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The Quick 10: 10 Things You Probably Didn't Know About Harry Potter

With Harry Potter and the Half Blood Prince coming out in the U.S. later this week, it's time to out myself as a Slytherin Supporter. Maybe you already knew that. Nothing against Gryffindors - I'm no Voldemort or anything - but I always tend to like the villains a little more than the do-gooders. To celebrate Harry and Co.'s sixth movie (and sixth book), here are a few facts that you may not have known about the gang in gold and red (and maybe a couple about the set in silver and green).

1. Hermione's name was almost "Hermione Puckle."hermione It has a sour tone to it, doesn't it? J.K. Rowling thought so, too, and changed to something that suited the character better. Rowling has said that Hermione has a healthy dose of herself in there, as she was quite the know-it-all herself as a child. Hermione was originally going to have a younger sister, but Rowling never found the right moment to stick her into the books.
2. Gilderoy Lockhart, the insufferably vain professor and celebrity from The Chamber of Secrets, was based on someone Rowling knows in real life. The rumor is that she based him on her ex-husband, but she has been quite adamant about denying that. "He used to tell whopping great fibs about his past life, all of them designed to demonstrate what a wonderful, brave and brilliant person he was. Perhaps he didn't really believe he was all that great and wanted to compensate, but I'm afraid I never dug that deep," she has said. "He's probably out there now telling everybody that he inspired the character of Albus Dumbledore. Or that he wrote the books and lets me take the credit out of kindness."

hedwig3. Hedwig, Harry's Snowy Owl, isn't entirely accurate. After the first book was accepted for publication, she found out Snowy Owls are diurnal. And it was during the writing of book two that she realized that Snowy Owls are silent, meaning that Hedwig's knowing hoots and conversational noises weren't quite true-to-life. She admits this was just a research hole on her part, but says readers should feel free to assume that her unusual talents are just part of her magical ability. Incidentally, although Hedwig is female, she is played by a male in the movies because females aren't wholly white like males are.

4. Collecting unusual and interesting names and words has been a lifelong habit for Rowling. She has said that she loves reading lists of them, from war memorials to baby name books, and made it a point to remember her favorites. Some of them found a new home in the Harry Potter books. She makes up some of the words too - "quidditch" is a Rowling original. She filled up five pages of made-up words that started with "Q" before she hit on one that sounded right. "Voldemort" and "Malfoy" were also invented.

hogwarts5. If a muggle were to happen across Hogwarts, all they would see is nothing but a ruined castle with large signs on it saying 'keep out, dangerous building.' This might sound a bit suspicious to those of us in the States, but it seems like the U.K. is rife with castle ruins.
6. Fred and George Weasley were born on April Fool's Day. Go figure. While we're talking about the Weasleys, there was a Weasley cousin named Mafalda who got edited out of The Goblet of Fire in order to make room for the love-to-hate-her invasive "journalist" Rita Skeeter. That's probably best - Ginny Weasley is supposed to have been the first girl born to the Weasley family for several generations, so scrapping Malfalda supports that backstory.

7. Harry, Ron and Hermione all have wand cores based on their birthdays: the Celt assigned trees to people based on that kind of like we assign gemstones today. She had already assigned Harry's holly-based wand when she discovered the Celt tree calendar and found that she had accidentally assigned him the "right" type of wood. She did the same thing with Draco Malfoy (Hawthorn wood). But Ron and Hermione both purposefully received wands based on their birthdays - ash for Ron and vine wood for Hermione. She didn't carry this convention out for all of the characters, though.

8. Filch's cat, Mrs. Norris, takes her name from the Jane Austen book Mansfield Park. Fittingly, Austen's Mrs. Norris is also rather sour and bitter.

snape9. Snape was partially based on a teacher J.K. Rowling once had. She likes to write him, though, because she finds him such a pathetic creature.
10. As you probably know, King's Cross station is where young wizards hop on the Hogwarts Express to get to school. What you might not know is that the station holds special meaning for J.K. Rowling: it's where her parents met. They were coincidentally both headed to Arbroath in Scotland when they met on the train. King's Cross was intentionally chosen as the gateway to Hogwarts in homage to Rowling's parents.

There's obviously a ridiculous amount of Harry Potter trivia out there, and since Harry Potter fever is about to sweep the world again, we might as well share it. If you've got some good HP trivia, share it in the comments! And if not... well, let me know if you're a Slytherin supporter too.

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12 Sharp Facts About Hellraiser
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In 1987, the New World Pictures released Hellraiser, a horror film about a family who opens a puzzle box and invites hell in their lives in the form of pleasure-pain creatures known as Cenobites, who are lead by Pinhead (played by Doug Bradley). Unlike many other horror films at the time, Hellraiser wasn’t a slasher film, and Pinhead wasn’t a boogeyman.

British novelist, playwright, and screenwriter Clive Barker wanted to direct a feature film, so he adapted his 1986 horror novella, The Hellbound Heart, into Hellraiser. Despite the graphic nature of the film, it’s really a love story between Julia Cotton and her demented—and skinless—lover Frank  ... whose relationship just so happens to revolve around sadistic torture.

Hellraiser was produced for around a $1 million and grossed $14 million, making it lucrative enough to spawn nine sequels, including this year’s Hellraiser: Judgment. (Bradley hasn’t starred in a Hellraiser film since 2011’s Hellraiser: Revelations, and Barker didn’t direct or write any of the sequels, most of which were direct-to-DVD releases.) As we near the 30th anniversary of its release, let's take a look back at this horror classic.

1. THE ORIGINS OF PINHEAD CAME FROM A 1973 PLAY.

Before Doug Bradley uttered the catchphrase “We’ll tear your soul apart,” Clive Barker directed him in a 1973 play called Hunters in the Snow, in which Bradley played the Dutchman, a torturer who would become the basis for Pinhead.

“The character I played in Hunters, the Dutchman, I can see echoes of later... Pinhead in Hellraiser," Bradley said. "This strange, strange character whose head was kind of empty but who conveyed all kinds of things.”

Barker’s mid-1980s short story “The Forbidden”—which was adapted into Candyman—from his "Books of Blood" series, featured the first incarnation of Pinhead’s nails. “One image I remember very strongly from 'The Forbidden' was that Clive had built what he called his nail-board, which was basically a block of wood which he’d squared off and then he’d banged six-inch nails in at the intersections of the squares,” Bradley said. “Of course, when I saw the first illustrations for [Pinhead], it rang a bell with me that here was Clive putting the ideas that he’d been playing around with the nail-board in 'The Forbidden,' now 10, 15 years later. He’d now put the image all over a human being’s face.”

2. CLIVE BARKER CAST “REAL ACTORS.”

Unlike many other horror movies of the time, which were more concerned with gore than great acting, Barker insisted that they look for real talent in the casting. “I’m not just taking the 12 most beautiful youths in California and murdering them,” Barker told The Washington Post in 1987. “I’ve got real actors, real performers—and then I’m murdering them.” The “real” refers to British theater actors like Bradley, Clare Higgins, and Andrew Robinson.

3. PINHEAD WASN’T SUPPOSED TO BE ON THE POSTER.

New World Pictures

Bradley said the filmmakers wanted skinned Frank to be on the poster, but the studio said no to the grotesque imagery, so Pinhead was used on the poster instead. “Maybe that came from Clive, because what we get in that image of Pinhead with the box is the heart of the Hellraiser mythology,” Bradley said. “If you put The Engineer or the skinned man on the poster, it’s an amazing image but it’s just an image, and it could come from any movie.” Bradley thought using Pinhead’s face made more sense. “The big success of Pinhead is because the image is so original, so startling. It is just an incredible image to look at, and that made a big difference in terms of the public's perception of the movie.”

4. NO ONE KNEW THAT DOUG BRADLEY WAS PINHEAD.

Bradley’s Pinhead mug was everywhere—on the cover of magazines and on the movie’s poster—but no one mentioned his name. “It was great to be so heavily featured, but there was no way to prove to anyone that it was actually me,” Bradley said. “Those who were following Hellraiser at the time were wondering where the guy with the pins was! Well I can tell you where I was—I was sitting at home in England, watching it all happen from the sidelines.”

5. THE CENOBITES' DESIGN WAS INSPIRED BY S&M CLUBS.

In the box set’s liner notes, Barker wrote that the Cenobites's “design was influenced amongst other things by punk, by Catholicism, and by the visits I would take to S&M clubs in New York and Amsterdam.” Costume designer Jane Wildgoose created the costumes, based on Barker’s instruction of “repulsive glamour.”

“The other notes that I made about what he wanted was that they should be ‘magnificent super-butchers,’” Wildgoose said.

As for Pinhead, Barker said he “had seen a book containing photographs of African fetishes: sculptures of human heads crudely carved from wood and then pierced with dozens, sometimes hundreds, of nails and spikes. They were images of rage, the text instructed.”

6. IT'S REALLY A LOVE STORY.

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Julia is forced to bring men back to her house and murder them for Frank so that he can replenish his flesh. Barker looked at Hellraiser as more of a love story, with Julia committing these heinous acts in the name of love, not just to be brutal for no reason.

“She’s not committing murder in the way that Jason in the Friday the 13th films commits murder—just for the sake of blood-letting —she’s doing it for love,” Barker told Samhain. “So there is a sympathetic quality about her, enhanced hugely in my estimation by the fact that Clare Higgins does it so well.”

7. BARKER’S GRANDFATHER INSPIRED THE PUZZLE BOX.

When a person twists the box, known as the Lament Configuration, it summons the Cenobites from the gates of hell into the individual's world. “I wanted to have access to hell in the book and in the first movie, explored by something rather different than drawing a circle on the floor with magical symbols around it,” Barker told WIRED. “That seemed rather stale and rather old.”

Barker explained his grandfather was a cook on ship and brought back a puzzle box from the Far East. “So when I went back to the problem of how to open the doors of hell, the idea of [using] a puzzle box seemed interesting to me. You know, the image of a cube is everywhere in world culture, whether it’s the Rubik’s Cube or the idea of the [Tesseract] in The Avengers movies. There’s a lot of places where the image of a cube as a thing of power is pertinent. I don’t know why that is, I don’t have any mythic explanation for it, but it seems to work for people.”

8. ROGER EBERT WASN'T A FAN OF THE FILM.

Roger Ebert gave Hellraiser just a half star when he reviewed it in 1987. “Who goes to see movies like this? This is a movie without wit, style, or reason,” he wrote, adding that, “I have seen the future of implausible plotting, and his name is Clive Barker.”

9. SOMEONE HAD THE JOB OF MAGGOT AND COCKROACH WRANGLER.

In England, there was a law in which cockroaches of both sexes weren’t allowed on set, because they could have mated and caused an infestation. So Barker had to hire someone to oversee the situation. “The wrangler, this is the honest truth, had to sex the roaches,” Barker told an audience at a Hellraiser screening. “They were all male. And we had a fridge. They move very fast, so the only way to slow them down was to chill them. We chilled the maggots and the roaches. We'd open it up and it was all reassuring. It was fun.”

10. BARKER PREFERS "HELL PRIEST" TO "PINHEAD."

In The Hellbound Heart, the Cenobite with pins sticking out of his head is called The Hell Priest. One of the special effects guys who worked on the movie gave the character his nickname. “I thought it was a rather undignified thing to call the monster, but once it stuck, it stuck,” Barker told Grantland.

In 2015, Barker published a sequel to The Hellbound Heart, The Scarlet Gospels, which features Pinhead getting annoyed when people call him that—as well as Pinhead’s demise. “He will not be coming back, by the way," Barker said. "That I promise you."

11. A HELLRAISER VS. HALLOWEEN MOVIE ALMOST HAPPENED.

In an interview with Game Radar, Bradley said the success of Freddy vs. Jason led Hellraiser distributor Dimension Films to flirt with a Hellraiser vs. Halloween film. “I was actually getting excited by the prospect of this because Clive said he would write it and John Carpenter said he would direct it,” Bradley said. “I actually spoke to Clive about it a couple of times and he was interested in finding the places where the Halloween and Hellraiser worlds intermeshed.” But Moustapha Akkad, who owned the rights to Halloween, extinguished the idea.

12. THE BRITISH BOARD OF FILM CLASSIFICATION HAD TO CHECK THAT NO RATS WERE HARMED IN THE MAKING OF THE MOVIE.

While the MPAA requested that a spanking scene be cut for its American release, England's BBFC agreed to release the movie as it was, if they were assured that the rats used in the film weren’t hurt. “I had to bring three remote-control rats into the censor’s office and make them wriggle about on the floor,” producer Christopher Figg told The Telegraph. “They wanted to be sure we hadn’t been cruel to them.”

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When Ric Flair Traveled to North Korea for the Biggest Wrestling Show of All Time
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Whether he was in a dimly lit convention center in front of a few dozen people or headlining packed arenas around the globe, the thrill of a hot crowd was more than enough motivation to keep “The Nature Boy” Ric Flair in the ring decade after decade.

Decked out in his signature fluttering robes, Flair became the face of '80s pro wrestling through his athletic prowess, showmanship, and the machismo-soaked poetry he spewed at the microphone. So when the opportunity arose for him to perform against the most popular wrestler in Japan’s history in front of more than 150,000 fans, Flair couldn’t resist.

There was just one catch: The match would take place in North Korea, in front of a sea of people who didn’t know who Ric Flair was, much less what American professional wrestling was all about. It was the first time an American wrestling company would visit the "Hermit Kingdom," and what followed was a rare glimpse into a notoriously reclusive regime for a star-studded event that has been lost to time.

The show, which took place on April 28 and 29, 1995, was dubbed the International Sports and Cultural Festival for Peace by the North Korean government. For a country that is usually intent on keeping outsiders away, inviting 300,000-plus people to cram into Pyongyang's massive May Day Stadium over the course of the two-day event seemed to be an about-face for the notoriously secretive regime.

"American tourists are almost never granted visas," wrote The New York Times's Sheila Melvin in 1996. "Yet less than a year after [Kim Il-sung's] death, North Korea was allowing outsiders to attend an International Sports and Cultural Festival for Peace. Perhaps it was an effort to showcase a North Korea ruled by Kim Jong Il."

The key to uniting communist North Korea with American grapplers was the legendary Japanese wrestler—and embattled politician—Antonio Inoki. With his political career in limbo, Inoki saw participation in this event as a prime opportunity for a diplomatic win in Japan due to his positive relationship with the North Korean government. He was, after all, a protégé of the iconic wrestler Rikidōzan, who had become something of a propaganda symbol in North Korea following his death in 1963.

To make the show the global spectacle that the North Korean government wanted it to be, Inoki, who ran New Japan Pro Wrestling, set out to gather up some of the marquee names in American wrestling. He got in touch with Eric Bischoff, president of America's World Championship Wrestling (WCW). The two had a working relationship, and Inoki wanted Bischoff to bring some of his best talent to North Korea to perform; Bischoff happily agreed. He even got Bischoff to convince Muhammad Ali, a one-time opponent of Inoki's, to join them in greeting the crowd.

Antonio Inoki

By 1995, Bischoff’s WCW was playing a never-ending game of catch-up against Vince McMahon’s WWE (formerly WWF), so an opportunity to see his organization showcased at such a large event—and in such a hostile country—had the potential to be a defining moment for the company. While WWE dominated the U.S. wrestling scene by teaming up with MTV in the '80s, a show in North Korea could potentially get WCW worldwide attention.

The key to the show was Inoki wrestling in the main event against an American star. Originally, he approached Bischoff about getting Hulk Hogan, the biggest name in wrestling at the time. “So I asked Hulk, and I might as well have asked him to row a boat to Pluto," Bischoff told Sports Illustrated. "It was not gonna happen.”

With Hogan out, Bischoff approached Flair. Viewing a match against the legendary Inoki as another coup in an already stellar career, Flair readily agreed. The trip promised two things he lived for: pro wrestling and the type of adventure he could talk about—and embellish upon—for years to come.

“I just thought, number one, it’d be cool to travel with Muhammad Ali," Flair told USA Today in 2014. "Number two, it was a challenge, and I just thought it would be an experience to remember later in life.”

Flair wasn’t the only performer headed to North Korea; he was joined by other ‘90s wrestling mainstays, including Road Warrior Hawk, the Steiner Brothers, Chris Benoit (under the guise of Wild Pegasus), Scott Norton, and 2 Cold Scorpio.

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The trip got off to an ominous start. When WCW consultant Sonny Onoo informed the Japanese embassy of the trip, he was told, “You understand we cannot guarantee your safety.” The warning fell on deaf ears, and a rickety military transport plane soon brought the group from Japan to the heart of North Korea’s communist government.

Upon landing, “almost immediately, they separated us into groups of two and assigned each of us a handler, or 'minder' as they called it,” Bischoff recalled. Everyone was stripped of their passports and subjected to a carefully manicured tour of the country, including paying their respects to the late Kim Il-sung, North Korea's Supreme Leader until his death in 1994.

After being indoctrinated with a speech on their “Great Leader,” the government officials gave Bischoff and his fellow wrestlers flowers to leave in front of a statue of Kim Il-sung.

“They buy it for you and then charge you," Orville Schell, who reported on the event for the Asia Society, told Sports Illustrated. "You have to put it in front of the statue and then they take videos of you. And then they take the flowers back and sell them to the next guy.”

Scott Steiner
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When it came time for the actual event to start, even the wrestlers—some of whom had been doing this for decades—were at a loss.

“The first time I got on the ropes and looked out there, I looked to the very top of the stadium,” wrestler Scott Steiner told Sports Illustrated. “They were like toothpicks, that’s how small they were. I was like, 'Wow, I can barely see them, how are they seeing me?' It was mind-blowing. But it was a fleeting moment. After that, I locked into the match.”

Despite the size of the crowd (which was rumored to be 150,000 on the first day and 190,000 on day two, though reports vary), the audience remained almost completely silent throughout the event—a far cry from the nonstop chants and cheers the American wrestlers were used to. But there was good reason for that: They likely had no idea what they were even watching.

“I think initially they expected it to be more like amateur wrestling,” Flair said. “[They] would ask me how [these wrestlers] could do this to somebody, you know, a wrestling move. I would say ‘I don’t know, they couldn’t do it to me.’ They probably thought they were getting duped a little bit.”

Even Muhammad Ali, who was “essentially a political prop” for the event, got a positive, albeit unremarkable, reaction from the people when he waved from his seat, according to CNN’s Mike Chinoy, a reporter brought over to cover the show.

Of course, when you want a reaction, there are few in the history of the wrestling industry better than the show’s headliners. Flair/Inoki main-evented the second night, with Inoki getting the win over Flair in about 15 minutes. More impressive than a choreographed melee between two legends was the fact that they had the audience in the palms of their hands. The two had put butts in arena seats all over the globe for decades, and even in an unfamiliar communist country, they hit their marks.

“Those two guys go out there and took that crowd from nothing to pandemonium. It was just amazing,” wrestler Scott Norton, who was the main event during the first night, said.

As with everything on the show, there were motives outside of just a fantastic match. One specific photo from the match—of a battered Flair being slammed around by an enraged Inoki—became part of a deluge of North Korean propaganda leaflets that were dropped over Seoul in late 1995.

After the final bell rang, the fight wasn’t over—at least not for the cadre of weary American wrestlers looking to get back home. Before they were able to return to Japan, then make their way back to the U.S., the North Korean government made one very unsettling request of Flair: They wanted him to read a statement basically saying that after visiting North Korea, he understood that the country could dominate the United States.

Flair refused to recite their requested language, but agreed to make a more diplomatic statement, praising this “beautiful and peaceful country” and saying, “His Excellency, Kim Il-sung, will always be with us.”

Even though it broke the all-time attendance record for a wrestling event, there wasn’t much to celebrate: In the United States, the event hadn't garnered much curiosity, and there were only scattered news reports covering its aftermath. To the wrestlers, it was just another show. Later on that year, WCW released part of the event as a U.S. pay-per-view special titled Collision in Korea; the event drew 30,000 buys—a paltry sum in comparison to the company’s other shows. What should have been a political moment draped in neon spandex soon faded into obscurity.

In 2001, McMahon’s WWE bought WCW and its tape library, yet the company rarely references the event, nor has it ever released Collision in Korea on its expansive WWE Network, which features nearly every other WCW show. There are theories about why the event seemed to disappear: WWE likes to maintain the claim that the company’s WrestleMania III, which drew (a disputed) 93,173 fans to Michigan's Pontiac Silverdome in 1987, holds one of the highest attendances for a wrestling show. Having a rival's event in North Korea basically double that number in just a single day might hurt the prestige of their own accomplishment.

According to wrestling historian Dave Meltzer, “WWE, they want to claim these records, so this kind of hurts that narrative." Bischoff was more blunt, saying the North Korea show is simply “an inconvenient fact for the branding and the positioning that the WWE is so great at.”

Despite feeling like hostages in a foreign country and wrestling to near-silence in front of a confused audience, there’s no denying the significance of the event—even if the world has seemingly forgotten all about it.

“Were they paying customers? I don’t think so,” Bischoff said. “Maybe. But the fact is, over the course of two nights, 350,000 people came to a stadium and watched professional wrestling with some of the biggest stars of the time. I think that’s a phenomenal achievement.”

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