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Symbolism and the $1 Bill

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Crack open your wallet, pull out everyone's favorite portrait of George Washington, and be prepared to learn about some odd symbolism that probably seemed perfectly normal in the 18th century. Here are the explanations behind some of the more baffling parts of our nation's smallest bills.

What's that weird pyramid drawing on the reverse of the bill?

The two circular drawings on the reverse of the bill are actually parts of the two-sided Great Seal of the United States. Although we don't see the entire seal outside of our wallets too often, the notion of having a great seal is actually as old as the country itself. The Continental Congress passed a resolution on July 4, 1776, to create a committee to design a great seal for the fledgling nation, and heavy hitters John Adams, Benjamin Franklin, and Thomas Jefferson got the first crack at creating the seal.

dollar-seal

Congress wasn't so keen on the design these big names brought back, though, and it took nearly six years and several drafts to finally find a suitable seal. Congress finally approved of a design on June 20, 1782.

What's the story behind the Great Seal of the United States?

sealAccording to the State Department, which has been the official trustee of the seal since 1789, both the obverse (front) and reverse (back) of the seal are rich with symbolism. The obverse picturing the eagle is a bit easier to explain. The bird holds 13 arrows to show the nation's strength in war, but it also grasps an olive branch with 13 leaves and 13 olives that symbolize the importance of peace. (The recurring number 13, which also appears in the stripes on the eagle's shield and the constellation of stars over its head, is a nod to the original 13 states.) The shield floats unsupported over the eagle as a reminder that Americans should rely on their own virtue and strength.

The symbolism of the pyramid on the seal's reverse is trickier. The pyramid has 13 steps—the designers apparently never got tired of the 13 motif—and the Roman numeral for 1776 is emblazoned across the bottom. The all-seeing Eye of Providence at the top of the pyramid symbolizes the divine help the early Americans needed in establishing the new country. The pyramid itself symbolizes strength and durability.

The divine overtones don't stop with the unblinking eye, though. The Latin motto Annuit Ceptis appears over the pyramid; it translates into "He [God] has favored our undertaking." The scroll underneath the pyramid reads Novus Ordo Seclorum, or "A new order of the ages," which was meant to signify the dawn of the new American era.

How did the seal end up on our dollar bill?

We can thank former Secretary of State Cordell Hull's busy schedule for that one. Secretary of Agriculture Henry A. Wallace had to wait for a meeting with Hull in 1934 and decided to kill time by thumbing through a State Department pamphlet on the Great Seal. The pamphlet contained an illustration of the reverse side of the seal with the pyramid, and Wallace was quite taken with the drawing. He took the seal to President Franklin Roosevelt and suggested the country mint a coin using the two sides of the seal.

FDR liked the seal, too. (Roosevelt and Wallace were both Masons and loved the all-seeing eye part of the reverse design, which echoed the concept of the Great Architect of the Universe.) He thought the seal should be on the reverse of the dollar bill rather than a coin, but he was worried the mystical imagery would offend Catholics. After Postmaster General James Farley assured FDR he didn't think his fellow Catholics would have any problem with the design, Roosevelt approved a new dollar bill design that first appeared in 1935.

Did the Founding Fathers swipe any ideas from a magazine?

Possibly. The familiar E Pluribus Unum motto that the eagle holds in its beak underscores the union and togetherness of the 13 colonies. It might also underscore early Americans' love of periodicals.

According to the State Department, recent historical research has indicated that this Latin motto may have been borrowed from Gentlemen's Magazine, a London publication that ran from 1732 to 1922.

The magazine was popular in the colonies, and its title page always carried the E Pluribus Unum motto.

Why don't the dates on the front of the bills change that often?

At the lower right of the portrait on the bill's obverse you'll see the word "Series" and a year. You might notice that these don't change each year the way the numbers on minted coins do. Why not?

According to the Treasury, the series date only changes when there's a new design for a bill, a new Treasurer of the United States, or a new Secretary of the Treasury. (These are the two officials whose signatures appear on either side of the portrait.) The series year itself changes when the Secretary of the Treasury changes, while a change in the Treasurer of the United States means that the series year remains the same, but a suffix letter gets tacked onto the end of the year.

What are the various other numbers on the obverse of the bill?

The bill's serial number is the most prominently displayed set of digits on the dollar, but they're not alone. If you take out a dollar, you'll notice there are four large numbers in the corners of the bill's open space. Like the encircled letter to the left of Washington's portrait, FW-dollarthese numbers tell which Federal Reserve Bank issued the note. (Each Fed's number corresponds the letter of the alphabet assigned to the bank, with A=1, B=2, and so on.)

The tiny letters and numbers that appear on the top left and bottom right of the bill's obverse indicate the position of the note on the Treasury's printing plates. If your dollar bill has a tiny "FW" before this code, those letters indicate that it was printed at the Treasury's facility in Fort Worth, Texas, rather than in Washington, D.C.

See Also: The Curious Case of the $2 Bill

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This Newspaper Article Was Hyping the 2017 Eclipse All the Way Back in 1932
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If you’ve turned on a news station or browsed the internet recently, you’ve likely learned of the total solar eclipse set to pass over the U.S. on Monday, August 21. Many outlets (Mental Floss included) have been talking up the event for months, but the earliest instance of hype surrounding the 2017 eclipse may have come from The New York Times.

Meteorologist Joe Rao presented this news clip at a recent panel on the solar eclipse at the American Museum of Natural History, and fuel analyst Patrick DeHaan shared the image on Twitter earlier this year. It shows a New York Times article from August 1932, selling that year’s eclipse by saying it will be the "best until Aug. 21, 2017."

The total solar eclipse on August 21 won’t be the first to fall over U.S. soil in 85 years. The next one to follow the 1932 eclipse came in 1970, but an author at the time apparently predicted that "poor skies" would be likely for that date. That early forecast turned out to be correct: There were clouds over much of the path of totality in the southeastern U.S. The next total eclipse visible from America, which the article doesn’t mention, happened in 1979. Overcast skies were a problem for at least some of the people trying to view it that time around as well.

The upcoming total eclipse will hopefully be worth the decades of hype. Unlike the previous three, which only skimmed small sections of the lower 48 states, this next eclipse will be visible throughout day as it travels from coast to coast. Check out our field guide for preparing for the once-in-a-lifetime phenomenon.

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10 of the Worst Jobs in the Victorian Era
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Next time you complain about your boring desk job, think back to Victorian times—an era before the concept of occupational health and safety rules—and count yourself lucky. Back then, people were forced to think of some imaginative ways to earn a living, from seeking out treasure in the sewers to literally selling excrement.

1. LEECH COLLECTOR

Leeches were once a useful commodity, with both doctors and quacks using the blood-sucking creatures to treat a number of ailments, ranging from headaches to "hysteria." But pity the poor leech collector who had to use themselves as a human trap. The job usually fell to poor country women, who would wade into dirty ponds in the hope of attracting a host of leeches. Once the critters attached to the leech collectors’ legs, the individual would prise them off and collect them in a box or pot. Leeches can survive for up to a year with no food, so they could be stored at the pharmacy to be dished out as required. Unsurprisingly, leech collectors were in danger of suffering from excess blood loss and infectious diseases.

2. PURE FINDER

Despite the clean-sounding name, this job actually involved collecting dog feces from the streets of London to sell to tanners, who used it in the leather-making process. Dog poop was known as "pure" because it was used to purify the leather and make it more flexible [PDF]. Leather was in great demand in Victorian times, as it was used not only as tack for horses but for shoes, boots, bags, and in bookbinding. Pure collectors haunted the streets where stray dogs amassed, scooping up the poop and keeping it in a covered bucket before selling it on to the tanners. Some collectors wore a black glove to protect their scooping hand, but others considered it harder to keep a glove clean than a hand and eschewed the protection altogether.

3. TOSHER

A Victorian illustration of a tosher, or sewer collector
An 1851 illustration of a sewer-hunter or "tosher."
Wikimedia // Public Domain

Victorian London had a huge network of over-worked sewers under the city, washing away the effluence of the crowded metropolis. Toshers made their living down in the dark sewers, sifting through raw sewage to find any valuables that had fallen down the drain. It was extremely dangerous work: noxious fumes formed deadly pockets, the tunnels frequently crumbled, there were swarms of rats, and at any moment the sluices might be opened and a tide of filthy water might wash the toshers away. As a result of these dangers, toshers generally worked in groups, instantly recognizable in their canvas trousers, aprons with many large pockets (in which to stash their booty), and lanterns strapped to their chests. Most toshers also carried a long pole with a hoe at the end to investigate piles of human waste for dropped treasures, or with which to steady themselves if they stumbled in the gloom. After 1840 it became illegal to enter the sewers without permission and so toshers began working late at night or early in the morning to avoid detection. Despite the stinking and dangerous conditions, it was a lucrative business for the working classes, with many a coin or silver spoon sloshing about in the quagmire.

4. MATCHSTICK MAKERS

Matchsticks are made by cutting wood into thin sticks and then dipping the ends into white phosphorus—a highly toxic chemical. In the Victorian era, this work was mainly performed by teenage girls who worked in terrible conditions, often for between 12 and 16 hours a day with few breaks. The girls were forced to eat at their work stations, meaning the toxic phosphorus got into their food, leading to some developing the dreadful condition known as “phossy jaw”—whereby the jawbone becomes infected, leading to severe disfigurement.

5. MUDLARK

Like the toshers, these workers made their meagre money from dredging through the gloop looking for items of value to sell, although in this case they were plying their messy trade on the shores of the Thames instead of mostly in the sewers. Seen as a step down from a tosher, the mudlarks were usually children, who collected anything that could be sold, including rags (for making paper), driftwood (dried out for firewood) and any coins or treasure that might find its way into the river. Not only was it a filthy job, but it was also very dangerous, since the tidal nature of the Thames meant it was easy for children to be washed away or become stuck in the soft mud.

6. CHIMNEY SWEEP

A photograph of a very happy chimney sweep
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Tiny children as young as four years old were employed as chimney sweeps, their small stature making them the perfect size to scale up the brick chimneys. All the climbing in the claustrophobic space of a chimney meant many sweeps’ elbows and knees were scraped raw, until repeated climbing covered them with calluses. Inhaling the dust and smoke from chimneys meant many chimney sweeps suffered irreversible lung damage. Smaller sweeps were the most sought-after, so many were deliberately underfed to stunt their growth and most had outgrown the profession by the age of 10. Some poor children became stuck in the chimneys or were unwilling to make the climb, and anecdotal evidence suggests their bosses might light a fire underneath to inspire the poor mite to find their way out at the top of the chimney. Fortunately, an 1840 law made it illegal for anyone under the age of 21 to climb and clean a chimney, though some unscrupulous fellows still continued the practice.

7. FUNERAL MUTE

Anyone familiar with Charles Dickens’s Oliver Twist will remember that one of the orphan’s hated early jobs was as a mute for undertaker Mr. Sowerberry. A component of the extremely complex (and lucrative) Victorian funeral practices, mutes were required to dress all in black with a sash (usually also black, but white for children), while carrying a long cloth-covered stick and standing mournfully and silently at the door of the deceased’s house before leading the coffin on its processional route to the graveyard.

8. RAT CATCHER

An illustration of a group of Victorian men watching rat-baiting.
Getty Images/Rischgitz

Rat catchers usually employed a small dog or ferret to search out the rats that infested the streets and houses of Victorian Britain. They frequently caught the rats alive, as they could sell the animal to “ratters,” who put the rats into a pit and set a terrier loose upon them while onlookers made bets about how long it would take for the dog to kill them all. Catching rats was a dangerous business—not only did the vermin harbor disease, but their bites could cause terrible infections. One of the most famous Victorian rat catchers was Jack Black, who worked for Queen Victoria herself. Black was interviewed for Henry Mayhew’s seminal tome on Britain’s working classes, London Labour and the London Poor (1851) in which he revealed that he used a cage which could store up to 1000 live rats at a time. The rats could be stored like this for days as long as Black fed them—if he forgot the rats would begin fighting and eating each other, ruining his spoils.

9. CROSSING SWEEPER

The “job” of crossing sweeper reveals the entrepreneurial spirit of the Victorian poor. These children would claim an area of the street as their patch, and when a rich man or woman wished to exit their carriage and walk across the filth-strewn street, the sweeper would walk before them clearing the detritus from their path, ensuring their patron’s clothes and shoes stayed clean. Crossing sweepers were regarded as just a step up from beggars, and worked in the hopes of receiving a tip. Their services were no doubt sometimes appreciated: The streets during this period were mud-soaked and piled with horse manure. The poor sweepers not only had to endure the dismal conditions whatever the weather, but were also constantly dodging speeding horse-drawn cabs and omnibuses.

10. RESURRECTIONISTS

An 1840 drawing of a group of resurrectionists at work
Getty Images/Hulton Archive

In the early 19th century the only cadavers available to medical schools and anatomists were those of criminals who had been sentenced to death, leading to a severe shortage of bodies to dissect. Medical schools paid a handsome fee to those delivering a body in good condition, and as a result many wily Victorians saw an opportunity to make some money by robbing recently dug graves. The problem became so severe that family members took to guarding the graves of the recently deceased to prevent the resurrectionists sneaking in and unearthing their dearly departed.

The "profession" was taken to an extreme by William Burke and William Hare who were thought to have murdered 16 unfortunates between 1827 and 1828. The pair enticed victims to their boarding house, plied them with alcohol and then suffocated them, ensuring the body stayed in good enough condition to earn the fee paid by Edinburgh University medical school for corpses. After the crimes of Burke and Hare were discovered, the Anatomy Act of 1832 finally helped bring an end to the grisly resurrectionist trade by giving doctors and anatomists greater access to cadavers and allowing people to leave their body to medical science.

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