depressed and putting on a show outwardly? Or did they find contentment in giving something of themselves to help others?"

While it's hard to know exactly how Agnes felt, there are glimpses in some of the scrapbook's clippings.

"I would like very much to be normal in every respect," Agnes says in one newspaper article. "Don't misunderstand me. I said I would like to, but simply because my skin is rubber doesn't mean that I have become morbid. Far from it. I am, perhaps, one of the most pleasant persons you ever met. And why shouldn't I be? I don't consider myself seriously handicapped. I realize that my skin when stretched isn't exactly normal, but I don't allow the presence of such skin on my body to make me self-conscious."

A page of promotional images from Agnes Schwarzenbacher's circus scrapbook
A collection of performers from the 1933 World’s Fair, and a Ripley’s Believe It Or Not cartoon.
Dori Ann Bischmann, PhD

Indeed, Agnes's skin ailment proved to be quite profitable—several articles in the scrapbook claimed that "The salary paid her is the highest ever paid a freak." No numbers are given, and like many sideshow claims, this may have been an exaggeration. But many sideshow performers were paid well, especially for the Great Depression.

"She used a circumstance she was born into to become an independent woman with a high-paying career (for the day)," Dori says. "She traveled and experienced many things other women might not have been able to experience."

Photos of Agnes Schwarzenbacher and her family
Top: A photo featuring Agnes Schwarzenbacher with her father and siblings: Mary, John, Rose, and Carl. Below: A portrait of Agnes dated 1926.
Dori Ann Bischmann, PhD

The Schwarzenbachers, however, weren't as self-confident as Agnes. Her family would have preferred that she covered her legs with long dresses and kept her anomaly to herself. They wanted nothing to do with her performances.

"The family was embarrassed that she was in the circus," Dori says. "I was also told that Agnes went to doctors to see if the tissue could be cut off. Apparently they couldn't in those days because it was too vascularized." (In other words, the tissue was too filled with blood vessels.)

The family's shame lasted well after Agnes's death. The scrapbook had originally been stored in Dori's grandparents' attic. When her grandmother passed away, no one in the family wanted the book except for Dori's mother, who had married Agnes's nephew.

"My mother was a person who was accepting of all people," Dori said. "She wasn't embarrassed about Agnes. She thought it was a shame that Agnes's flesh and blood did not want her scrapbook. The scrapbook is the story of Agnes's circus years, but also of her family."

Of course, it wasn't unusual for people born with anomalies to be treated in such ways. The sideshow, which had its heyday from the mid-1800s to the 1940s, offered them a rare chance to escape a life of seclusion, earn a living, see the world, and—perhaps most importantly—to enjoy a sense of camaraderie.

In a 1959 article from the New York World-Telegram and Sun, longtime showman Dick Best expanded on this thought more colorfully: "For the past thirty years I have been able to give employment to scores of [sideshow performers], give them financial independence, and companionship. You realize this when you see a mule-faced girl, a guy with three legs, and a girl weighing 500 pounds playing poker with a guy who shuffles and deals with his toes. In a crowd like that nobody sits around feeling sorry for himself or anybody else. You could be accepted there if you had nine arms and ten heads."

The "mule-faced girl" that Best referred to was Grace McDaniels, who Agnes worked with and featured in her album. McDaniels was afflicted with a condition that caused tumors to grow on her lips and mouth. In addition to being called "mule-faced," she was also billed as the Ugliest Woman in the World. Agnes's photos show her with McDaniel's teenage son, Elmer, who traveled with her.

The "guy with three legs," as Best called him, also appears in the scrapbook. His name was Francesco Lentini, billed as the Three-Legged Wonder. He also had four feet, and two sets of genitalia.

Agnes's friend Frieda Pushnik, the Armless, Legless Girl Wonder, is featured more prominently. Born in Pennsylvania in 1923, Pushnik had only small stumps at her shoulders and thighs, with which she learned to sew, crochet, write, and type. At the age of 10 she joined the Rubber Skin Lady at the Chicago Odditorium during the World's Fair. In addition to having collected several of Frieda's pitch cards, Agnes also had personal photos. One of these captures another companion, a dwarf named Lillie McGregor, holding little Frieda. Without legs, Frieda is about half the size of Lillie.

Lillie appears in other photographs with her husband, Harry. They are each seen pulling a person in a wagon with their eyelids. Agnes even saved the Ripley's cartoon that illustrated the stunt.

Clippings and pictures from Agnes Schwarzenbacher's circus scrapbook
Spread of newspaper clippings, including articles about Agnes and a Believe It Or Not cartoon starring her friends Lillie and Harry McGregor, who could pull each other in a wagon with their eyelids.
Dori Ann Bischmann PhD

Lillie McGregor pulls an unidentified man in a wagon with hooks attached to her eyelids at the 1933 World’s Fair.
Lillie McGregor, a friend of Agnes, pulls an unidentified man in a wagon with hooks attached to her eyelids at the 1933 World’s Fair.
Dori Ann Bischmann, PhD

While Agnes's adventures in show life surrounded her with many kinds of unique people, one photo is of a man who shared a similar ailment. Arthur Loos, the Rubber-Skinned Man, had skin that hung loose beneath his chin, much like a basset hound's. He could stretch the flesh 8 inches. If they bonded over their sagging skin, Agnes made no mention of it in the scrapbook.

The man she did bond with was not a performer in the sideshow at all. He was a foreman who operated rides at a fair, a man named Jack Higginbotham. Their marriage is mentioned in one of the book's clippings, which states they were wed in Rockford, Illinois. However, the Rubber Skin Lady's love story was a mere subhead to another sideshow romance that earned the paper's headline: "Bearded Lady and ‘Elephant Man' on Midway are Newlyweds."

Agnes Schwarzenbacher and her husband
Agnes with her husband, Jack Higginbotham.
Dori Ann Bischmann, PhD

Although her family may have stayed far away from the sideshow stage, Agnes kept them all close. Photos of her with her father, brothers, sisters, and other family members populate numerous pages of the scrapbook.

Had Dori only seen these particular family photos, with her aunt's dresses covering her legs, she would have never known Agnes was different in any way—or what an amazing story she had to tell.

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