5 Things You Didn't Know About Grace Kelly

By Sterling Publications, eBay, Public Domain, Wikimedia Commons
By Sterling Publications, eBay, Public Domain, Wikimedia Commons

From her first major screen role as Gary Cooper's violence-loathing Quaker wife in the classic Western High Noon through her "wedding of the century" and retirement from films to become Princess Grace of Monaco, Grace Kelly brought something truly unique to every part of her life. So let's take a look at five things you might not know about Grace Kelly, who was born on this day in 1929.

1. SHE PROBABLY COULD HAVE BEEN AN ATHLETE.


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When Grace Kelly was born in the East Falls neighborhood of Philadelphia in 1929 to Margaret and Jack Kelly, her athletic pedigree was formidable. Jack Kelly, who ran a wildly successful brick company, was also one of the finest rowers ever to dip his oars in the Schuylkill River. He wasn't just a local phenom, though; Jack had three Olympic gold medals in sculling to his credit. He picked up single and double scull gold at the 1920 Games in Antwerp and then defended his double scull gold with his cousin Paul Costello in Paris in 1924. To underscore just how great he was, Jack Kelly is the only rower in the U.S. Olympic Hall of Fame.

Kelly's mother, Margaret, was no slouch, either. She had been a world-beater as a collegiate swimmer at Temple and then became a physical education instructor at the University of Pennsylvania, where she became the Ivy League school's first-ever women's sports coach after she organized a basketball squad.

One of Kelly's three siblings, John Jr., was a formidable athlete in his own right; he rowed in the 1948, 1952, 1956, and 1960 Olympics, picking up a single sculls bronze in Melbourne in 1956. John Jr. gave the medal to his sister Grace as a wedding gift.

2. SHE TURNED DOWN AT LEAST ONE ICONIC ROLE.


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In 1954 Kelly was all set to costar with Marlon Brando in On the Waterfront when Alfred Hitchcock, with whom she had successfully collaborated on Dial M for Murder, told her to head to Los Angeles for costume fittings for his new film Rear Window. Kelly jumped at the opportunity to work with Hitchcock and Jimmy Stewart on the film, so the role of Brando's love interest Edie in On the Waterfront went to Eva Marie Saint, herself a future Hitchcock blonde.

Both films became undisputed classics, but it's hard to imagine Kelly didn't kick herself a little at the 1955 Academy Awards when Saint picked up the Oscar for Best Supporting Actress for her part in On the Waterfront. Of course, the pain probably didn't last too long, as later in the evening Kelly won the Best Actress statue for her role opposite Bing Crosby and William Holden in The Country Girl.

3. BECOMING A PRINCESS WASN'T CHEAP.


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Kelly met Prince Rainier III of Monaco at a photo shoot in 1955 when she was leading the American delegation to the Cannes Film Festival, and the two instantly hit it off. After she returned to the States, the actress and the prince corresponded until later that year when he came to the U.S. on a diplomatic tour. After spending three days with Kelly and her family, Prince Rainier proposed, and Kelly accepted.

Things aren't so simple when you're marrying a prince, though. To seal the deal, Kelly's family had to cough up a dowry. Luckily, Jack Kelly was every bit as successful in the brick business as he was with the oars, and he forked over a $2 million dowry to help cover the cost of the wedding.

With a dowry like that, what kind of engagement ring does a movie star princess get? A gigantic one. Kelly's was a 10.47-carat emerald-cut diamond with a platinum band. If you want to get a look at the ridiculous rock, watch High Society, Kelly's final feature film. She wears the ring throughout, at one point causing Bing Crosby to quip, "Some stone, did you mine it yourself?"

4. NOT EVEN ALFRED HITCHCOCK COULD LURE HER BACK TO HOLLYWOOD.


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After Kelly's wedding in 1956, she became Her Serene Highness, Princess Grace of Monaco and stopped working as an actress. However, her old director Alfred Hitchcock never gave up on trying to get Kelly to star in another one of his films. Hitchcock allegedly planned to use 1962's Marnie as Kelly's big comeback to the silver screen, and the princess agreed to take the part. In March 1962, Monaco's palace spokesman announced that Princess Grace would play the role and then give up acting altogether.

The citizens of Monaco weren't so keen on having their princess return to the movies as a compulsive thief, though. The local press blasted the idea of Kelly making a screen comeback, and France's Charles de Gaulle supposedly pressured Prince Rainier to pull his wife out of the production for fear it would make Monaco appear frivolous. In April, Kelly announced that she was withdrawing from the production, ostensibly due to scheduling difficulties. Tippi Hedren ended up in the title role opposite Sean Connery.

5. SHE HAS A WHOLE SLEW OF TRIBUTES TO HER CREDIT.


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Prince Grace died in 1982 when she suffered a stroke while driving and drove over a steep embankment. (Contrary to rumor, Kelly's family insists that she was not driving on one of the winding roads she and costar Cary Grant zipped down in Hitchcock's underrated To Catch a Thief.) After a royal funeral that attracted nearly 100 million television viewers, she was laid to rest in Monaco.

Thirty five years after her death, tributes to Kelly keep rolling in. In 1993 she became the first American actress to appear on a postage stamp, and in 2007 special commemorative two-euro coins bore her profile. Fashion house Hermes's Kelly bag is named after the actress in honor of her penchant for appearing with the high-end purse.

Even though she didn't join in her family's rowing hobby, Kelly also has a sculling tribute in her honor. In 2003, the Henley Royal Regatta, a major rowing event on the Thames that once snootily rejected Jack Kelly's attempt to participate, renamed its women's quadruple sculls race the Princess Grace Challenge Cup.

Josh Trank Wouldn't Mind Erasing Fantastic Four From Film History

Ben Rothstein, Twentieth Century Fox Film Corporation
Ben Rothstein, Twentieth Century Fox Film Corporation

It’s not every day that you hear a director talking about wanting to completely erase one of their projects from film history. But when the topic of the 2015 box office bomb Fantastic Four comes up, director Josh Trank isn't mincing words. The director tweeted that he would “gladly” donate to a GoFundMe page to have his failed adaptation erased from the cinematic history books.

It's no secret that Fantastic Four is a sore subject for Trank. The production was plagued with rumors that there was a bit of friction on set, particularly between the director and star Miles Teller. Even once the film had wrapped, reports about the troubled production plagued Trank, and eventually led to him parting ways with Disney, for whom he was supposedly developing a standalone Boba Fett movie. (It didn't help that Fantastic Four tanked at the box office and even won a Razzie for Worst Picture).

The topic of starting a GoFundMe page for the film started after Trank responded to fans rallying for a page to get the rat at the end of Martin Scorsese's The Departed digitally erased. When asked if he would support a page to get rid of Fantastic Four, Trank seemed to oblige (though he has since deleted the tweet).


It’s no secret the previous Fantastic Four movies have had little success, but now that Disney and Fox are joining forces, the series could be entering into the Marvel Cinematic Universe. Maybe now these superheroes will finally get the movie they deserve.

Hollywood's Brief Love Affair With Young Einstein Star Yahoo Serious

Warner Bros.
Warner Bros.

The theater owners and exhibitors attending the ShoWest convention in February 1989 had a lot to look forward to. In an attempt to stir their interest in upcoming studio releases, major distributors were showing off stars and footage: Paramount led with Indiana Jones and the Last Crusade, and Columbia had Ghostbusters II. But it was Warner Bros. that caused the biggest stir.

In addition to Lethal Weapon 2, the studio had Tim Burton’s Batman, a straight-faced adaptation of the comic, and Michael Keaton—who slipped into a screening of some early footage—was no longer being derided as a poor casting choice. Then, in the midst of all this star power, the studio brought out a 35-year-old actor-writer-director with a shock of orange hair and an Australian accent.

The man had never appeared in a feature film before, much less starred in one, but Warner was gambling that his forthcoming comedy about a Tasmanian Albert Einstein who invents rock music and runs into Thomas Edison would be a hit. It had already become the sixth highest-grossing film in Australia's history, besting both E.T. and Rambo: First Blood Part II.

The man’s real name was Greg Pead, but Warner Bros. introduced him as Yahoo Serious, Hollywood’s next big comedy attraction.

 

To understand Warner’s appetite for an unproven commodity like Yahoo Serious, it helps to recall the peculiar preoccupation American popular culture had with Australians in the 1980s. Energizer had created a hit ad campaign with Mark “Jacko” Jackson, a pro football player who aggressively promoted their batteries in a series of ads; meanwhile, Paul Hogan parlayed his fish-out-of-water comedy, Crocodile Dundee, into the second highest-grossing film of 1986. (Serious would later bristle at comparisons to Hogan, whom he referred to as a “marketing guy” who sold cigarettes on Australian television.)

Born in Cardiff, Australia on July 27, 1953, Serious grew up in rural bush country and mounted car tires at a garage in order to pay his way through the National Art School. When he was expelled for illustrating the school's facade with satirical jokes that the faculty didn’t find particularly funny, Serious moved on to direct Coaltown, a documentary about the coal mining industry, and pursued painting.

Serious would later recall that the desire for a larger audience led him away from art and into feature filmmaking. ''It hit me like a ton of bricks one day,” Serious told The New York Times in 1989. “I remember having a cup of coffee and I went, 'Well, look, there is a giant canvas in every little town everywhere around the world. And on this giant canvas there are 24 frames of image on that screen every second and it's the most wonderful living art form.'” It was around this same time, in 1980, that Serious changed his name.

To get a feel for the language of film, Serious sat through repeated viewings of Stanley Kubrick's Dr. Strangelove; he aspired to have the kind of total autonomy over his movies that directors like Woody Allen and Charlie Chaplin enjoyed.

In 1983, Serious was traveling along the Amazon River when he spotted someone wearing a T-shirt depicting Albert Einstein sticking his tongue out. The image is now pervasive, appearing on posters and other merchandise, but it seemed unique to the performer, who was struck by the idea that Einstein was once young and never took himself too seriously. And the concept for Young Einstein was born.

 

Serious's idea, which transplanted Einstein to Tasmania and imagined encounters with Sigmund Freud, Thomas Edison, and the atomic bomb, took years to assemble. He borrowed camera equipment and sold his car to help finance the film; he shot an eight-minute trailer that convinced investors he was capable of making a feature. His mother even cooked meals for the crew on set.

In order to maintain creative control, Serious gave up profit participation in Young Einstein, which he starred in, co-produced, co-wrote, and directed. When the film was released in Australia in 1988, it made an impressive $1.6 million at the box office and drew the attention of Warner Bros., which likely had visions of a Crocodile Dundee-esque hit. American press had a field day with Serious, who appeared on the cover of TIME and was given airtime on MTV.

Critics and audiences weren’t quite as enamored. The Orlando Sentinel suggested that "Tedious Oddball" would be a more appropriate name for the film's creator. In his one-star review, Roger Ebert wrote that, "Young Einstein is a one-joke movie, and I didn't laugh much the first time." In the U.S., Young Einstein grossed just over $11 million, a fairly weak showing for a summer comedy. It was bested in its opening weekend by both Ron Howard’s Parenthood and the Sylvester Stallone action-grunter Lock Up.

 

Although American distributors quickly cooled on Serious, Australia's enthusiasm for the filmmaker didn’t dampen. When Serious released 1993’s Reckless Kelly, a fictionalized account of outlaw Ned Kelly, it made $5.4 million in Australia—three times as much as Young Einstein. Serious took a seven-year sabbatical, then returned with 2000’s Mr. Accident, a slapstick comedy about an injury-prone man who tries to thwart a scheme to inject nicotine into eggs. Meeting a tepid critical and financial reception, it would be his third and (likely) final film.

At roughly the same time Mr. Accident was released, Serious took issue with upstart search engine Yahoo!, alleging the site was piggybacking on his popularity. He filed a lawsuit, which was quickly dropped when he failed to prove the URL had damaged him in any way.

Yahoo Serious attends an event
Paul McConnell, Getty Images

The amused headlines stemming from that incident were the last examples of Serious capturing attention in America. Having completed just three films, no other projects have come to fruition; Serious launched a website detailing some of his background and to air some of his Yahoo!-related grievances.

Now 65, Serious currently serves as founding director of the Kokoda Track Foundation, an Australian aid organization dedicated to improving the living conditions of Papua New Guineans. The board’s website lists him as Yahoo Serious, which is the name he claims that all of his family and friends have called him since he changed it in 1980.

“You can choose every aspect of your life,” Serious once said. “Why not your name?”

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