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9 Insane Torture Techniques

So you think your mother-in-law is torturous? Or your boss with the lame sense of humor? Get a load of the following nine insane torture techniques used in different parts of the world to kill, dismember, or otherwise cause inordinate amounts of pain. We promise: you'll never use the word torturous the same way again.

1. Chinese Bamboo Torture

As you probably know, bamboo is one of the fastest growing plants on earth. Although there's no real proof that it was used, Chinese Bamboo Torture took advantage of bamboo's propensity to grow quickly. How quickly? Well, some varieties in parts of China grow as much as three feet in a single day. In addition to ancient China, many believe that the Japanese used Chinese Bamboo Torture on POWs during WWII.

How it worked:

1. Tips of living bamboo were cut sharp to create a spear.
2. The victim was suspended horizontally above such a patch of bamboo.
3. The bamboo pierced through the victim's skin and continued to grow through his abdomen, ultimately causing one of the most painful deaths ever inflicted.

Watch the Mythbusters prove that Chinese Bamboo Torture is possible.

2. The Iron Maiden

Like bamboo torture, the Iron Maiden is sometimes thought to be fictional. But this torture technique, using an upright sarcophagus with spikes on the inner surfaces, definitely existed. Invented in the late 18th century, this is the device that the metal band Iron Maiden took their name from.

How it worked:

1. The victim was forced into the spiked sarcophagus and shut in.
2. The short spikes welded into the chamber weren't long enough to kill anyone, but did plenty of damage and inflicted enough pain that an interrogator on the outside was usually able to get a confession.
3. If not, nails and other sharp objects like knives, were inserted into the chamber, inflicting more pain.
4. Generally, between the spikes and the knives, victims would bleed to death after said confession, or sometimes before.
5. Some Iron Maidens also had spikes in place to puncture the eyes.

3. Scaphism (aka "The Boats")

The word scaphism comes from the Greek word skaphe, meaning scooped or hollowed. An ancient Persian method of torture, wherein the victim was eaten alive by bugs, scaphism was also known as "the boats" for reasons you'll understand momentarily.

How it worked:

1. A captive was stripped naked and chained to a pair of back-to-back narrow rowboats or hollowed out tree trunks.
2. The captive was then left to float on a stagnant pond.
3. He was then force fed copious amounts of milk and honey.
4. The victim would develop serious diarrhea, which would in turn attract insects.
5. The insects would then feed on the victim's exposed flesh.

4. The Choke Pear

The Choke Pear was popular during the Middle Ages. Crimes worthy of choke pear torture included blasphemy, lying, having a miscarriage, and homosexual intercourse. Depending on the crime, the torturer would insert the pear into a different part of the criminal's body. Women usually got it in the vagina, homosexuals in the anus, and liars and blasphemers in the mouth.

How it worked:

1. An instrument consisting of sharpened leaf-like segments was inserted into the victim's orifice.
2. The torturer turned a screw at the top, causing the leafs to open, slowly.
3. As the leafs separated, severe internal mutilation occurred.

5. The Brazen Bull

Designed in ancient Greece, the Brazen Bull was a hollowed brass bull statue designed and invented by Perillos of Athens, commissioned, if you will, by Phalaris, the tyrant of Acragas in Sicily.

How it worked:

1. Victims were locked into the hollowed brass bull.
2. A fire was lit under the bull.
3. The victim was roasted alive.
4. The design of the bull's head was such that the victim's screams were made to sound like the bull roaring.
5. The scorched remains were often made into bracelets and sold at market.

6. Rat Torture

One of the most widely recognized forms of bizarre torture, thanks in part to the movie 2 Fast 2 Furious, rat torture is thought to be an ancient Chinese technique. Below, however, we'll describe a particular form of rat torture developed by Diederik Sonoy, a leader during the Dutch revolt of the 16th century.

How it worked:

1. A prisoner was chained down naked on a table.
2. Large, heavy bowls with disease-infected rats were placed open-side down on the prisoner.
3. Hot charcoal was piled on top of the bowls, agitating the rats.
4. In an attempt to escape from the hot bowls, the rats would gnaw their way through the victim's flesh.

7. Judas Cradle

The Spanish Inquisition was known for its many torture devices, and the Judas Cradle was one of the most painful. Also known as the Judas chair, victims usually died of infection, as the seat was never cleaned between uses.

How it worked:

1. The victim was placed on top of a pyramid-shaped seat, with both legs tied together.
2. The chair's point was usually inserted into the anus or vagina, stretching the orifice.
3. The victim was slowly lowered via ropes.
4. The torture might last a few hours or, sometimes, a few days.

8. Crushing by Elephant

For thousands of years, crushing by elephant was a commonly practiced form of torture in Southeast Asia and India. Given the animals' sheer weight, intelligence and susceptibility to training (as we know from the circus), elephants were an obvious choice.

How it worked:

1. Victims were tied down on the floor.
2. Elephants were led into the room to stomp on the victim's head.
3. Often they prolonged the agony by first dismembering victims.

9. The Rack

What short list of torture techniques would be complete without the infamous rack? Consisting of a long wooden board and a couple of rollers, the rack was first used on early Christian martyrs like Vincent of Saragossa, who was tortured to death around the year 300. And, as we've seen all too often in bad Hollywood films, as interrogation assistance, simply forcing a prisoner to watch someone else suffering on the rack was generally enough to get him talking. Anyone who survived the rack was generally unable to use his muscles for the remainder of his life. Good times!

How it worked:

1. The victim was chained to rollers at both ends of the device's wooden frame and then pulled in opposite directions.
2. By ratcheting up the tension on the rollers, the victim's limbs were ripped out of their sockets.

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science
If You’ve Ever Seen a Ghost, Science May Explain Why
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Despite all the reports of ghost sightings (28 percent of Americans report having ghostly encounters), there’s zero evidence to support the presence of supernatural beings among us. Science may not prove the existence of ghosts, but it can help explain why people think they see ghosts in the first place.

In this video from Vox, paranormal investigator Joe Nickell identifies some of the phenomena believers may mistake for paranormal activity. One possible explanation is infrasound, or the sound waves that fall beneath levels of human perception. Though we can’t hear these noises firsthand, our bodies sense them in other ways. This can cause chills, feelings of unease and depression, and even hallucinations.

Other contributors may include sleep paralysis (when you wake up while your body is immobile and experience waking nightmares) and grief. There are also a few less common possibilities that aren’t covered in the video below: Mold poisoning, for instance, can lead to irrational fear and dementia. Suddenly, a visit from a poltergeist doesn’t sound so scary.

[h/t Vox]

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History
Charles Dickens, Part-Time Mesmerist
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Wikimedia Commons // Public Domain

Madame Augusta de la Rue dreaded the end of each day. After settling into bed, her anxiety kept her alert with visions of a figure that followed her into her dreams. When it wasn’t insomnia, she dealt with headaches, a nervous tic, convulsions, and a “burning and raging” mind that was impossible to quiet. Her symptoms became so severe that in 1844 she sought a trendy and controversial treatment known as mesmerism. Her mesmerist: the famous author Charles Dickens.

When Dickens encountered mesmerism in the 1830s, the practice was well-established in the medical community. The German doctor Franz Anton Mesmer had introduced it in the 1770s as a means of manipulating something he called animal magnetism—the magnetic fluid Mesmer believed flowed through the bodies of all living things. According to his theory, the state of this liquid energy was closely tied to one’s health: An uninterrupted flow led to wellness, while blockages caused problems ranging from vomiting to hysteria. Fortunately, Mesmer claimed, these conditions could be cured with a magnet and a steady hand.

By guiding magnets along his patients’ bodies, Mesmer thought he could redistribute the fluid, although he eventually ditched the magnets in favor of his bare hands after discovering they worked just as well. Soon, anyone who shared Mesmer’s supposed magnetic gifts could practice mesmerism by laying or passing their hands over the afflicted. (On top of adding animal magnetism to the lexicon, Mesmer is said to have given us the flirtatious phrase making a pass.) Although responses to mesmeric sessions varied, some claimed it gave them full relief of various physical ailments.

Mesmer died in 1815, a couple decades before the start of the Victorian era. With that period came a nationwide obsession with the metaphysical that renewed public interest in mesmerism not just as a medical treatment, but as a form of entertainment. Practitioners would mesmerize patients into trances and parade them around parties. But some were more than performance artists—John Elliotson, one of the most prolific figures in the field, was a well-respected surgeon famous for popularizing the stethoscope. He was also good friends with Charles Dickens.

Dickens first witnessed mesmerism up close at a demonstration Elliotson gave at London’s University College Hospital in 1838. The writer was intrigued, and implored Elliotson to show him more. Not everyone had a knack for mesmerism, but Dickens was a natural. He wrote years later, “I have the perfect conviction that I could magnetize a Frying-Pan.”

Around the same time he took on Dickens as his pupil, Elliotson watched his career implode. The medical community was then embroiled in a fierce debate over whether or not mesmerism was a legitimate science. One of its staunchest opponents was Thomas Wakley, editor of the British medical journal The Lancet. Wakley affirmed his suspicions after conducting a trial in which the O’Key sisters, two of Elliotson’s more colorful patients, failed to respond to certain "mesmerized" metals yet produced fits in response to materials they were only told were mesmerized. The results of the trial seemed to prove that mesmerism was fake, and Elliotson resigned from his job at University College Hospital shortly after that.

Throughout the controversy, Dickens remained a loyal friend—he even asked Elliotson to be the godfather of his second child. He also continued pursuing his new hobby. In 1842, while in Pittsburgh with his wife Catherine as part of the research for his travelogue American Notes for General Circulation, he first put his mesmerism skills to the test, with Catherine agreeing to be his guinea pig. After several minutes of waving his hands over her head just like Elliotson had taught him, she devolved into hysterics and promptly fell asleep. Dickens took her dramatic response as a sign of his power, and he considered the trial a great success.

From then on, he practiced his talent on whoever was game. His sister-in-law Georgina Hogarth reacted much like Catherine, slipping into a hysterical episode almost immediately. John Leech, who did the original illustrations for A Christmas Carol, came to Dickens for treatment after injuring his head while swimming. Leech felt much better following their session and Dickens took credit for his recovery. The actor Charles Macready, however, was the rare person who didn’t buy the shtick. After Dickens tried to mesmerize him, Macready described the experience as “very unpleasant,” saying “it could not effect me.”

Dickens’s dabblings with mesmerism culminated with a visit to Italy beginning in 1844. He was once again traveling in the name of research, this time for his nonfiction book Pictures From Italy. While staying in Genoa, he became good friends with the Swiss banker Emile de la Rue. He also became close with the banker's English-born wife, Madame Augusta de la Rue—the woman destined to become his most challenging patient. Madame de la Rue suffered from a host of ailments that stemmed from her anxiety, and after hearing about her issues, Dickens offered to help the only way he knew how.

Their first session, which took place in December 1844, may have discouraged a less-experienced mesmerist. Instead of easing her discomfort, his gestures made her more agitated. Madame de la Rue succumbed to a massive anxiety attack, and Dickens took her sensitivity to the treatment as a good sign. They both agreed to see each other again, and soon the meetings became part of their routines.

Madame de la Rue’s response to the therapy grew more promising with each encounter. Her face, once tense with muscle spasms, started to soften. The volume of her thoughts dropped a few notches and she was able to fall asleep much faster. Satisfied with his success treating her physical suffering, Dickens delved deeper into her psyche. He asked her to describe her thoughts and dreams, hoping to get to the root of her illness. The most persistent vision she shared was one of a “phantom” that dogged her whether she was asleep or awake. Dickens described the power it held over her in a letter to her husband:

“That figure is so closely connected with the secret distresses of her very soul—and the impression made upon it is so entwined with her confidence and trust in me, and her knowledge of the power of the Magnetism—that it must not make head again. From what I know from her, I know there is more danger and delay in one appearance of that figure than in a dozen fits of the severest bodily pain. Believe nothing she says of her capacity of endurance, if the reappearance of that figure should become frequent. Consult that mainly, and before all other signs.”

Decades before Sigmund Freud adopted hypnosis as a psychotherapy tool, Dickens was using mesmerism to trace his patient’s visible symptoms to her subconscious mind.

Catherine Dickens didn’t share her husband's excitement for the situation. She had always been jealous of the women her husband mesmerized, and she felt especially threatened by his relationship with Madame de La Rue. And if she thought she’d have her husband’s full attention when they left Genoa to see the rest of Italy in the spring of 1845, she was mistaken. Letters from de La Rue updating Mr. Dickens on her status followed him around the country. Even though they couldn’t be in the same room, the pair continued their appointments remotely by attempting to connect through telepathy for one hour starting at 11 a.m. each day.

Though her condition had vastly improved since their first meeting, the Madame hoped to see Dickens one last time when he finally returned to Genoa in May 1845. Unfortunately a stomach bug prevented the pair from reuniting. He wrote to her in a letter:

"You must not think I am sending you an excuse in lieu of myself. I am in a hideous digestive state, cross, uncomfortable, bilious, blah and limp. A mutton chop and a long walk, and nobody to be contradictory to, are the remedies I have prescribed myself.”

After he resettled in England, Dickens’s passion for mesmerism cooled. He indulged in other mystical hobbies, however: In 1849, he performed stage magic under the pseudonym The Unparalleled Necromancer, Rhia Rhama Rhoos; in 1852, he wrote a spontaneous combustion scene into his realistic fiction book Bleak House, a decision he defended with conviction after it angered scientists. Like many fads to emerge from the Victorian era, those areas of interest have since largely faded from fashion. Mesmerism, on the other hand, laid the foundation for modern hypnosis—but today the treatment is administered by mental health professionals, not young novelists on vacation.

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