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The World's Thickest Book

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It's official "“ at 4,032 pages, all resting on a spine over a foot thick, the world's thickest book is The Complete Miss Marple. The massive volume, a collection of the 12 novels and 20 short stories by Agatha Christie featuring the guileless spinster detective, was revealed to the public at a press event at Foyle's Charing Cross Road bookshop in London on Wednesday, May 20.


Taking part in the event was Christie's grandson and inheritor of her estate, Matthew Prichard, who congratulated HarperCollins, publisher of Christie's books, on creating a "piece of literary history," and said, "I hope that a lot of very nice people come to possess one."

Asked later what his grandmother would have made of the record-winning tome, he said, "I think that she'd be amazed that we were all in Foyle's, 35 years after her death, celebrating Miss Marple."

Prichard also admitted that he hadn't tried to read the new book yet. "I've got a very bad leg at the moment so I don't think I could do it," he said, laughing. "It's heavier than it looks!"

The book's unveiling was not without its own suspense, of course "“ Guinness Book of World Records adjudicator John Pilley, armed with a tape measure, was on hand to determine whether or not the book actually met all the world record criteria. Luckily, it did, and Pilley had the pleasure of awarding the book's publishers the official Guinness World Record certificate. Afterwards, Pilley, himself an Agatha Christie fan, asked Prichard to autograph one of her books for him.

A few quick facts about the World's Thickest Book:

The book is as much a technological feat as a literary one, if not more so. The book is 4,032 pages long, all collected in a spine 322 mm (12.6 inches) thick, bound in maroon leather with gilt writing on the cover and appropriately enough, paged edged with red speckling. At 8.02 kilograms, or about 17.6 pounds, it weighs as much as a medium-sized dog, even more when it's in its bespoke suede-lined wooden box. It's made up of 252 separate 16-page sections, which are hand-sewn together and to the spine. For awhile, it was questionable whether they could find a guillotine powerful enough to trim the book's considerable edges. It is, I can say with the satisfaction of a person who likes to see inordinately large things, massive.
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Though no one's tried it yet, reading at a pace of 30 pages an hour, it would take around 134 hours to finish the book.
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The book contains an introduction by best-selling British mystery writer, Kate Mosse, who has often claimed that Agatha Christie is one of her favorite authors, and a water-color illustration of St. Mary's Mead, Miss Marple's fictional village, based on a drawing Christie herself created for The Murder at the Vicarage.
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Through the 12 novels and 20 short stories reproduced in the book, Miss Marple solves 43 murders: 12 poisonings, six strangulations, two drownings, two stabbings, two people pushed to their deaths, one rather grisly burning, one blow to the head, and one arrow through the heart. In all, 68 crimes are committed, including the murders. There are 11 philandering spouses, 21 romances, 22 false accusations, and a whopping 59 red herrings. And, as solid evidence of either Miss Marple's ability to keep a cool head or the English obsession with tea, characters drink 143 cups of tea.
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Only 500 of the books have been made for sale and they'll go at a cost of £1000 each. Check out AgathaChristie.com if you want one.

A few facts about Miss Jane Marple:

agatha-christie.jpgMiss Marple's first appearance in a novel was in Murder at the Vicarage, which was published in 1930, and she made her last appearance in 1976's Sleeping Murder. Despite the 46-year span, Christie only wrote 12 novels featuring Miss Marple "“ rather paltry when compared with the 33 novels her other famous detective, Hercule Poirot, stars in. Christie's grandson, Matthew Prichard, said that his grandmother was careful not to overuse the diminutive, elderly character. "It was never her intention, and I use her words, that she should be "˜haunted' by Miss Marple for the rest of her life," he said.
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Miss Marple was inspired by a character from another of her books, The Murder of Roger Ackroyd "“ a spinster busy-body whose enjoyment of gossip keeps her well-informed about the goings-in in her little village. Christie also said that both characters were inspired by her grandmother and the women of her grandmother's circle.
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Miss Marple has lived her entire life in the fictional village of St. Mary's Mead, a prototypical English village of a certain era whose chief occupation is gossip. While she's often dismissed as "having never seen the world," Miss Marple maintains that there's quite enough human nature, wickedness and frailty in a typical English village to go around, as well as more than ample opportunity to study it.
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In They Do It With Mirrors, one character accurately summed up Miss Marple's ability to get to the bottom of some rather grisly crimes: "Because you've got a nose for that sort of thing. You always had. You've always been a sweet innocent looking creature, Jane, and all the time underneath nothing has ever surprised you, you always believe the worst."
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Miss Marple has never had any formal training as a detective and relies primarily on her keen intelligence, powers of observation, and knowledge of human nature.
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She has never married and is what British novels refer to as "a maiden aunt," a sweet, frail-looking, fluffy sort of person who seems from a by-gone era. As such, she does typical maiden auntie things, like knit. Over the course of The Complete Miss Marple, Miss Marple knits 47 garments. She's supported by her own means and by her nephew, Raymond West, a successful mystery writer.
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Miss Marple has been portrayed on stage and screen by a number of actresses, including Margaret Rutherford, Angela Lansbury, Helen Hayes, Joan Hickson, and Geraldine McEwan.

A few quick facts about Agatha Christie:

agatha-christie-2.jpgThis is crime writer Agatha Christie's third Guinness World Record: She holds one for best-selling author, and another for her play, The Mousetrap, which is the world's longest running play "“ it's still going, now in its 57th year.
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Christie sold her first novel in 1920, The Mysterious Affair at Styles; within just a few years, she had solidified her reputation as an ingenious and ruthless plotter, never sentimental and always unexpected. Before her death in 1976, The Queen of Crime wrote 80 detective novels, six romance novels (under a pseudonym), 13 plays, and 154 short stories.
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All of her books are still in print, selling around 500,000 copies a year, and she's the eighth most borrowed author from British libraries. With more than 2 billion of her books floating around the world, Christie is one of the most published authors in history "“ outsold only by Shakespeare and the Bible.
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She's been immortalized in wax at Madame Tussaud's, has a rose named after her, and every September, England celebrates the author's birthday with Agatha Christie Week.

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11 Popular Quotes Commonly Misattributed to F. Scott Fitzgerald
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F. Scott Fitzgerald wrote a lot of famous lines, from musings on failure in Tender is the Night to “so we beat on, boats against the current” from The Great Gatsby. Yet even with a seemingly never-ending well of words and beautiful quotations, many popular idioms and phrases are wrongly attributed to the famous Jazz Age author, who was born on this day in 1896. Here are 11 popular phrases that are often misattributed to Fitzgerald. (You may need to update your Pinterest boards.)

1. “WRITE DRUNK, EDIT SOBER.”

This quote is often attributed to either Fitzgerald or his contemporary, Ernest Hemingway, who died in 1961. There is no evidence in the collected works of either writer to support that attribution; the idea was first associated with Fitzgerald in a 1996 Associated Press story, and later in Stephen Fry’s memoir More Fool Me. In actuality, humorist Peter De Vries coined an early version of the phrase in a 1964 novel titled Reuben, Reuben.

2. “FOR WHAT IT’S WORTH: IT’S NEVER TOO LATE OR, IN MY CASE, TOO EARLY TO BE WHOEVER YOU WANT TO BE.”

It’s easy to see where the mistake could be made regarding this quote: Fitzgerald wrote the short story “The Curious Case of Benjamin Button” in 1922 for Collier's Magazine, and it was adapted into a movie of the same name, directed by David Fincher and starring Brad Pitt and Cate Blanchett, in 2008. Eric Roth wrote the screenplay, in which that quotation appears.

3. “OUR LIVES ARE DEFINED BY OPPORTUNITIES, EVEN THE ONES WE MISS.”

This is a similar case to the previous quotation; this quote is attributed to Benjamin Button’s character in the film adaptation. It’s found in the script, but not in the original short story.

4. “YOU’LL UNDERSTAND WHY STORMS ARE NAMED AFTER PEOPLE.”

There is no evidence that Fitzgerald penned this line in any of his known works. In this Pinterest pin, it is attributed to his novel The Beautiful and Damned. However, nothing like that appears in the book; additionally, according to the National Atmospheric and Oceanic Association, although there were a few storms named after saints, and an Australian meteorologist was giving storms names in the 19th century, the practice didn’t become widespread until after 1941. Fitzgerald died in 1940.

5. “A SENTIMENTAL PERSON THINKS THINGS WILL LAST. A ROMANTIC PERSON HAS A DESPERATE CONFIDENCE THAT THEY WON’T.”

This exact quote does not appear in Fitzgerald’s work—though a version of it does, in his 1920 novel This Side of Paradise:

“No, I’m romantic—a sentimental person thinks things will last—a romantic person hopes against hope that they won’t. Sentiment is emotional.” The incorrect version is widely circulated and requoted.

6. “IT’S A FUNNY THING ABOUT COMING HOME. NOTHING CHANGES. EVERYTHING LOOKS THE SAME, FEELS THE SAME, EVEN SMELLS THE SAME. YOU REALIZE WHAT’S CHANGED IS YOU.”

This quote also appears in the 2008 The Curious Case of Benjamin Button script, but not in the original short story.

7. “GREAT BOOKS WRITE THEMSELVES; ONLY BAD BOOKS HAVE TO BE WRITTEN.”

There is no evidence of this quote in any of Fitzgerald’s writings; it mostly seems to circulate on websites like qotd.org, quotefancy.com and azquotes.com with no clarification as to where it originated.

8. “SHE WAS BEAUTIFUL, BUT NOT LIKE THOSE GIRLS IN THE MAGAZINES. SHE WAS BEAUTIFUL FOR THE WAY SHE THOUGHT. SHE WAS BEAUTIFUL FOR THE SPARKLE IN HER EYES WHEN SHE TALKED ABOUT SOMETHING SHE LOVED. SHE WAS BEAUTIFUL FOR HER ABILITY TO MAKE OTHER PEOPLE SMILE, EVEN IF SHE WAS SAD. NO, SHE WASN’T BEAUTIFUL FOR SOMETHING AS TEMPORARY AS HER LOOKS. SHE WAS BEAUTIFUL, DEEP DOWN TO HER SOUL.”

This quote may have originated in a memoir/advice book published in 2011 by Natalie Newman titled Butterflies and Bullshit, where it appears in its entirety. It was attributed to Fitzgerald in a January 2015 Thought Catalog article, and was quoted as written by an unknown source in Hello, Beauty Full: Seeing Yourself as God Sees You by Elisa Morgan, published in September 2015. However, there’s no evidence that Fitzgerald said or wrote anything like it.

9. “AND IN THE END, WE WERE ALL JUST HUMANS, DRUNK ON THE IDEA THAT LOVE, ONLY LOVE, COULD HEAL OUR BROKENNESS.”

Christopher Poindexter, the successful Instagram poet, wrote this as part of a cycle of poems called “the blooming of madness” in 2013. After a Twitter account called @SirJayGatsby tweeted the phrase with no attribution, it went viral as being attributed to Fitzgerald. Poindexter has addressed its origin on several occasions.

10. “YOU NEED CHAOS IN YOUR SOUL TO GIVE BIRTH TO A DANCING STAR.”

This poetic phrase is actually derived from the work of philosopher Friedrich Nietzsche, who died in 1900, just four years after Fitzgerald was born in 1896. In his book Thus Spake ZarathustraNietzsche wrote the phrase, “One must have chaos within to enable one to give birth to a dancing star.” Over time, it’s been truncated and modernized into the currently popular version, which was included in the 2009 book You Majored in What?: Designing Your Path from College to Career by Katharine Brooks.

11. “FOR THE GIRLS WITH MESSY HAIR AND THIRSTY HEARTS.”

This quote is the dedication in Jodi Lynn Anderson’s book Tiger Lily, a reimagining of the classic story of Peter Pan. While it is often attributed to Anderson, many Tumblr pages and online posts cite Fitzgerald as its author.

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Fumbled: The Story of the United States Football League
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There were supposed to be 44 players marching to the field when the visiting Los Angeles Express played their final regular season game against the Orlando Renegades in June 1985.

Thirty-six of them showed up. The team couldn’t afford more.

“We didn’t even have money for tape,” Express quarterback Steve Young said in 1986. “Or ice.” The squad was so poor that Young played fullback during the game. They only had one, and he was injured.

Other teams had ridden school buses to practice, driven three hours for “home games,” or shared dressing room space with the local rodeo. In August 1986, the cash-strapped United States Football League called off the coming season. The league itself would soon vaporize entirely after gambling its future on an antitrust lawsuit against the National Football League. The USFL argued the NFL was monopolizing television time; the NFL countered that the USFL—once seen as a promising upstart—was being victimized by its own reckless expansion and the wild spending of team owners like Donald Trump.

They were both right.

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Spring football. That was David Dixon’s pitch. The New Orleans businessman and football advocate—he helped get the Saints in his state—was a fan of college ball and noticed that spring scrimmages at Tulane University led to a little more excitement in the air. With a fiscally responsible salary cap in place and a 12-team roster, he figured his idea could be profitable. Market research agreed: a hired broadcast research firm asserted 76 percent of fans would watch what Dixon had planned.

He had no intention of grappling with the NFL for viewers. That league’s season aired from September through January, leaving a football drought March through July. And in 1982, a players’ strike led to a shortened NFL season, making the idea of an alternative even more appealing to networks. Along with investors for each team region, Dixon got ABC and the recently-formed ESPN signed to broadcast deals worth a combined $35 million over two years.

When the Chicago Blitz faced the Washington Federals on the USFL’s opening day March 6, 1983, over 39,000 fans braved rain at RFK Stadium in Washington to see it. The Federals lost 28-7, foreshadowing their overall performance as one of the league’s worst. Owner Berl Bernhard would later complain the team played like “untrained gerbils.”

Anything more coordinated might have been too expensive. The USFL had instituted a strict $1.8 million salary cap that first year to avoid franchise overspending, but there were allowances made so each team could grab one or two standout rookies. In 1983, the big acquisition was Heisman Trophy winner Herschel Walker, who opted out of his senior year at Georgia to turn pro. Walker signed with the New Jersey Generals in a three-year, $5 million deal.

Jim Kelly and Steve Young followed. Stan White left the Detroit Lions. Marcus Dupree left college. The rosters were built up from scratch using NFL cast-offs or prospects from nearby colleges, where teams had rights to “territorial” drafts.

To draw a line in the sand, the USFL had advertising play up the differences between the NFL’s product and their own. Their slogan, “When Football Was Fun,” was a swipe at the NFL’s increasingly draconian rules regarding players having any personality. They also advised teams to run a series of marketable halftime attractions. The Denver Gold once offered a money-back guarantee for attendees who weren’t satisfied. During one Houston Gamblers game, boxer George Foreman officiated a wedding. Cars were given away at Tampa Bay Bandits games. The NFL, the upstart argued, stood for the No Fun League.

For a while, it appeared to be working. The Panthers, which had invaded the city occupied by the Detroit Lions, averaged 60,000 fans per game, higher than their NFL counterparts. ABC was pleased with steady ratings. The league was still conservative in their spending.

That would change—many would argue for the worse—with the arrival of Donald Trump.

Despite Walker’s abilities on the field, his New Jersey Generals ended the inaugural 1983 season at 6-12, one of the worst records in the league. The excitement having worn off, owner J. Walter Duncan decided to sell the team to real estate investor Trump for a reported $5-9 million.

A fixture of New York media who was putting the finishing touches on Trump Tower, Trump introduced two extremes to the USFL. His presence gave the league far more press attention than it had ever received, but his bombastic approach to business guaranteed he wouldn’t be satisfied with an informal salary cap. Trump spent and spent some more, recruiting players to improve the Generals. Another Heisman winner, quarterback Doug Flutie, was signed to a five-year, $7 million contract, the largest in pro football at the time. Trump even pursued Lawrence Taylor, then a player for the New York Giants, who signed a contract saying that, after his Giants contract expired, he’d join Trump’s team. The Giants wound up buying out the Taylor/Trump contract for $750,000 and quadrupled Taylor’s salary, and Trump wound up with pages of publicity.

Trump’s approach was effective: the Generals improved to 14-4 in their sophomore season. But it also had a domino effect. In order to compete with the elevated bar of talent, other team owners began spending more, too. In a race to defray costs, the USFL approved six expansion teams that paid a buy-in of $6 million each to the league.

It did little to patch the seams. Teams were so cash-strapped that simple amenities became luxuries. The Michigan Panthers dined on burnt spaghetti and took yellow school buses to training camp; players would race to cash checks knowing the last in line stood a chance of having one bounce. When losses became too great, teams began to merge with one another: The Washington Federals became the Orlando Renegades. By the 1985 season, the USFL was down to 14 teams. And because the ABC contract required the league to have teams in certain top TV markets, ABC started withholding checks.

Trump was unmoved. Since taking over the Generals, he had been petitioning behind the scenes for the other owners to pursue a shift to a fall season, where they would compete with the NFL head on. A few owners countered that fans had already voiced their preference for a spring schedule. Some thought it would be tantamount to league suicide.

Trump continued to push. By the end of the 1984 season, he had swayed opinion enough for the USFL to plan on one final spring block in 1985 before making the move to fall in 1986.

In order to make that transition, they would have to win a massive lawsuit against the NFL.

In the mid-1980s, three major networks meant that three major broadcast contracts would be up for grabs—and the NFL owned all three. To Trump and the USFL, this constituted a monopoly. They filed suit in October 1984. By the time it went to trial in May 1986, the league had shrunk from 18 teams to 14, hadn’t hosted a game since July 1985, kept only threadbare rosters, and was losing what existing television deals it had by migrating to smaller markets (a major part of the NFL’s case was that the real reason for the lawsuit, and the moves to smaller markets, was to make the league an attractive takeover prospect for the NFL). The ruling—which could have forced the NFL to drop one of the three network deals—would effectively become the deciding factor of whether the USFL would continue operations.

They came close. A New York jury deliberated for 31 hours over five days. After the verdict, jurors told press that half believed the NFL was guilty of being a monopoly and were prepared to offer the USFL up to $300 million in damages; the other half thought the USFL had been crippled by its own irresponsible expansion efforts. Neither side would budge.

To avoid a hung jury, it was decided they would find in favor of the USFL but only award damages in the amount of $1. One juror told the Los Angeles Times that she thought it would be an indication for the judge to calculate proper damages.

He didn’t. The USFL was awarded treble damages for $3 in total, an amount that grew slightly with interest after time for appeal. The NFL sent them a payment of $3.76. (Less famously, the NFL was also ordered to pay $5.5 million in legal fees.)

Rudy Shiffer, vice-president of the Memphis Showboats, summed up the USFL's fate shortly after the ruling was handed down. “We’re dead,” he said.

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