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14 Bizarre College Donations and the Strings Attached

For most of us, college donations entail little more than occasionally dropping a small check in the mail after receiving repeated pleas for cash from our alma maters. Some people, though, tend to be a bit more individualistic with their generosity. Let's take a look at some of the quirkier donations schools have received.

1. Bequest Puts Jocks on the Ropes

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In 1907, fledgling Swarthmore College received a bequest that was estimated to be worth somewhere between $1 and $3 million. If the school wanted the cash, though, it would have to stop participating in intercollegiate sports. Swarthmore badly needed the cash—its entire endowment was only in the $1 million range—but in the end, the school turned down the gift and the sports survived.

2. Ivy League Has to Produce Homemakers

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When former Massachusetts Attorney General A.E. Pillsbury gave Harvard, Yale, Princeton, and Columbia $25,000 apiece in his 1931 will, he had a catch in mind: The schools had to use the bequests to combat the feminist movement that had "already begun to impair the family as the basis of civilization and its advance." Pillsbury envisioned the schools creating a lectureship that could help keep women in the home.

3. Donor Wants Flowers in Perpetuity

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For years, Indiana University offered a scholarship with a strange condition: The recipient was supposed to drive from Bloomington to Indianapolis once a year to put flowers on the donor's grave. The school gradually decided it was a bit much to ask a student to take a roadtrip to a stranger's headstone, though, so for 20 years it didn't enforce the requirement. Eventually the donor's attorney found out that the flowers weren't being placed, but instead of being indignant he worked with the school to remove the clause from the bequest.

4. Auburn Goes to the Dogs

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When Miss Eleanor Elizabeth Ritchey, granddaughter of the founder of the Quaker State Oil Refining Company, died in 1968, she left Auburn University a generous gift of $2.5 million. She also gave the school something a bit more unusual: the responsibility for 150 dogs. Ritchey, who owned a ranch in Florida and loved to adopt homeless dogs, made the large cash donation contingent on the school finding good homes for all 150 of her dogs. The cash was then earmarked for veterinary research.

5. Mystery Donor Opens a Giant Wallet

In 2009, colleges experienced an unprecedented rash of anonymous generosity. Colleges of all sizes around the country received letters from lawyers informing them of seven-figure anonymous donations. The only catch was that the donor wished to stay anonymous, and in some cases the giver required that the colleges sign a contract agreeing not to investigate the benefactor's identity. The donations, which ranged from $1 million all the way up to $10 million, all went to schools that had female heads. Beyond that, though, the donor's identity and motives remained a mystery, even though he or she donated over $70 million.

6. Bryn Mawr Goes on the Clock

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Did Bryn Mawr need any new clocks in 1957? It didn't matter. They were getting one. Philadelphia physician Florence Chapman Child left the school $50,000 in her will if they would also agree to take her 150-year-old grandfather clock. The doctor stipulated that the school's administrators had to "install it in an appropriate place, keep it in proper condition and repair, make no changes in the fundamental appearance, and are not to have it electrified."

7. Small Potatoes Lead to Big Cash

In 1950, the government had a surplus of potatoes and started looking for ways to get rid of the excess tubers. The Department of Agriculture decided to give the potatoes to Hiwassee College, a small Methodist school in eastern Tennessee. College president D.R. Youell told the government that he didn't want its charity, though. A short time later, the school received a $10,000 donation with a note praising the institution for taking a stand against "the dangerous trends toward socialism in our Government."

8. Three Colleges' Ship Comes In

Library of Congress, Wikimedia Commons // Public Domain

In 2006, famed shipbuilder and philanthropist Luther Blount was feeling generous, and he decided to stick with what he knew when making his donation. He gave Rhode Island College, the Wentworth Institute of Technology, and Roger Williams University a ship to share. The 175-foot cruise ship, The Niagara Prince, was part of one of Blount's cruise lines. The idea was that the three schools—all of which had given Blount an honorary doctorate—would sell the boat and divvy up the proceeds.

9. Colleges Find a Fountainhead of Cash

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In 2008, Marshall University received a $1 million gift to establish the BB&T Center for the Advancement of American Capitalism. The catch was that the school had to agree to teach Ayn Rand's Atlas Shrugged as part of its curriculum. BB&T executives said the requirement was designed to spark debate on the ethical underpinnings of capitalism.

This wasn't the first time BB&T had made this sort of gift, either. In 2005, it gave the University of North Carolina Charlotte another million big ones to make Atlas Shrugged required reading for its students.

10. College Profits From a Racist Will

When Dr. Jesse C. Coggins died in 1962, he left his estate to the Keswick nursing home so it could construct a new building. Coggins made a last-minute change to the will, though, that stipulated that the building would only house white patients. In 1999, a court ruled that the racist stipulation effectively voided the gift and gave the entire estate—which had grown to $28.8 million—to the will's backup beneficiary, the University of Maryland Medical Center.

11. Donor Affects Fashion from Beyond the Grave

Lumidek, Wikimedia Commons // Public Domain

Radcliffe once received a piece of jewelry as a bequest. A nice gift, to be sure, but the late donor was a bit bossy. She wasn't just donating the piece of jewelry; she stipulated in the gift that the president of Radcliffe must wear the accessory.

12. Small College Enters the Scientific Instrument Business

Smallbones, Wikimedia Commons // Public Domain

By the time Erick O. Schonstedt died in 1993, he had built his 40-year-old business, the Schonstedt Instrument Company, into a $6-million-a-year enterprise. There was a problem, though. If he wanted to leave the business to a relative or an employee, the estate taxes would have been nearly $3 million. None of his prospective heirs had that sort of loot on hand. Schonstedt, a University of Minnesota alum, got creative. He gave the company to Augustana College, a school that, like Schonstedt, had Swedish Lutheran affiliations.

Rather than simply turning around and flipping the business for cash, though, Augustana decided to run it. The school instituted new sales models, found cost savings, and changed the company's product mix, and after two years was exceeding profit targets by 25 percent.

In 2008, the College of Agriculture and Life Sciences at North Carolina State received a similar gift; a donor left the school controlling interest in a company he had started to raise sturgeon for caviar in North Carolina.

13. A Different Kind of Monument

Back in 2008, Katie Kelly covered an interesting donation here on mental_floss:

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"Endowing a school, building, or even a classroom with one's name is a pretty typical fundraising practice among universities today. Demanding a bathroom to commemorate yourself isn't quite as commonplace. Brad Feld, a local venture capitalist, donated $25,000 to the University of Colorado on the condition that a plaque would be placed on the door of a second-floor men's restroom in one of the campus' technology centers. He originally made the conditional offer to his alma mater, MIT, but was rejected. Feld, in an interview with Boulder's Daily Camera, stated: 'I just wanted a plaque outside of the men's room to inspire people as they walk in to do their business.' Quite fittingly, the quote reads, 'The best ideas often come at inconvenient times—don't ever close your mind to them.'

14. School Doesn't Say "Danke Schoen" to Wayne Newton

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In 1993, Wayne Newton made his first appearance in Branson, MO. He offered to give his cut of the first night's show to the nearby Presbyterian school College of the Ozarks. It was a pretty generous gift; Newton's take would have ended up being $15,000 to $25,000.

Unfortunately, the school's president, Jerry Davis, went to see Newton's set. He was horrified by Newton's double entendres and jokes about the elderly having sex. The next day Davis announced that the school wouldn't accept a cent of Newton's money.

This story originally ran in 2010.

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25 Dapper Outfit Choices for Fashionable Pets
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Lavishing your furry friends with adorable attire is a benefit of pet ownership that they don't mention on the adoption forms. Whether you prefer practical clothing like sweaters and jackets or statement pieces like bow ties and tutus, these dapper duds are perfect for a howl-iday or "gotcha day" gift, or simply for saying, "Who's the cutest little pupper in pajamas? You are!"

1. CASHMERE DOG SWEATER; FROM $165

dog in sweater
Canine Styles

This classic cable-knit cashmere sweater is a sophisticated look for Fido or Finn. Get it from Canine Styles, a luxury dog emporium in New York City that has plenty of posh and preppy outfits.

Find It: Canine Styles

2. TOGGLE DOG COAT; $85

dog in coat
Canine Styles

This toggle coat (available in orange, navy, and tan) is as fashionable as it is warm. Made of Melton wool, it has Velcro closures to make getting dressed easy. It's great for long walks in the country.

Find It: Canine Styles

3. DOG TUXEDO; FROM $90

Dog in tuxedo
Etsy

This satin tuxedo is perfect for the canine members of your wedding party, though it will brighten up any other occasion as well. The custom, handmade outfit comes complete with a snappy bow tie.

Find It: Etsy

4. DOG BELLE DRESS; FROM $45

Dog Belle Dress
Etsy

The queen of your castle can feel like a Disney princess in her very own version of Belle's iconic yellow dress from Beauty and the Beast. This ball gown is made from yellow crepe satin with chiffon overlay on the bodice and features hand-painted gold detailing on the skirt. Enchanted rose not included.

Find It: Etsy

5. POODLE SKIRT OUTFIT FOR DOGS; $26

Rubies Pink Fifties Girl Pet Costume
Amazon

What if you could buy a 1950s poodle skirt for your poodle? This retro dress is comprised of a pink poodle skirt, striped bodice, and sequined belt, and comes with a bow headband.

Find It: Amazon

6. RIBBED CROCHET BUNNY SWEATER; $25

bunny in a sweater
Etsy

Your snuggle-bunny will look like a little fancy-pants in this ribbed crochet sweater. Choose from seven colors, including this dashing deep red.

Find It: Etsy

7. BESPOKE MONOGRAM DOG SWEATER; FROM $155

Dog in sweater
Ruby Rufus

Bespoke clothing isn't just for humans: British luxury dog clothing brand Ruby Rufus will make your pooch a custom monogram sweater made with 100 percent Italian cashmere. You can even order it in your dog's favorite color.

Find It: Ruby Rufus

8. HOT PINK DOG TUTU; $17

Dog in hot pink tutu
Etsy

Tutus look absolutely adorable on tiny humans and animals alike. If your pooch wants to get in touch with its inner ballerina, then grab this hot pink number from Etsy. Rave reviews are a sure thing.

Find It: Etsy

9. PINK DOG POLO SHIRT; $35

Dog Pink Polo Shirt
Canine Styles

This pink polo shirt is perfect for your preppy fur baby. It features not one but a veritable multitude of crocodiles. They'll be the most dapper dog at the country club.

Find It: Canine Styles

10. DOG BARN COAT WITH BROWN CORDUROY COLLAR; $85

Dog in barn coat
Canine Styles

When it's time for a walk, your dog will look effortlessly chic in this fancy barn coat. It comes in navy, cranberry, orange, hot pink, and loden and features convenient pockets for anyone with opposable thumbs.

Find It: Canine Styles

11. WHITE PET NECK RUFF; $26

Pet Neck Ruff
Etsy

Your canine or kitty will look like their painting belongs in London's National Portrait Gallery with this Elizabethan neck ruff.

Find It: Etsy

12. CHICKEN SWEATER; $25

chicken wearing sweater
Etsy

Chickens can get cold when they're strutting around outside. A sweater (well, more like sweater vest) for your bird can also help prevent feather picking during molting season. Or, it can simply keep them warm while they stare pensively across a snowy landscape.

Find It: Etsy

13. PET CIRCLE SCARF; $15

dog in scarf
Etsy

An infinity scarf is a perfect burst of color on a dreary early morning walk. The proprietor of Mitten Made on Etsy originally designed this wool snood for her miniature Dachshund to help keep her warm during the long, cold winters in Michigan.

Find It: Etsy

14. FAB DOG TRAVEL RAINCOAT; FROM $18

Fab Dog Travel Raincoat
Chewy

This timeless yellow rain slicker will look great on any puppy when it's raining cats and dogs. It's made of 100 percent waterproof nylon shell that keeps fur dry. Bonus: It's perfect for an It Halloween costume.

Find It: Chewy

15. LACE CAT OR DOG COLLAR; FROM $10

cat in lace collar
Etsy

This handmade, white lace collar is a must-have for fancy felines. It's also embellished with a large rhinestone.

Find It: Etsy

16. FITWARM PENGUIN PAJAMAS FOR DOGS; FROM $10

Fitwarm Cute Penguin Xmas Dog Pajamas
Amazon

Keep your pupper warm on cold winter nights with these penguin PJs. They're great for doggie sleepovers or lazy weekends on the couch watching Netflix.

Find It: Amazon

17. PLAID CASHMERE DOG COAT; FROM $225

dog in plaid coat
Canine Styles

Your dog will look like a proper gentleman in this smart plaid peacoat. This fine garment is made of cashmere with a faux fur lining and leather buttons, and is a perfect shield against chill and fog.

Find It: Canine Styles

18. SATIN PET BOW TIE; FROM $8

Satin Bow Tie for Dog
Etsy

This satin doggie bow tie is perfect for any occasion. It comes in several colors and features a Velcro fastener that makes it easy to attach to a collar. Plus, 10 percent of every sale goes to charity: specifically to SPCA (Society for the Prevention of Cruelty to Animals) and Feeding Pets of the Homeless.

Find It: Etsy

19. RED DOG DRESS; FROM $34

dog in dress
Etsy

Your good boy or girl will look red carpet-ready in this elegant gown. The voluminous tulle skirt is to die for, and each bow is embellished with beads. Custom orders are also available.

Find It: Etsy

20. DOG TIE; FROM $13

Dog tie
Etsy

Your pooch will be ready to stun at any black tie event. This tie is designed like a collar, making it easy to dress your four-legged friend. This Etsy store gives back: 10 perfect of all sales are donated to an animal protection association.

Find It: Etsy

21. NAUTICAL DOG DRESS WITH MATCHING LEASH; $20

Dog sailor dress
BaxterBoo

Perfect for a day on the town or setting sail in a schooner, this is the sailor outfit you never knew your best furry friend needed. This vintage throwback also comes with a matching leash.

Find It: BaxterBoo

22. TARTAN FLANNEL PET BOW TIE; $5.50

tartan pet bow tie
Etsy

Your dog or cat will turn heads in this flannel tartan bow tie. It has a convenient elastic loop that slides over your pup's collar.

Find It: Etsy

23. PUCCI DOG SHIRT; $23

dog in Pucci dog shirt
Etsy

Only the fanciest dogs wear, err, Pucci. Grab this punny "designer" t-shirt for your pup. This high-quality cotton statement piece is perfect for small breeds.

Find It: Etsy

24. PINK POLKA DOT AND LACE DOG HARNESS DRESS; $20

Pink Polka Dot and Lace Designer Dog Harness Dress
BaxterBoo

This feminine pink polka dot dress is simply adorable. It features a convenient built-in harness and comes with a matching leash.

Find It: BaxterBoo

25. PET SWEATER VEST; $6

pet sweater vest
Amazon

Your dog or cat will look like an erudite Oxford professor in this sweater vest. Note that the button on the pocket is shaped like a bone.

Find It: Amazon

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20 John Carpenter Quotes About Horror Movies
Amy Sussman/Getty Images for Tribeca Film Festival
Amy Sussman/Getty Images for Tribeca Film Festival

Though he’s made a variety of movies—from fantasy to science fiction films—John Carpenter will forever be known as a master of horror, thanks in large part to the role he played in reinventing the genre with 1978’s Halloween. To celebrate the award-winning filmmaker’s 70th birthday, we’ve gathered up 20 of his most memorable quotes about Hollywood.

1. ON THE DEFINITION OF HORROR

“Horror is a reaction; it's not a genre.”

—From a 2015 interview with Interview Magazine

2. ON THE RULES OF MOVIEMAKING

“I think the rules of filmmaking are essentially the same as they were since, I guess, The Birth Of A Nation. The way you make movies: long shot, close-up, camera movement, structure—it’s all the same. Not much has changed. But the technology of movies has vastly changed. From 35mm black-and-white to color, from nitrate film to safety film and now into digital—and yet we’re still breaking scenes into master shots and close-ups. The cinema narrative has not changed that much since the silent film.”

—From a 2015 interview with The A.V. Club

3. ON THE TWO TYPES OF HORROR STORIES

“There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don’t understand. Internal is the human heart.”

—From a 2011 interview with Vulture

4. ON THE IMPORTANCE OF NIGHT OF THE LIVING DEAD

“One movie that showed me it was possible to make a low-budget horror movie was Night of the Living Dead (1968). When I saw that, I was like, 'Wow, that's really effective, but it's obviously low budget.' They didn't have any money but they actually made something cool. That was inspirational to me when I was in film school.”

—From a 2015 interview with Interview Magazine

5. ON THE TRUTH ABOUT HOLLYWOOD

“Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamor associated with them. But the truth is, it's not like that. It's very different. It's hard work. If you were suddenly catapulted into that situation—without any training—you would say after it was over: 'Oh, God! You're kidding! You mean, this is what it's like? This is what they put you through?' Yes, as a matter of fact, it is like this—and it's often worse. People have tried to describe the film business, but it's impossible to describe because it's so crazy. You must know your craft inside out and then pick up the rules as you go along.”

—From an essay for Santa Fe Studios

6. ON THE HORROR OF WATCHING HIS OWN MOVIES

“I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.”

—From a 2012 interview with Entertainment Weekly

7. ON THE EMOTIONAL TOLL MAKING MOVIES CAN TAKE ON A DIRECTOR

“I’ve been feeling old for years and years, and I think the movie business did it to me. At one point I just did movie after movie, and it starts tearing you down physically—emotionally too, if you do one after another. The stress, the emotional exertion of dealing with others. I’ve worked with really great actors and really difficult actors. The difficult ones are no fun. And the style of the movies today have changed a great deal. To me, I’m not a big fan of handheld. That’s just my tastes. That’s a quick fix for low budget. Let the operator direct it! Walk around. That’s how you burn through the pages. And found footage—how many times do we need to do that?”

—From a 2014 interview with Deadline

8. ON WHAT MAKES A GOOD HORROR FILM

“There’s a very specific secret: It should be scary.”

—From a 2015 interview with The A.V. Club

9. ON THE PERCEPTION OF A MOVIEMAKER

“In England, I'm a horror movie director. In Germany, I'm a filmmaker. In the U.S., I'm a bum.”

—From The Films of John Carpenter

10. ON STANDING OUT

“I don't want to be in the mainstream. I don't want to be a part of the demographics. I want to be an individual. I wear each of my films as a badge of pride. That's why I cherish all my bad reviews. If the critics start liking my movies, then I'm in deep trouble.”

—From an essay for Santa Fe Studios

11. ON MAINTAINING CONTROL

“My years in the business have taught me not to worry about what you can’t control.”

—From a 2007 interview with MovieMaker Magazine

12. ON HIS FAVORITE MOVIES

“I have two different categories of favorite films. One is the emotional favorites, which means these are generally films that I saw when I was a kid; anything you see in your formative years is more powerful, because it really stays with you forever. The second category is films that I saw while I was learning the craft of motion pictures.”

—From a 2011 interview with Rotten Tomatoes

13. ON BEING STUCK IN THE 1980S

“Well, They Live was a primal scream against Reaganism of the '80s. And the '80s never went away. They're still with us. That's what makes They Live look so fresh—it's a document of greed and insanity. It's about life in the United States then and now. If anything, things have gotten worse.”

—From a 2012 interview with Entertainment Weekly

14. ON THE IMPORTANCE OF INSTINCT

“I think every director depends primarily on his instincts. That’s what’s got him where he is, what’s going to carry him through the good times and the bad. I generally go with what I instinctually think I can do well.”

—From a 2011 interview with Vulture

15. ON BEING TYPECAST AS A DIRECTOR

“I haven't just made horror. I've made all sorts of movies. There have been fantasy movies, thrillers, horrors, science fiction. In terms of the ultimate reward, listen, man, when I was a kid, when I was 8 years old, I wanted to be a movie director, and I got to be a movie director. I lived my f*cking dream, you can't get better than that. That's the ultimate.”

—From a 2015 interview with Interview Magazine

16. ON THE REALITY OF MONSTERS

“Monsters in movies are us, always us, one way or the other. They’re us with hats on. The zombies in George Romero’s movies are us. They’re hungry. Monsters are us, the dangerous parts of us. The part that wants to destroy; the part of us with the reptile brain. The part of us that’s vicious and cruel. We express these in our stories as these monsters out there.”

—From a 2011 interview with the Buenos Aires Herald

17. ON MOVIES AS A SENSORY EXPERIENCE

“A movie’s not just the pictures. It’s the story and it’s the perspective and it’s the tempo and it’s the silence and it’s the music—it’s all the stuff that’s going on. All the sensory stuff. Sometimes you can get a lot of suspense going in a non-horror film. It all depends. But, look, if there was one secret way of doing a horror movie then everybody would be doing it.”

—From a 2015 interview with The A.V. Club

18. ON THE UNIVERSAL LANGUAGE OF HORROR

"Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense. We were little kids once and so it's taking that basic human condition and emotion and just f*cking with it and playing with it. You can invent new horrors."

—From a 2015 interview with Interview Magazine

19. ON THE REMAKE TREND

“It’s a brand new world out there in terms of trying to get advertising. There’s so much going on that if you come up with a movie that people have never heard of they don’t pay attention to it—no matter how good it is. So it becomes, 'Let’s remake something that maybe rings a bell and that you’ve heard of before.' That way, you’re already ahead. I’m flattered, but I understand what’s going on. They’re picking everything to remake. I think they’ve just run down the list of other titles and have finally got to mine.”

—From a 2007 interview with MovieMaker Magazine

20. ON THE LASTING INFLUENCE OF HALLOWEEN

“I didn’t think there was any more story [to Halloween], and I didn’t want to do it again. All of my ideas were for the first Halloween—there shouldn’t have been any more! I’m flattered by the fact that people want to remake them, but they remake everything these days, so it doesn’t make me that special. But Michael Myers was an absence of character. And yet all the sequels are trying to explain that. That’s silliness—it just misses the whole point of the first movie, to me. He’s part person, part supernatural force. The sequels rooted around in motivation. I thought that was a mistake. However, I couldn’t stop them from making sequels. So my agents said, ‘Why don’t you become an executive producer and you can share the revenue?’ But I had to write the second movie, and every night I sat there and wrote with a six-pack of beer trying to get through this thing. And I didn’t do a very good job, but that was it. I couldn’t do any more."

—From a 2014 interview with Deadline

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