10 Fun Facts About Grauman's Chinese Theatre

iStock
iStock

Grauman's Chinese Theatre is one of the world's most famous cinemas, and one of Los Angeles's best-known tourist traps. With the handprints, footprints, and signatures of Hollywood's biggest stars peppered across the forecourt of the theater—and everyone from Spider-man to SpongeBob standing by ready to pose for a photo with you—tourists can't really help themselves. But there's more to this theater than meets the eye. Here are 10 things you might not know about the world-famous cinema, which opened its doors on May 18, 1927.

1. IT WAS THE LAST OF SID GRAUMAN'S THEATERS TO BE BUILT.

It may (arguably) be the most well-known of Sid Grauman's theaters, but it was the last one to be built. After Grauman was unsuccessful at gold mining during the Klondike days, he decided to open up a chain of theaters in Alaska and Northern California before setting his sights on Los Angeles. The Million Dollar Theatre (which actually cost $800,000 to build, not $1 million) opened in 1918 and the Egyptian Theater opened in 1922. Hollywood quickly caught on to Grauman's movie theater vision and started booking his establishments for high-profile events. In fact, the first-ever film premiere, for an adaptation of Robin Hood starring Douglas Fairbanks, was held at the Egyptian the same year it opened. Grauman built the first two to appeal to the public, and once they were successful, he was able to build a theater in the style that he personally really wanted to see, and that ended up being the Chinese Theatre.

2. IT GOT ITS FIRST NAME CHANGE IN 1973.

If you're sitting there thinking to yourself, "Wait, wasn't it Mann's Chinese Theatre?" Well, you're right—it was. Ted Mann purchased the theater in 1973 (nearly 25 years after Sid Grauman's death) and renamed the historic landmark. He even had a wax likeness of his wife, actress Rhonda Fleming, created to sit in a chair in the middle of all the Chinese wax figures that stood in the lobby. They divorced in 2001, which was the year before Mann declared bankruptcy and sold the theater to Warner Bros. and Paramount Pictures. Though it reverted to its original name in 2001, that changed yet again in 2013, when the TCL Corporation, a Chinese television manufacturer, purchased the naming rights to the theater, which is now officially known as TCL Chinese Theatre (though no one will mind—or argue—if you still call it Grauman's).

3. THE FIRST FOOTPRINT WAS SUPPOSEDLY NORMA TALMADGE'S.

The story of how the idea to immortalize celebs in cement came about has been told in many a brochure about the place, though it may not necessarily be true. The story is that Norma Talmadge, a friend of Grauman's, stepped out of her car to check out Sid's new digs. The cement was still wet, and a light bulb went off in old Grauman's head. But the theater owner himself later said that yes, it was an accident—but that it was he, not Talmadge, was the one who stepped into the fresh sludge. The first "official" signature in the forecourt was Mary Pickford's. Mary and her then-husband Douglas Fairbanks were the theater's co-owners.

4. THE INSIDE OF THE THEATER IS DECORATED WITH PIECES HAND-SELECTED BY GRAUMAN HIMSELF.

The inside of the theater is decorated with authentic treasures hand-selected from China by Sid Grauman himself, but one of the things that draws the most attention is the Chinese wax figures. They were once considered to be so lifelike that people would actually try to talk to them, then turn away in embarrassment when their lack of response tipped the inquisitive conversationalist off to the fact that they were just wax. It used to be good luck for actors and film execs to come to the theater and touch the wax people for good luck before embarking upon a new project.

5. IF YOU EVER GET THE CHANCE TO PRESS YOUR PALMS INTO THE CEMENT AT GRAUMAN'S, DON'T BE AFRAID TO GET CREATIVE.

Marilyn Monroe's handprints at Grauman's Chinese Theatre
iStock

Should you ever get the chance to press your palms into cement at Grauman's, feel free to think outside of the box and include more than just your hands, feet, and signature. Whoopi Goldberg pressed a dreadlock into the cement; Betty Grable did an imprint of her leg; George Burns left his cigar print; and John Wayne left his fist. Marilyn Monroe dotted the "I" in her name with a rhinestone but some souvenir-hunter chipped it out of the cement.

6. NOT ALL OF THE IMMORTALIZED NAMES ARE FAMILIAR ONES (AT LEAST NOT TODAY).

You might find a few unfamiliar names in the cement: Charles Nelson, the Talent Quest winner, for one. But there's also former Yahoo! chairman and CEO Terry Semel; Clarence Nash, the voice of Donald Duck; and opera singers Lauritz Melchior and Ezio Pinza. Any of the other unfamiliar names are probably older actors. Rosa Grauman is the only person in the forecourt with her own square who has nothing to do with the entertainment industry except for the fact that she gave birth to Sid. Also vying for the best son title: actor Donald O'Connor, who had his mom write her name in his square right next to his.

7. ONCE A SLAB OF CEMENT HAS BEEN SIGNED, IT STAYS IN THE FORECOURT FOREVER.

Once a slab of cement has been signed, it stays there. Yes, even the guy who won Talent Quest in 1949; though he ended up more like Ruben Studdard than Carrie Underwood, and could probably be removed without anyone protesting too much, he's still there today.

8. IT'S BEEN THE SITE OF A NUMBER OF MAJOR MOVIE PREMIERES.

Movies that premiered at Grauman's include A Farewell to Arms, The King and I, Shane, Giant, West Side Story, Breakfast at Tiffany's, Mary Poppins, A Funny Thing Happened on the Way to the Forum, Hello Dolly, Jungle Book, Butch Cassidy and the Sundance Kid, and Star Wars—and the hits keep coming. More recent premieres have included Solo: A Star Wars Story, Avengers: Infinity War, Call Me By Your Name, and It.

9. IT'S ALSO HOSTED THE OSCARS.

The theater has been home to Hollywood's biggest night on a few occasions; from 1944 to 1946, Grauman's Chinese Theatre was home to the Academy Awards.

10. THE EXTERIOR ARCHITECTURE HAS CHANGED A BIT OVER THE YEARS.

Right now, it's simply the theater and the forecourt. But there used to be marquees on either side of the pagoda-esque building announcing what movie was playing and who was starring in it. And at one point, a Cinemascope sign stood directly in the view of the pagoda. There also used to be a small ticket booth right in the middle, because the theater was (and still is) a real, working theater—not just a showcase for premieres and galas. The booth's gone now as well.

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

10 Game of Thrones Fan Theories About How the Series Will End

HBO
HBO

Our faces are longer than Jon Snow’s right now. It's been more than a year since the last season of Game of Thrones ended, but season 8—the series's final one—is coming back on April 14, 2019. To tide you over until then, we’ve collected some of the most plausible as well as the most bonkers fan theories about what could go down in the final episodes. They predict everything from a new contender for the Iron Throne to a new species classification for a major character. On the bright side, we'll all have plenty of time to debate these before the first episode airs.

1. Jon Snow will kill Daenerys.

Almost since the series began, fans have been predicting that Jon Snow is the Prince Who Was Promised—a reincarnation of the legendary hero Azor Ahai. But most predictions have overlooked a central piece of the Azor Ahai legend, which may spell doom for Daenerys: Azor Ahai, a lousy metallurgist, had a tough time forging his fabled flaming sword Lightbringer. Then he realized he needed to temper the blade by plunging it into the heart of his wife, Nissa Nissa, to imbue it with her power. (Because in the logic of this legend, killing a powerful woman turns a mediocre man into a hero.) If Jon Snow is Azor Ahai, the theory goes, then Daenerys will be his Nissa Nissa—the one true love he must kill in order to save the realm.

2. The Lannisters' repaid debt will be their downfall.

Lena Headey in 'Game of Thrones'
HBO

You know the family creed: A Lannister always pays his debts. In season 7, Cersei stayed true to her family name when she paid off a large debt to the Iron Bank. Most viewers read this as a play to buy the loyalty of the bank and its mercenary soldiers, but one Machiavellian Redditor has predicted that paying off the debt will have the opposite effect. "While the Lannisters were in debt to the Bank, the Bank had a vested interest in their success," one Redditor wrote. Now that the debt is paid, the Iron Bank will invest in the side that seems to have the best chance of winning—and right now, that doesn't look like Cersei's.

3. Euron Greyjoy is the father of Cersei's child.

Somehow this seems more disturbing than Jaime being the baby's incestuous father. PopSugar rolled out this hot take based on some circumstantial evidence. First, Euron and Cersei cooked up a plan to betray Jon and Daenerys without telling Jaime, which "raises the question about what else Cersei was doing with Euron behind Jaime's back." Then there's the fact that Cersei just let Jaime ride north to fight the White Walkers, which doesn't seem like a risk you'd want your unborn child's father to take. She has no idea when or if he'll be back. But on the other hand, she knows exactly where Euron will be. Perhaps she's keeping an eye on her baby's true father.

4. Daenerys will die beyond the wall.

Redditor Try_Another_NO reached all the way back to season 2 to substantiate this theory about Daenerys's demise. While Daenerys is in the House of the Undying, she has a series of possibly prophetic visions. She walks through the throne room in Kings Landing, which is damaged and filled with snow. Before she can touch the Iron Throne, she's called away by a sound and suddenly finds herself walking beyond the wall. There she meets Khal Drogo who says he has resisted death to wait for her. According to the theory, these were clues about the series's end: The White Walkers will threaten Kings Landing. Daenerys will turn away from the throne to fight the White Walkers. Death awaits her beyond the wall.

5. Cleganebowl will finally happen.

For years fans have eagerly awaited a fight between Sandor and Gregor Clegane, which has been affectionately dubbed "Cleganebowl." In the season 7 finale, the Hound hinted that the much-hyped fight is coming when he told his brother, "You know who's coming for you." The cryptic message also spawned a fan theory about the real origin of the Clegane brothers' beef. Our only version of the tale comes from noted liar/sleazebag Littlefinger, who claimed Ser Gregor burned his brother's face over a stolen toy. But Redditor 440k11 thinks the Hound has always had a talent for reading the future in the flames. In fact, the theory goes, the Hound saw his brother's death foretold in a fire and told him about it. Enraged, young Gregor pushed his brother's face into the fire he was reading, burning Sandor and cementing their lifelong enmity.

6. Varys is actually a merman.

The case for this one is watertight. The books make several mentions of merlings living alongside dragons, giants, and White Walkers—mythical creatures we know exist in Essos. Varys, meanwhile, constantly covers his lower body in long robes. What is he hiding? According to Redditor nightflyer, it's his freaky fish body. In the books, it would explain his cryptic response when Tyrion threatened to have him thrown off a ship: "You might be disappointed by the result." In the show, it might explain how Varys traveled from Dorne to Daenerys's ship in Mereen seemingly overnight in the middle of season 7. (It wasn't lazy writing—he swam there!) In general, it might explain why he's such a slimy weirdo.

7. The maesters are colluding with Cersei to beat Daenerys.

Finally, a fan theory fit for our political age! According to this theory, the maesters are natural enemies of magic. The strange forces that bring the dead back to life, reveal the future in fire, and allow Arya to wear many faces are beyond the maesters' powers of rational explanation. But if magic were eliminated, the maesters' monopoly on knowledge would continue unchallenged. It follows, then, that the maesters would feel comfortable with Cersei's cruel reign but threatened by Daenerys's magical dragons. Maybe that explains why a former maester built Cersei a weapon meant to kill dragons. And maybe the maesters will intervene in the conflict more directly in the next season.

8. Arya will kill Cersei ... wearing Jaime's face.

Maisie Williams in 'Game of Thrones'
HBO

Predicting that Jaime will kill Cersei is so mainstream. Seeing Jaime kill Cersei for the good of the realm would reprise his role as the Kingslayer (or Queenslayer). It would neatly fulfill the Volanqar prophecy—the prediction a witch made to a young Cersei, that she would be killed by a volanqar (which translates to "younger sibling" in High Valyrian). And it would be so easy. Reasoning that George R.R. Martin would never do something so obvious, and that Arya's assassin character arc has to led to a more consequential target than Walder Frey, Redditor greypiano predicts that Arya will be Cersei's killer. If she first kills Jaime and uses his face to catch Cersei unaware, then the volanqar prophecy will be confirmed (even if it's on a technicality).

9. Viserion will come back to life.

Here's a fan theory for moms, from a mom. Redditor Cornholio_the_white wrote that after the season 7 finale, their mom called to say she was sad about Viserion's death. But she had a prediction: "I think it's going to remember its mother." She explained that Daenerys's love would free Viserion from the Night King's spell. Cornholio_the_white scoffed. That wasn't possible. The dragon was dead. But then Mom dropped a compelling counterargument: "Not if the Red Woman brings it back. They're keeping her around for something."

10. Gendry is the legitimate child of Cersei and Robert Baratheon.

This theory throws another contender for the Iron Throne into the mix. It maintains that Gendry was not Robert Barathean's bastard son—in fact, he was the only legitimate child of the king. We know that Cersei and Robert had a child—a "black-haired beauty"—who supposedly died shortly after birth. Curiously, Cersei says she never visited her firstborn child in the crypt, even though we know she is a fiercely devoted mother. Perhaps that's because she knew her son was actually in Fleabottom as a blacksmith's apprentice. And perhaps it was Cersei all along who was looking out for Gendry, securing his apprenticeship and protecting him from Joffrey's purge of Robert’s bastards. Gendry, for his part, remembers only that his mother had yellow hair. If that yellow-haired woman was Cersei, Gendry would have the most legitimate claim to the Iron Throne of anyone in Westeros.

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