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RIP Soupy Sales (1926-2009)

My addiction to television started very early and my parents were enablers, even though that term hadn't been coined at the time. Mom tells me that I regularly refused my strained carrots unless she placed my high chair in front of the TV and tuned it to Channel 7 for Lunch with Soupy. The antics of White Fang, Black Tooth, and Pookie, not to mention the constant pies in the face, so mesmerized me that I ate anything Mom shoveled my way. Sadly, Sales (who'd been ill for several years) has left us, but here are a few Soupy facts that will hopefully invoke some warm memories for all you good little birdbaths:

From Milt to Soup

He was born Milton Supman to parents who had a habit of bestowing nicknames on their offspring.

Milt's older brothers had been dubbed "Hambone" and "Chicken Bone," so when he came along he was unofficially christened "Soup Bone." Soup Bone was eventually shortened to "Soupy," and when he got his first professional job as a disc jockey he adopted "Hines" as his surname. As he gained popularity, management was worried that "Hines" sounded too much like Heinz, a company that sold soup. Soupy forestalled any potential conflict of interest entanglements by changing his last name to "Sales."

White Fang

Soupy originally created the character of White Fang (later known as the meanest dog in all of Dee-troit) when he was in the Navy. Stationed aboard the USS Randall, he'd put together an onboard entertainment show broadcast via the ship's PA system. Someone had an LP of The Hound of the Baskervilles, and Soupy used a sound effect on that record of a dog's growl as the "voice" of White Fang. Soupy continued to use that growl after he left the Navy and landed a spot on WXYZ-TV in Detroit with the show that eventually evolved into Lunch with Soupy. Sound effects at that time were all provided by vinyl records, and it was the responsibility of the Electronic Transcription person to have all the records cued up and ready to play. One afternoon, the ET frantically mouthed down from his booth to stagehand Clyde Adler "I can't find the record!" Adler, whose right arm encased in an elbow-length glove fashioned from an old winter coat served as White Fang on-camera, spontaneously uttered gutteral "Ruh-O-Row-O-Ruh" noises while manipulating the puppet. This new version of White Fang was an immediate hit, and added a new dimension to Soupy's interaction with the character, since Adler (who was promoted from stagehand to puppeteer) could alter his grunts and growls to "reply" appropriately to Soupy's dialogue.

X-Rated Soup

The atmosphere on Soupy's set was relaxed, to say the least. The crew did their best to throw the boss off-guard, especially in the days when the show was broadcast live. One classic example occurred in 1959, when the crew arranged a very special surprise "present" for Soupy's birthday. A woman's scream prompted Soupy to open a stage door to see what was wrong. The TV audience could only guess at what was going on from his reaction and the musical cue (David Rose's "The Stripper"). However, thanks to the uncut "blooper" reel that was eventually leaked, part two of this YouTube clip lets all of us in on the secret. (Warning: If black-and-white nude breasts are verboten at your place of employment, this clip is not safe for work.)

Fans in High Places

Soupy's show moved from Detroit to Los Angeles in the early 1960s, and one of his biggest fans turned out to be Frank Sinatra, by way of his daughter Tina. Frank was a huge fan of slapstick comedy, and when Tina told him about this guy on TV who was as funny as the Three Stooges, he began tuning in daily. Frank appeared on Soupy's show more than once (Sammy Davis Jr. even joined him once) and gamely accepted a pie in the puss each time.

Here Comes the Science

The pie-in-the-face schtick that became Soupy's trademark originally featured real pies. Eventually budget restrictions dictated the switch to shaving cream-filled pie crusts. But the crusts had to be real. That was Soupy's secret—real crusts exploded upon impact, and fell away from the victim's face. The recipient's dignity crumbled away, piece by piece, as the crust did. A pie that fully stuck to the face simply wasn't funny. It became something of a status symbol to get pied by Soupy—even the most unlikely celebrities stopped by for a faceful of pastry.

Nanny State Rules

On January 1, 1965, Soupy was a bit put out at having to work on a holiday. During the closing moments of his show, he encouraged the kids who were watching to sneak into Mommy and Daddy's bedroom and take those little green pieces of paper from their purses and wallets with pictures of presidents (like George Washington and Abraham Lincoln) on them and mail them to their ol' pal Soup. He concluded by giving out the TV station's address and promising to send the kids a postcard from Puerto Rico in exchange. Sales considered his remarks just another tossed-off ad-lib, meant to make his crew laugh. What he didn't count on was the outrage of the many parents who'd been watching. The station received so many angry phone calls that Soupy was put on a two week suspension. In reality, very few children had the wherewithal to copy down the station's address, get a postage stamp and actually mail a dollar bill to Soupy. His "punishment" was more or less a gesture on the part of management to appease the parents who'd been appalled at the possible anarchy Soupy Sales had inspired among their children.

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Jenny Anderson, Getty Images for Tony Awards Productions
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10 Things You Might Not Know About Tina Fey
Jenny Anderson, Getty Images for Tony Awards Productions
Jenny Anderson, Getty Images for Tony Awards Productions

Tina Fey has transformed modern comedy more than just about anyone else. From the main stage of Second City to the writer’s room of SNL to extremely fetch comedy blockbusters, Elizabeth Stamatina Fey has built a national stage with a dry, eye-popping sarcasm and political satire where no one is safe. She has a slew of Emmys, Golden Globes, SAG, PGA, and WGA awards to prove it—plus a recent Tony nomination (her first). But, more importantly, she’s the closest thing we have to a national comic laureate.

Here are 10 facts about a fantastically blorft American icon.

1. SHE DID A BOOK REPORT ON COMEDY WHEN SHE WAS 11.

Fey got a very early start in comedy, watching a lot of The Mary Tyler Moore Show, Bob Newhart, and Norman Lear shows as a kid. Her father and mother sneaked her in to see Young Frankenstein and would let her stay up late to watch The Honeymooners. So it’s no surprise that she chose comedy as the subject of a middle school project. The only book she could get her hands on was Joe Franklin’s Encyclopedia of Comedians, but at least she made a friend. "I remember me and one other girl in my 8th grade class got to do an independent study because we finished the regular material early, and she chose to do hers on communism, and I chose to do mine on comedy," Fey told The A.V. Club. "We kept bumping into each other at the card catalog."

2. THE SCAR ON HER FACE CAME FROM A BIZARRE ATTACK THAT OCCURRED WHEN SHE WAS A CHILD.

Fey’s facial scar had been recognizable but unexplained for years until a profile in Vanity Fair revealed that the mark on her left cheek came from being slashed by a strange man when she was five years old. “She just thought somebody marked her with a pen,” her husband Jeff Richmond said. Fey wrote in Bossypants that it happened in an alleyway behind her Upper Darby, Pennsylvania, home when she was in kindergarten.

3. HER FIRST TV APPEARANCE WAS IN A BANK COMMERCIAL.

Saturday Night Live hired Fey as a writer in 1997. In 1995 she had the slightly more glamorous job of pitching Mutual Savings Bank with a radical floral applique vest and a handful of puns on the word “Hi.” In a bit of life imitating art, just as Liz Lemon’s 1-900-OKFACE commercial was unearthed and mocked on 30 Rock, the internet discovered Fey’s stint awkwardly cheering on high interest rates a few years ago and had a lot to say about her '90s hair.

4. SHE WAS THE FIRST WOMAN TO BE NAMED HEAD WRITER OF SNL.

Four years after that commercial and two after she joined Saturday Night Live’s writing staff, Fey earned a promotion to head writer. Up until that point, the head writers were named Michael, Herb, Bob, Jim, Steve. You get the picture. She acted as head writer for six seasons until moving on to write and executive produce 30 Rock. Since her departure, two more women (Paula Pell and Sara Schneider) have been head writers for the iconic show.

5. SHE’S THE YOUNGEST MARK TWAIN PRIZE WINNER.

Established in 1998, the Kennedy Center’s hilarious honor has mostly been awarded to funny people in the twilight of their careers. Richard Pryor was the first recipient, and comedians who made their marks decades prior like Lily Tomlin, Whoopi Goldberg, and George Carlin followed. Fey earned the award in 2010 when she was 40 years old, and the age of her successors (Carol Burnett, Bill Murray, Eddie Murphy, David Letterman ...) signals that she may hold the title of youngest recipient for some time.

6. SHE WROTE SATIRE FOR HER HIGH SCHOOL NEWSPAPER.

Fey was an outstanding student who was involved in choir, drama, and tennis, and co-edited the school’s newspaper, The Acorn. She also wrote a satirical column addressing “school policy and teachers” under the pun-tastic pseudonym “The Colonel.” Fey also recalled getting in trouble because she tried to make a pun on the phrase “annals of history.” Cheeky.

7. SHE MADE HER RAP DEBUT WITH CHILDISH GAMBINO ON "REAL ESTATE."

Donald Glover (a.k.a. Childish Gambino) first gained notice as a member of Derrick Comedy in college, and Fey hired him at the age of 23 to write for 30 Rock. Before jumping from that show to Community, Glover put out his first mixtape under his stage name. After releasing his debut album, Camp, in 2011, Gambino dropped a sixth mixtape called Royalty that featured Fey rapping on a song called “Real Estate.” “My president is black, and my Prius is blue!"

8. SHE VOICED PRINCESSES IN A BELOVED PINBALL GAME.

Between the bank commercial and Saturday Night Live, Fey has an intriguing credit on her resume: the arcade pinball machine “Medieval Madness.” Most of the game’s Arthurian dialogue was written by Second City members Scott Adsit (Pete Hornberger on 30 Rock) and Kevin Dorff, who pulled in fellow Second City castmate Fey to voice for an “Opera Singer” princess, Cockney-speaking princesses, and a character with a southern drawl. (You can hear some of the outtakes here.)

9. SHE USED MEAN GIRLS TO PUSH BACK AGAINST STEREOTYPES OF WOMEN IN MATH.

Tina Fey and Lindsay Lohan in 'Mean Girls' (2004)
Paramount Home Entertainment

There’s a ton of interesting trivia about Mean Girls, Fey’s first foray into feature film screenwriting. She bid on the rights to Rosalind Wiseman’s book that inspired the movie without realizing it didn’t have a plot. She initially wrote a large part for herself but kept whittling it down to focus on the teenagers, and her first draft was “for sure R-rated.” Fey also chose to play a math teacher to fight prejudice. “It was an attempt on my part to counteract the stereotype that girls can’t do math. Even though I did not understand a word I was saying.” Fey used a friend’s calculus teacher boyfriend’s lesson plans in the script.

10. SHE SET UP A SCHOLARSHIP IN HER FATHER’S NAME TO HELP VETERANS.

Fey’s father Donald was a Korean War veteran who also studied journalism at Temple University. When he died in 2015, Fey and her brother Peter founded a memorial scholarship in his name that seeks to aid veterans who want to study journalism at Temple.

"He was really inspiring," Fey said. "A lot of kids grow up with dreams of doing those things and their parents are fearful and want them to get a law degree and have things to fall back on, but he and our mom always encouraged us to pursue whatever truly interested us." Fey also supports Autism Speaks, Mercy Corps, Love Our Children USA, and other charities.

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What AMC's The Terror Got Right (And Wrong) About the Franklin Expedition
Aidan Monaghan/AMC
Aidan Monaghan/AMC

WARNING: This post contains spoilers for The Terror. If you haven't finished the show, don't read further!

We know the outcome of Captain Crozier's battle with Tuunbaq in the AMC series The Terror, and that he chose (as some rumors have suggested) to live with the Inuit rather than return to London when he has the chance. Now, it's time for a post-mortem (sorry) of the show's historical highlights. While Dan Simmons, author of the book on which the show is based, created Lady Silence and her supernatural evil spirit—Tuunbaq definitely wasn't stalking the men of the Erebus and Terror back in 1847—much of the show is faithful to the actual events of the Franklin expedition, one of the most enduring mysteries in polar exploration. Here's a rundown of what The Terror got right, and where the show slipped up.

RIGHT: THE TERROR’S ARCTIC ATMOSPHERE

A scene from AMC's The Terror with Sir John Franklin and James Fitzjames
Capt. James Fitzjames (Tobias Menzies), left, and Sir John Franklin (Ciaran Hinds) survey the ice.
Aidan Monaghan/AMC

Right off the bat, The Terror envelops viewers in an icy world that increasingly mirrors the crews’ isolation and desperation. In the first tragic scene, a sailor falls overboard into a sea of accurately rendered pancake ice. In another scene, Captain Francis Crozier sees a sun dog—a solar phenomenon caused by sunlight refracting through clouds of ice crystals, often witnessed by polar explorers. The officers' uniforms and caps are also recreated with authentic details. As the hopelessness of their predicament dawns on the officers and men, summer’s 24-hour daylight vanishes, replaced by the 24-hour darkness of winter. The imprisoned ships tilt with the pressure of the pack ice.

There were a few hiccups noticed by sharp-eyed viewers in the Remembering the Franklin Expedition Facebook group, however. Caulker's mate Cornelius Hickey has a fondness for cigarettes, but most sailors probably smoked pipes at the time, and definitely not inside the ship. (Good thing they had that fire hole bored into the ice!) And assistant surgeon Harry Goodsir’s technique with the Daguerrotype camera in the blind would have produced a terrible photo. His 20th-century stopwatch wouldn’t have helped.

WRONG: FRANKLIN’S BACK-UP PLAN

A scene from AMC's The Terror with Sir John Franklin and Capt. Francis Crozier
Captain Francis Crozier (Jared Harris), right, tries to convince Sir John that they're going to need rescuing pretty soon.
Aidan Monaghan/AMC

In a flashback in Episode 3, Sir John Franklin’s good friend Sir John Ross asks the soon-to-depart commander if the Admiralty had any plans for his rescue. When Franklin says one won’t be needed—since the HMS Erebus and HMS Terror are the best-provisioned ships ever sent to the Arctic—Ross warns him that he’s being naïve. In real life, this conversation was much different, and it didn’t take place at the Admiralty.

Franklin and Ross knew firsthand how a well-provisioned expedition can become a fight for survival. (In Episode 6, Captain James Fitzjames hears the story of Ross’s disastrous Victory expedition from the Erebus's ice master Thomas Blanky, who was really there in 1829-1833.) Ross instead offered to rescue Franklin himself, and captained (at age 72!) a privately funded schooner in search of his lost friend in 1850. And because Ross and the Admiralty had had a major falling out decades before, Ross wouldn’t have been chatting with Franklin at the Admiralty's HQ in Episode 3, and he definitely wouldn’t have been there to hear Lady Jane Franklin’s plea for a search party in Episode 4.

Sir John Ross was the uncle of Sir James Clark Ross, whom we see in the first scene of Episode 1 and its replay, from a different point of view, at the end of Episode 10. In real life, Sir James was one of Crozier's closest friends.

WRONG (MAYBE): KILLER CANS

In a foreboding sign of things to come, Franklin removes a tiny blob of lead from his mouth while eating dinner with Fitzjames in the first episode. By Episode 4, the ships’ cooks are complaining that much of the canned meat is spoiled, and able seaman John Morfin shows up in Goodsir’s infirmary with a blackish line along his gums, an ominous sign of lead poisoning. To test that hypothesis, Goodsir feeds the monkey Jacko some of the canned meat, and then reveals his theory to the surgeon Stephen Stanley: The meat is contaminated with lead and the men have been eating it for more than two years.

The storyline is built upon a famous theory that is now in doubt. In the mid-1980s, forensic anthropologists found high levels of lead in Franklin crewmembers' remains. They suggested the source was poorly sealed food cans, and that lead poisoning led to the men’s deaths. But recent research has pointed to the Erebus’s and Terror’s unique water systems [PDF], which used lead pipes, as the primary source of contamination. And, a 2015 study compared lead content among seven crewmembers’ remains and found wide variation, suggesting some men may not have been debilitated.

RIGHT: SERIOUS SCURVY

A scene from AMC's The Terror with Goodsir and Young
Dr. Goodsir (Paul Ready) tries to save David Young (Alfie Kingsnorth).
Aidan Monaghan/AMC

David Young, the first fatality of The Terror, doesn’t show any signs of scurvy in Goodsir’s autopsy. But by the summer of 1848, the remaining crew camped on King William Island hasn’t eaten fresh meat in three years, and the Navy-issued lemon juice rations have either run out or lost potency. Signs of severe Vitamin C deficiency appear: Fitzjames’s old bullet wounds, which he boasted about at the officers' table in the first episode, begin to open up, and a rough-looking Lieutenant George Henry Hodgson loses a tooth as he chews the leather from his boot (a nod to Franklin’s awful 1819-1822 Arctic expedition) in Episode 9. The scenes match what most, though not all, historians and researchers now believe: that a grim combination of scurvy, starvation, exposure, and underlying illnesses spelled the end for Franklin’s men.

(VERY LIKELY) WRONG: FRANKLIN’S CAUSE OF DEATH

A scene from AMC's The Terror with Sir John Franklin and Tunnbaq
Tuunbaq takes a deadly swipe at Sir John.
Aidan Monaghan/AMC

The terrifying scene in Episode 3 in which Tuunbaq mauls Franklin to death and shoves him down the fire hole is most likely not the way it actually happened. Historically speaking, just after the men abandon ship in April 1848, Crozier and Fitzjames updated the note left in the cairn the previous spring. They reported that “Sir John Franklin died on 11th June 1847”—just 19 days after Lieutenant Graham Gore and mate Charles Des Voeux had left the same paper behind on May 24, 1847 and reported the crews “all well.” Unfortunately, it’s the only record ever found about the expedition’s progress, and no one knows for sure how Franklin died or what happened to his body. Inuit oral histories collected by Franklin scholar Louie Kamookak suggest Franklin was buried under a flat stone somewhere on King William Island, but to date, no trace has been found.

RIGHT: THAT CRAZY CARNIVAL

The wild masquerade party in the middle of the bleak and frozen Arctic, which Fitzjames orders as a morale-booster for the men in Episode 6, may seem like a total anachronism. In real life, it was a time-honored tradition. (We don't know for sure if the Erebus and Terror had a carnival because no logbooks from the expedition have been found, but it's likely that they did.) In 1819-1820, Sir Edward Parry led the first polar expedition to purposefully overwinter in the Arctic. He worried about how the men would fare psychologically during the months of darkness and teeth-cracking cold, so he brought along trunks of theatrical costumes and launched the Royal Arctic Theatre, a fortnightly diversion for the officers and men to perform silly plays and musicals. It kept the men busy writing shows, practicing their parts, and building sets, which Parry thought was the key to staying sane. The scheme was such a success that subsequent expeditions kept the tradition going. But unlike in The Terror, the frivolities didn’t end in fiery conflagrations and mass casualties. 

(POSSIBLY) WRONG: HICKEY’S MURDEROUS MUTINY

A scene from AMC's The Terror with Cornelius Hickey
Mr. Hickey (Adam Nagaitis) cooks up a mutiny.
Aidan Monaghan/AMC

In Episode 7, Hickey plans a mutiny and convinces enough of the desperate men to follow him, splitting the remaining officers and men into two groups and, in Episode 9, taking Crozier captive. Hickey also kidnaps Goodsir because, as the expedition’s sole remaining surgeon, he is the only one who knows how to wield a bone saw. We don’t know, though, if there was an actual mutiny among the Franklin survivors. The remains of some of Franklin's men were found in different locations, but that doesn’t necessarily indicate a breakdown of order. Smaller groups may have split off from the main group because they simply couldn’t march any farther or had decided to return to the ships. Despite the harsh conditions of service in the Royal Navy, mutinies were quite rare.

RIGHT: CANNIBALISM

Hickey’s followers, starving and desperate, dine on morsels of steward William Gibson in one of Episode 9’s most wrenching scenes with historical precedent. Hudson’s Bay Company trader John Rae discovered the truth about the Franklin expedition from interviews with Inuit in 1854, including testimony that the men resorted to cannibalism to survive. In his infamous letter to the Admiralty, he wrote, “from the mutilated state of many of the bodies, and the contents of the kettles, it is evident that our wretched countrymen had been driven to the last dread alternative as a means of sustaining life.” Victorian England refused to believe it—but Inuit testimony and forensic research [PDF] supported Rae’s account, finally revealing the expedition’s fate.

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