The Quick 10: 10 Things in the Skull and Bones Society's Tomb

I'm sure you've all heard of the uber-top-secret-this-message-will-self-destruct Skull and Bones society at Yale. The Bushes have been members since way back when; other Bonesmen include an illustrious list of other presidents (William Howard Taft), high-up business executives, Supreme Court justices, politicians and journalists. We know that their headquarters is called "The Tomb" and it houses many secrets, but a few of those have been uncovered thanks to the intrepid journalism of Alexandra Robbins, who managed to get more than 100 Bonesmen to speak to her about the Stonecutters, errr, Skull and Bones. Here are 10 of the things that may (or may not) lie within the walls of The Tomb.

geronimo1. Geronimo's skull. This one is pretty well-known, and although it's never been proven, Robbins says it's one of the more likely items to be behind the closed doors. And who allegedly stole it? None other than Prescott Bush, G.W.'s grandpa. Six members of Skull and Bones, including Bush, were tasked with guarding Fort Sill, the site of Geronimo's grave, during WWI. Various documents have been found verifying that the skull does indeed reside with the Skull and Bones Society, but some experts say there's no way Geronimo's cranium is anywhere but his final resting place at Fort Sill.

2. Pancho Villa's skull. The rumor is that the society bought the skull for $25,000 in 1926, shortly after the skull was stolen from Villa's grave. Skull and Bones has denied this, of course, and some members have gone off the record saying that the society is way too cheap to pay that kind of money for a skull. Robbins originally confirmed in her book that Skull and Bones was definitely in possession of Villa's cabeza, but has since retracted that. Hmm.

3. Martin Van Buren's skull.

With so many U.S. presidents in their ranks, I guess it makes sense that the Bones would have a presidential skull hidden away somewhere. This one has never been even remotely proved and for all we know, all parts of Van Buren are still safely buried in the Kinderhook Cemetery in Kinderhook, N.Y. But why Van Buren? Your guess is as good as mine"¦ one thing's for sure, though: the Van Buren Boys certainly aren't going to be happy about this. And they're every bit as mean as he was, you know.

4. A set of Hitler's silverware. Another "why?" item, in my opinion. This isn't nearly as special as you might think, though: just head to Alabama to see some Fuhrer relics. His tea service resides in Anniston, Alabama, and his typewriter has a home in Bessemer. His Rolls Royce is in Cochise, Arizona; his hat and coat are in Atlanta; some of his beer steins are in Lomita, California; his desk keys are in Estes Park, Colorado; and his supposed horse is buried in St. Rose, Louisiana. So keep your silverware, Skull and Bones. We're not impressed.

skull5. Coffins, which seems appropriate for a place called "The Tomb." Legend has it that initiates have to lie in the coffins and recount all of their sexual experiences and fantasies to the patriarchs (everyone who isn't an initiate). Some reports have debunked this, though, saying that no coffins are involved "“ the initiates merely have to stand in front of a portrait of a woman named Connubial Bliss and recite their entire sexual history.
6. License plates bearing the number 322. According to an account of a girl whose Bonesman boyfriend took her in to tour the Tomb, a whole wall is filled with license plates with the number "322." This is the number that represents the group, although the reason why is another one of those mysteries that outsiders have been guessing at for years. Apparently Bonesmen are told to "liberate" any license plate with their number on it, so if you happen to have a license plate with that particular combination, don't be surprised if it goes missing.

7. The gravestone of Yale's founder. Robbins says the original gravestone of Elihu Yale was stolen from its original spot on the grounds of St. Giles' Church in Wrexham, Wales, and is now sitting in a glass case in the Tomb.

8. Large portraits of its most famous members, including William Howard Taft and George H.W. Bush. A conservator in Connecticut spent six years restoring 15 paintings from the Skull and Bones headquarters and says the inside isn't all that foreboding. She likened it to the Addams Family "“ kind of "funny-spooky."

9. A couch. Yep. Crazy, huh? Despite the presence of skulls and gravestones and coffins, one member said the Tomb was a lot like a college dorm, just swathed in more secrecy. He told Robbins it was "A place that used to be really nice but felt kind of beat up, lived in. There were socks underneath the couch, old half-deflated soccer balls lying around."

10. "Madame Pompadour," a skeleton which Bonesmen believe to be Madame de Pompadour. She resides in the Inner Temple and protects founding papers and other important society documents.

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10 Surprising Facts About Mr. Mom
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Shout! Factory

John Hughes penned the script for 1983's Mr. Mom, a comedy about a family man named Jack Butler (Micheal Keaton) who loses his job. To ensure their three kids are taken care of, his wife, Caroline (Teri Garr), goes back to work—leaving Jack to fight off a vacuum cleaner and learn why it's never a good idea to feed chili to a baby.

In 1982, Keaton turned in a star-making role in Ron Howard’s Night Shift, but Mr. Mom marked the first time he headlined a movie, and it launched his career. Hughes had written National Lampoon's Vacation, which—oddly enough—was released in theaters the weekend after Mr. Mom. But Hughes himself was still a relative unknown, as it would be another year before he entered the teen flick phase of his career, which would make him iconic.

In the meantime, Mr. Mom hit home for a lot of viewers, as the economy was on the downturn and more and more women were entering (or reentering) the workforce. But some people think that the movie's ending—which sees the couple revert to traditional gender roles—sidelined the movie's message. Still, on the 35th anniversary of its release, Mr. Mom remains an ahead-of-its-time comedy classic.

1. IT'S BASED ON A TRUE STORY.

Mr. Mom producer Lauren Shuler Donner came across a funny article John Hughes had written for National Lampoon. Based on that, she contacted him and the two became friends. “One day, he was telling me that his wife had gone down to Arizona and he was in charge of the two boys and he didn’t know what he was doing,” Donner told IGN. “It was hilarious! I was on the floor laughing. He said, ‘Do you think this would make a good movie?’ And I said, ‘Yeah, this is really funny.’ So he said, ‘Well, I have about 80 pages in a drawer. Would you look at it?’ So I looked at it and I said, ‘This is great! Let’s do it!’ We kind of developed it ourselves.” In the book Movie Moguls Speak, Donner mentioned how Hughes “had never been to a grocery store, he had never operated a vacuum cleaner. John was so ignorant, that in his ignorance, he was hilarious.”

The players involved with the movie told Donner and Hughes they thought it should be a TV movie. Hughes had a TV deal with Aaron Spelling, who came aboard to executive produce. “Then the players involved were upset because John was writing out of Chicago instead of L.A.,” Donner said in Movie Moguls Speak. “They fired John and brought in a group of TV writers. In the end, John and I were muscled out. It was a good movie, but if you ever read John’s original script for Mr. Mom, it’s far better.”

2. JOHN HUGHES REJECTED THE IDEA OF DIRECTING MR. MOM.

Stan Dragoti ended up directing the film, but only after Hughes turned it down, because he preferred to make his movies in Chicago, not Hollywood. “I don’t like being around the people in the movie business,” Hughes told Roger Ebert. “In Hollywood, you spend all of your time having lunch and making deals. Everybody is trying to shoot you down. I like to get my actors out here where we can make our movies in privacy.” Hughes remained in Chicago and filmed his directorial debut, Sixteen Candles, there.

3. MICHAEL KEATON GOT THE ROLE BECAUSE OF NIGHT SHIFT.

In 1982’s Night Shift, Keaton’s character works at a morgue and starts a prostitution ring with co-worker Henry Winkler. Donner had an agent friend, Laurie Perlman, who represented the not-yet-famous actor. She contacted Donner and pitched Keaton to her. “’Look, I represent this guy who is really funny. Would you meet with him?’" Donner recalled of the conversation. "So I met with him. Usually I don’t like to do this unless we’re casting, but I met with him because she was my friend. And then she said, ‘You have to see this movie Night Shift that he’s in.’ So I went to see Night Shift, and midway through I couldn’t wait to get out of that theater to give Mr. Mom to Michael Keaton. Fortunately, he liked it."

Keaton told Grantland that he turned down one of the main roles in Splash to play Jack Butler. “I just remember at the time thinking I wanted to get away from what I’d just done on Night Shift,” he said. “I thought if I do it again, I might get myself stuck. So then Mr. Mom came along. So I said no [to Splash] so I could set up this framework right away where I could do different things.”

4. THE FILM BROKE NEW GROUND.

Teri Garr, Michael Keaton, Taliesin Jaffe, Frederick Koehler, and Martin Mull in Mr. Mom (1983)
Shout! Factory

In 1983, more women stayed at home than worked, so it was a novelty for a man to be a stay-at-home dad. Today, an estimated 1.4 million men are stay-at-home dads, and 7 million men are their children's primary caregiver. “Mr. Mom became part of the vernacular,” Donner told Newsweek. “Mr. Mom represented a segment of men who were at home dealing with the kids who, up until then, really hadn’t been heard from. That’s what really told me about the power of film, because it spoke for a lot of men. It also helped women, because I think that women sometimes, if you’re a housewife, you’re not really appreciated for what you do. This sort of made women feel better about what they did because they knew that men were understanding it.”

5. TODAY, “MR. MOM” IS CONSIDERED A PEJORATIVE TERM.

More than 30 years after the film’s release, stay-at-home dads feel the term “Mr. Mom” should die. The National At-Home Dad Network launched a campaign to terminate the phrase and instead have people refer to men as “Dad.” In 2014 Lake Superior State University voted to banish “Mr. Mom” from the lexicon.

“At least, the pop-culture image of the inept dad who wouldn’t know a diaper genie from a garbage disposal has begun to fade,” wrote The Wall Street Journal, after declaring “Mr. Mom is dead.”

6. TERI GARR DIDN’T KNOW IT WAS A MESSAGE MOVIE.

The movie redefined gender roles, but when the producers pitched the premise to Garr, they hid the plot reversal. “They just told me it was about a guy who does the work that a woman does, because it’s so easy,” she told The A.V. Club. “And I went, ‘Oh, yeah. Ha ha.’ It’s so easy. All the women I know who stay home and take care of their kids, they go, ‘Oh yeah, this is easy.’ Hmm.”

7. MARTIN MULL IMPROVISED THE “220, 221” LINE.

The quote everyone remembers from the movie comes from Jack, holding a chainsaw, standing next to Ron Richardson (Martin Mull) and discussing what kind of wiring Jack will use in renovating the house: “220, 221, whatever it takes,” Jack says.

“We’re doing the scene and it was okay,” Keaton told Esquire. “And I remember saying to the prop guy, ‘Go find me a chainsaw.’ When he comes back with it, he says, ‘You wanna wear these?’ And he holds up some goggles. I go, ‘Yeah.’ You know, they make me look crazy. And when Martin shows up, I know I should look under control, I’m not sweating it. I’m a dude. So we’re standing there, Martin pulls me aside and says, ‘You know what you ought to say? When I ask about the wiring, you oughta just deadpan: ‘220, 221.’ I died. It was perfect. I may have added ‘whatever it takes.’ But it was his.”

“That was a little ad-lib that we just threw in, but every carpenter or construction person I’ve ever worked with, they’re always quoting that line from Mr. Mom,” Mull told The A.V. Club.

8. MR. MOM OUTGROSSED HUGHES’S OTHER 1983 SUMMER MOVIE—VACATION.

Mr. Mom only opened on 126 screens on July 22, 1983, but managed to gross $947,197 during its opening weekend. Once the film went wide a month later to 1235 screens, it hit number one at the box office and spent five weeks at the top. By the end of its run, the film had grossed just shy of $65 million, making it the ninth highest-grossing film of 1983 (just between Staying Alive and Risky Business). National Lampoon’s Vacation, Hughes’s other film that summer, came out July 29 and ended its theatrical run with $61,399,552 (at its height, it showed on 1248 screens). Vacation finished the year in 11th place.

9. THE MOVIE LED TO HUGHES BEING CALLED “A PURVEYOR OF HORNY SEX COMEDIES.”

During a 1986 interview with Seventeen magazine, Molly Ringwald asked the writer-director why he never showed teen sex in Sixteen Candles or The Breakfast Club. “In Sixteen Candles, I figured it would only be gratuitous to show Samantha and Jake in anything more than a kiss,” he said. “The kiss is the most beautiful moment. I was really amused when someone once called me a ‘purveyor of horny sex comedies.’ He listed The Breakfast Club and Mr. Mom in parentheses. I thought, ‘What kind of sex?’ Yes, in Mr. Mom there’s a baby in a bathtub and you see its bare butt.”

10. MR. MOM WAS MADE INTO A TV MOVIE AFTER ALL.

In the beginning, producers wanted Mr. Mom to be a TV movie, not a feature film. But a year after the film came out in theaters, ABC produced a TV movie called Mr. Mom, with the same characters and premise. Barry Van Dyke played Jack and Rebecca York played Caroline. A People magazine review of the movie stated: “They and their three kids are immediately likable … But it goes downhill from there as the script lobotomizes all its characters. Here’s a textbook case in how TV takes a cute idea—and a script that does have some good lines—and leeches the wit out of it.”

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Prepositions in Band Names
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