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V.S. Ramachandran: A Neurological Theory of Artistic Experience

If you enjoyed the TED Talk I pointed to last week, How Brain Damage Reveals Brain Function, I have a treat for you. Here's a ninety-minute lecture by the same speaker (V.S. Ramachandran), in which he talks about how the human brain deals with visual art. Why do we enjoy art? How do we know what is "good" art? How does the brain process metaphors? What does neurology tell us about how the brain processes visual information? This is a great way to spend an hour and a half -- it's enlightening, entertaining, and most of all, very flossy. You can watch the video (sadly, in low quality) here, and there's even a link to download it for your iPod.

Representative quote: "The purpose of art is not realism.... The purpose of art is not copying reality. The purpose of art is hyperbole, exaggeration, distortion...to produce pleasing effects in the viewer's brain."

Discussed: Capgras Syndrome, synesthesia, metaphor, Indian art, European art, other art, and the neurology of art. (Also more art.)

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Stones, Bones, and Wrecks
3500-Year-Old Mummy Discovered in Forgotten Egyptian Tomb

As the site of the ancient city of Thebes, the modern-day Egyptian city of Luxor is filled with archaeological treasures. But until recently, two forgotten tombs—both located in the necropolis of Dra' Abu el-Naga, an important non-royal cemetery—hadn’t been fully explored. Now, National Geographic reports that experts have finally excavated these burial sites and discovered a 3500-year-old mummy, along with ornate funerary goods and colorful murals.

While excavating one of the two tombs, known as Kampp 150, experts found linen-wrapped remains that Egypt's Ministry of Antiquities believes belong to either "a person named Djehuty Mes, whose name was engraved on one of the walls ... [or] the scribe Maati, as his name and the name of his wife Mehi were inscribed on 50 funerary cones found in the tomb's rectangular chamber."

In addition to the mummy, archaeologists discovered wooden statues, masks, earthen pots, a cache of some 450 statuettes, and around 100 funerary cones—conical mud objects, which were often positioned outside a tomb's center, and could have served as identifying markers or as offerings—inside Kampp 150.

The Associated Press reported that the second tomb, known as Kampp 161, is thought to be approximately 3400 years old—about 100 years newer than its neighboring chamber—as its design is characteristic of other such structures dating back to the reigns of Amenhotep II and Thutmose IV.

Inside Kampp 161, archaeologists discovered wooden funerary masks, a decorated coffin, furniture shards, and the mural of a festival or party depicting the tomb's unknown resident and his wife receiving ceremonial offerings.

German scholar Friederike Kampp-Seyfried surveyed and numbered both tombs in the 1990s, which is how they got their names, but she did not fully excavate nor enter either one.

Officials celebrated the rediscovery of the tombs on Saturday, December 9, when they publicly announced the archaeological finds. They hope that discoveries like these will entice foreign travelers to visit Egypt, as political unrest has harmed the country's tourism industry in recent years.

“It’s truly an exceptional day,” Khaled al-Anani, Egypt's antiquities minister, said in a statement. “The 18th dynasty private tombs were already known. But it’s the first time" anyone's ever entered them.

Check out some pictures of the newly revealed relics below.

Mustafa al-Waziri, director general of Luxor's Antiquities, points at an ancient Egyptian mural found at the newly discovered 'Kampp 161' tomb at Draa Abul Naga necropolis.
Mustafa al-Waziri, director general of Luxor's Antiquities, points at an ancient Egyptian mural found at the newly discovered 'Kampp 161' tomb at Draa Abul Naga necropolis on the west Nile bank of the southern Egyptian city of Luxor, about 400 miles south of the capital Cairo, on December 9, 2017.
STRINGER/AFP/Getty Images

An Egyptian archaeological technician restores artifacts found at the newly discovered 'Kampp 161' tomb at Draa Abul Naga necropolis in Luxor, Egypt.
An Egyptian archaeological technician restores artifacts found at the newly discovered 'Kampp 161' tomb at Draa Abul Naga necropolis on the west Nile bank of the southern Egyptian city of Luxor, about 400 miles south of the capital Cairo, on December 9, 2017.
STRINGER/AFP/Getty Images

An Egyptian laborer stands next to an ancient Egyptian mural found at the newly discovered 'Kampp 161' tomb at Draa Abul Naga necropolis in Luxor, Egypt.
STRINGER/AFP/Getty Images

Ancient Egyptian wooden funerary masks and small statuettes found in and retrieved from the newly discovered 'Kampp 150' tomb at Draa Abul Naga necropolis in Luxor, Egypt.
A picture taken on December 9, 2017 shows ancient Egyptian wooden funerary masks and small statuettes found in and retrieved from the newly discovered 'Kampp 150' tomb at Draa Abul Naga necropolis on the west Nile bank of the southern Egyptian city of Luxor, about 400 miles south of the capital Cairo.
STRINGER/AFP/Getty Images

[h/t National Geographic]

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Kohske Takahashi, i-Perception (2017)
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fun
Can You Figure Out This Newly Discovered Optical Illusion?
Kohske Takahashi, i-Perception (2017)
Kohske Takahashi, i-Perception (2017)

Ready to have your mind boggled? Take a look at the image above. What shape are the lines? Do they look like curves, or zigzags?

The image, spotted by Digg, is a new type of optical illusion published in the aptly named journal i-Perception. Discovered by Japanese psychologist Kohske Takahashi, it’s called the “curvature blindness illusion,” because—spoiler—the contrast of the lines against the gray background makes our eye see some of the lines as zigzags when, in fact, they’re all smooth curves.

The illusion relies on a few different factors, according to the three experiments Takahashi conducted. For it to work, the lines have to change contrast just at or after the peak of the curve, reversing the contrast against the background. You’ll notice that the zigzags only appear against the gray section of the background, and even against that gray background, not every line looks angled. The lines that look curvy change contrast midway between the peaks and the valleys of the line, whereas the lines that look like they contain sharp angles change contrast right at the peak and valley. The curve has to be relatively gentle, too.

Go ahead, stare at it for a while.

[h/t Digg]

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