5 Film Transitions Worth Knowing

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iStock

You see them every day, on TV shows, the news, and in movies, but how well do you know the most oft-used film transitions? Here are the big five:

1. THE DISSOLVE

The dissolve is an editing technique where one clip seems to fade—or dissolve—into the next. As the first clip is fading out, getting lighter and lighter, the second clip starts fading in, becoming more and more prominent. The process usually happens so subtly and so quickly, the viewer isn't even aware of the transition. The above video offers a great overview of the cut, with examples.

2. THE WIPE

This transition is the opposite of the dissolve in that it draws attention to itself. The best example of the wipe is what's known as the Iris Wipe, which you usually find in silent films, like Buster Keaton's or the Merrie Melodies cartoons—the circle getting smaller and smaller. Other wipe shapes include stars, diamonds, and the old turning clock.

The Star Wars films are chock-full of attention-grabbing wipes. Here are two good examples from The Empire Strikes Back. The first shows the clock wipe; the second, the diagonal wipe (pay no attention to the broken blocks at the start of the second clip—that's a technical glitch, not part of the film).

3. THE CUTAWAY

As the name implies, in the basic cutaway, the filmmaker is moving from the action to something else, and then coming back to the action. Cutaways are used to edit out boring shots (like people driving to their destination—why not see what the character is seeing or even thinking sometimes?) or add action to a sequence by changing the pace of the footage. My favorite use of the cutaway is in Family Guy, where the technique is used to insert throwaway gags. Here's a great example:

4. THE L CUT

The L Cut, also called a split edit, is a very cool technique whose name dates back to the old analog film days.

The audio track on a strip of celluloid film runs along the side, near the sprocket holes. In the L Cut transition, the editor traditionally cut the picture frames out of the strip, but left the narrow audio track intact, thus creating an L-shape out of the film. A different camera angle, or scene was then spliced into the spot where the old picture was, so the audio from the old footage was now cut over the new footage.

Of course, with digital editing, one doesn't need to physically cut anything anymore, but the transition is still widely used, and the name has remained the same.

Split edits like these are especially effective in portraying conversations. Imagine how a simple conversation between two people might look if all we ever got was a ping-pong edit back and forth between the two people talking. The L cut allows the viewer to read the emotion on the listener's face, as the dialogue continues over, as we see in this clip from Ferris Bueller's Day Off:

5. THE FADE

The fade in and fade out usually signal the beginning or end of a scene, especially if the filmmaker is fading to/from black. This is the most common, of course, but fading to white has become trendy, too. The opening title sequence from the HBO series Six Feet Under featured many fades to black and a couple brief fades to white. The very last bit in the sequence fades slowly to white, and is my all-time favorite example of the transition:

The Office Star Angela Kinsey Would Love to Do a Reunion Special

Emma McIntyre / Getty Images
Emma McIntyre / Getty Images

Whenever a classic TV show is brought back for a revival, it usually splits the fanbase in half. While some people are happy to see their favorite characters return, others are worried about the series coming back in lackluster fashion. And when it comes to the idea of a potential reboot of The Office, the series' cast is just as split.

Steve Carell has been very public about not wanting NBC to bring the show back, but Angela Kinsey is siding with co-stars John Krasinski, Jenna Fischer, and Ellie Kemper about welcoming a potential return to Scranton. The 48-year-old actress, who portrayed Angela Martin on the series, recently spoke with PopCulture.com, confirming she’d love to revisit the show.

"I would definitely be up for a reunion," Kinsey said. "I know a few cast members have talked about a special reunion episode to see where everyone is at. I would love that!"

Although many are torn on the idea of bringing The Office back, most fans would certainly be curious enoug to tune in and see what's going on with the Dunder Mifflin crew. Kinsey is no exception, saying, “I would love to know where these people are! I loved the show, I still love the show. I think it really holds up. I'm so thrilled that new audiences are finding it, so I would love that!"

Will it ever happen? It's hard to say. But while we wait to see if any official announcement is made, you can at least still binge The Office on Netflix and try to imagine what creepy thing Cousin Mose is doing these days.

[h/t PopCulture.com]

Harry Potter Fans Don’t Want to See the Movies Rebooted, Surprising No One

© 2011 Warner Bros. Harry Potter Publishing Rights (c) J.K. Rowling
© 2011 Warner Bros. Harry Potter Publishing Rights (c) J.K. Rowling

Although the Harry Potter franchise has one of the most dedicated fan bases in the world, that doesn’t mean fans are ready to see the series rebooted just yet. Yes, that would mean more movies to feed one’s obsession, but the general consensus is that it would be entirely too soon. Don’t believe us? A new poll might just prove it.

ComingSoon.net asked more than 2000 Potterheads if Warner Bros. should reboot the Harry Potter movie series, and a whopping 72 percent said they’re against it. The website also asked fans if reboots were made, how they should be done. Of those polled, 41 percent voted for it to be a direct sequel about Harry’s son, 35 percent voted for a spinoff TV series, 13 percent wanted another Fantastic Beasts spinoff, and a measly 11 percent showed support for a remake of all eight original films.

While it doesn’t look like a reboot will be in the works anytime soon (J.K. Rowling’s representatives just debunked a report about a TV series), that doesn’t mean it’s impossible for the future. Even star Daniel Radcliffe has entertained the idea, saying he believes he won’t be the last Potter portrayal he’ll see in his lifetime. But as long as Rowling and fans are against it, we probably won’t have to worry about it for a while.

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