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Reviewing The Wrestling Album

You'll pay to watch your favorite wrestlers fake-fight, but will you shell out your hard-earned cash to hear them really sing? The Wrestling Album, a 1985 release by the World Wrestling Federation, sought to answer that question. As part of our ongoing commitment to exhaustively covering ill-conceived novelty records by athletes, let's take a track-by-track look at this classic.

Track 1 "“ "Land of a Thousand Dances ?!!?"

Most albums try to open with a strong track to grab the listener's interest. This is not most albums, just as most song covers don't need incredulous punctuation. This dud opens with a whole slew of wrestlers warbling the rock staple with slightly modified lyrics. The wrestlers start grunting, bleating, and choking out individual lines before giving way to another grappler. Years later, it's hard to identify a lot of individual wrestlers' voices, though some come through loud and clear—particularly Freddie Blassie's and the Iron Sheik's. (It's probably a good thing the Sheik was handy with a camel clutch, because his earning potential as a singer would have been limited.)

The aural pain isn't quick, either; the song drags on for over four minutes and gets worse as it progresses with lyrics like "I wanna pound on your wimpy little body/How could you? You're so dang shoddy." Amazingly, this isn't the worst track on the record.

Can anyone stop this madness? Only Rowdy Roddy Piper, who throws an on-tape hissy fit that introduces one of the album's running conceits: between-track commentary by the WWF announcer team of Vince McMahon, "Mean Gene" Okerlund, and Jesse "The Body" Ventura. Ventura remains in his snotty heel character throughout the record and turns in a truly egregious bit of vocal overacting that's worth the price of the album.

Track 2 "“ "Grab Them Cakes" by Junkyard Dog

14.jpgThe late Junkyard Dog was a man of many talents. He could wear a chain and dog collar and make it look good. He could bodyslam much larger opponents. And he could apparently record a decent song. "Grab Them Cakes," which sees JYD get backing from disco queen Vicki Sue Robinson, is a surprisingly serviceable mid-"˜80's dance track. More impressively, JYD decided to take on a socially important issue in his song: butt-grabbing. (He's strongly in favor of it, it seems.) The Dog is ostensibly providing dancing instructions in the song, but all you have to do is "dig the groove" and "go for your partner's you-know-what." Plus, there's a lot of gratuitous barking, which really helps it stand out from the other dance tracks of its day.

"Grab Them Cakes" was released as a single, and it was successful enough to earn Junkyard Dog a spot on American Bandstand, an opportunity no other wrestler ever received.

Track 3 "“ "Real American" by Rick Derringer

Thanks to this song, no one who spent their formative years watching classic WWF television will ever forget how important it is to "fight for what's right. Fight for your life." Derringer's repetitive guitar rock track later earned a place in wrestling fans' memories when it became Hulk Hogan's entrance music. Even now, it's sort of hard to hear it without cupping a hand to your ear.

Interestingly, though, the song wasn't originally intended for Hogan. As Vince McMahon's between-track commentary reveals, "Real American" was supposed to be the theme music for U.S. Express, a champion tag team of Barry Windham and Mike Rotunda. The Hulkster didn't get start using the song until after the tag team broke up in 1986. Still, though, to the modern ear, this sounds like a deliciously nostalgic big boot to the face.

It's worth listening for the backing vocals of one Mona Flambe. "Flambe" was the pseudonym Cyndi Lauper used to record on this track, a ruse that might have worked marginally better if she didn't have such a distinctive voice and clear ties to the WWF.

Track 4 "“ "Eat Your Heart Out Rick Springfield" by Jimmy Hart

5.jpgHart, the "Mouth of the South" and pesky manager to wrestlers like the Honky Tonk Man, could really sing, and not just in a "He's not so bad on a WWF record" sense, either. Before Hart ever got into wrestling, he was a vocalist in the Gentrys, a rock band that charted a #4 Billboard hit with its million-selling "Keep on Dancing" in 1965.

Armed with this vocal pedigree and his brand of high-strung humor that endeared him to so many wrestling fans, Hart lays down a diss track on, you guessed it, Rick Springfield. Hart's beef with Springfield isn't totally clear, but it seems to stem from Springfield's stated fondness for girlfriend-stealing.

The track starts out strong with Hart voicing both sides of a conversation between himself and his girlfriend's mother before turning into a competent piece of guitar rock that bears more than a passing resemblance to Springfield's "Jessie's Girl." Although the chorus is more stilted than catchy, Hart acquits himself pretty well here, and it's definitely one of the better tracks on the record.

Track 5 "“ "Captain Lou's History of Music/Captain Lou" by Captain Lou Albano

1.jpgA few paragraphs ago I promised that "Land of a Thousand Dances?!!?" wasn't the worst track on this album. It's truly terrible, but it takes this bomb less than a minute to usurp the throne of awfulness.

The song begins with a lengthy conversation between George "The Animal" Steele and Albano on the history of music before segueing into "Captain Lou," which is apparently a modified cover of an NRBQ song. There's really no good way to describe this track; it's like a tone-deaf Cookie Monster got drunk, took a bunch of stimulants, then waddled into a karaoke bar to scream "Captain Lou, Captain Lou, Captain Lou!" while George Steele moaned in the background. I suppose there's an outside possibility that this isn't the worst piece of music ever recorded, but I'd be willing to bet one of my paired organs that it is.

We'll put an audio clip up here, but I wouldn't recommend listening to it. There's an off chance it could get stuck in your head and drive you to madness.

Track 6 "“ "Hulk Hogan's Theme" by the WWF All Stars

There's not much to say about Hulk Hogan's pre-"Real American" theme song, a nondescript arena rock instrumental that's heavy on keys, wailing guitars, and explosions. It sounds pretty much like any other babyface wrestler's theme song. In this case, though, it's notable for its length: four minutes. Really, the track gets its point across in the first two minutes, and by about the four-minute mark, even the most die-hard Hulkamaniac is probably wishing they hadn't torn off their shirt so early in the song. As a reward for making it through the whole thing, the listener gets to hear Jesse Ventura vomiting in disgust during the commentary track. Now that's showmanship!

Track 7 "“ "For Everybody" by Rowdy Roddy Piper

10.jpgThis one's sort of hard to wrap your head around, but bear with me. In the song, Piper is a Canadian guy playing a Scottish guy trying to sing like a backwoods American singer who's had one too many jars of whiskey. Piper, the WWF's most hated heel at the time, apparently recorded this track as a way of showing his utter contempt for the rest of humanity. Since the promotion catered to children, though, he couldn't sing his real message of "F--- Everybody," so it was neutered to "For Everybody." Not only does this little clean-up job really neuter the viciousness of Piper's message, it makes the sax-heavy song downright confusing. What is for everybody? It's not really clear. What we do know is that Piper still wants us to "kiss [his] trash."

Track 8 "“ "Tutti Frutti" by "Mean" Gene Okerlund

mean-gene.jpgIf this song doesn't make you laugh, you might be legally dead. After all, who better to cover Little Richard than a small, bald, mustachioed wrestling announcer? Okerlund's actually not a bad singer, and he enthusiastically throws himself into the song. The final product is pleasantly surprising, like finding out the creepy old guy who hangs out at the karaoke bar can actually belt one out. The underlying concept of Mean Gene covering Little Richard, though, is too hilarious to overcome, so instead of sounding like a musical triumph, it's the record's comedic high point.

Track 9 "“ "Don't Go Messin' With a Country Boy" by Hillbilly Jim

Thought this was just a rock record? Think again. Hillbilly Jim turns in this track, and while he can't really sing, it's impressive to see just how many country stereotypes the producers crammed into less than three minutes. Fiddles? Check. Down-home backup singers? Got "˜em. Banjo? Yep. Copious use of the Jew's harp? Oh, God, yes. References to moonshine? Abundant. Hillbilly Jim warns listeners of the terrible fate that will befall anyone who might have the audacity to mess with a country boy: "You'd be biting off a hunk too big to chew." Really? That's it? Give it points for being understated, but that doesn't really provide much of a deterrent to messing with a country boy.

Track 10 - "Cara Mia" by Nikolai Volkoff

volkov.jpgThe great thing about wrestling is that no matter how absurd it gets, it can always top itself. The rest of the album might have been bizarre, but the final track kicks things into surreal territory. Volkoff, the WWF's premier "Soviet" heel at the time, recording a dance cover of "Cara Mia" sounds odd, but his earnest voice nearly saves it from being pure camp.

At just under the two-minute mark, though, Volkoff "goes berserk," stops singing, and starts screaming about how he'll show you music with class: Russian music. He then starts an exuberant rendition of the Russian national anthem, much to the disgust of McMahon and Okerlund.

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10 Fun Facts About Spice World
Hulton Archive, Getty Images
Hulton Archive, Getty Images

In 1996, the Spice Girls took the world by storm when they released the song “Wannabe” from their debut album, Spice. Their mantra of “Girl Power” inspired a generation of young women to “Spice Up Your Life.” After Spice sold 31 million copies worldwide, the inevitable next step was the Girls starring on the big screen. So 20 years ago, on January 23, 1998, Columbia Pictures unleashed Spice World on American moviegoers.

In their film debut, the Girls—Melanie Brown (Scary Spice), Melanie Chisholm (Sporty Spice), Emma Bunton (Baby Spice), Geri Halliwell (Ginger Spice), and Victoria Beckham (Posh Spice)—played comical versions of themselves. The plot revolved around them trying to perform their biggest show yet, at London's Royal Albert Hall, while a tabloid newspaper reporter spied on them. And their best friend went into labor. And Ginger Spice kissed an alien.

Director Bob Spiers recruited several British luminaries to cameo, with Roger Moore, Bob Hoskins, Elvis Costello, Jennifer Saunders, and Elton John among those who appeared in the film. The Spice Girls were so popular that Prince Charles and his sons, Princes William and Harry, attended the Spice World premiere.

The movie, budgeted at $25 million, grossed a robust $100 million worldwide, despite Roger Ebert giving it a half-star rating and writing that the Girls were “so detached they can’t even successfully lip-synch their own songs.”

Spice World was nominated for seven Razzies, and won one: Worst Actress, an honor shared by all five Girls. In a 2007 UK poll, it was voted the worst film ever made. But over the years the film has endured. Esquire suggested it was better than The Beatles’s A Hard’s Day Night, and the podcast How Did This Get Made? spent more than an hour debating the film’s ridiculous plot.

Though the best-selling girl group of all time disbanded in 2000, Spice World remains a relic of Spice Mania. On its 20th anniversary, here are 10 fun facts about the film.

1. IT TOOK ONLY A YEAR FROM THE IDEA TO THE FINISHED FILM.

Prince Charles and Prince Harry pose with Spice Girls Victoria Beckham Mel C
WALTER DHLADHLA, AFP, Getty Images

Barnaby Thompson, one of the film’s producers, started a production company with Annie Lennox’s husband at the time, Uri Fruchtmann. Lennox and the Girls shared the same manager, Simon Fuller. Over lunch, Fuller, Fruchtmann, Thompson, and Fuller’s brother Kim decided they’d make the movie. "We finished it within a year of that lunch," Thompson told The Telegraph. "That lunch was on November 1, 1996 and we delivered the film exactly a year later, November 1, 1997."

2. THE GIRLS STOPPED TRAFFIC IN FRANCE.

By May 1997, the Girls had four number-one singles in the UK, and were one of the most popular music groups in the world. To create anticipation for Spice World, the producers took the women to the Cannes Film Festival, even though the film hadn’t been shot yet. "We put out a photo call notice," publicist Dennis Davidson said. "The traffic on the Croisette came to a standstill, there was a screaming crowd, people hanging out of the windows, it was totally insane." An estimated 5000 to 10,000 people showed up to see the pop stars. The film shot around London between June and August of 1997.

3. RICHARD E. GRANT’S DAUGHTER FORCED HIM TO DO THE MOVIE.

Richard E. Grant attends 'Their Finest' after party during the 60th BFI London Film Festival at on October 13, 2016.
John Phillips, Getty Images for BFI

Richard E. Grant’s 9-year-old daughter was a fan of the Spice Girls and when he was offered the part of the Girls’ manager, Clifford, she told him he had to do it, despite his concerns about “my acting credibility.” “And she’d say, ‘No, no, you have to. You have to because I want to meet them,’” Grant told Vulture in 2014. “So I did, and she was so thrilled. I had school playground credibility for about two semesters and then of course you dip into the other side when they go, ‘No, I was never a Spice Girls fan!’ Now that generation has all come back around again going, ‘Yeah, we love the Spice Girls!’”

4. SHAKESPEARE HELPED CAST ALAN CUMMING.

Alan Cumming played a less-than-Shakespearean role in the movie as a paparazzo-like guy named Piers Cuthbertson-Smyth. Ginger Spice was the one who suggested him to the casting department. “I remember seeing Alan Cumming performing as Hamlet [at the Donmar Warehouse],” she told The Telegraph. “When it came to Spice World, however many years later, it came to casting and we were going through pictures and I was like, ‘Let’s pick him, I saw him in Hamlet.’ It was brilliant to have that caliber of actors to be in our funny movie.”

5. YOU CAN VISIT THE SPICE BUS.

The Spice Girls arrive atop a double decker bus for a screening of their new movie 'Spice World' in New York.
HENNY RAY ABRAMS, AFP, Getty Images

The 1978 British Leyland Bristol VRTSL3 double decker bus, covered with the Union Jack on the outside and a swing on the inside, made its debut in the movie. Though a bomb destroyed it at the end of the movie, in real life it was saved. However, after filming ended the bus fell into disrepair, until the Island Harbour Marina, located on the Isle of Wight, purchased the beauty and restored it to its original state. They put it on permanent display in July 2014. The only thing the bus is missing is Meat Loaf driving it.

6. WITHNAIL AND I CONVINCED ELVIS COSTELLO TO MAKE A CAMEO.

In an interview with The A.V. Club, Elvis Costello said he loved Richard E. Grant’s film Withnail and I. “You know, I thought, ‘If I go to IMDb, I’m only a couple of clicks away from Withnail!,’” he said. Costello, who plays a barman in the movie, said he found his role to be “ironic.” “I’d only quit drinking a couple of years before, so I think the idea of being a barman was sort of ironic in my mind.”

7. THE PRODUCTION MADE SURE THE GIRLS DIDN’T READ THE SCRIPT.

Kim Fuller wrote the script (with additional writing from Jamie Curtis), which was originally titled Five. He knew the Girls might not like the script, or even read it. He gathered the ladies in a hotel in London. “I went in and said, ‘Look, turn your phones off, this is serious. I’m going to read you the story,’” he said.

They liked the story, and Ginger Spice contributed script ideas, even when she was in Bali. “I was spending hours on the phone trying to get it all sorted out and make sure that it was right,” she said. “By the time that we started, it was almost perfect.”

8. BUT THEY DIDN’T STICK TO THE SCRIPT.

Fuller said he gave them daily script pages and then they rehearsed it. “You needed to catch them at the right moment, when the energy is there,” Fuller said. “They’re not going to do 20 takes of one line, you know, so you had to think quickly on your feet.” In the Spice World documentary, Mel B confessed that she and the Girls interpreted the script. “We contributed our own little sparkle on top of it,” she said. “There were some times when we’d say the lines wrong just to make us laugh,” Baby Spice added. But those improvisations caused the script supervisor to almost quit.

"The script lady went beserk and nearly resigned because we kept changing everything," Fuller told The Telegraph. "There were a lot of flowers and we consoled her for a while and everything was fine after that."

9. THE GIRLS RECORDED AN ALBUM WHILE FILMING.

Their first album was such a massive hit that they needed to record their sophomore album to keep up the momentum. In order to fit in filming the movie and recording Spiceworld (one word), they had a mobile studio on set. They ended up writing some of the album’s—and movie’s—songs during production.

“It was quite good doing the album at the same time as the film because we were always hyperactive after a day on set and that meant we could go in the mobile studio and vibe off each other,” Posh told The Telegraph. They managed to film during the day and record at night. Virgin Records released the album on November 3, 1997, and most of Spiceworld’s songs made it into the movie, which meant there was an unofficial soundtrack.

10. MEL C LOVES THE MOVIE.

Melanie Chisholm (Sporty Spice) at the premiere of 'Spice World'
Brenda Chase, Getty Images

Mel C told The Telegraph that the film was difficult for her to watch, but when her daughter and friends wanted to watch it at a birthday party, Mel changed her mind. “I sat down with them and I actually really enjoyed it,” she said. “I laughed out loud. It brought back so many memories, and I think enough time has passed for me to be able to watch myself. You know in a way, it is brilliant. It’s very tongue-in-cheek, very silly. And the thing that I really realized was there was so much of us in it. It was very, very real.”

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Here's The Full List of 2018 Oscar Nominations
Universal Pictures
Universal Pictures

There are only two things that can get Hollywood’s biggest stars out of bed at 5 a.m.: an early call time or Academy Award nominations. The nominees for the 90th annual Oscars were announced on Tuesday morning, and represented a great year in movies.

Guillermo del Toro’s merman-meets-woman love story The Shape of Water leads this year’s nominees with a total of 13 nominations, followed by Martin McDonagh’s divisive Three Billboards Outside Ebbing, Missouri, which received nine nominations.

Jordan Peele and Greta Gerwig both made some Oscar history with their nominations for Best Director: Peele is the fifth black director to compete for the statuette (joining John Singleton, Lee Daniels, Steve McQueen, and Barry Jenkins—none of whom have won the award) while Gerwig is the fifth woman to be nominated for the prize (in 2010, Kathryn Bigelow became the first female Best Director winner with The Hurt Locker).

The Academy Awards will be hosted by Jimmy Kimmel for a second time, and will air on March 4, 2018. Which movies will you be rooting for on Oscar night?

BEST PICTURE

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

LEAD ACTOR

Timothée Chalamet, Call Me by Your Name
Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
Gary Oldman, Darkest Hour
Denzel Washington, Roman J. Israel, Esq.

LEAD ACTRESS

Sally Hawkins, The Shape of Water
Frances McDormand, Three Billboards Outside Ebbing, Missouri
Margot Robbie, I, Tonya
Saoirse Ronan, Lady Bird
Meryl Streep, The Post

SUPPORTING ACTOR

Willem Dafoe, The Florida Project
Woody Harrelson, Three Billboards Outside Ebbing, Missouri
Richard Jenkins, The Shape of Water
Christopher Plummer, All the Money in the World
Sam Rockwell, Three Billboards Outside Ebbing, Missouri

SUPPORTING ACTRESS

Mary J. Blige, Mudbound
Allison Janney, I, Tonya
Lesley Manville, Phantom Thread
Laurie Metcalf, Lady Bird
Octavia Spencer, The Shape of Water

DIRECTOR

Christopher Nolan, Dunkirk
Jordan Peele, Get Out
Greta Gerwig, Lady Bird
Paul Thomas Anderson, Phantom Thread
Guillermo del Toro, The Shape of Water

ANIMATED FEATURE

The Boss Baby, Tom McGrath, Ramsey Ann Naito
The Breadwinner, Nora Twomey, Anthony Leo
Coco, Lee Unkrich, Darla K. Anderson
Ferdinand, Carlos Saldanha
Loving Vincent, Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

ANIMATED SHORT

Dear Basketball, Glen Keane, Kobe Bryant
Garden Party, Victor Caire, Gabriel Grapperon
Lou, Dave Mullins, Dana Murray
Negative Space, Max Porter, Ru Kuwahata
Revolting Rhymes, Jakob Schuh, Jan Lachauer

ADAPTED SCREENPLAY

Call Me by Your Name, James Ivory
The Disaster Artist, Scott Neustadter & Michael H. Weber
Logan, Scott Frank & James Mangold and Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees

ORIGINAL SCREENPLAY

The Big Sick, Emily V. Gordon & Kumail Nanjiani
Get Out, Jordan Peele
Lady Bird, Greta Gerwig
The Shape of Water, Guillermo del Toro, Vanessa Taylor
Three Billboards Outside Ebbing, Missouri, Martin McDonagh

CINEMATOGRAPHY

Blade Runner 2049, Roger Deakins
Darkest Hour, Bruno Delbonnel
Dunkirk, Hoyte van Hoytema
Mudbound, Rachel Morrison
The Shape of Water, Dan Laustsen

BEST DOCUMENTARY FEATURE

Abacus: Small Enough to Jail, Steve James, Mark Mitten, Julie Goldman
Faces Places, JR, Agnès Varda, Rosalie Varda
Icarus, Bryan Fogel, Dan Cogan
Last Men in Aleppo, Feras Fayyad, Kareem Abeed, Soren Steen Jepersen
Strong Island, Yance Ford, Joslyn Barnes

BEST DOCUMENTARY SHORT SUBJECT

Edith+Eddie, Laura Checkoway, Thomas Lee Wright
Heaven is a Traffic Jam on the 405, Frank Stiefel
Heroin(e), Elaine McMillion Sheldon, Kerrin Sheldon
Knife Skills, Thomas Lennon
Traffic Stop, Kate Davis, David Heilbroner

BEST LIVE ACTION SHORT FILM

DeKalb Elementary, Reed Van Dyk
The Eleven O’Clock, Derin Seale, Josh Lawson
My Nephew Emmett, Kevin Wilson, Jr.
The Silent Child, Chris Overton, Rachel Shenton
Watu Wote/All of Us, Katja Benrath, Tobias Rosen

BEST FOREIGN LANGUAGE FILM

A Fantastic Woman (Chile)
The Insult (Lebanon)
Loveless (Russia)
On Body and Soul (Hungary)
The Square (Sweden)

FILM EDITING

Baby Driver, Jonathan Amos, Paul Machliss
Dunkirk, Lee Smith
I, Tonya, Tatiana S. Riegel
The Shape of Water, Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri, Jon Gregory

SOUND EDITING

Baby Driver, Julian Slater
Blade Runner 2049, Mark Mangini, Theo Green
Dunkirk, Alex Gibson, Richard King
The Shape of Water, Nathan Robitaille, Nelson Ferreira
Star Wars: The Last Jedi, Ren Klyce, Matthew Wood

SOUND MIXING

Baby Driver, Mary H. Ellis, Julian Slater, Tim Cavagin
Blade Runner 2049, Mac Ruth, Ron Bartlett, Doug Hephill
Dunkirk, Mark Weingarten, Gregg Landaker, Gary A. Rizzo
The Shape of Water, Glen Gauthier, Christian Cooke, Brad Zoern
Star Wars: The Last Jedi, Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

PRODUCTION DESIGN

Beauty and the Beast, Sarah Greenwood; Katie Spencer
Blade Runner 2049, Dennis Gassner, Alessandra Querzola
Darkest Hour, Sarah Greenwood, Katie Spencer
Dunkirk, Nathan Crowley, Gary Fettis
The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

ORIGINAL SCORE

Dunkirk, Hans Zimmer
Phantom Thread, Jonny Greenwood
The Shape of Water, Alexandre Desplat
Star Wars: The Last Jedi, John Williams
Three Billboards Outside Ebbing, Missouri, Carter Burwell

ORIGINAL SONG

"Mighty River" from Mudbound, Mary J. Blige
"Mystery of Love" from Call Me by Your Name, Sufjan Stevens
"Remember Me" from Coco, Kristen Anderson-Lopez, Robert Lopez
"Stand Up for Something" from Marshall, Diane Warren, Common
"This Is Me" from The Greatest Showman, Benj Pasek, Justin Paul

MAKEUP AND HAIR

Darkest Hour, Kazuhiro Tsuji, David Malinowski, Lucy Sibbick
Victoria and Abdul, Daniel Phillips and Lou Sheppard
Wonder, Arjen Tuiten

COSTUME DESIGN

Beauty and the Beast, Jacqueline Durran
Darkest Hour, Jacqueline Durran
Phantom Thread, Mark Bridges
The Shape of Water, Luis Sequeira
Victoria and Abdul, Consolata Boyle

VISUAL EFFECTS

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer
Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick
Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus
Star Wars: The Last Jedi,  Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlon
War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

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