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The Creepiest Thing Ever: L'Inconnue de la Seine

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In the early twentieth century, a popular piece of art for the fashionable French home was L'Inconnue de la Seine (translation: "the unknown woman of the Seine"), a completely creepy death-mask (pictured at left) of a young woman whose body had been pulled from the Seine River in Paris, sometime in the 1870s or 1880s. As the (somewhat questionable) story goes, a pathologist at the morgue found the unknown woman's face enchanting, so he made a death mask, a plaster casting of her face. The resulting cast was widely reproduced and became both a popular objet d'art, as well as extremely influential to writers, artists, and indeed young girls who attempted to replicate her (dead) looks. And you thought your friends were goth in high school....

Having said all that, there are some questions as to the real origin of the mask (whether its source was indeed a dead woman or if it was a life mask from an unknown living woman who never spoke up), but let's just stick with the standard story and see how creepy it gets, shall we? As Wikipedia explains (emphasis added):

In the following years, numerous copies were produced. The copies quickly became a fashionable morbid fixture in Parisian Bohemian society. Albert Camus and others compared her enigmatic smile to that of the Mona Lisa, inviting numerous speculations as to what clues the eerily happy expression in her face could offer about her life, her death, and her place in society.

The popularity of the figure is also of interest to the history of artistic media, relating to its widespread reproduction. The original cast had been photographed, and new casts were created back from the film negatives. These new casts displayed details that are usually lost in bodies taken from the water, but the apparent preservation of these details in the visage of the cast seemed to only reinforce its authenticity.

Critic A. Alvarez wrote in his book on suicide, The Savage God: "I am told that a whole generation of German girls modeled their looks on her." According to Hans Hesse of the University of Sussex, Alvarez reports, "the Inconnue became the erotic ideal of the period, as Bardot was for the 1950s. He thinks that German actresses like Elisabeth Bergner modeled themselves on her. She was finally displaced as a paradigm by Greta Garbo."

But wait, it gets creepier. Have you taken a CPR class? Then perhaps you've locked lips with L'Inconnue; in 1958, the woman's face was used on the first CPR doll, dubbed Rescue Annie. Some have thus called hers "the most kissed face of all time," despite all these kisses occurring roughly eighty years after her death. No, not creepy in the slightest.

L'Inconnue de la Seine was a major inspiration for artists of all kinds. In Influence and authenticity of l'Inconnue de la Seine by Anja Zeidler, it is revealed that L'Inconnue influenced artists including Albert Camus, Rainer Maria Rilke and Anaïs Nin, among others.

You can read more about L'Inconnue de la Seine at Wikipedia, and check out confirmation of the Rescue Annie story from Snopes. But whatever you do, do not stare at her eyes for more than thirty seconds, or they will fly open and you'll lose your mind. (Okay, I made that last part up. But why not throw some more creepiness on the pile?)

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Thomas Quine, Flickr // CC BY 2.0
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Weird
Take a Peek Inside One of Berlin's Strangest Museums
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Thomas Quine, Flickr // CC BY 2.0

Vlad Korneev is a man with an obsession. He's spent years collecting technical and industrial objects from the last century—think iron lungs, World War II gas masks, 1930s fans, and vintage medical prostheses. At his Designpanoptikum in Berlin, which bills itself (accurately) as a "surreal museum of industrial objects," Korneev arranges his collection in fascinating, if disturbing, assemblages. (Atlas Obscura warns that it's "half design museum, half horror house of imagination.") Recently, the Midnight Archive caught up with Vlad for a special tour and some insight into the question visitors inevitably ask—"but what is it, really?" You can watch the full video below.

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Courtesy of Nikon
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Microscopic Videos Provide a Rare Close-Up Glimpse of the Natural World
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Courtesy of Nikon

Nature’s wonders aren’t always visible to the naked eye. To celebrate the miniature realm, Nikon’s Small World in Motion digital video competition awards prizes to the most stunning microscopic moving images, as filmed and submitted by photographers and scientists. The winners of the seventh annual competition were just announced on September 21—and you can check out the top submissions below.

FIRST PRIZE

Daniel von Wangenheim, a biologist at the Institute of Science and Technology Austria, took first place with a time-lapse video of thale cress root growth. For the uninitiated, thale cress—known to scientists as Arabidopsis thalianais a small flowering plant, considered by many to be a weed. Plant and genetics researchers like thale cress because of its fast growth cycle, abundant seed production, ability to pollinate itself, and wild genes, which haven’t been subjected to breeding and artificial selection.

Von Wangenheim’s footage condenses 17 hours of root tip growth into just 10 seconds. Magnified with a confocal microscope, the root appears neon green and pink—but von Wangenheim’s work shouldn’t be appreciated only for its aesthetics, he explains in a Nikon news release.

"Once we have a better understanding of the behavior of plant roots and its underlying mechanisms, we can help them grow deeper into the soil to reach water, or defy gravity in upper areas of the soil to adjust their root branching angle to areas with richer nutrients," said von Wangenheim, who studies how plants perceive and respond to gravity. "One step further, this could finally help to successfully grow plants under microgravity conditions in outer space—to provide food for astronauts in long-lasting missions."

SECOND PRIZE

Second place went to Tsutomu Tomita and Shun Miyazaki, both seasoned micro-photographers. They used a stereomicroscope to create a time-lapse video of a sweating fingertip, resulting in footage that’s both mesmerizing and gross.

To prompt the scene, "Tomita created tension amongst the subjects by showing them a video of daredevils climbing to the top of a skyscraper," according to Nikon. "Sweating is a common part of daily life, but being able to see it at a microscopic level is equal parts enlightening and cringe-worthy."

THIRD PRIZE

Third prize was awarded to Satoshi Nishimura, a professor from Japan’s Jichi Medical University who’s also a photography hobbyist. He filmed leukocyte accumulations and platelet aggregations in injured mouse cells. The rainbow-hued video "provides a rare look at how the body reacts to a puncture wound and begins the healing process by creating a blood clot," Nikon said.

To view the complete list of winners, visit Nikon’s website.

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