A few nights ago, I went to see Insane in the Brain, a stage production that bills itself as a "street dance" interpretation of Ken Kesey's One Flew Over the Cuckoo's Nest. No, really, I did.
At first blush, the premise sounds absolutely bizarre and not just because it takes its title from a Cypress Hill song. But the show itself was certainly fascinating: When it was good, it was very good—one patient's OCD tics become a choreography of their own, the scenes of electro-shock therapy were an electric midair acrobatic dance. When it wasn't good, it was simply a bit disappointing—most dancers are not actors and some of the choices they made were a bit odd.
In any case, it got me thinking—in this era of mash-ups, what are some of the most interesting, most bizarre, most fascinating adaptations that have graced the stage? Here are ten more examples.
1. Carrie: The Musical
If you've ever read Stephen King's novel about a sheltered girl with astounding telekinetic powers and a religious nut for a mother who ends up doused in pig's blood and slaughtering her classmates, and thought, "You know, there's a musical in there"—well, you aren't alone.
In the mid-1980s, after the book had been made into a very successful movie starring Sissy Spacek as the titular Carrie, some major Broadway talent came together to adapt the novel into a musical. In 1988, the show made it to Broadway, at a cost of $8 million and with veteran stage actress Betty Buckley.
But despite all that seemed to be going for it—a good cast, choreography by Debbie Allen, lyrics by an award-winning songwriter—the musical has become the granddaddy of all Broadway flops. While audience reaction to the show was mixed, the reviews were not. Overwhelmingly negative, they scared off the show's investors, who pulled the plug after only five performances.
If you visit carriethemusical.com, you can even watch the performance, although the video quality is rather poor. The opening number includes a kick-line and it all goes downhill from there. Carrie even does a dance number with her telekinetically animated prom dress.
2. Jane Eyre: The Musical
Again, if you've ever read Jane Eyre and thought Charlotte Bronte's gothic romance featuring scenes of draconian punishment, a madwoman in the attic, and a mysterious, sometimes cruel and yet somehow still lovable employer, and thought, "Musical!"—you've been beaten to the punch. In 1995, a musical drama version of the book premiered in Wichita, Kansas, received good reviews, and ultimately made its way to Broadway in 2000. There, it did pretty well—the show received a Tony nomination for Best Musical and Best Actress in a Musical, among several other nominations.
3. High Fidelity: The Musical
Even though the 1995 Nick Hornby book and the 2000 film starring John Cusack and Jack Black were ostensibly about music, this does not necessarily mean the story should be set to music. While it was probably damned from the start, the 2006 musical version of High Fidelity suffered from a bland script featuring indistinct shaggy hipster-type characters, incidental dancing, and the difficult task of writing songs that would fit a cult hit about being snobbish about music. The Broadway show opened to largely negative reviews and closed after 14 performances.
4. Debbie Does Dallas: The Musical
In 2001, Debbie did something that she certainly hadn't done in the seminal (sorry) 1978 porno movie about a small-town cheerleader trying to earn enough money to get to Dallas in order to try out for the fictional "Texas Cowgirls" cheerleading team—she sang. The show, created for the New York International Fringe Festival, doesn't actually contain a ton of nudity or sexual acts (prompting some audiences to decry it as a tease), but it does follow the essential plot of the original film, with songs, dances, and a lot of innuendo filling in the sexy bits.
5. Lizzie Borden: The Rock Musical
Musicals have been made from stranger stuff—think on the premise of Cats—in the past, but murder isn't usually a place they go (well, except Carrie). But for roughly 20 years, a show has been floating around that does just that—Lizzie Borden, the rock musical.
Opening to good reviews in New York this week, Lizzie Borden assumes that Borden, who was acquitted of murdering her father and stepmother with an axe in 1892, was actually guilty and, armed with that, goes on to develop other, possibly more apocryphal plotlines: Lesbianism, incest, and decapitated pigeons all make an appearance.
6. Lord of the Rings: The Musical
Despite the magnificent treatment given to the trilogy by Peter Jackson, someone still thought more could be done to mine this particular treasure trove, and decided a musical was clearly in order. In 2006, an incredibly long musical version of the beloved story was produced at immense cost at Toronto's Princess of Wales Theatre, before going on to open in 2007 on the London stage. Reviews were mixed—some found the epic production enchanting, its stage direction enlightened, and others, like the reviewer from The New York Times, found it a muddled mess of twee hobbits, amateur acting, and affected D&D dialogue. The show closed in July 2008.
But fear not for the denizens of Middle Earth: The show is now going on the road and could soon be rolling into a civic center near you, Ents, Elves, and elevenses and all, if you live in Europe or Australia.
7. Ben Hur Live
For months, I've been seeing ads for a live production of Ben Hur, the story of a first century Jewish slave who becomes king of the Roman chariot races, and I have to admit, it looks kind of awesome. Not because I'm an especial fan of the story, which was first penned in 1880 by Lew Wallace and later made into a blockbuster film starring Charlton Heston in 1959, but because the show stars 46 horses, 120 doves and two eagles, features a sea battle and a gladiator fight, in addition to the famous chariot race, and it's all done in Latin and Aramic. It's like a monster truck rally, only way, way, way more epic. And way, way, way more expensive: It's going to cost Â£19 million to keep the show running through Christmas.
The show premiered in London's O2 Arena on September 17 and unfortunately, I don't have tickets as yet. Equally as unfortunate, reviews haven't been good so far, so maybe I'll pass.
However, what is also interesting to note is that this isn't the only stage adaptation of the multi-part biblical-historical fiction novel: When Ben Hur premiered on a West End stage in 1902, the climactic chariot scene involved four teams of horses galloping full-tilt on a giant treadmill, which in turn powered the revolving scenery panel behind them, and dragging the chariots on railroad tracks behind them.
8. Dance of the Vampire (it's huge in Germany)
Dance of the Vampire is a 1997 German-language remake of a Roman Polanski film The Fearless Vampire Killers, set to music. Tanz Der Vampire, as it's called in its native Germany, has been pretty successful there and throughout Eastern Europe, although the Broadway version, which suffered from substantial rewrites, was not well received, closing after only 56 performances and losing around $12 million.
But aside from being one of Broadway's biggest flops, Tans Der Vampire is significant for its soundtrack, which broadly recycled '80s hits and tunes from the composer's lesser known projects. For example, Bonnie Tyler's classic torch-song "Total Eclipse of the Heart" is refashioned here into "Totale Finsternis," and that unforgettable track from Meatloaf's Bat Out of Hell II, "Objects in the Rear View Mirror May Appear Closer Than They Are," becomes the melody for "Die Unstillbare Gier".
Notably, the original Polanski film starred the ill-fated Sharon Tate, who would later be murdered by the deranged Manson clan.
9. Anna Karenina, The Musical
Tales of thwarted love, all fraught with high emotion, tinged with melodrama, and rife with songs just about to be sung are excellent vehicles for musicals—just not all tales of thwarted love. In 1992, the producers of Anna Karenina, The Musical learned that the hard way. The reinvention of the tragic story of the married Anna, her affair with the charming Count Vronsky, and her ultimate suicide was a resounding flop.
The New York Times, reviewing it after opening night, said, "Every unhappy musical is unhappy in its own way, but no musical is more unfortunate than Anna Karenina, the travesty of Tolstoy's novel that opened last night at Circle in the Square Theater." Ouch. The show ran for 46 performances and, despite the poor reviews, was actually nominated for several Tony Awards.
10. Edward Scissorhands
And why not, really? The movie that solidified director Tim Burton's reputation for dark, fairytale worlds of saturated color, wonderfully kitschy 1950s aesthetics, and deliciously twisted fantasy has been lovingly and successfully recreated for the stage. But not just any kind of stage. Directed by Matthew Bourne, whose other works include a dance version of Dorian Gray set in the modern world of fashion, Edward Scissorhands is a dance-heavy, dialogue-free musical that recreates the splendor and the subtle horror of the original film through movement and set design. As one commentator wrote, "the musical features everything you want in a show: Leather costumes, fake snow, and a man who has scissors for hands."
(Image credit: Bill Cooper/Golden Gate [X]Press)
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By now you may have noticed a pattern: Tack "the musical" onto any classic original or weird story and you've got (generally unintended) comedy gold. Are there are any musicals or stage adaptations that strike you as silly? Any musicals you'd like to see? Thundercats: The Musical, perhaps?