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Judging Books by their Covers: 10 Unforgettable Designs

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If you're a fan of this blog, you probably like to read. A lot. And you probably have your own favorite book jacket designs. Go ahead and drop "˜em in the comments so we can build on this admittedly subjective list. Oh, and if you have a book jacket you just find revolting, let us know about that one, too. We'll be doing a follow-up post in the coming week about really awful book jacket designs.

1. The Great Gatsby

Born in Spain in 1893, artist Francis Cugat couldn't have known what history had in store for him when he was commissioned by Charles Scribner's Sons to create the cover for this monumental 1925 novel. As the story goes, Cugat finished the artwork way before F.Scott Fitzgerald finished the manuscript. When the publisher shared the design with Fitzgerald, he was so enamored of it, so inspired, he is thought to have worked the design into the fabric of the narrative. Where? Well one hypothesis is often cited in Nick Carraway's description of Daisy, as the girl whose disembodied face floated along the dark cornices and blinding signs. Another possible influence may been seen in the symbolic billboard eyes of Dr. T. J. Eckleburg. From the novel: But above the gray land and the spasms of bleak dust which drift end¬lessly over it, you perceive, after a mo¬ment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic -- their retinas are one yard high. They look out of no face, but instead from a pair of enormous yellow spectacles which pass over a non-existent nose.


Whether Fitzgerald was influence by the artwork or not, we may never know. And this is hardly the only mystery associated with the novel. For instance, no other Cugat book jacket has ever been identified, other than The Great Gatsby, and no one knows when or where the mysterious artist died. Sounds like Hollywood material, no?

2. Darkness at Noon

darknessArthur Koestler's most famou novel was first published in 1940 and reflects the author's bleak view of Communism in the late "˜30s. It was originally published in German. This Scribner reprint came out in 2006 and was designed by the Office of Paul Sahre. It's the kind of cover that's so bright, it makes you squint, literally.

3. Do Androids Dream of Electric Sheep?

DoAndroidsDreamSignet1971Bob Pepper created a lot of amazing artwork for some of the most famous Philip K. Dick books, including A Scanner Darkly and We Can Build You. Do Androids Dream of Electric Sheep? was first published in 1968 as a hardcover by Doubleday. The Pepper paperback version came out a year later. For some more cool Bob Pepper sci-fi designs, check out this link.

4. Norwegian Wood

norJohn Gall is Art Director for Vintage and Anchor Books an imprint of Alfred A Knopf, which is a publishing group within Random House Inc. He and his team are the brilliant designers behind all those amazing Haruki Murakami book jackets (the English translation versions). In an interview I read with Gall, he said his team generally has 6-8 weeks to come up with cover designs for about 70 books! Makes me all the more appreciative of those Murakamis.

5. The Last Lonely Saturday

Picture 2No list would be complete without mentioning Jordan Crane, writer, graphic novelist, comic cartoonist, and brilliant designer. For a look at a bunch of other covers he's designed, check out his site here.

6. Jurassic Park

425px-JurassicparkLikewise, no list would be complete without author, editor, and graphic designer, Chip Kidd, who has been responsible for some of the book industry's best designs in recent years. This classic 1990 cover for Jurassic Park was so successful, Universal stole it when they put together the artwork to market the film of the same name. Kidd's designs for his own books are no less memorable. Check some more of them out here.

7. Of Mice and Men

OfMiceAndMenJohn Steinbeck's classic tale about George Milton and Lennie Small was first published in 1937. The great, original jacket design was created by artist Ross MacDonald, not to be confused with the pseudonym of Kenneth Millar, the famous crime fiction novelist.

8. Catch-22

Catch22Paul Bacon is like the Quincy Jones of book jacket design. He's designed covers for Ernest Hemingway, William Golding, Norman Mailer, Kurt Vonnegut, E.L. Doctorow, Phillip Roth, Michael Crichton, and Joseph Heller, among scores of others. This 1961 cover for Simon & Schuster's original Cath-22 has always been a favorite.

9. One Red Paperclip

clip.jpegYou may have read the blog already but if not, this is the story about a guy who changes his life, starting with a paperclip, and trading up. In just fourteen trades, he's able to acquire a home. The book was published by Three Rivers (a trade paperback imprint of the Crown Publishing Group). The brilliant design was created by Kyle Kolker. You might expect a house on the front cover, or some of the other 12 things he traded for. That's the beauty of this beauty: simple, simple, simple.

10. In Cold Blood

x3412Vintage published Capote's account of the now-famous quadruple murder case in 1966. The original jacket was designed by S. Neil Fujita, who also once served as the art director for CBS Records, and designed such iconic graphics as the Godfather logo. Speaking about the book jacket experience, Fujita said, "I showed Truman Capote my ideas for In Cold Blood. I thought of a red hat pin that I stuck into the title of the book to suggest death or something like that, but he didn't like the color. "˜It can't be red, because it wasn't a new death, it didn't just happen,' so I changed the color to purple and added a black border to suggest something more funereal. Capote loved that.

So does this blogger.

How about you all? What are some of your favorites?

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15 Powerful Quotes From Margaret Atwood
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It turns out the woman behind such eerily prescient novels as The Handmaid’s Tale and Oryx and Crake is just as wise as her tales are haunting. Here are 15 of the most profound quips from author, activist, and Twitter enthusiast Margaret Atwood, who was born on this day in 1939.

1. On her personal philosophy

 “Optimism means better than reality; pessimism means worse than reality. I’m a realist.”

— From a 2004 interview with The Guardian

2. On the reality of being female

“Men often ask me, Why are your female characters so paranoid? It’s not paranoia. It’s recognition of their situation.”

— From a 1990 interview with The Paris Review

3. On limiting how her politics influence her characters

“You know the myth: Everybody had to fit into Procrustes’ bed and if they didn’t, he either stretched them or cut off their feet. I’m not interested in cutting the feet off my characters or stretching them to make them fit my certain point of view.”

— From a 1997 interview with Mother Jones

4. On so-called “pretty” works of literature

“I don’t know whether there are any really pretty novels … All of the motives a human being may have, which are mixed, that’s the novelists’ material. … We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.”

— From a 2010 interview with The Progressive

5. On the artist’s relationship with her fans

“The artist doesn’t necessarily communicate. The artist evokes … [It] actually doesn’t matter what I feel. What matters is how the art makes you feel.”

— From a 2004 interview with The Guardian

6. On the challenges of writing non-fiction

“When I was young I believed that ‘nonfiction’ meant ‘true.’ But you read a history written in, say, 1920 and a history of the same events written in 1995 and they’re very different. There may not be one Truth—there may be several truths—but saying that is not to say that reality doesn’t exist.”

— From a 1997 interview with Mother Jones

7. On poetry

“The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation.”

— From a 1990 interview with The Paris Review

8. On being labeled an icon

“All these things set a standard of behavior that you don’t necessarily wish to live up to. If you’re put on a pedestal you’re supposed to behave like a pedestal type of person. Pedestals actually have a limited circumference. Not much room to move around.”

— From a 2013 interview with The Telegraph

9. On how we’re all born writers

“[Everyone] ‘writes’ in a way; that is, each person has a ‘story’—a personal narrative—which is constantly being replayed, revised, taken apart and put together again. The significant points in this narrative change as a person ages—what may have been tragedy at 20 is seen as comedy or nostalgia at 40.”

— From a 1990 interview with The Paris Review

10. On the oppression at the center of The Handmaid's Tale

“Nothing makes me more nervous than people who say, ‘It can’t happen here. Anything can happen anywhere, given the right circumstances.” 

— From a 2015 lecture to West Point cadets

11. On the discord between men and women

“‘Why do men feel threatened by women?’ I asked a male friend of mine. … ‘They’re afraid women will laugh at them,’ he said. ‘Undercut their world view.’ … Then I asked some women students in a poetry seminar I was giving, ‘Why do women feel threatened by men?’ ‘They’re afraid of being killed,’ they said.”

— From Atwood’s Second Words: Selected Critical Prose, 1960-1982

12. On the challenges of expressing oneself

“All writers feel struck by the limitations of language. All serious writers.”

— From a 1990 interview with The Paris Review

13. On selfies

“I say they should enjoy it while they can. You’ll be happy later to have taken pictures of yourself when you looked good. It’s human nature. And it does no good to puritanically say, ‘Oh, you shouldn’t be doing that,’ because people do.”

— From a 2013 interview with The Telegraph

14. On the value of popular kids' series (à la Harry Potter and Percy Jackson)

"It put a lot of kids onto reading; it made reading cool. I’m sure a lot of later adult book clubs came out of that experience. Let people begin where they are rather than pretending that they’re something else, or feeling that they should be something else."

— From a 2014 interview with The Huffington Post

15. On why even the bleakest post-apocalyptic novels are, deep down, full of hope

“Any novel is hopeful in that it presupposes a reader. It is, actually, a hopeful act just to write anything, really, because you’re assuming that someone will be around to [read] it.”

— From a 2011 interview with The Atlantic 

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China's New Tianjin Binhai Library is Breathtaking—and Full of Fake Books
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A massive new library in Tianjin, China, is gaining international fame among bibliophiles and design buffs alike. As Arch Daily reports, the five-story Tianjin Binhai Library has capacity for more than 1 million books, which visitors can read in a spiraling, modernist auditorium with floor-to-ceiling bookshelves.

Several years ago, municipal officials in Tianjin commissioned a team of Dutch and Japanese architects to design five new buildings, including the library, for a cultural center in the city’s Binhai district. A glass-covered public corridor connects these structures, but the Tianjin Binhai Library is still striking enough to stand out on its own.

The library’s main atrium could be compared to that of the Frank Lloyd Wright-designed Guggenheim Museum in New York City. But there's a catch: Its swirling bookshelves don’t actually hold thousands of books. Look closer, and you’ll notice that the shelves are printed with digital book images. About 200,000 real books are available in other rooms of the library, but the jaw-dropping main room is primarily intended for socialization and reading, according to Mashable.

The “shelves”—some of which can also serve as steps or seating—ascend upward, curving around a giant mirrored sphere. Together, these elements resemble a giant eye, prompting visitors to nickname the attraction “The Eye of Binhai,” reports Newsweek. In addition to its dramatic main auditorium, the 36,000-square-foot library also contains reading rooms, lounge areas, offices, and meeting spaces, and has two rooftop patios.

Following a three-year construction period, the Tianjin Binhai Library opened on October 1, 2017. Want to visit, but can’t afford a trip to China? Take a virtual tour by checking out the photos below.

A general view of the Tianjin Binhai Library
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman taking pictures at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A man visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A woman looking at books at China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

A general view of China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

People visiting China's Tianjin Binhai Library.
FRED DUFOUR/AFP/Getty Images

[h/t Newsweek]

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