CLOSE

The Top 20 Jewish Comedians of All-Time

Picking only 20 was hard. Comedy is just something Jews do well. I once asked Jon Lovitz, one of many comedians left off the list, why the comedy circuit was dominated by Jews, a people who only make up 2% of the American population and 0.227% of the world's population. He said, "To be funny, you have to suffer, suffer, suffer. Jews, blacks, we've suffered a lot in the past. That makes us funny, I guess."

N.B. This Top 20 is not in order. It was just too hard to decide who was no. 1, who was no. 4 or 14, etc. But it would be fun if you all wanted to vote on the number 1 of all-time. At the very bottom of this post, I've inserted a poll, so you can be the judges, and even nominate your own comedian.

1. Jon Stewart

Born Jonathan Stuart Leibowitz, America's foremost political satirist is also a crossword puzzle enthusiast. He even proposed to his future wife, a shicksa (that's Yiddish for a female non-Jew), through a personalized puzzle created with the help of the crossword editor at The New York Times. Who said being the host of a cable talk show doesn't have its perks?

Jon Stewart on how his wife's Catholicism balances with his Judaism: "We're raising the children to be sad."

2. Groucho Marx

lib.GROUCHO FILES.B1047Born Julius Henry Marx, the most famous Marx brother will always be known for his thick greasepaint mustache, which has been parodied in countless movies and TV shows. According to lore, the mustache originated during a vaudeville performance when the young performer did not have the time to paste on a fake one. He grew a real mustache prior to hosing You Bet Your Life, which he kept for the rest of his life.

Groucho's retort when his daughter was restricted access into a country club pool (Jews were not allowed in most country clubs at the time): "But my daughter's only half-Jewish. Can she go in up to her waist?"

3. Billy Crystal

billy-crystalA lifelong Yankees fan, Billy Crystal signed a one-day minor league contract with the club in March of 2008 and played in a spring training game against the Pittsburgh Pirates. Crystal struck out in his only at bat, but managed to foul off a couple of fastballs. You think his teammates gave him tsuris (Yiddish for trouble) for wearing a Mets cap in City Slickers?

Billy Crystal on being Jewish: "I'm comfortable being old... being black... being Jewish."

4. Adam Sandler

adam_sandler-thumb-500x343-586The story of You Don't Mess with the Zohan, about a former Israeli assassin who fakes his own death to pursue a career as a hairdresser, is one Adam Sandler knows well. The character was loosely based on a hairstylist and former Israeli soldier the actor once knew. (Want to hear Sandler sing in Hebrew? Check out our post here and listen to his version of "Hine Ma Tov.")

You no sé?: Although Adam Sandler is a vocal supporter of Israel, and although You Don't Mess with the Zohan is supposed to be set in Israel, the production barely set foot in the Holy Land. Only one exterior shot was filmed in Tel Aviv. When Sandler was in the shot, it was filmed in Mexico.

5. Jackie Mason

JackieMasonThis famously outspoken comedian, born Yacov Moshe Maza, never shied away from controversy. His most famous outburst occurred in 1964 when he was banned from The Ed Sullivan Show after allegedly giving the host the finger during a live broadcast. At the time, Sullivan's weekly variety show was the most popular program on television and it took nearly a decade for Mason's career to recover.

Jackie Mason on being Jewish: "I am as Jewish as a matzo ball or kosher salami."

6. Sarah Silverman

sarah-silverman-cc08Some call her the female Lenny Bruce. But to those who know her best, she's just Sarah. Silverman was fired via fax after her first year as a writer/performer on Saturday Night Live and eventually moved on to stand-up. Her on-stage persona of a naïve yet bigoted Jewish girl gives her permission to go against the grain with jokes like: "Of course the best time to get pregnant is when you're a black teenager."

Sarah Silverman on her religion: "I have no religion. But culturally I can't escape it; I'm very Jewish."

7. Jerry Seinfeld

Jerry_SeinfeldThe creator of the most popular sitcom on America television is also an avid automobile enthusiast. He owns one of the most extensive Porsche collections in the world and even rented a hangar at the Santa Monica Airport to store some of the vehicles in collection. Money may not buy you happiness, but it could certainly help with rising gas prices.

Jerry Seinfeld on what he would call himself if he changed his Jewish sounding name: "Well, I would keep my last name, so as not to offend my parents and I would have to go with Jesus."

8. Larry David

Larry-DavidTo Seinfeld aficionados he's the voice of George Steinbrenner, but to fans of Curb Your Enthusiasm, he's just Larry—neurotic, misanthropic and incredibly self-centered. The show's popularity has even spawned the term "Larry David moment," meaning one who inadvertently causes a socially awkward situation.

Larry David on being a self-loathing Jew: "Hey, I may loathe myself, but it has nothing to do with the fact that I'm Jewish."

9. Sacha Baron Cohen

cohenA graduate of Cambridge University, Sacha Baron Cohen wrote his thesis on Jewish involvement in the American Civil Rights movement and often juxtaposes his own Jewish lineage with his Borat character, an anti-Semitic reporter from Kazakhstan. For instance, throughout the Borat movie the character is not speaking Kazakh, as one might think, but Hebrew, which Cohen speaks fluently.

If I were a rich man: He acted in a stage version of Fiddler on the Roof while attending Cambridge.

10. Mel Brooks

brooksLike Woody Allen, Mel Brooks, born Melvin Kaminsky, started out as a comedy writer for Sid Caesar's Your Show of Shows. He eventually moved on to film where he wrote, directed and starred in some of the most revered comedies of the last half-century, including 1981's History of the World Part I, which spawned the unlikely dance hit, "It's Good to Be King."

3 Reichs and you're out: His directorial debut, 1968's The Producers, is about the staging of a play called "Springtime for Hitler".

11. Lenny Bruce

Lenny_BruceThe most obscene comic of his day covered a variety of themes, but mostly anything deemed inappropriate. Born Leonard Alfred Schneider, Lenny Bruce was never far from controversy and was arrested on obscenity charges several times throughout his career. By the time of his death of a drug overdose in 1966, nearly every nightclub in the country had blacklisted Bruce. He's lately received somewhat of a resurgence and in 2003 was granted the first posthumous pardon in New York history.

Lenny Bruce on being Jewish and living in New York: "If you live in New York, you're Jewish. If you live in Butte, Montana, you're going to be goyish even if you're Jewish."

12. George Burns

burns1cAt the spry young age of 79, George Burns, born Nathan Birnbaum, enjoyed a career resurrection few performers ever experience. He won an Oscar in 1975 for Neil Simon's The Sunshine Boys, and followed that with Oh God! in 1977. Although Burns had not acted in a film since 1939, Neil Simon was adamant about having a Jewish comedian in the role. Clearly the gamble paid off.

Shame, shame, shame: His 1926 marriage to Gracie Allen, who was Irish Catholic, was considered daring for those times and had to be done in secrecy.

13. Gilda Radner

gildThe Detroit native became famous as one of the original "Not Ready for Prime Time Player," on the first season of Saturday Night Live. Throughout her five-year run on the show, Radner created such memorable characters as Roseanne Roseannadanna, Baba Wawa, and Rhonda Weiss, the "Jewish American Princess." Although few details were made public at the time, Radner had a brief fling with fellow SNL cast mate Bill Murray. Details of the failed relationship are recounted in her autobiography, It's Always Something.

Gilda Radner as Rhonda Weiss: "You don't have to be Jewish to wear Jewess Jeans"¦ But it wouldn't hurt."

14. Bette Midler

10039369Bette Midler was born in Honolulu, Hawaii, where she was one of the few Jewish girls in a mostly Asian neighborhood. At the age of 20, Bette relocated to New York, where she would go on to play Tzeitel in the Broadway version of Fiddler on the Roof. She would later hone her comedic acting chops in Down and Out in Beverly Hills and Ruthless People.

Bette Midler on childhood: "I grew up an ugly, fat little Jewish girl with problems."

15. Moe Howard

moe-howard-7Born Moses Harry Horwitz, Moe Howard became famous as the helmet-headed member of the greatest slapstick comedy team of all time. He acquired his unusual bowl cut hairstyle as a boy when he impulsively clipped off his curls. The Stooges just wouldn't be the Stooges with two Curlys.

N'yuck, N'yuck, N'yuck: His favorite Stooges film, You Nazty Spy!, was one of several topical anti-Nazi movies they made during the 1940s.

16. Seth Rogen

seth-rogan-1At 16 Seth Rogen landed a supporting role on Judd Apatow's short-lived series, Freaks and Geeks. It was the beginning of a professional relationship that would pair the two in nearly every Apatow-produced movie since. He is even rumored to play Curly Howard in the upcoming Three Stooges movies. Strangely enough, Judd Apatow has no involvement in the project.

Seth's character in the 2005 film, The 40 Year Old Virgin: "I touched a guy's balls at Hebrew school once."

17. Andy Samberg

andy-sambergAndy Samberg, born David Andrew, cites Mel Brooks as his inspiration for becoming a comedian. In 2005, shortly after becoming a featured player on Saturday Night Live, his hip hop parody, Lazy Sunday, became such a sensation on the Internet that his digital shorts are now a show standard.

Andy Samberg on his Judaism: "I'm going home for Passover, but I don't really go balls out with it."

18. Peter Sellers

sellersHe may be best known for playing Chief Inspector Clouseau in the Pink Panther movies. But Peter Sellers, born Richard Henry Sellers, was also a master at playing multiple characters. He played three roles in the black comedy Dr. Strangelove, and was even scheduled to play a fourth role as Air Force Major T.J. "King" Kong. However, Sellers bowed out after failing to capture the character's Texas accent.

But was he kosher? Although Sellers was half Jewish, he defended Hitler's favorite director, Leni Riefenstahl, and even championed her documentary on the dictator titled Triumph of the Will.

19. Woody Allen

woody-allenBorn Allen Stewart Konigsberg, the comedic prodigy began writing jokes for Sid Caeser at the age of 15. He recently scored $5 million from American Apparel from a lawsuit after the company placed several billboards and online ads using an image of Allen dressed as a Hasidic Jew in his 1977 movie "Annie Hall."

Woody Allen on the three things all Jewish people worship: "God, Chinese food and wall-to-wall carpeting."

20. Howard Stern

HowardStern.jpgThe self-described "King of All Media" has made an entire career out of exploiting strippers and midgets, setting the bar low for radio shock jocks. Since moving to Sirius Satellite Radio in 2006, Stern has become the highest paid radio personality in the United States and was even named one of the 100 Most Influential People in the World by Time Magazine. Although both of his parents are Jewish, Stern often tells his listeners he's "half-Jewish" - the other half being Italian.

Stern on why he tells people he's half Jewish: "It's very hard to be Jewish in this country. My half Jewish side has been beaten with chains."

nextArticle.image_alt|e
Lionsgate Home Entertainment
arrow
entertainment
13 Great Facts About Bad Lieutenant
Lionsgate Home Entertainment
Lionsgate Home Entertainment

Bad Lieutenant can be accused of many things, but one charge you can't level against it is false advertising. Harvey Keitel's title character, whose name is never given, is indeed a bad, bad lieutenant: corrupt, sleazy, drug-addled, irresponsible, and lascivious, all while he's on the job. (Imagine what his weekends must be like!)

Abel Ferrara's nightmarish character study was controversial when it was released 25 years ago today, and rated NC-17 for its graphic nudity (including a famous glimpse at Lil’ Harvey), unsettling sexual violence, and frank depiction of drug use. The film packs a wallop, no doubt. Here's some behind-the-scenes info to help you cope with it.

1. THE PLACID WOMAN WHO HELPS THE LIEUTENANT FREEBASE HEROIN WROTE THE MOVIE.

That's Zoë Tamerlis Lund, who starred in Abel Ferrara's revenge-exploitation thriller Ms. 45 (1981) more than a decade earlier, when she was 17 years old. She and Ferrara are credited together for writing Bad Lieutenant, though she always insisted that wasn't the case. "I wrote this alone," she said. "Abel is a wonderful director, but he's not a screenwriter. She said elsewhere that she "wrote every word of that screenplay," though everyone agrees the finished movie included a lot of improvisation. Lund was a fascinating, tragic character herself—a musical prodigy who became an enthusiastic and unapologetic user of heroin before switching to cocaine in the mid-1990s. She died of heart failure in 1999 at age 37.

2. CHRISTOPHER WALKEN WAS SUPPOSED TO STAR IN IT.

Christopher Walken had starred in Ferrara's previous film, King of New York (1990), and was set to play the lead in Bad Lieutenant before pulling out at almost the last minute. Ferrara was shocked. "[Walken] says, 'You know, I don't think I'm right for it.' Which is, you know, a fine thing to say, unless it's three weeks from when you're supposed to start shooting," Ferrara said. "It definitely caught me by surprise. It put me in terminal shock, actually." Harvey Keitel replaced him (though not without difficulty; see below), and the film's editor, Anthony Redman, thought Keitel was a better choice anyway. "Chris is too elegant for the part," he said. "Harvey is not elegant." 

3. HARVEY KEITEL'S INITIAL REACTION TO THE SCRIPT WAS NOT PROMISING.

"When we gave [Keitel] the script the first time, he read about five pages and threw it in the garbage," Ferrara said. Keitel's recollection was a little more diplomatic. As he told Roger Ebert, "I read a certain amount of pages and I put it down. I said, 'There's no way I'm gonna make this movie.' And then I asked myself, 'How often am I a lead in a movie? Read it, maybe I can salvage something from it …' When I read the part about the nun, I understood why Abel wanted to make it."

4. IT WAS ORIGINALLY SUPPOSED TO BE FUNNY.


Lionsgate Home Entertainment

"It was always, in my mind, a comedy," Ferrara said. He cited the scene where the Lieutenant pulls the teenage girls over as a specific example of how Christopher Walken would have played it, and how Harvey Keitel changed it. "The lieutenant was going to end up dancing in the streets with the girls as the sun came up. They'd be wearing his gun belt and hat, and they'd have the radio on, you know what I mean? But oh my God, Harvey, he turned it into this whole other thing." Boy, did he. 

5. THAT SCENE WITH THE TEENAGE GIRLS HAD A REAL-LIFE ELEMENT THAT MADE IT EVEN CREEPIER.

One of the young women was Keitel's nanny. Ferrara: "I said, 'You sure you want to do this with your babysitter?' He says, 'Yeah, I want to try something.'"

6. MUCH OF IT WAS FILMED GUERRILLA-STYLE.

Like many indie-minded directors of low-budget films, Ferrara didn't bother with permits most of the time. "We weren't permitted on any of this stuff," editor Anthony Redman admitted. "We just walked on and started shooting." For the scene where a strung-out Lieutenant walks through a bumpin' nightclub, they sent Keitel through an actual, functioning club during peak operating hours.

7. A GREAT DEAL OF THE DIALOGUE AND ACTION WERE MADE UP ON THE FLY.

The script was only about 65 pages at first, which would have made for about a 65-minute movie. "It left a lot of room for improvisation," producer Randy Sabusawa said, "but the ideas were pretty distilled. They were there."

Script supervisor Karen Kelsall said supervising the script was a challenge. "Abel didn't stick to a script," she said. "Abel used a script as a way to get the money to make a movie, and then the script was kind of—we called it the daily news. It changed every day. It changed in the middle of scenes." Ferrara was unapologetic about the script's brevity. "The idea of wanting 90 pages ... is ridiculous."

8. AND THERE WERE EVEN MORE IDEAS THAT THEY DIDN'T USE.

Ferrara said a scene that epitomized the movie for him—even though he never got around to filming it—was one where the Lieutenant robs an electronics store, leaves, then gets a call about a robbery at the electronics store. He responds in an official capacity (they don't recognize him), takes a statement, walks out, and throws the statement in the garbage. "And that to me is the Bad Lieutenant, you know?" Ferrara said. 

9. THE BASEBALL PLAYOFF SERIES IS FICTIONAL.

The Mets have battled the Dodgers for the National League championship once, in 1988. (The Dodgers beat 'em and went on to win the World Series.) For the narrative Ferrara wanted—the Mets coming back from a 3-0 deficit to win the pennant—he had to make it up. He used footage from real Mets-Dodgers games (including Darryl Strawberry's three-run homer from a game in July 1991) and added fictional play-by-play. But the statistics were accurate: no team had ever been down by three in a best-of-seven series and then come back to win. (It's happened once since then, when the 2004 Red Sox did it.)

10. THEY HAD HELP FROM THE COP WHO SOLVED A SIMILAR CASE.

The disgusting crime at the center of the film (we won't dwell on it) was inspired by a real-life incident from 1981, which mayor Ed Koch called "the most heinous crime in the history of New York City." The street cop who solved it, Bo Dietl, advised Ferrara on the film and had an on-screen role as one of the detectives in our Lieutenant's circle of friends.

11. THEY DESECRATED THE CHURCH AS RESPECTFULLY AS THEY COULD.

Production designer Charles Lagola had his team cover the church’s altar and other surfaces with plastic wrap, then painted the graffiti and other defacements on the plastic.

12. IT WAS RATED NC-17 IN THEATERS, WITH AN R-RATED VERSION FOR HOME VIDEO.

Blockbuster and some of the other retail chains wouldn't carry NC-17 or unrated films, so sometimes studios would produce edited versions. (See also: Requiem for a Dream.) The tamer version of Bad Lieutenant was five minutes and 19 seconds shorter, with parts of the rape scene, the drug-injecting scene, and much of the car interrogation scene excised.

13. THE "SEQUEL" HAD NOTHING TO DO WITH IT, NOR DID FERRARA APPROVE OF IT.


First Look International

Movie buffs were baffled in 2009, when Werner Herzog directed Bad Lieutenant: Port of Call New Orleans, starring Nicolas Cage. It sounds like a sequel (or a remake), but in fact had no connection at all to the earlier film except that both were produced by Edward R. Pressman. Herzog said he'd never seen Ferrara's movie and wanted to change the title (Pressman wouldn't let him); Ferrara, outspoken as always, initially wished fiery death on everyone involved. Ferrara and Herzog finally met at the 2013 Locarno Film Festival in Switzerland, where Herzog initiated a conversation about the whole affair and Ferrara expressed his frustration cordially. 

Additional sources:
DVD interviews with Abel Ferrara, Anthony Redman, Randy Sabusawa, and Karen Kelsall.

nextArticle.image_alt|e
Warner Bros.
arrow
entertainment
15 Things You Might Not Know About One Flew Over the Cuckoo’s Nest
Warner Bros.
Warner Bros.

Milos Forman's One Flew Over the Cuckoo’s Nest, which premiered on this day in 1975, won critical acclaim, box office success, and a shelf full of Oscars. But even if you love the complex exploration of life inside a 1960s psychiatric hospital, there are a few things you may not know about its behind-the-scenes story. 

1. CUSTOMS NEARLY DOOMED THE PROJECT. 

Despite the middling success of the 1963 stage adaptation of Ken Kesey’s novel starring Kirk Douglas, Hollywood legend Douglas was dead set on adapting the story for the screen. Douglas contacted Czech director Miloš Forman about the project, promising to send Forman a copy of the book for his perusal. 

Douglas mailed Forman the novel, but the package was confiscated by Czechoslovakian customs and never reached the director. Unaware of the parcel’s fate, the filmmaker resented Douglas’s broken promise, and Douglas thought Forman rude for never bothering to confirm receipt of the novel. It took a decade to sort the mess out, and things only cleared up when Kirk’s son Michael Douglas took another crack at production and contacted Forman once more. 

2. ONE STUDIO WANTED TO CHANGE THE ENDING.

When producers were shopping the picture to studios, 20th Century Fox was interested, but with a catch. Fox would distribute the film, but only if the filmmakers would agree to rewrite the ending; the studio wanted McMurphy to live. Producers Saul Zaentz and Michael Douglas wisely considered this a deal breaker, and United Artists eventually distributed the film.

3. JACK NICHOLSON AND LOUISE FLETCHER WERE NOT THE FIRST CHOICES FOR THEIR CHARACTERS. 


Warner Bros.

When Kirk Douglas spearheaded the first attempt to bring One Flew Over the Cuckoo’s Nest to life on the big screen in the 1960s, he had intended to play the Randle Patrick McMurphy role himself, just as he had on stage. When production began in earnest 10 years later, Douglas was too old for the part, leaving director Forman to consider and contact the likes of Gene Hackman, Marlon Brando, and (his personal favorite) Burt Reynolds before finally settling on Jack Nicholson.

A number of different actresses were considered for the role of Nurse Ratched, the film’s central antagonist, as well: Anne Bancroft, Colleen Dewhurst, Geraldine Page, and Angela Lansbury were all in the running, before Louise Fletcher ultimately got the part. 

4. LOUISE FLETCHER CHANGED FORMAN’S VIEW ON THE CHARACTER. 

Forman’s original view of Nurse Ratched was as “the personification of evil,” a characterization that made Louise Fletcher a bad fit for the part in the filmmaker’s mind. As Fletcher pressed for the role, Forman’s perspective of Ratched evolved: “I slowly started to realize that it would be much more powerful if it’s not this visible evil,” he said. “That she’s only an instrument of evil. She doesn’t know that she’s evil. She, as a matter of fact, believes that she’s helping people.” This new take on the character paved the way for the official casting of Fletcher. 

5. SEVERAL OF THE FILM’S STARS WERE NOT ACTORS. 

Following the production team’s decision to use Oregon State Hospital as its shooting location, the producers hit on the idea of casting facility superintendent Dr. Dean Brooks as Dr. John Spivey, the doctor charged with assessing R. P. McMurphy’s psychological health. Brooks agreed to play what turned out to be a sizable role, though it would be the only acting job he would ever take. He also helped secure employment for many of his hospital’s patients as extras and crew members during production. 

Mel Lambert, another non-actor, was wrangled to play the harbormaster who protested McMurphy’s ad hoc fishing trip. What’s more, Lambert—a respected area businessman who had a strong relationship with the local Native American community—introduced the production team to Will Sampson, the 6-foot-5-inch-tall Muscogee painter who would make his acting debut as the major character Chief Bromden. 

6. THE STARS LIVED ON THE WARD DURING PRODUCTION. 


Warner Bros.

All of the actors who played patients actually lived on the Oregon State Hospital psychiatric ward throughout production. The men personalized their sleeping quarters, spent their days on campus “get[ting] a sense of what it was to be hospitalized” (as actor Vincent Schiavelli put it), and interacting with real psychiatric patients. 

7. MANY SCENES WERE SHOT WITHOUT THE ACTORS’ KNOWLEDGE. 

To complete this realistic immersion, Forman led his performers in unscripted group therapy sessions in which he directed the actors to develop their characters’ psychological maladies organically. He would often capture footage of the actors, both in and out of character, without explicitly mentioning that the cameras were rolling. The film’s final cut includes a shot of a visibly irritated Fletcher reacting to a piece of direction fed to her by Forman. 

8. FORMAN AND NICHOLSON HAD A TREMENDOUS SPAT OVER THE FILM’S PLOT. 

While the intensity of the turmoil varies from rumor to rumor, reports from the set were consistent on one fact: The star refused to speak with Forman for a large chunk of the production process. Nicholson took issue with Forman’s suggestion that the hospital inmates would be an unruly bunch upon the initial arrival of McMurphy. Instead, the actor insisted that such disavowal of the medical staff’s authority should only begin after the introduction of McMurphy into their lives and routines. 

Although the version of the story that we see in the film today is more closely associated with Nicholson’s alleged reading, suggesting that Forman ultimately took his advice, Nicholson refused to interact with his director from that point forward. When the star and Forman needed to communicate with one another, they used cinematographer Bill Butler as a middleman. 

9. DANNY DEVITO CREATED AN IMAGINARY FRIEND DURING PRODUCTION. 


Warner Bros.

Emotionally strained by a demanding shooting schedule that kept him 3000 miles from his future wife, Rhea Perlman, DeVito developed the coping mechanism of an imaginary friend with whom he would have nightly chats. Concerned that his own sanity might be slipping away, DeVito sought the advice of Dr. Brooks, who assured him that there was no reason to worry as long as DeVito could still identify the character as fictional. 

10. THE CREW WAS WORRIED ABOUT THE SANITY OF ONE CAST MEMBER.

While Dr. Brooks had no concerns about DeVito, he echoed the rest of the cast and crew’s apprehensions about the psychological state of Sydney Lassick, who played Charlie Cheswick. Lassick exhibited increasingly unpredictable and emotionally erratic behavior during his time in character, a pattern that culminated in a tearful outburst during his observation of the final scene between Nicholson and Sampson. Lassick became so overwhelmed during the scene that he had to be removed from set. 

11. FLETCHER TOOK OFF HER CLOTHES IN ORDER TO GET FRIENDLIER WITH HER CO-STARS.

Envious of the camaraderie her male costars had forged, and hoping to dispel any associations with her tyrannical character, Fletcher surprised the cast one evening by ripping off her dress on the crowded ward. Years later, the actress laughed about the display, saying, “‘I’ll show them I’m a real woman under here, you know.’ I think that must have been what I was thinking.” 

12. THE FISHING TRIP SCENE BARELY MADE IT INTO THE FILM. 

Initially, Forman was vocally opposed to including a scene that took place beyond the grounds of the hospital out of concerns that a temporary liberation would undercut the dramatic force of the film’s ending. In the end, Zaentz convinced Forman to shoot the fishing trip sequence. It was the final scene filmed and the only piece shot out of chronological order. 

One thing to look for in the fishing scene: A very subtle Anjelica Huston cameo. Huston, who was dating Nicholson during production, has a nonspeaking role as one of the spectators on the dock as McMurphy and his fellow patients steer the stolen boat back to shore. 


Warner Bros.

13. ONE FLEW OVER THE CUCKOO’S NEST WAS THE FIRST FILM TO WIN ALL “BIG FIVE” ACADEMY AWARDS IN 41 YEARS.

Not since 1934's It Happened One Night swept the Oscars had a film walked away with awards for Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay. One Flew Over the Cuckoo’s Nest took home the lot, with Nicholson and Fletcher winning the top acting awards. The feat would not be matched again for another 16 years, with Silence of the Lambs becoming the next (and last to date) movie to earn the distinction. 

14. THE FILM ENJOYED ONE OF THE LONGEST THEATRICAL RUNS IN MOVIE HISTORY. 

One Flew Over the Cuckoo’s Nest was revered worldwide, but Swedish viewers developed an especially soft spot for the film. Cuckoo’s Nest remained a regular option for Swedish moviegoers through 1987—11 years after its initial release. 

15. KESEY REFUSED TO SEE THE FILM (BUT MAY HAVE BY ACCIDENT). 

The poster child for the “the book was better” movement, One Flew Over the Cuckoo’s Nest author Kesey disapproved of a big screen adaptation of his novel as soon as he found out that the filmmakers had abandoned the use of Chief Bromden as the story’s narrator. Kesey never intended to see the movie, but one story says he inadvertently caught a few moments during a bout of channel surfing one evening. Once Kesey realized what he was watching, he promptly changed stations.

According to fellow novelist Chuck Palahniuk (who has famously praised director David Fincher’s adaptation of his novel Fight Club, plot changes and all), Kesey once stated privately that he did not care for the material.

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios