The Origins of 6 Great American Songs

iStock
iStock

Every school-aged kid learns that Francis Scott Key penned the words to "The Star-Spangled Banner" while watching the British navy pound Fort McHenry during the War of 1812. Is there any more to the story, though? What about the other patriotic songs we belt out to honor our country? Here's a look at the stories behind some of America's most flag-waving tunes.

1. "THE STAR-SPANGLED BANNER"

Yes, Key wrote the lyrics while watching the bombardment of Fort McHenry in 1814, but your teachers probably didn't tell you the origins of the music. The anthem takes its melody from "To Anacreon in Heaven," a British drinking song sung by members of London's Anacreontic Society. Key originally called his poem "Defence of Fort M'Henry," but the name changed to "The Star-Spangled Banner" when sheet music for the tune became available.

The song didn't immediately catch on as the national anthem, either. Although the patriotic tune was popular, it didn't become the national anthem until Congress gave it the official nod in 1931. Prior that, the U.S. had not had an official national anthem, although "Hail, Columbia" often played the part at ceremonies.

2. "HAIL, COLUMBIA"

Composed by German immigrant Philip Phile, this march was first written in honor of George Washington's 1789 inaugural inauguration. A few years later, in 1798, Joseph Hopkinson added lyrics and the song was debuted anew at a benefit concert in Philadelphia. It quickly caught on and became the country's unofficial national anthem. It is less familiar to modern audiences, but it still makes official appearances—it's played for the Vice President's entrance in the same way "Hail to the Chief" is played for the President.

3. "MY COUNTRY, 'TIS OF THEE"

The words to this old favorite date back to 1831, when Samuel Francis Smith wrote them while he was studying at Andover Theological Seminary. Smith started writing lyrics at the request of his friend Lowell Mason, a well-known organist, who needed some help adapting tunes he'd found in some German music books.

The two friends decided they really liked one of the songs in the German text, so Smith banged out the familiar lyrics to "My Country, 'Tis of Thee." Smith and Mason probably didn't know it since they were working from the German translation, but their new song actually shared its melody with the British national anthem, "God Save the King." Despite the odd British ties, the song was a hit after its 1831 debut at Boston's Park Street Church.

4. "AMERICA THE BEAUTIFUL"

Katharine Lee Bates likely didn't know she was going to write what would become one of the country's most beloved songs when she visited Colorado in 1893 for a lecture tour. Bates, a professor of English at Wellesley, became particularly interested in the Rockies, so she wrote a poem entitled "Pike's Peak." These words are what we now think of as the lyrics of "America the Beautiful." The poem first appeared in print in the weekly newspaper The Congregationalist in 1895, and in 1904 Bates made some slight tweaks for a revised publication in The Boston Evening Transcript.

The poem became so popular that people around the country started singing it to whatever melody they could fit the words, including "Auld Lang Syne." The melody we know actually dates back to 1882, when Newark choirmaster Samuel Augustus Ward wrote it for a song called "Materna." The melody and lyrics first started appearing together in 1910, and by 1926 Ward's music and Bates' words were pretty much permanently joined as "America the Beautiful."

5. "YANKEE DOODLE"

No one's quite sure exactly when "Yankee Doodle" first appeared, but credit for writing the lyrics usually goes to Dr. Richard Shuckburgh, a British army doctor who served in the French and Indian War. According to the story, Shuckburgh watched the ragtag, disheveled colonial militias fight alongside the orderly, dapper British forces and wrote the lyrics to mock the colonists. ("Doodle" is an archaic term for a bumpkin, simpleton, or rube.)

It's not clear when the colonists decided to steal the British troops' derisive ditty and use it as a march of their own, but it's suggested that both sides sang the song at the Battle of Lexington and Concord, the British to mock their foes and the Americans to rally their forces.

6. "HAIL TO THE CHIEF"

The song that means the President's about to arrive can be traced back to a Scottish poem. Sir Walter Scott's "The Lady of the Lake," a narrative poem first published in 1810, contains the words "Hail to the chief who in triumph advances! Honored and blessed be the ever-green pine!" The poem became such a runaway hit that various theater companies started producing Scott's narrative for the stage.

One of these theatrical productions made its debut in Philadelphia in 1812. This version borrowed songs from some of the London adaptations of the poem, including James Sanderson's tune "Hail to the Chief." The song became quite popular, and in 1815 it was played to honor the late George Washington.

In 1829 Andrew Jackson became the first president to be honored with a playing of the song, but we really have John Tyler's wife, Julia, and James K. Polk's wife, Sarah, to thank for the association of the song with the presidency. Mrs. Tyler made the first request that the song be played to herald the chief executive's arrival at events. When Polk succeeded Tyler, Sarah Childress Polk took an even firmer stance, stating that "Hail to the Chief" should accompany her husband to official events, and the tradition took off. (Contrary to popular belief, the song was not written for James Madison, our shortest president, whose arrival—according to legend—often went unnoticed, thus necessitating a theme song of sorts.)

This story originally ran in 2009.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


George Stroud/Express/Getty Images

In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

Annotations in Copy of Shakespeare's First Folio May Have Been John Milton's

GeorgiosArt/iStock via Getty Images
GeorgiosArt/iStock via Getty Images

It's a well-known literary fact that William Shakespeare had an enormous influence on "Paradise Lost" poet John Milton, and new evidence suggests that super fan Milton—who even wrote a poem called "On Shakespeare"—might have owned his idol's first folio.

The folio, which contains 36 of Shakespeare’s plays, was published in 1623—seven years after the Bard’s death. An estimated 750 first folios were printed, with only 233 of them known to have survived, including one with annotations written throughout it. As it turns out, those scribbles might be Milton's.

According to The Guardian, Cambridge University fellow Jason Scott-Warren believes that Milton wrote those important annotations. Scott-Warren read an article about an anonymous annotator written by Pennsylvania State University English professor Claire Bourne. The Folio copy in question has been stored in the Free Library of Philadelphia since 1944, and Bourne was able to date the annotator back to the mid-1600s. (Milton died in 1674.) It was Scott-Warren who noticed that the handwritten notes looked similar to Milton’s handwriting.

"It shows you the firsthand encounter between two great writers, which you don’t often get to see, especially in this period,” Scott-Warren told The Guardian. “A lot of that kind of evidence is lost, so that’s really exciting.”

If the writing does indeed belong to Milton, it’s not the first time the poet has left notes on another writer's work; he supposedly marked up his copy of Giovanni Boccaccio’s Life of Dante as well. Scott-Warren and Bourne plan to pair up to find out if Milton left annotations on any other notable works.

"It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived—and yet the evidence here so far is persuasive,” Dr. Will Poole, a fellow and tutor at Oxford's New College said. "This may be one of the most important literary discoveries of modern times."

SECTIONS

arrow
LIVE SMARTER