The Weird Week in Review

Cat Saves Man from Burning Home

With most "pet saves family from fire" stories, it's easy to assume that the pet woke someone up because it wanted OUT of the house. In this case, the cat came in from outside, and it didn't even live there!

Engineer Andrew Williams was asleep when the fire broke out at his bungalow in Bracknell in Berkshire.

As black smoke filled the property, his neighbour's cat Hugo came through a cat-flap and raised the alarm by clawing at the father-of-two's face.

Rescuers said that the fire could have killed Mr Williams if he had not been awoken by Hugo. A smoke detector had been moved during work on the bungalow.

Motive for Assault: Missing Condiments

26-year-old Monique Aguet went through the drive-through of a KFC in Surprise, Arizona. She became upset when her order did not include condiments. She went inside the store to continue the argument with a store employee, and was ordered to leave. The employee followed her back outside and stood behind Aguet's car to record her license plate number. Aguet then backed up the car/ The unnamed employee banged on the trunk to let her know she was there, but Aguet continued to back up, striking the employee with the car. Aguet was arrested for disorderly conduct and suspicion of aggravated assault with a deadly weapon. The employee was unhurt.

Windshield Shattered by Falling Fish

Leighann Niles was driving near East Harbor State Park in Ohio when a fish fell out of the sky and broke her car's windshield! The eight-pound freshwater drum, or sheepshead, was dropped by a bald eagle flying overhead. Niles said the eagle also dropped the head of a second fish. Neither Niles nor her 5-year-old daughter were injured in the incident.

Inmate Hides Gun in his Fat Rolls

120_vera25-year-old George Vera was arrested Sunday in Houston, Texas for selling bootleg CDs. Vera was searched at least four times and passed through a metal detector twice as he was processed and transferred from the city lockup to the county jail. On Monday, during a shower break, Vera admitted to a guard that he smuggled an unloaded 9mm pistol into the jail by hiding it in his rolls of fat. Vera weighs more than 500 pounds.

Cab Driver Choked; People Locked Inside Church

A strange chain of events occurred Saturday morning in Mount Vernon, New York. A cab picked up a passenger, who tried to rob the driver by choking him while he was driving. The driver lost control of the vehicle and crashed into the River Jordan Holy Tabernacle Church. The attacker and two other passengers fled the scene. While police were investigating the incident, they found five people inside the church, which was locked from the outside. Police Commissioner David Chong said the five people were taken to a hospital as a precaution.

"What scares us about this is that the church was all locked down from the outside, so there was no means of getting out of the church for these four adults and the child," Chong said.

Duck has a Sandal

150ducksandalLucky the duckling is very lucky to have been adopted by an orthopedic nurse after she broke her leg, which left her with a right foot that bent the wrong way. Alison Morgan of Newport, Wales, performs physical therapy on the leg and had a special Roman sandal made for her by cobbler Kelvin Reddicliffe. The sandal protects Lucky's toes from irritation and further damage, and allows her to keep up with the other two ducks in the home. Morgan is trying to raise £500 for an operation to straighten and lengthen Lucky's leg.

Man Blames Cat for Child Pornography

Police investigators found over 1,000 images of child pornography on a computer belonging to 48-year-old Keith R. Griffin of Jensen Beach, Florida. He was charged with ten counts of possession of the materials. Griffin said that he left his computer on all the time, and that his cat would sometimes jump on the keyboard. When he returned to the computer, there would be "strange material downloaded". Griffin is being held in the Martin County Jail, with bail set at $250,000

Fictional Place Names Are Popping Up On Road Signs in Didcot, England

Driving along the highway in Didcot, England, you may notice something strange: the road signs point the way to places like Neverland and Middle-earth.

The names of these and other fictional locales from literature were seamlessly added to road signs by an artist/prankster using Transport Medium, the official font of British road signs.

After some sleuthing, BBC News found the man responsible, who spoke to the outlet on the condition of anonymity. He told the BBC that he's been orchestrating "creative interventions" all over England for about 20 years under different pseudonyms, and that this project was a reaction to Didcot being labeled "the most normal town in England" in 2017, which rubbed him the wrong way. "To me there's nowhere that's normal, there's no such thing, but I thought I'd have a go at changing people's perceptions of Didcot," he said of the town, which he describes as a "fun" and "funky" place.

Oxfordshire County Council isn't laughing; it told the BBC that although the signs were "on the surface amusing," they were "vandalism" and potentially dangerous, since it would be hard for a driver who spotted one not to do a double take while their eyes were supposed to be on the road. Even so, thanks to routine council matters, the signs are safe—at least for now—as the Council says that it is prioritizing fixing potholes at the moment.

Jackie Billington, Didcot's mayor, recognizes that the signs have an upside. "If you speak to the majority of people in Didcot they're of the same opinion: it's put Didcot on the map again," he told BBC News. "Hopefully they'll be up for a couple of weeks."

There are five altered signs in total. If you fancy a visit to the Emerald City, you're pointed toward Sutton Courtenay. Narnia neighbors a power station. And Gotham City is on the same route as Oxford and Newbury (and not, apparently, in New Jersey, as DC Comics would have you believe). If you want to go see the signs for yourself before they disappear, you'll find them along the A4130 to Wallingford.

See the signs here and in the video below.

[h/t BBC News]

Mental Floss
How Jeremy Bentham Finally Came to America, Nearly 200 Years After His Death
Mental Floss
Mental Floss

One day toward the beginning of March, an unusual object arrived at a New York City airport. Carefully encased in a foam-padded, specially built wooden chair and strapped in with a bright-blue sash, it was the stuffed skeleton of one of Britain's most famous philosophers—transported not for burial, but for exhibition.

"We all refer to him as he, but the curator has corrected me. I need to keep referring to it," says University College London conservator Emilia Kingham, who prepared the item for its transatlantic voyage.

The stuffed skeleton belongs to the philosopher Jeremy Bentham, who died in 1832. But for well over a century, his "auto-icon"—an assemblage including his articulated skeleton surrounded by padding and topped with a wax head—has been on display in the south cloisters of University College London. Starting March 21, it will be featured in The Met Breuer exhibition "Like Life: Sculpture, Color, and the Body (1300–Now)," marking its first appearance in America.

While the auto-icon has sometimes been seen as an absurd vanity project or memento mori, according to Tim Causer, it's best understood as a product of Bentham's trailblazing work. "I would tend to ask people to reckon with the auto-icon not as macabre curio or the weird final wish of a strange old man," says the senior research associate at UCL's Bentham Project, which is charged with producing a new edition of the philosopher's collected works. Instead, "[we should] accept it in the manner in which Bentham intended it, as a sort of physical manifestation of his philosophy and generosity of spirit."


Engraving of Jeremy Bentham by J. Posselwhite
Engraving of Jeremy Bentham by J. Posselwhite

Bentham is best known as the founder of utilitarianism, a philosophy that evaluates actions and institutions based on their consequences—particularly whether those consequences cause happiness. A man frequently ahead of his time, he believed in a world based on rational analysis, not custom or religion, and advocated for legal and penal reform, freedom of speech, animal rights, and the decriminalization of homosexuality.

His then-unconventional ideas extended to his own body. At the time Bentham died, death was largely the province of the Church of England, which Bentham thought was "irredeemably corrupt," according to Causer. Instead of paying burial fees to the Church and letting his body rot underground, Bentham wanted to put his corpse to public use.

In this he was influenced by his friend and protégé Dr. Thomas Southwood Smith, who had published an article called "Use of the dead to the living" in 1824. Smith argued that medical knowledge suffered from the limited number of bodies then available for dissection—the Crown supplied only a handful of hanged criminals each year—and that the pool of available corpses had to be expanded to allow surgeons more practice material, lest they begin "practicing" on the living.

From his earliest will, Bentham left his body to science. (Some scholars think he may have been the first person to do so.) But he also went one step further. His last essay, written shortly before his death, was entitled "Auto-icon; or, farther uses of the dead to the living." In it, Bentham lambasts "our dead relations" as a source of both disease and debt. He had a better idea: Just as "instruction has been given to make 'every man his own broker,' or 'every man his own lawyer': so now may every man be his own statue."

Bentham envisioned a future in which weatherproofed auto-icons would be interspersed with trees on ancestral estates, employed as "actors" in historical theatre and debates, or simply kept as decoration. The point, he felt, was to treat the body in terms of its utility, rather than being bound by superstition or fear.

"It was a very courageous thing to do in the 1830s, to ask yourself to be dissected and reassembled," Causer says. "The auto-icon is his final attack on organized religion, specifically the Church of England. Because Bentham thought the church had a pernicious influence on society."

Sketch of Jeremy Bentham's corpse laid out for dissection
"The Mortal Remains" of Jeremy Bentham laid out for dissection, by H. H. Pickersgill

There was only one man Bentham trusted with carrying out his last wishes: Smith. After a public dissection attended by eminent scientific men, the devoted doctor cleaned Bentham's bones and articulated the skeleton with copper wiring, surrounding them with straw, cotton wool, fragrant herbs, and other materials. He encased the whole thing in one of Bentham's black suits, with the ruffles of a white shirt peeking out at the breast. He even propped Bentham's favorite walking stick, which the philosopher had nicknamed "Dapple," in between his legs, and sat him on one of his usual chairs—all just as Bentham had asked for.

But not everything went quite according to plan. The philosopher had asked to have his head preserved in the "style of the New Zealanders," which Smith attempted by placing the head over some sulfuric acid and under an air pump. The result was ghastly: desiccated, dark, and leathery, even as the glass eyes Bentham had picked out for it during life gleamed from the brow.

Seeing as how the results "would not do for exhibition," as Smith wrote to a friend, the doctor hired a noted French artist, Jacques Talrich, to sculpt a head out of wax based on busts and paintings made of Bentham while alive. Smith called his efforts "one of the most admirable likenesses ever seen"—a far more suitable topper for the auto-icon than the real, shriveled head, which was reportedly stuffed into the chest cavity and not rediscovered until World War II.

The preserved real head of Jeremy Bentham
Jeremy Bentham's preserved real head
Matt Brown, Flickr // CC BY 2.0

Smith kept the auto-icon at his consulting rooms until 1850, when he donated it to University College London, where Bentham is often seen as a spiritual forefather. It has been there ever since, inside a special mahogany case, despite rumors that students from Kings College—UCL's bitter rival—once stole the head and used it as a football.

"His head has never been stolen by another university," Kingham confirms. Causer says there is reason to believe the wax head was stolen by King's College in the 1990s, but never the real head. The football part of the story is particularly easy to dismiss, he notes: "We all have human heads, and kicking them doesn't do them much good, particularly 180-year-old human heads. If anybody kicked that, it would disintegrate on impact, I think." (Kingham also notes that the real head is not decomposing, as is sometimes claimed: "It's actually quite stable, it just doesn't look like a real-life person anymore. The skin is all shrunken.")

Another beloved myth has it that the auto-icon regularly attends UCL council meetings, where he's entered into the record as "present but not voting." Causer says that's not true either, although fiction became reality after the auto-icon graced the council meetings marking the 100th and 150th anniversary of the college's founding as a nod to the legend; it also attended the final council meeting of the school's retiring provost, Malcolm Grant.


Jeremy Bentham's auto-icon
Thomas Southwood Smith and Jacques Talrich, Auto-Icon of Jeremy Bentham. UCL Culture, London

Bentham always wanted to visit America; Causer says he was "a big admirer of the American political system" as the one most likely to promote the greatest happiness for its citizens. But before he could accomplish in death what he failed to do in life, UCL had to mount a careful conservation operation.

The first step: a spring cleaning. The conservation team at UCL removed each item of clothing on the auto-icon piece by piece, holding carefully to the delicate areas, like a loose left shoulder and wrist, where they knew from previous x-rays that the wiring was imperfect. After a detailed condition report and an inspection for pest damage (thankfully absent), the team surface-cleaned everything.

"The clothes were quite grubby because the box that he's sitting in, it's actually not very airtight," Kingham says. A vacuum with a brush attachment took care of surface dirt and dust, but the inner items required a more thorough clean. "We determined that his linen shirt and also his underwear could do with the wash, so we actually washed those in water. It was quite exciting saying I've been able to wash Jeremy Bentham's undies." The wax head was cleaned with water and cotton swabs, and occasionally a little spit, which Kingham says is a common cleaning technique for painted surfaces.


Kingham's team rearranged the stuffing around the skeleton, plumping the fibers as you would a pillow. The stuffing around the arms, in particular, had started to sag, so Kingham used a piece of stockinette fabric to bind the area around the biceps—making them look more like arms, she says, but also reducing some of the strain against the jacket, which threatened the stitching.

But the most labor-intensive part of the preparation, according to Kingham, was devising a customized padded chair for the auto-icon's transport. Their final creation included a wooden boarded seat covered in soft foam that had been sculpted to hold the auto-icon lying on its back, knees bent at a 90-degree angle to minimize stress on the pelvis—another weak point. The auto-icon was bound to the chair with soft bandages, and the whole thing inserted into a travel case. The wax head was also set inside a foam pad within a special handling crate (the real head will stay at UCL, where it is currently on display), while Bentham's regular chair, hat, and walking stick got their own crates.

"We had originally joked that it might be just easier to buy him a seat on the plane and just wheel him in on a wheelchair," Kingham says, laughing.

The special chair constructed for transporting Jeremy Bentham's auto-icon
UCL Culture

Luke Syson, the co-curator of "Like Life," says it was touching to watch the stick and hat emerge from their travel boxes, even if the auto-icon's special chair did look a bit "like how you would transport a lunatic around 1910—or indeed 1830."

Reached by phone just after he had finished installing the auto-icon, Syson says he wanted to include the item as part of the show's emphasis on works of art made to persuade the viewer that life is present. "This piece really sums up so many of the themes that the rest of the show looks at, so the use of wax, for example, as a substitute for flesh, the employment of real clothes … And then, above all of course, the use of body parts." And the auto-icon isn't the only item in the show to include human remains—when we spoke to Syson, he was looking at the auto-icon, Marc Quinn's "Self" (a self-portrait in frozen blood), and a medieval reliquary head made for a fragment of Saint Juliana's skull, all of which are installed in the same corner of the museum.

Syson says he was initially worried the auto-icon might not "read" as a piece of art—worries that were dispelled as soon as he installed the wax head. "The modeling of the face is so fine," he says. "The observation and expression, the sense of changing personality … there's a lovely jowliness underneath his chin, the wrinkles around his eyes are really speaking, and the kind of quizzical eyebrows, and so on, all make him really amazingly present."

And unlike at UCL, where the auto-icon sits in a case, viewers at the Met are able to see him on three sides, including his back. "He sort of springs to attention on his chair, he's not sort of slumped, which you couldn't see in the box [at UCL]."

Those who have worked with Bentham's auto-icon say it encourages a kind of intimacy. Taking the auto-icon apart, Kingham says, "you really do feel a closeness to Jeremy Bentham, because you looked in such detail at his clothes, and his bones, and his skeleton." The wax head, she says, is particularly lifelike. "People who knew him have said that it's a very, very good realistic likeness of him," she notes, which made it both eerie and special to handle so closely.

"This is both the representation and the person," Syson says. "We've been calling him 'Jeremy' these last few months, and he's sort of here, and it's not just that something's here, he's here. So that's an amazing thing."

Nearly 200 years later and across an ocean, Jeremy Bentham's auto-icon has arrived to serve another public good: delighting a whole new set of fans.


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