9 Famous Baseball Stadium Vendors

A good stadium vendor can make you forget that you're forking over $7.50 for 16 ounces "“ or four bites "“ of fleeting enjoyment. A bad stadium vendor can ruin your ballpark experience and your wallet. If you were to field a lineup of All-Star hawkers, you could do worse than this group.

1. Roger Owens: The Peanut Guy

The Dodger Stadium icon, who celebrated 50 years as a vendor last season, can toss bags of peanuts under his leg or behind his back to fans seated 30 rows away with uncanny accuracy. Owens' vending career began at the age of 15, when he sold soda at the L.A. Coliseum to help earn his family grocery money. By the time Dodger Stadium opened in 1962, the former high school pitcher was hawking peanuts and honing his bag-throwing skills at home. Owens began to showcase his skills in the stands and before long became known as The Peanut Guy. Owens reached celebrity status when he made his first of four appearances on The Tonight Show in September 1976. (Johnny Carson nailed himself in the crotch when he attempted an under-the-leg toss.) The next year, Jimmy Carter invited Owens to toss peanuts at his presidential inauguration festivities. Owens' celebrity has only grown since then. While he continues to delight fans in the second deck along the third base line at Dodger Stadium, Owens has taken his peanut-tossing act to stadiums throughout the country and abroad. In 2004, Owens' nephew, Daniel S. Green, published a biography of Owens, The Perfect Pitch.

2. Walter "Wally" McNeil: The Beerman

beerman.jpgMcNeil, who took a part-time job as a beer vendor at the Metrodome in 1982, is one of the few vendors to be featured on the NBC Nightly News and in an issue of Sports Illustrated. McNeil developed a huge following among Twins supporters, who came to recognize his shouts of "beer here," in part thanks to the autographed baseball cards picturing himself that he would hand out. McNeil, who worked as an operations manager for a pharmaceutical firm by day, has become a Minnesota celebrity in the 27 years that he has hawked beer during Twins, Vikings, and Golden Gophers games at the Metrodome. He has filmed commercials for local liquor stores and PSAs about the dangers of drunk driving, and if you're so inclined, you can still find his baseball card on eBay.

3. Marc Rosenberg: The Lemonade Shaking Guy

lemonade-shaking.jpgWhen Rosenberg agreed to work a few games at Baltimore's Oriole Park at Camden Yards as a favor for a friend in 1996, he figured he'd be working behind a counter. Instead he was charged with selling lemonade in the upper deck. Three days into the job, Rosenberg became so annoyed with kids yelling to get his attention that he put his tray down and did what any self-respecting guy in his shoes would do: he shook his body "“ violently. The fans loved it and Rosenberg adopted the shaking routine as his shtick. He became accustomed to receiving $20 tips at the ballpark and eventually parlayed his part-time diversion into a second career as a motivational speaker, auctioneer, and performer, appearing regularly at private parties and corporate functions. Rosenberg isn't the only stadium lemonade guy to start his own business: Kansas City's Jesus "Chuy" Gomez launched a concessions business in 2005 after working six years at Kauffman Stadium, where he announced his presence with distinct shouts of "Lee-mo-nade, lee-mo-nade, lee-mo-nade. Wooooo!"

4. Charley Marcuse: Opera Man

charley-mustard.jpgFor the last 11 seasons, Charley Marcuse has sold hot dogs at Detroit Tigers home games by singing the words "hot dog" in operatic falsetto. Marcuse, who started vending at Tiger Stadium as a 19-year-old, appeared on Good Morning America in 2004 after a few stadium critics tried to silence him. Marcuse's supporters started a "Free Charley" Web site in support of the former acting student and he was eventually allowed to resume his singing routine on a limited, four-times-per-game basis. When he's not making an estimated $400 per game selling hot dogs, Marcuse works for a men's clothing retailer and continues to develop his company, Charley's Food Inc. His first product, Charley's Ballpark Mustard, debuted in 2008 and is currently available in more than 60 stores and restaurants in the Detroit area. Fans at Comerica Park won't find Marcuse's mustard at the concession stands, however, as Marcuse doesn't want to risk offending the vending company that employs him.

5. Brent Doeden: Captain Earthman

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For fans in the outfield bleachers at Denver's Coors Field, Captain Earthman is only a phone call away. The veteran beer vendor, who has been described as an "intergalactic space hippie," hands out cards with his cellphone number "“ and a Planetary Location Number to boot "“ to all of his loyal customers. Doeden, who wears peanut earrings, black gloves, and a variety of crazy hats, revealed the origins of his nickname to a Denver Post reporter in 2000. "We were all sitting around drinking, smoking about 24 years ago," Doeden said. "I ended up with a pipe in one hand and a joint in the other and a beer in front of me. And, I said, "˜If it's from the earth, man, I'll smoke it.'" The rest is history, much like the cans of Budweiser that Doeden has carried up and down the outfield bleachers of Coors Field since it opened in 1995.

6. Clarence Haskett: Fancy Clancy

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Clarence "Clancy" Haskett has sold beer and entertained fans for three decades at Orioles home games. If you're fortunate enough to get in good with Haskett "“ hint: tip early and often "“ he'll start you a tab. A Baltimore City Paper tagged along with Clancy during a game in 2004 and got to witness his signature move, a backbend over the handrail while handing out bottles of beer. As the slogan goes, "If you want it served fancy, get it from Clancy." In addition to working the local stadiums, Haskett is also vice president of All Pro Vending, a vending management company that won a contract to supply vendors for M&T Bank Stadium, home of the NFL's Baltimore Ravens. [Photo via Flickr user Phil Romans.]

7. Perry Hahn: Robo-Vendor

robo-vendor.jpgIn order to make up for what he calls his lack of natural talent, Hahn put his mechanical engineering degree to good use. The University of Maryland graduate, who works at stadiums in the D.C. area, started to design a contraption to help expedite the beer opening process while working at Baltimore's Memorial Stadium in 1991. His latest version of the device sheers the lids off of two beer cans simultaneously. The Robo-Vendor, as Hahn's fans and colleagues sometimes call him, can open and pour two beers in six seconds. Hahn estimates that he spent $4,500 to develop and patent his device, which once helped him sell 25 cases during a single game. [Photo via Flickr user dontdothisathome.]

8. Dan Ferrone: A Chicago Original

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Ferrone made $2 selling soda on his first day as a vendor at Wrigley Field in 1938 and watched the Yankees sweep the Cubs in the World Series that season. For the next 57 years, Ferrone hawked soda, peanuts, beer, and programs at Chicago's baseball mecca before leaving the job late in the 1995 season. During that time, Ferrone, a military veteran who moved into the Oak Park YMCA around 1960, worked 30 years as a Postal Service employee and 11 more at a bank. He began vending full-time in 1981, working both Cubs and White Sox games for several years before eventually giving up his gig on the South Side. Ferrone sold programs at Wrigley Field in the seasons leading up to his retirement and often said he hoped to be the first vendor elected to baseball's Hall of Fame.

9. Leslie Flake: The Beer Guy

Flake tells you everything you need to know about him in his booming sales pitch. He's not the milkman. He's not the mailman. He's not the taxman. He's the beer guy, and he's been a staple at Cleveland Indians home games for years.

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Bad Moods Might Make You More Productive
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iStock

Being in a bad mood at work might not be such a bad thing. New research shows that foul moods can lead to better executive function—the mental processing that handles skills like focus, self-control, creative thinking, mental flexibility, and working memory. But the benefit might hinge on how you go through emotions.

As part of the study, published in Personality and Individual Differences, a pair of psychologists at the University of Waterloo in Canada subjected more than 90 undergraduate students to a battery of tests designed to measure their working memory and inhibition control, two areas of executive function. They also gave the students several questionnaires designed to measure their emotional reactivity and mood over the previous week.

They found that some people who were in slightly bad moods performed significantly better on the working memory and inhibition tasks, but the benefit depended on how the person experienced emotion. Specifically, being in a bit of a bad mood seemed to boost the performance of participants with high emotional reactivity, meaning that they’re sensitive, have intense reactions to situations, and hold on to their feelings for a long time. People with low emotional reactivity performed worse on the tasks when in a bad mood, though.

“Our results show that there are some people for whom a bad mood may actually hone the kind of thinking skills that are important for everyday life,” one of the study’s co-authors, psychology professor Tara McAuley, said in a press statement. Why people with bigger emotional responses experience this boost but people with less-intense emotions don’t is an open question. One hypothesis is that people who have high emotional reactivity are already used to experiencing intense emotions, so they aren’t as fazed by their bad moods. However, more research is necessary to tease out those factors.

[h/t Big Think]

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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