How Mick Jagger Got Dissed By M.C. Escher

On January 1, 1969, Rolling Stones frontman Mick Jagger wrote artist M.C. Escher a letter asking Escher to provide an image for the Stones' second volume of greatest hits, entitled Through The Past Darkly. Jagger was a big Escher fan, and addressed the letter to "Maurits," the "M" in "M.C." Well...turns out Escher was NOT a Stones fan. Below is the correspondence, as reproduced by a World of Escher forum post from 2002. It's kind of mind-blowing to think that an artist would turn down the chance for a Stones album cover, but hey -- apparently Escher preferred Bach (and Mott the Hoople, which used a colorized version of Escher's "Reptiles" on their self-titled debut in 1969).

Jagger's Letter

Dear Maurits,
For quite some time now I have had in my possession your book (Graphic Works Of...) and it never ceases to amaze me each time I study it! In fact I think your work is quite incredible and it would make me very happy for a lot more people to see and know and understand exactly what you are doing.

In March or April this year, we have scheduled our next LP record for release, and I am most eager to reproduce one of your works on the cover-sleeve. Would you please consider either designing a "picture" for it, or have you any unpublished works which you might think suitable -the "optical illusion" idea very much appeals to me, although one like "Evolution" would of course be equally as suitable. -and would say the same thing. You might even like to do a long one like "Metamorphosis" which we could then reproduce as a folding-out sleeve. It could be either in one colour or full colour, that would be up to you entirely.

Naturally, both you and your publishers would get full credits on the sleeve, and we could negotiate a fee on hearing of your decision to do it. I would be most grateful if you could contact Peter Swales or Miss Jo Bergman at the above address or telephone (reverse charge), and either will give you every necessary assistance. However, I am not so fortunate as to possess a Dutch interpreter, and so if you do not speak English or French, I would again be grateful if you could fix up somebody in Baarn to oblige.

Yours very sincerely,

Escher's Response

I have bolded the diss.

Dear Sir [addressed to Mr. Peter Swales],
Some days ago I received a letter from Mr. Jagger asking me to design a picture or to place at his disposal unpublished work to reproduce on the cover-sleeve for an LP record.

My answer to both questions must be no, as I want to devote all my time and attention to the many commitments I made; I cannot possibly accept any further assignments or spend any time on publicity.

By the way, please tell Mr. Jagger I am not Maurits to him, but
Very sincerely,
M. C. Escher.

According to the forum post that brought this all to light: "In an ensuing letter, Mick Jagger asked for permission to use the Escher image "Verbum" a hexagonal image for which a hexagonal album cover would be designed, a request that was again denied. Escher claimed that he was not offended by the "over-familiarity" of Mick's letter, it was more that he received so many requests, and in all fairness to all the other refusals, he could not make an exception to that rule. The Stones LP entitled "Through The Past Darkly" was released as a hexagonally designed cover-sleeve." Pictured at the top of this post is the actual image used for the sleeve. Not exactly a masterwork. (Note from the comments: yeah, that's an octagon, not a hexagon. Well, anyway.)

(Via, in a rather amusing post entitled From the desk of Mr. Jagger, which includes correspondence with Andy Warhol.)

Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma
Utility Workers May Have Found One of Rome’s First Churches
Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma
Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma

The remains of what may have been one of Rome’s earliest Christian churches were accidentally discovered along the Tiber River during construction, The Local reports. The four-room structure, which could have been built as early as the 1st century CE, was unearthed by electrical technicians who were laying cables along the Ponte Milvio.

The newly discovered structure next to the river
Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma

No one is sure what to make of this “archaeological enigma shrouded in mystery,” in the words of Rome’s Archaeological Superintendency. Although there’s no definitive theory as of yet, experts have a few ideas.

The use of colorful African marble for the floors and walls has led archaeologists to believe that the building probably served a prestigious—or perhaps holy—function as the villa of a noble family or as a Christian place of worship. Its proximity to an early cemetery spawned the latter theory, since it's common for churches to have mausoleums attached to them. Several tombs were found in that cemetery, including one containing the intact skeleton of a Roman man.

Marble flooring
Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma

A tomb
Romano D’Agostini, Giorgio Cargnel, Soprintendenza Speciale di Roma1

The walls are made of brick, and the red, green, and beige marble had been imported from Sparta (Greece), Egypt, and present-day Tunisia, The Telegraph reports.

As The Local points out, it’s not all that unusual in Rome for archaeological discoveries to be made by unsuspecting people going about their day. Rome’s oldest aqueduct was found by Metro workers, and an ancient bath house and tombs were found during construction on a new church.

[h/t The Local]

Alexis Pantos, University of Copenhagen
Scientists Just Found the Oldest Known Piece of Bread
Alexis Pantos, University of Copenhagen
Alexis Pantos, University of Copenhagen

An old, charred piece of long-forgotten flatbread has captured the interest of archaeologists, anthropologists, and historians around the world. Found in a stone fireplace in Jordan’s Black Desert, this proto-pita dates back 14,400 years, making it the oldest known example of bread, Reuters reports.

To put the significance of this discovery in context: the flatbread predates the advent of agriculture by 4000 years, leading researchers to theorize that the laborious process of making the bread from wild cereals may have inspired early hunter-gatherers to cultivate grain and save themselves a whole lot of trouble.

“We now have to assess whether there was a relationship between bread production and the origins of agriculture,” Amaia Arranz-Otaegui, a researcher with the University of Copenhagen, told Reuters. “It is possible that bread may have provided an incentive for people to take up plant cultivation and farming, if it became a desirable or much-sought-after food.”

A report on these findings—written by researchers from the University of Copenhagen, University College London, and University of Cambridge—was published in the journal Proceedings of the National Academy of Sciences.

It was once thought that bread was an invention of early farming civilizations. A 9100-year-old piece of bread from Turkey was previously regarded as the oldest of its kind. However, the Jordanian flatbread was made by a group of hunter-gatherers called the Natufians, who lived during a transitional period from nomadic to sedentary ways of life, at which time diets also started to change.

Similar to a pita, this unleavened bread was made from wild cereals akin to barley, einkorn, and oats. These were “ground, sieved, and kneaded prior to cooking,” according to a statement from the University of Copenhagen. The ancient recipe also called for tubers from an aquatic plant, which Arranz-Otaegui described as tasting “gritty and salty."

[h/t Reuters]


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